2822 lines
150 KiB
Plaintext
2822 lines
150 KiB
Plaintext
The Project Gutenberg eBook of Carmen
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This eBook is for the use of anyone anywhere in the United States and
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most other parts of the world at no cost and with almost no restrictions
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whatsoever. You may copy it, give it away or re-use it under the terms
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you will have to check the laws of the country where you are located
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before using this eBook.
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Title: Carmen
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Author: Prosper Mérimée
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Translator: Lady Mary Loyd
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Release date: March 28, 2006 [eBook #2465]
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Most recently updated: September 3, 2024
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Language: English
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Other information and formats: www.gutenberg.org/ebooks/2465
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Credits: Produced by Dagny; John Bickers; David Widger
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*** START OF THE PROJECT GUTENBERG EBOOK CARMEN ***
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CARMEN
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by Prosper Merimee
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Translated by Lady Mary Loyd
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CHAPTER I
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I had always suspected the geographical authorities did not know what
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they were talking about when they located the battlefield of Munda in
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the county of the Bastuli-Poeni, close to the modern Monda, some two
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leagues north of Marbella.
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According to my own surmise, founded on the text of the anonymous author
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of the _Bellum Hispaniense_, and on certain information culled from the
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excellent library owned by the Duke of Ossuna, I believed the site of
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the memorable struggle in which Caesar played double or quits, once and
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for all, with the champions of the Republic, should be sought in the
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neighbourhood of Montilla.
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Happening to be in Andalusia during the autumn of 1830, I made a
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somewhat lengthy excursion, with the object of clearing up certain
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doubts which still oppressed me. A paper which I shall shortly publish
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will, I trust, remove any hesitation that may still exist in the minds
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of all honest archaeologists. But before that dissertation of mine
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finally settles the geographical problem on the solution of which the
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whole of learned Europe hangs, I desire to relate a little tale. It will
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do no prejudice to the interesting question of the correct locality of
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Monda.
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I had hired a guide and a couple of horses at Cordova, and had
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started on my way with no luggage save a few shirts, and Caesar’s
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_Commentaries_. As I wandered, one day, across the higher lands of the
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Cachena plain, worn with fatigue, parched with thirst, scorched by a
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burning sun, cursing Caesar and Pompey’s sons alike, most heartily, my
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eye lighted, at some distance from the path I was following, on a little
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stretch of green sward dotted with reeds and rushes. That betokened the
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neighbourhood of some spring, and, indeed, as I drew nearer I perceived
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that what had looked like sward was a marsh, into which a stream, which
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seemed to issue from a narrow gorge between two high spurs of the Sierra
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di Cabra, ran and disappeared.
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If I rode up that stream, I argued, I was likely to find cooler water,
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fewer leeches and frogs, and mayhap a little shade among the rocks.
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At the mouth of the gorge, my horse neighed, and another horse,
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invisible to me, neighed back. Before I had advanced a hundred paces,
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the gorge suddenly widened, and I beheld a sort of natural amphitheatre,
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thoroughly shaded by the steep cliffs that lay all around it. It was
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impossible to imagine any more delightful halting place for a traveller.
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At the foot of the precipitous rocks, the stream bubbled upward and fell
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into a little basin, lined with sand that was as white as snow. Five or
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six splendid evergreen oaks, sheltered from the wind, and cooled by the
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spring, grew beside the pool, and shaded it with their thick foliage.
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And round about it a close and glossy turf offered the wanderer a better
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bed than he could have found in any hostelry for ten leagues round.
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The honour of discovering this fair spot did not belong to me. A man was
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resting there already--sleeping, no doubt--before I reached it. Roused
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by the neighing of the horses, he had risen to his feet and had moved
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over to his mount, which had been taking advantage of its master’s
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slumbers to make a hearty feed on the grass that grew around. He was an
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active young fellow, of middle height, but powerful in build, and proud
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and sullen-looking in expression. His complexion, which may once have
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been fine, had been tanned by the sun till it was darker than his hair.
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One of his hands grasped his horse’s halter. In the other he held a
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brass blunderbuss.
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At the first blush, I confess, the blunderbuss, and the savage looks
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of the man who bore it, somewhat took me aback. But I had heard so much
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about robbers, that, never seeing any, I had ceased to believe in their
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existence. And further, I had seen so many honest farmers arm themselves
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to the teeth before they went out to market, that the sight of firearms
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gave me no warrant for doubting the character of any stranger. “And
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then,” quoth I to myself, “what could he do with my shirts and my
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Elzevir edition of Caesar’s _Commentaries_?” So I bestowed a friendly
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nod on the man with the blunderbuss, and inquired, with a smile, whether
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I had disturbed his nap. Without any answer, he looked me over from
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head to foot. Then, as if the scrutiny had satisfied him, he looked as
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closely at my guide, who was just coming up. I saw the guide turn pale,
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and pull up with an air of evident alarm. “An unlucky meeting!” thought
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I to myself. But prudence instantly counselled me not to let any symptom
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of anxiety escape me. So I dismounted. I told the guide to take off the
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horses’ bridles, and kneeling down beside the spring, I laved my head
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and hands and then drank a long draught, lying flat on my belly, like
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Gideon’s soldiers.
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Meanwhile, I watched the stranger, and my own guide. This last seemed to
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come forward unwillingly. But the other did not appear to have any evil
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designs upon us. For he had turned his horse loose, and the blunderbuss,
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which he had been holding horizontally, was now dropped earthward.
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Not thinking it necessary to take offence at the scant attention paid
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me, I stretched myself full length upon the grass, and calmly asked the
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owner of the blunderbuss whether he had a light about him. At the same
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time I pulled out my cigar-case. The stranger, still without opening his
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lips, took out his flint, and lost no time in getting me a light. He was
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evidently growing tamer, for he sat down opposite to me, though he still
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grasped his weapon. When I had lighted my cigar, I chose out the best I
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had left, and asked him whether he smoked.
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“Yes, senor,” he replied. These were the first words I had heard him
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speak, and I noticed that he did not pronounce the letter _s_* in the
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Andalusian fashion, whence I concluded he was a traveller, like myself,
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though, maybe, somewhat less of an archaeologist.
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* The Andalusians aspirate the _s_, and pronounce it like
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the soft _c_ and the _z_, which Spaniards pronounce like the
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English _th_. An Andalusian may always be recognised by the
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way in which he says _senor_.
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“You’ll find this a fairly good one,” said I, holding out a real Havana
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regalia.
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He bowed his head slightly, lighted his cigar at mine, thanked me
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with another nod, and began to smoke with a most lively appearance of
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enjoyment.
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“Ah!” he exclaimed, as he blew his first puff of smoke slowly out of his
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mouth and nostrils. “What a time it is since I’ve had a smoke!”
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In Spain the giving and accepting of a cigar establishes bonds of
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hospitality similar to those founded in Eastern countries on the
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partaking of bread and salt. My friend turned out more talkative than
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I had hoped. However, though he claimed to belong to the _partido_ of
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Montilla, he seemed very ill-informed about the country. He did not know
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the name of the delightful valley in which we were sitting, he could
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not tell me the names of any of the neighbouring villages, and when I
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inquired whether he had not noticed any broken-down walls, broad-rimmed
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tiles, or carved stones in the vicinity, he confessed he had never paid
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any heed to such matters. On the other hand, he showed himself an expert
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in horseflesh, found fault with my mount--not a difficult affair--and
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gave me a pedigree of his own, which had come from the famous stud at
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Cordova. It was a splendid creature, indeed, so tough, according to
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its owner’s claim, that it had once covered thirty leagues in one day,
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either at the gallop or at full trot the whole time. In the midst of his
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story the stranger pulled up short, as if startled and sorry he had said
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so much. “The fact is I was in a great hurry to get to Cordova,” he
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went on, somewhat embarrassed. “I had to petition the judges about a
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lawsuit.” As he spoke, he looked at my guide Antonio, who had dropped
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his eyes.
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The spring and the cool shade were so delightful that I bethought me
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of certain slices of an excellent ham, which my friends at Montilla had
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packed into my guide’s wallet. I bade him produce them, and invited the
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stranger to share our impromptu lunch. If he had not smoked for a long
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time, he certainly struck me as having fasted for eight-and-forty hours
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at the very least. He ate like a starving wolf, and I thought to myself
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that my appearance must really have been quite providential for the poor
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fellow. Meanwhile my guide ate but little, drank still less, and spoke
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never a word, although in the earlier part of our journey he had proved
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himself a most unrivalled chatterer. He seemed ill at ease in the
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presence of our guest, and a sort of mutual distrust, the cause of which
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I could not exactly fathom, seemed to be between them.
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The last crumbs of bread and scraps of ham had disappeared. We had each
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smoked our second cigar; I told the guide to bridle the horses, and was
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just about to take leave of my new friend, when he inquired where I was
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going to spend the night.
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Before I had time to notice a sign my guide was making to me I had
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replied that I was going to the Venta del Cuervo.
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“That’s a bad lodging for a gentleman like you, sir! I’m bound there
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myself, and if you’ll allow me to ride with you, we’ll go together.”
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“With pleasure!” I replied, mounting my horse. The guide, who was
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holding my stirrup, looked at me meaningly again. I answered by
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shrugging my shoulders, as though to assure him I was perfectly easy in
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my mind, and we started on our way.
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Antonio’s mysterious signals, his evident anxiety, a few words dropped
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by the stranger, above all, his ride of thirty leagues, and the far from
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plausible explanation he had given us of it, had already enabled me
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to form an opinion as to the identity of my fellow-traveller. I had
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no doubt at all I was in the company of a smuggler, and possibly of a
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brigand. What cared I? I knew enough of the Spanish character to be very
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certain I had nothing to fear from a man who had eaten and smoked
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with me. His very presence would protect me in case of any undesirable
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meeting. And besides, I was very glad to know what a brigand was really
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like. One doesn’t come across such gentry every day. And there is a
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certain charm about finding one’s self in close proximity to a dangerous
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being, especially when one feels the being in question to be gentle and
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tame.
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I was hoping the stranger might gradually fall into a confidential
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mood, and in spite of my guide’s winks, I turned the conversation to
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the subject of highwaymen. I need scarcely say that I spoke of them with
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great respect. At that time there was a famous brigand in Andalusia, of
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the name of Jose-Maria, whose exploits were on every lip. “Supposing I
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should be riding along with Jose-Maria!” said I to myself. I told all
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the stories I knew about the hero--they were all to his credit, indeed,
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and loudly expressed my admiration of his generosity and his valour.
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“Jose-Maria is nothing but a blackguard,” said the stranger gravely.
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“Is he just to himself, or is this an excess of modesty?” I queried,
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mentally, for by dint of scrutinizing my companion, I had ended by
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reconciling his appearance with the description of Jose-Maria which I
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read posted up on the gates of various Andalusian towns. “Yes, this must
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be he--fair hair, blue eyes, large mouth, good teeth, small hands, fine
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shirt, a velvet jacket with silver buttons on it, white leather gaiters,
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and a bay horse. Not a doubt about it. But his _incognito_ shall be
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respected!” We reached the _venta_. It was just what he had described
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to me. In other words, the most wretched hole of its kind I had as yet
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beheld. One large apartment served as kitchen, dining-room, and sleeping
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chamber. A fire was burning on a flat stone in the middle of the room,
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and the smoke escaped through a hole in the roof, or rather hung in a
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cloud some feet above the soil. Along the walls five or six mule rugs
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were spread on the floor. These were the travellers’ beds. Twenty paces
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from the house, or rather from the solitary apartment which I have just
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described, stood a sort of shed, that served for a stable.
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The only inhabitants of this delightful dwelling visible at the moment,
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at all events, were an old woman, and a little girl of ten or twelve
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years old, both of them as black as soot, and dressed in loathsome rags.
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“Here’s the sole remnant of the ancient populations of Munda Boetica,”
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said I to myself. “O Caesar! O Sextus Pompeius, if you were to revisit
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this earth how astounded you would be!”
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When the old woman saw my travelling companion an exclamation of
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surprise escaped her. “Ah! Senor Don Jose!” she cried.
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Don Jose frowned and lifted his hand with a gesture of authority that
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forthwith silenced the old dame.
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I turned to my guide and gave him to understand, by a sign that no one
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else perceived, that I knew all about the man in whose company I was
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about to spend the night. Our supper was better than I expected. On
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a little table, only a foot high, we were served with an old rooster,
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fricasseed with rice and numerous peppers, then more peppers in oil,
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and finally a _gaspacho_--a sort of salad made of peppers. These three
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highly spiced dishes involved our frequent recourse to a goatskin filled
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with Montella wine, which struck us as being delicious.
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After our meal was over, I caught sight of a mandolin hanging up against
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the wall--in Spain you see mandolins in every corner--and I asked the
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little girl, who had been waiting on us, if she knew how to play it.
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“No,” she replied. “But Don Jose does play well!”
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“Do me the kindness to sing me something,” I said to him, “I’m
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passionately fond of your national music.”
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“I can’t refuse to do anything for such a charming gentleman, who gives
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me such excellent cigars,” responded Don Jose gaily, and having made
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the child give him the mandolin, he sang to his own accompaniment. His
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voice, though rough, was pleasing, the air he sang was strange and sad.
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As to the words, I could not understand a single one of them.
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“If I am not mistaken,” said I, “that’s not a Spanish air you have just
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been singing. It’s like the _zorzicos_ I’ve heard in the Provinces,* and
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the words must be in the Basque language.”
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* The _privileged Provinces_, Alava, Biscay, Guipuzcoa, and a part of
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Navarre, which all enjoy special _fueros_. The Basque language is spoken
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in these countries.
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“Yes,” said Don Jose, with a gloomy look. He laid the mandolin down on
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the ground, and began staring with a peculiarly sad expression at the
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dying fire. His face, at once fierce and noble-looking, reminded me,
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as the firelight fell on it, of Milton’s Satan. Like him, perchance,
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my comrade was musing over the home he had forfeited, the exile he had
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earned, by some misdeed. I tried to revive the conversation, but so
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absorbed was he in melancholy thought, that he gave me no answer.
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The old woman had already gone to rest in a corner of the room, behind
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a ragged rug hung on a rope. The little girl had followed her into this
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retreat, sacred to the fair sex. Then my guide rose, and suggested that
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I should go with him to the stable. But at the word Don Jose, waking, as
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it were, with a start, inquired sharply whither he was going.
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“To the stable,” answered the guide.
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“What for? The horses have been fed! You can sleep here. The senor will
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give you leave.”
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“I’m afraid the senor’s horse is sick. I’d like the senor to see it.
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Perhaps he’d know what should be done for it.”
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It was quite clear to me that Antonio wanted to speak to me apart.
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But I did not care to rouse Don Jose’s suspicions, and being as we
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were, I thought far the wisest course for me was to appear absolutely
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confident.
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I therefore told Antonio that I knew nothing on earth about horses, and
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that I was desperately sleepy. Don Jose followed him to the stable, and
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soon returned alone. He told me there was nothing the matter with the
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horse, but that my guide considered the animal such a treasure that he
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was scrubbing it with his jacket to make it sweat, and expected to spend
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the night in that pleasing occupation. Meanwhile I had stretched myself
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out on the mule rugs, having carefully wrapped myself up in my own
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cloak, so as to avoid touching them. Don Jose, having begged me to
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excuse the liberty he took in placing himself so near me, lay down
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across the door, but not until he had primed his blunderbuss afresh and
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carefully laid it under the wallet, which served him as a pillow.
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I had thought I was so tired that I should be able to sleep even in such
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a lodging. But within an hour a most unpleasant itching sensation roused
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me from my first nap. As soon as I realized its nature, I rose to my
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feet, feeling convinced I should do far better to spend the rest of
|
||
the night in the open air than beneath that inhospitable roof. Walking
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tiptoe I reached the door, stepped over Don Jose, who was sleeping the
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sleep of the just, and managed so well that I got outside the building
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without waking him. Just beside the door there was a wide wooden
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bench. I lay down upon it, and settled myself, as best I could, for the
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remainder of the night. I was just closing my eyes for a second time
|
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when I fancied I saw the shadow of a man and then the shadow of a horse
|
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moving absolutely noiselessly, one behind the other. I sat upright, and
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then I thought I recognised Antonio. Surprised to see him outside the
|
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stable at such an hour, I got up and went toward him. He had seen me
|
||
first, and had stopped to wait for me.
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“Where is he?” Antonio inquired in a low tone.
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“In the _venta_. He’s asleep. The bugs don’t trouble him. But what are
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||
you going to do with that horse?” I then noticed that, to stifle all
|
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noise as he moved out of the shed, Antonio had carefully muffled the
|
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horse’s feet in the rags of an old blanket.
|
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“Speak lower, for God’s sake,” said Antonio. “You don’t know who that
|
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man is. He’s Jose Navarro, the most noted bandit in Andalusia. I’ve been
|
||
making signs to you all day long, and you wouldn’t understand.”
|
||
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||
“What do I care whether he’s a brigand or not,” I replied. “He hasn’t
|
||
robbed us, and I’ll wager he doesn’t want to.”
|
||
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“That may be. But there are two hundred ducats on his head. Some lancers
|
||
are stationed in a place I know, a league and a half from here, and
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||
before daybreak I’ll bring a few brawny fellows back with me. I’d have
|
||
taken his horse away, but the brute’s so savage that nobody but Navarro
|
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can go near it.”
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||
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||
“Devil take you!” I cried. “What harm has the poor fellow done you that
|
||
you should want to inform against him? And besides, are you certain he
|
||
is the brigand you take him for?”
|
||
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||
“Perfectly certain! He came after me into the stable just now, and said,
|
||
‘You seem to know me. If you tell that good gentleman who I am, I’ll
|
||
blow your brains out!’ You stay here, sir, keep close to him. You’ve
|
||
nothing to fear. As long as he knows you are there, he won’t suspect
|
||
anything.”
|
||
|
||
As we talked, we had moved so far from the _venta_ that the noise of the
|
||
horse’s hoofs could not be heard there. In a twinkling Antonio snatched
|
||
off the rags he had wrapped around the creature’s feet, and was just
|
||
about to climb on its back. In vain did I attempt with prayers and
|
||
threats to restrain him.
|
||
|
||
“I’m only a poor man, senor,” quoth he, “I can’t afford to lose two
|
||
hundred ducats--especially when I shall earn them by ridding the country
|
||
of such vermin. But mind what you’re about! If Navarro wakes up, he’ll
|
||
snatch at his blunderbuss, and then look out for yourself! I’ve gone too
|
||
far now to turn back. Do the best you can for yourself!”
|
||
|
||
The villain was in his saddle already, he spurred his horse smartly, and
|
||
I soon lost sight of them both in the darkness.
|
||
|
||
I was very angry with my guide, and terribly alarmed as well. After a
|
||
moment’s reflection, I made up my mind, and went back to the _venta_.
|
||
Don Jose was still sound asleep, making up, no doubt, for the fatigue
|
||
and sleeplessness of several days of adventure. I had to shake him
|
||
roughly before I could wake him up. Never shall I forget his fierce
|
||
look, and the spring he made to get hold of his blunderbuss, which, as a
|
||
precautionary measure, I had removed to some distance from his couch.
|
||
|
||
“Senor,” I said, “I beg your pardon for disturbing you. But I have a
|
||
silly question to ask you. Would you be glad to see half a dozen lancers
|
||
walk in here?”
|
||
|
||
He bounded to his feet, and in an awful voice he demanded:
|
||
|
||
“Who told you?”
|
||
|
||
“It’s little matter whence the warning comes, so long as it be good.”
|
||
|
||
“Your guide has betrayed me--but he shall pay for it! Where is he?”
|
||
|
||
“I don’t know. In the stable, I fancy. But somebody told me--”
|
||
|
||
“Who told you? It can’t be the old hag--”
|
||
|
||
“Some one I don’t know. Without more parleying, tell me, yes or no, have
|
||
you any reason for not waiting till the soldiers come? If you have
|
||
any, lose no time! If not, good-night to you, and forgive me for having
|
||
disturbed your slumbers!”
|
||
|
||
“Ah, your guide! Your guide! I had my doubts of him at first--but--I’ll
|
||
settle with him! Farewell, senor. May God reward you for the service
|
||
I owe you! I am not quite so wicked as you think me. Yes, I still have
|
||
something in me that an honest man may pity. Farewell, senor! I have
|
||
only one regret--that I can not pay my debt to you!”
|
||
|
||
“As a reward for the service I have done you, Don Jose, promise me
|
||
you’ll suspect nobody--nor seek for vengeance. Here are some cigars for
|
||
your journey. Good luck to you.” And I held out my hand to him.
|
||
|
||
He squeezed it, without a word, took up his wallet and blunderbuss, and
|
||
after saying a few words to the old woman in a lingo that I could not
|
||
understand, he ran out to the shed. A few minutes later, I heard him
|
||
galloping out into the country.
|
||
|
||
As for me, I lay down again on my bench, but I did not go to sleep
|
||
again. I queried in my own mind whether I had done right to save a
|
||
robber, and possibly a murderer, from the gallows, simply and solely
|
||
because I had eaten ham and rice in his company. Had I not betrayed my
|
||
guide, who was supporting the cause of law and order? Had I not
|
||
exposed him to a ruffian’s vengeance? But then, what about the laws of
|
||
hospitality?
|
||
|
||
“A mere savage prejudice,” said I to myself. “I shall have to answer for
|
||
all the crimes this brigand may commit in future.” Yet is that instinct
|
||
of the conscience which resists every argument really a prejudice? It
|
||
may be I could not have escaped from the delicate position in which I
|
||
found myself without remorse of some kind. I was still tossed to and
|
||
fro, in the greatest uncertainty as to the morality of my behaviour,
|
||
when I saw half a dozen horsemen ride up, with Antonio prudently lagging
|
||
behind them. I went to meet them, and told them the brigand had fled
|
||
over two hours previously. The old woman, when she was questioned by the
|
||
sergeant, admitted that she knew Navarro, but said that living alone,
|
||
as she did, she would never have dared to risk her life by informing
|
||
against him. She added that when he came to her house, he habitually
|
||
went away in the middle of the night. I, for my part, was made to ride
|
||
to a place some leagues away, where I showed my passport, and signed a
|
||
declaration before the _Alcalde_. This done, I was allowed to recommence
|
||
my archaeological investigations. Antonio was sulky with me; suspecting
|
||
it was I who had prevented his earning those two hundred ducats.
|
||
Nevertheless, we parted good friends at Cordova, where I gave him as
|
||
large a gratuity as the state of my finances would permit.
|
||
|
||
|
||
|
||
CHAPTER II
|
||
|
||
I spent several days at Cordova. I had been told of a certain manuscript
|
||
in the library of the Dominican convent which was likely to furnish me
|
||
with very interesting details about the ancient Munda. The good fathers
|
||
gave me the most kindly welcome. I spent the daylight hours within their
|
||
convent, and at night I walked about the town. At Cordova a great many
|
||
idlers collect, toward sunset, in the quay that runs along the right
|
||
bank of the Guadalquivir. Promenaders on the spot have to breathe the
|
||
odour of a tan yard which still keeps up the ancient fame of the country
|
||
in connection with the curing of leather. But to atone for this, they
|
||
enjoy a sight which has a charm of its own. A few minutes before the
|
||
Angelus bell rings, a great company of women gathers beside the river,
|
||
just below the quay, which is rather a high one. Not a man would dare
|
||
to join its ranks. The moment the Angelus rings, darkness is supposed to
|
||
have fallen. As the last stroke sounds, all the women disrobe and step
|
||
into the water. Then there is laughing and screaming and a wonderful
|
||
clatter. The men on the upper quay watch the bathers, straining
|
||
their eyes, and seeing very little. Yet the white uncertain outlines
|
||
perceptible against the dark-blue waters of the stream stir the poetic
|
||
mind, and the possessor of a little fancy finds it not difficult to
|
||
imagine that Diana and her nymphs are bathing below, while he himself
|
||
runs no risk of ending like Acteon.
|
||
|
||
I have been told that one day a party of good-for-nothing fellows banded
|
||
themselves together, and bribed the bell-ringer at the cathedral to ring
|
||
the Angelus some twenty minutes before the proper hour. Though it was
|
||
still broad daylight, the nymphs of the Guadalquivir never hesitated,
|
||
and putting far more trust in the Angelus bell than in the sun, they
|
||
proceeded to their bathing toilette--always of the simplest--with an
|
||
easy conscience. I was not present on that occasion. In my day, the
|
||
bell-ringer was incorruptible, the twilight was very dim, and nobody but
|
||
a cat could have distinguished the difference between the oldest orange
|
||
woman, and the prettiest shop-girl, in Cordova.
|
||
|
||
One evening, after it had grown quite dusk, I was leaning over the
|
||
parapet of the quay, smoking, when a woman came up the steps leading
|
||
from the river, and sat down near me. In her hair she wore a great
|
||
bunch of jasmine--a flower which, at night, exhales a most intoxicating
|
||
perfume. She was dressed simply, almost poorly, in black, as most
|
||
work-girls are dressed in the evening. Women of the richer class only
|
||
wear black in the daytime, at night they dress _a la francesa_. When she
|
||
drew near me, the woman let the mantilla which had covered her head
|
||
drop on her shoulders, and “by the dim light falling from the stars” I
|
||
perceived her to be young, short in stature, well-proportioned, and with
|
||
very large eyes. I threw my cigar away at once. She appreciated this
|
||
mark of courtesy, essentially French, and hastened to inform me that she
|
||
was very fond of the smell of tobacco, and that she even smoked herself,
|
||
when she could get very mild _papelitos_. I fortunately happened to have
|
||
some such in my case, and at once offered them to her. She condescended
|
||
to take one, and lighted it at a burning string which a child brought
|
||
us, receiving a copper for its pains. We mingled our smoke, and talked
|
||
so long, the fair lady and I, that we ended by being almost alone on
|
||
the quay. I thought I might venture, without impropriety, to suggest our
|
||
going to eat an ice at the _neveria_.* After a moment of modest demur,
|
||
she agreed. But before finally accepting, she desired to know what
|
||
o’clock it was. I struck my repeater, and this seemed to astound her
|
||
greatly.
|
||
|
||
* A _café_ to which a depot of ice, or rather of snow, is
|
||
attached. There is hardly a village in Spain without its
|
||
_neveria_.
|
||
|
||
“What clever inventions you foreigners do have! What country do you
|
||
belong to, sir? You’re an Englishman, no doubt!”*
|
||
|
||
* Every traveller in Spain who does not carry about samples
|
||
of calicoes and silks is taken for an Englishman
|
||
(_inglesito_). It is the same thing in the East.
|
||
|
||
“I’m a Frenchman, and your devoted servant. And you, senora, or
|
||
senorita, you probably belong to Cordova?”
|
||
|
||
“No.”
|
||
|
||
“At all events, you are an Andalusian? Your soft way of speaking makes
|
||
me think so.”
|
||
|
||
“If you notice people’s accent so closely, you must be able to guess
|
||
what I am.”
|
||
|
||
“I think you are from the country of Jesus, two paces out of Paradise.”
|
||
|
||
I had learned the metaphor, which stands for Andalusia, from my friend
|
||
Francisco Sevilla, a well-known _picador_.
|
||
|
||
“Pshaw! The people here say there is no place in Paradise for us!”
|
||
|
||
“Then perhaps you are of Moorish blood--or----” I stopped, not venturing
|
||
to add “a Jewess.”
|
||
|
||
“Oh come! You must see I’m a gipsy! Wouldn’t you like me to tell you _la
|
||
baji_?* Did you never hear tell of Carmencita? That’s who I am!”
|
||
|
||
* Your fortune.
|
||
|
||
I was such a miscreant in those days--now fifteen years ago--that the
|
||
close proximity of a sorceress did not make me recoil in horror. “So be
|
||
it!” I thought. “Last week I ate my supper with a highway robber. To-day
|
||
I’ll go and eat ices with a servant of the devil. A traveller should see
|
||
everything.” I had yet another motive for prosecuting her acquaintance.
|
||
When I left college--I acknowledge it with shame--I had wasted a certain
|
||
amount of time in studying occult science, and had even attempted, more
|
||
than once, to exorcise the powers of darkness. Though I had been cured,
|
||
long since, of my passion for such investigations, I still felt a
|
||
certain attraction and curiosity with regard to all superstitions, and I
|
||
was delighted to have this opportunity of discovering how far the magic
|
||
art had developed among the gipsies.
|
||
|
||
Talking as we went, we had reached the _neveria_, and seated ourselves
|
||
at a little table, lighted by a taper protected by a glass globe. I then
|
||
had time to take a leisurely view of my _gitana_, while several
|
||
worthy individuals, who were eating their ices, stared open-mouthed at
|
||
beholding me in such gay company.
|
||
|
||
I very much doubt whether Senorita Carmen was a pure-blooded gipsy. At
|
||
all events, she was infinitely prettier than any other woman of her race
|
||
I have ever seen. For a women to be beautiful, they say in Spain, she
|
||
must fulfil thirty _ifs_, or, if it please you better, you must be able
|
||
to define her appearance by ten adjectives, applicable to three portions
|
||
of her person.
|
||
|
||
For instance, three things about her must be black, her eyes, her
|
||
eyelashes, and her eyebrows. Three must be dainty, her fingers, her
|
||
lips, her hair, and so forth. For the rest of this inventory, see
|
||
Brantome. My gipsy girl could lay no claim to so many perfections. Her
|
||
skin, though perfectly smooth, was almost of a copper hue. Her eyes
|
||
were set obliquely in her head, but they were magnificent and large. Her
|
||
lips, a little full, but beautifully shaped, revealed a set of teeth as
|
||
white as newly skinned almonds. Her hair--a trifle coarse, perhaps--was
|
||
black, with blue lights on it like a raven’s wing, long and glossy. Not
|
||
to weary my readers with too prolix a description, I will merely add,
|
||
that to every blemish she united some advantage, which was perhaps all
|
||
the more evident by contrast. There was something strange and wild about
|
||
her beauty. Her face astonished you, at first sight, but nobody could
|
||
forget it. Her eyes, especially, had an expression of mingled sensuality
|
||
and fierceness which I had never seen in any other human glance.
|
||
“Gipsy’s eye, wolf’s eye!” is a Spanish saying which denotes close
|
||
observation. If my readers have no time to go to the “Jardin des
|
||
Plantes” to study the wolf’s expression, they will do well to watch the
|
||
ordinary cat when it is lying in wait for a sparrow.
|
||
|
||
It will be understood that I should have looked ridiculous if I had
|
||
proposed to have my fortune told in a _café_. I therefore begged the
|
||
pretty witch’s leave to go home with her. She made no difficulties
|
||
about consenting, but she wanted to know what o’clock it was again, and
|
||
requested me to make my repeater strike once more.
|
||
|
||
“Is it really gold?” she said, gazing at it with rapt attention.
|
||
|
||
When we started off again, it was quite dark. Most of the shops were
|
||
shut, and the streets were almost empty. We crossed the bridge over the
|
||
Guadalquivir, and at the far end of the suburb we stopped in front of
|
||
a house of anything but palatial appearance. The door was opened by a
|
||
child, to whom the gipsy spoke a few words in a language unknown to me,
|
||
which I afterward understood to be _Romany_, or _chipe calli_--the gipsy
|
||
idiom. The child instantly disappeared, leaving us in sole possession of
|
||
a tolerably spacious room, furnished with a small table, two stools, and
|
||
a chest. I must not forget to mention a jar of water, a pile of oranges,
|
||
and a bunch of onions.
|
||
|
||
As soon as we were left alone, the gipsy produced, out of her chest,
|
||
a pack of cards, bearing signs of constant usage, a magnet, a dried
|
||
chameleon, and a few other indispensable adjuncts of her art. Then she
|
||
bade me cross my left hand with a silver coin, and the magic ceremonies
|
||
duly began. It is unnecessary to chronicle her predictions, and as for
|
||
the style of her performance, it proved her to be no mean sorceress.
|
||
|
||
Unluckily we were soon disturbed. The door was suddenly burst open,
|
||
and a man, shrouded to the eyes in a brown cloak, entered the room,
|
||
apostrophizing the gipsy in anything but gentle terms. What he said I
|
||
could not catch, but the tone of his voice revealed the fact that he was
|
||
in a very evil temper. The gipsy betrayed neither surprise nor anger
|
||
at his advent, but she ran to meet him, and with a most striking
|
||
volubility, she poured out several sentences in the mysterious language
|
||
she had already used in my presence. The word _payllo_, frequently
|
||
reiterated, was the only one I understood. I knew that the gipsies use
|
||
it to describe all men not of their own race. Concluding myself to be
|
||
the subject of this discourse, I was prepared for a somewhat delicate
|
||
explanation. I had already laid my hand on the leg of one of the stools,
|
||
and was studying within myself to discover the exact moment at which I
|
||
had better throw it at his head, when, roughly pushing the gipsy to one
|
||
side, the man advanced toward me. Then with a step backward he cried:
|
||
|
||
“What, sir! Is it you?”
|
||
|
||
I looked at him in my turn and recognised my friend Don Jose. At that
|
||
moment I did feel rather sorry I had saved him from the gallows.
|
||
|
||
“What, is it you, my good fellow?” I exclaimed, with as easy a smile as
|
||
I could muster. “You have interrupted this young lady just when she was
|
||
foretelling me most interesting things!”
|
||
|
||
“The same as ever. There shall be an end to it!” he hissed between his
|
||
teeth, with a savage glance at her.
|
||
|
||
Meanwhile the _gitana_ was still talking to him in her own tongue. She
|
||
became more and more excited. Her eyes grew fierce and bloodshot,
|
||
her features contracted, she stamped her foot. She seemed to me to be
|
||
earnestly pressing him to do something he was unwilling to do. What this
|
||
was I fancied I understood only too well, by the fashion in which she
|
||
kept drawing her little hand backward and forward under her chin. I was
|
||
inclined to think she wanted to have somebody’s throat cut, and I had a
|
||
fair suspicion the throat in question was my own. To all her torrent of
|
||
eloquence Don Jose’s only reply was two or three shortly spoken words.
|
||
At this the gipsy cast a glance of the most utter scorn at him, then,
|
||
seating herself Turkish-fashion in a corner of the room, she picked out
|
||
an orange, tore off the skin, and began to eat it.
|
||
|
||
Don Jose took hold of my arm, opened the door, and led me into the
|
||
street. We walked some two hundred paces in the deepest silence. Then he
|
||
stretched out his hand.
|
||
|
||
“Go straight on,” he said, “and you’ll come to the bridge.”
|
||
|
||
That instant he turned his back on me and departed at a great pace. I
|
||
took my way back to my inn, rather crestfallen, and considerably out
|
||
of temper. The worst of all was that, when I undressed, I discovered my
|
||
watch was missing.
|
||
|
||
Various considerations prevented me from going to claim it next day, or
|
||
requesting the _Corregidor_ to be good enough to have a search made
|
||
for it. I finished my work on the Dominican manuscript, and went on
|
||
to Seville. After several months spent wandering hither and thither in
|
||
Andalusia, I wanted to get back to Madrid, and with that object I had to
|
||
pass through Cordova. I had no intention of making any stay there, for
|
||
I had taken a dislike to that fair city, and to the ladies who bathed
|
||
in the Guadalquivir. Nevertheless, I had some visits to pay, and certain
|
||
errands to do, which must detain me several days in the old capital of
|
||
the Mussulman princes.
|
||
|
||
The moment I made my appearance in the Dominican convent, one of the
|
||
monks, who had always shown the most lively interest in my inquiries
|
||
as to the site of the battlefield of Munda, welcomed me with open arms,
|
||
exclaiming:
|
||
|
||
“Praised be God! You are welcome! My dear friend. We all thought you
|
||
were dead, and I myself have said many a _pater_ and _ave_ (not that I
|
||
regret them!) for your soul. Then you weren’t murdered, after all? That
|
||
you were robbed, we know!”
|
||
|
||
“What do you mean?” I asked, rather astonished.
|
||
|
||
“Oh, you know! That splendid repeater you used to strike in the library
|
||
whenever we said it was time for us to go into church. Well, it has been
|
||
found, and you’ll get it back.”
|
||
|
||
“Why,” I broke in, rather put out of countenance, “I lost it--”
|
||
|
||
“The rascal’s under lock and key, and as he was known to be a man who
|
||
would shoot any Christian for the sake of a _peseta_, we were
|
||
most dreadfully afraid he had killed you. I’ll go with you to the
|
||
_Corregidor_, and he’ll give you back your fine watch. And after that,
|
||
you won’t dare to say the law doesn’t do its work properly in Spain.”
|
||
|
||
“I assure you,” said I, “I’d far rather lose my watch than have to
|
||
give evidence in court to hang a poor unlucky devil, and especially
|
||
because--because----”
|
||
|
||
“Oh, you needn’t be alarmed! He’s thoroughly done for; they might hang
|
||
him twice over. But when I say hang, I say wrong. Your thief is an
|
||
_Hidalgo_. So he’s to be garrotted the day after to-morrow, without
|
||
fail.* So you see one theft more or less won’t affect his position.
|
||
Would to God he had done nothing but steal! But he has committed several
|
||
murders, one more hideous than the other.”
|
||
|
||
* In 1830, the noble class still enjoyed this privilege.
|
||
Nowadays, under the constitutional _regime_, commoners have
|
||
attained the same dignity.
|
||
|
||
“What’s his name?”
|
||
|
||
“In this country he is only known as Jose Navarro, but he has another
|
||
Basque name, which neither your nor I will ever be able to pronounce.
|
||
By the way, the man is worth seeing, and you, who like to study the
|
||
peculiar features of each country, shouldn’t lose this chance of noting
|
||
how a rascal bids farewell to this world in Spain. He is in jail, and
|
||
Father Martinez will take you to him.”
|
||
|
||
So bent was my Dominican friend on my seeing the preparations for this
|
||
“neat little hanging job” that I was fain to agree. I went to see the
|
||
prisoner, having provided myself with a bundle of cigars, which I hoped
|
||
might induce him to forgive my intrusion.
|
||
|
||
I was ushered into Don Jose’s presence just as he was sitting at table.
|
||
He greeted me with a rather distant nod, and thanked me civilly for the
|
||
present I had brought him. Having counted the cigars in the bundle I
|
||
had placed in his hand, he took out a certain number and returned me the
|
||
rest, remarking that he would not need any more of them.
|
||
|
||
I inquired whether by laying out a little money, or by applying to
|
||
my friends, I might not be able to do something to soften his lot. He
|
||
shrugged his shoulders, to begin with, smiling sadly. Soon, as by an
|
||
after-thought, he asked me to have a mass said for the repose of his
|
||
soul.
|
||
|
||
Then he added nervously: “Would you--would you have another said for a
|
||
person who did you a wrong?”
|
||
|
||
“Assuredly I will, my dear fellow,” I answered. “But no one in this
|
||
country has wronged me so far as I know.”
|
||
|
||
He took my hand and squeezed it, looking very grave. After a moment’s
|
||
silence, he spoke again.
|
||
|
||
“Might I dare to ask another service of you? When you go back to your
|
||
own country perhaps you will pass through Navarre. At all events you’ll
|
||
go by Vittoria, which isn’t very far off.”
|
||
|
||
“Yes,” said I, “I shall certainly pass through Vittoria. But I may very
|
||
possibly go round by Pampeluna, and for your sake, I believe I should be
|
||
very glad to do it.”
|
||
|
||
“Well, if you do go to Pampeluna, you’ll see more than one thing that
|
||
will interest you. It’s a fine town. I’ll give you this medal,” he
|
||
showed me a little silver medal that he wore hung around his neck.
|
||
“You’ll wrap it up in paper”--he paused a moment to master his
|
||
emotion--“and you’ll take it, or send it, to an old lady whose address
|
||
I’ll give you. Tell her I am dead--but don’t tell her how I died.”
|
||
|
||
I promised to perform his commission. I saw him the next day, and spent
|
||
part of it in his company. From his lips I learned the sad incidents
|
||
that follow.
|
||
|
||
|
||
|
||
CHAPTER III
|
||
|
||
“I was born,” he said, “at Elizondo, in the valley of Baztan. My name is
|
||
Don Jose Lizzarrabengoa, and you know enough of Spain, sir, to know at
|
||
once, by my name, that I come of an old Christian and Basque stock. I
|
||
call myself Don, because I have a right to it, and if I were at Elizondo
|
||
I could show you my parchment genealogy. My family wanted me to go into
|
||
the church, and made me study for it, but I did not like work. I was too
|
||
fond of playing tennis, and that was my ruin. When we Navarrese begin
|
||
to play tennis, we forget everything else. One day, when I had won the
|
||
game, a young fellow from Alava picked a quarrel with me. We took to our
|
||
_maquilas_,* and I won again. But I had to leave the neighbourhood.
|
||
I fell in with some dragoons, and enlisted in the Almanza Cavalry
|
||
Regiment. Mountain folks like us soon learn to be soldiers. Before long
|
||
I was a corporal, and I had been told I should soon be made a sergeant,
|
||
when, to my misfortune, I was put on guard at the Seville Tobacco
|
||
Factory. If you have been to Seville you have seen the great building,
|
||
just outside the ramparts, close to the Guadalquivir; I can fancy I see
|
||
the entrance, and the guard room just beside it, even now. When Spanish
|
||
soldiers are on duty, they either play cards or go to sleep. I, like an
|
||
honest Navarrese, always tried to keep myself busy. I was making a chain
|
||
to hold my priming-pin, out of a bit of wire: all at once, my comrades
|
||
said, ‘there’s the bell ringing, the girls are coming back to work.’ You
|
||
must know, sir, that there are quite four or five hundred women employed
|
||
in the factory. They roll the cigars in a great room into which no man
|
||
can go without a permit from the _Veintiquatro_,** because when the
|
||
weather is hot they make themselves at home, especially the young ones.
|
||
When the work-girls come back after their dinner, numbers of young men
|
||
go down to see them pass by, and talk all sorts of nonsense to them.
|
||
Very few of those young ladies will refuse a silk mantilla, and men who
|
||
care for that sort of sport have nothing to do but bend down and pick
|
||
their fish up. While the others watched the girls go by, I stayed on my
|
||
bench near the door. I was a young fellow then--my heart was still in
|
||
my own country, and I didn’t believe in any pretty girls who hadn’t
|
||
blue skirts and long plaits of hair falling on their shoulders.*** And
|
||
besides, I was rather afraid of the Andalusian women. I had not got used
|
||
to their ways yet; they were always jeering one--never spoke a single
|
||
word of sense. So I was sitting with my nose down upon my chain, when I
|
||
heard some bystanders say, ‘Here comes the _gitanella_!’ Then I lifted
|
||
up my eyes, and I saw her! It was that very Carmen you know, and in
|
||
whose rooms I met you a few months ago.
|
||
|
||
* Iron-shod sticks used by the Basques.
|
||
|
||
** Magistrate in charge of the municipal police
|
||
arrangements, and local government regulations.
|
||
|
||
*** The costume usually worn by peasant women in Navarre and
|
||
the Basque Provinces.
|
||
|
||
“She was wearing a very short skirt, below which her white silk
|
||
stockings--with more than one hole in them--and her dainty red morocco
|
||
shoes, fastened with flame-coloured ribbons, were clearly seen. She had
|
||
thrown her mantilla back, to show her shoulders, and a great bunch of
|
||
acacia that was thrust into her chemise. She had another acacia blossom
|
||
in the corner of her mouth, and she walked along, swaying her hips, like
|
||
a filly from the Cordova stud farm. In my country anybody who had seen
|
||
a woman dressed in that fashion would have crossed himself. At Seville
|
||
every man paid her some bold compliment on her appearance. She had
|
||
an answer for each and all, with her hand on her hip, as bold as the
|
||
thorough gipsy she was. At first I didn’t like her looks, and I fell to
|
||
my work again. But she, like all women and cats, who won’t come if you
|
||
call them, and do come if you don’t call them, stopped short in front of
|
||
me, and spoke to me.
|
||
|
||
“‘_Compadre_,’ said she, in the Andalusian fashion, ‘won’t you give me
|
||
your chain for the keys of my strong box?’
|
||
|
||
“‘It’s for my priming-pin,’ said I.
|
||
|
||
“‘Your priming-pin!’ she cried, with a laugh. ‘Oho! I suppose the
|
||
gentleman makes lace, as he wants pins!’
|
||
|
||
“Everybody began to laugh, and I felt myself getting red in the face,
|
||
and couldn’t hit on anything in answer.
|
||
|
||
“‘Come, my love!’ she began again, ‘make me seven ells of lace for my
|
||
mantilla, my pet pin-maker!’
|
||
|
||
“And taking the acacia blossom out of her mouth she flipped it at me
|
||
with her thumb so that it hit me just between the eyes. I tell you, sir,
|
||
I felt as if a bullet had struck me. I didn’t know which way to look.
|
||
I sat stock-still, like a wooden board. When she had gone into the
|
||
factory, I saw the acacia blossom, which had fallen on the ground
|
||
between my feet. I don’t know what made me do it, but I picked it up,
|
||
unseen by any of my comrades, and put it carefully inside my jacket.
|
||
That was my first folly.
|
||
|
||
“Two or three hours later I was still thinking about her, when a
|
||
panting, terrified-looking porter rushed into the guard-room. He told
|
||
us a woman had been stabbed in the great cigar-room, and that the guard
|
||
must be sent in at once. The sergeant told me to take two men, and go
|
||
and see to it. I took my two men and went upstairs. Imagine, sir, that
|
||
when I got into the room, I found, to begin with, some three hundred
|
||
women, stripped to their shifts, or very near it, all of them screaming
|
||
and yelling and gesticulating, and making such a row that you couldn’t
|
||
have heard God’s own thunder. On one side of the room one of the women
|
||
was lying on the broad of her back, streaming with blood, with an X
|
||
newly cut on her face by two strokes of a knife. Opposite the wounded
|
||
woman, whom the best-natured of the band were attending, I saw Carmen,
|
||
held by five or six of her comrades. The wounded woman was crying out,
|
||
‘A confessor, a confessor! I’m killed!’ Carmen said nothing at all. She
|
||
clinched her teeth and rolled her eyes like a chameleon. ‘What’s this?’
|
||
I asked. I had hard work to find out what had happened, for all the
|
||
work-girls talked at once. It appeared that the injured girl had boasted
|
||
she had money enough in her pocket to buy a donkey at the Triana Market.
|
||
‘Why,’ said Carmen, who had a tongue of her own, ‘can’t you do with a
|
||
broom?’ Stung by this taunt, it may be because she felt herself rather
|
||
unsound in that particular, the other girl replied that she knew nothing
|
||
about brooms, seeing she had not the honour of being either a gipsy
|
||
or one of the devil’s godchildren, but that the Senorita Carmen would
|
||
shortly make acquaintance with her donkey, when the _Corregidor_ took
|
||
her out riding with two lackeys behind her to keep the flies off.
|
||
‘Well,’ retorted Carmen, ‘I’ll make troughs for the flies to drink
|
||
out of on your cheeks, and I’ll paint a draught-board on them!’ * And
|
||
thereupon, slap, bank! She began making St. Andrew’s crosses on the
|
||
girl’s face with a knife she had been using for cutting off the ends of
|
||
the cigars.
|
||
|
||
* _Pintar un javeque_, “paint a xebec,” a particular type of
|
||
ship. Most Spanish vessels of this description have a
|
||
checkered red and white stripe painted around them.
|
||
|
||
“The case was quite clear. I took hold of Carmen’s arm. ‘Sister mine,’ I
|
||
said civilly, ‘you must come with me.’ She shot a glance of recognition
|
||
at me, but she said, with a resigned look: ‘Let’s be off. Where is my
|
||
mantilla?’ She put it over her head so that only one of her great eyes
|
||
was to be seen, and followed my two men, as quiet as a lamb. When we
|
||
got to the guardroom the sergeant said it was a serious job, and he must
|
||
send her to prison. I was told off again to take her there. I put her
|
||
between two dragoons, as a corporal does on such occasions. We started
|
||
off for the town. The gipsy had begun by holding her tongue. But when we
|
||
got to the _Calle de la Serpiente_--you know it, and that it earns its
|
||
name by its many windings--she began by dropping her mantilla on to her
|
||
shoulders, so as to show me her coaxing little face, and turning round
|
||
to me as well as she could, she said:
|
||
|
||
“‘_Oficial mio_, where are you taking me to?’
|
||
|
||
“‘To prison, my poor child,’ I replied, as gently as I could, just as
|
||
any kind-hearted soldier is bound to speak to a prisoner, and especially
|
||
to a woman.
|
||
|
||
“‘Alack! What will become of me! Senor Oficial, have pity on me! You are
|
||
so young, so good-looking.’ Then, in a lower tone, she said, ‘Let me get
|
||
away, and I’ll give you a bit of the _bar lachi_, that will make every
|
||
woman fall in love with you!’
|
||
|
||
“The _bar lachi_, sir, is the loadstone, with which the gipsies declare
|
||
one who knows how to use it can cast any number of spells. If you can
|
||
make a woman drink a little scrap of it, powdered, in a glass of white
|
||
wine, she’ll never be able to resist you. I answered, as gravely as I
|
||
could:
|
||
|
||
“‘We are not here to talk nonsense. You’ll have to go to prison. Those
|
||
are my orders, and there’s no help for it!’
|
||
|
||
“We men from the Basque country have an accent which all Spaniards
|
||
easily recognise; on the other hand, not one of them can ever learn to
|
||
say _Bai, jaona_!*
|
||
|
||
* Yes, sir.
|
||
|
||
“So Carmen easily guessed I was from the Provinces. You know, sir, that
|
||
the gipsies, who belong to no particular country, and are always moving
|
||
about, speak every language, and most of them are quite at home in
|
||
Portugal, in France, in our Provinces, in Catalonia, or anywhere else.
|
||
They can even make themselves understood by Moors and English people.
|
||
Carmen knew Basque tolerably well.
|
||
|
||
“‘_Laguna ene bihotsarena_, comrade of my heart,’ said she suddenly. ‘Do
|
||
you belong to our country?’
|
||
|
||
“Our language is so beautiful, sir, that when we hear it in a foreign
|
||
country it makes us quiver. I wish,” added the bandit in a lower tone,
|
||
“I could have a confessor from my own country.”
|
||
|
||
After a silence, he began again.
|
||
|
||
“‘I belong to Elizondo,’ I answered in Basque, very much affected by the
|
||
sound of my own language.
|
||
|
||
“‘I come from Etchalar,’ said she (that’s a district about four hours’
|
||
journey from my home). ‘I was carried off to Seville by the gipsies.
|
||
I was working in the factory to earn enough money to take me back to
|
||
Navarre, to my poor old mother, who has no support in the world but me,
|
||
besides her little _barratcea_* with twenty cider-apple trees in it.
|
||
Ah! if I were only back in my own country, looking up at the white
|
||
mountains! I have been insulted here, because I don’t belong to this
|
||
land of rogues and sellers of rotten oranges; and those hussies are
|
||
all banded together against me, because I told them that not all their
|
||
Seville _jacques_,** and all their knives, would frighten an honest lad
|
||
from our country, with his blue cap and his _maquila_! Good comrade,
|
||
won’t you do anything to help your own countrywoman?’
|
||
|
||
* Field, garden.
|
||
|
||
** Bravos, boasters.
|
||
|
||
“She was lying then, sir, as she has always lied. I don’t know that that
|
||
girl ever spoke a word of truth in her life, but when she did speak, I
|
||
believed her--I couldn’t help myself. She mangled her Basque words, and
|
||
I believed she came from Navarre. But her eyes and her mouth and her
|
||
skin were enough to prove she was a gipsy. I was mad, I paid no more
|
||
attention to anything, I thought to myself that if the Spaniards had
|
||
dared to speak evil of my country, I would have slashed their faces just
|
||
as she had slashed her comrade’s. In short, I was like a drunken man, I
|
||
was beginning to say foolish things, and I was very near doing them.
|
||
|
||
“‘If I were to give you a push and you tumbled down, good
|
||
fellow-countryman,’ she began again in Basque, ‘those two Castilian
|
||
recruits wouldn’t be able to keep me back.’
|
||
|
||
“Faith, I forgot my orders, I forgot everything, and I said to her,
|
||
‘Well, then, my friend, girl of my country, try it, and may our Lady of
|
||
the Mountain help you through.’
|
||
|
||
“Just at that moment we were passing one of the many narrow lanes one
|
||
sees in Seville. All at once Carmen turned and struck me in the chest
|
||
with her fist. I tumbled backward, purposely. With a bound she sprang
|
||
over me, and ran off, showing us a pair of legs! People talk about a
|
||
pair of Basque legs! but hers were far better--as fleet as they were
|
||
well-turned. As for me, I picked myself up at once, but I stuck out my
|
||
lance* crossways and barred the street, so that my comrades were checked
|
||
at the very first moment of pursuit. Then I started to run myself, and
|
||
they after me--but how were we to catch her? There was no fear of that,
|
||
what with our spurs, our swords, and our lances.
|
||
|
||
* All Spanish cavalry soldiers carry lances.
|
||
|
||
“In less time than I have taken to tell you the story the prisoner
|
||
had disappeared. And besides, every gossip in the quarter covered her
|
||
flight, poked scorn at us, and pointed us in the wrong direction. After
|
||
a good deal of marching and countermarching, we had to go back to the
|
||
guard-room without a receipt from the governor of the jail.
|
||
|
||
“To avoid punishment, my men made known that Carmen had spoken to me in
|
||
Basque; and to tell the truth, it did not seem very natural that a blow
|
||
from such a little creature should have so easily overthrown a strong
|
||
fellow like me. The whole thing looked suspicious, or, at all events,
|
||
not over-clear. When I came off guard I lost my corporal’s stripes, and
|
||
was condemned to a month’s imprisonment. It was the first time I had
|
||
been punished since I had been in the service. Farewell, now, to the
|
||
sergeant’s stripes, on which I had reckoned so surely!
|
||
|
||
“The first days in prison were very dreary. When I enlisted I had
|
||
fancied I was sure to become an officer, at all events. Two of
|
||
my compatriots, Longa and Mina, are captains-general, after all.
|
||
Chapalangarra was a colonel, and I have played tennis a score of times
|
||
with his brother, who was just a needy fellow like myself. ‘Now,’ I kept
|
||
crying to myself, ‘all the time you served without being punished
|
||
has been lost. Now you have a bad mark against your name, and to get
|
||
yourself back into the officers’ good graces you’ll have to work ten
|
||
times as hard as when you joined as a recruit.’ And why have I got
|
||
myself punished? For the sake of a gipsy hussy, who made game of me, and
|
||
who at this moment is busy thieving in some corner of the town. Yet I
|
||
couldn’t help thinking about her. Will you believe it, sir, those silk
|
||
stockings of hers with the holes in them, of which she had given me such
|
||
a full view as she took to her heels, were always before my eyes? I
|
||
used to look through the barred windows of the jail into the street,
|
||
and among all the women who passed I never could see one to compare with
|
||
that minx of a girl--and then, in spite of myself, I used to smell the
|
||
acacia blossom she had thrown at me, and which, dry as it was, still
|
||
kept its sweet scent. If there are such things as witches, that girl
|
||
certainly was one.
|
||
|
||
“One day the jailer came in, and gave me an Alcala roll.*
|
||
|
||
* _Alcala de los Panaderos_, a village two leagues from
|
||
Seville, where the most delicious rolls are made. They are
|
||
said to owe their quality to the water of the place, and
|
||
great quantities of them are brought to Seville every day.
|
||
|
||
“‘Look here,’ said he, ‘this is what your cousin has sent you.’
|
||
|
||
“I took the loaf, very much astonished, for I had no cousin in Seville.
|
||
It may be a mistake, thought I, as I looked at the roll, but it was so
|
||
appetizing and smelt so good, that I made up my mind to eat it, without
|
||
troubling my head as to whence it came, or for whom it was really
|
||
intended.
|
||
|
||
“When I tried to cut it, my knife struck on something hard. I looked,
|
||
and found a little English file, which had been slipped into the dough
|
||
before the roll had been baked. The roll also contained a gold piece of
|
||
two piastres. Then I had no further doubt--it was a present from Carmen.
|
||
To people of her blood, liberty is everything, and they would set a
|
||
town on fire to save themselves one day in prison. The girl was artful,
|
||
indeed, and armed with that roll, I might have snapped my fingers at the
|
||
jailers. In one hour, with that little file, I could have sawn through
|
||
the thickest bar, and with the gold coin I could have exchanged my
|
||
soldier’s cloak for civilian garb at the nearest shop. You may fancy
|
||
that a man who has often taken the eaglets out of their nests in our
|
||
cliff would have found no difficulty in getting down to the street
|
||
out of a window less than thirty feet above it. But I didn’t choose to
|
||
escape. I still had a soldier’s code of honour, and desertion appeared
|
||
to me in the light of a heinous crime. Yet this proof of remembrance
|
||
touched me. When a man is in prison he likes to think he has a friend
|
||
outside who takes an interest in him. The gold coin did rather offend
|
||
me; I should have very much liked to return it; but where was I to find
|
||
my creditor? That did not seem a very easy task.
|
||
|
||
“After the ceremony of my degradation I had fancied my sufferings were
|
||
over, but I had another humiliation before me. That came when I left
|
||
prison, and was told off for duty, and put on sentry, as a private
|
||
soldier. You can not conceive what a proud man endures at such a moment.
|
||
I believe I would have just as soon been shot dead--then I should have
|
||
marched alone at the head of my platoon, at all events; I should have
|
||
felt I was somebody, with the eyes of others fixed upon me.
|
||
|
||
“I was posted as sentry on the door of the colonel’s house. The colonel
|
||
was a young man, rich, good-natured, fond of amusing himself. All
|
||
the young officers were there, and many civilians as well, besides
|
||
ladies--actresses, as it was said. For my part, it seemed to me as if
|
||
the whole town had agreed to meet at that door, in order to stare at me.
|
||
Then up drove the colonel’s carriage, with his valet on the box. And who
|
||
should I see get out of it, but the gipsy girl! She was dressed up, this
|
||
time, to the eyes, togged out in golden ribbons--a spangled gown, blue
|
||
shoes, all spangled too, flowers and gold lace all over her. In her hand
|
||
she carried a tambourine. With her there were two other gipsy women, one
|
||
young and one old. They always have one old woman who goes with them,
|
||
and then an old man with a guitar, a gipsy too, to play alone, and also
|
||
for their dances. You must know these gipsy girls are often sent for to
|
||
private houses, to dance their special dance, the _Romalis_, and often,
|
||
too, for quite other purposes.
|
||
|
||
“Carmen recognised me, and we exchanged glances. I don’t know why, but
|
||
at that moment I should have liked to have been a hundred feet beneath
|
||
the ground.
|
||
|
||
“‘_Agur laguna_,’ * said she. ‘Oficial mio! You keep guard like a
|
||
recruit,’ and before I could find a word in answer, she was inside the
|
||
house.
|
||
|
||
* Good-day, comrade!
|
||
|
||
“The whole party was assembled in the _patio_, and in spite of the crowd
|
||
I could see nearly everything that went on through the lattice.* I
|
||
could hear the castanets and the tambourine, the laughter and applause.
|
||
Sometimes I caught a glimpse of her head as she bounded upward with her
|
||
tambourine. Then I could hear the officers saying many things to her
|
||
which brought the blood to my face. As to her answers, I knew nothing
|
||
of them. It was on that day, I think, that I began to love her in
|
||
earnest--for three or four times I was tempted to rush into the _patio_,
|
||
and drive my sword into the bodies of all the coxcombs who were making
|
||
love to her. My torture lasted a full hour; then the gipsies came out,
|
||
and the carriage took them away. As she passed me by, Carmen looked at
|
||
me with those eyes you know, and said to me very low, ‘Comrade, people
|
||
who are fond of good _fritata_ come to eat it at Lillas Pastia’s at
|
||
Triana!’
|
||
|
||
* In most of the houses in Seville there is an inner court
|
||
surrounded by an arched portico. This is used as a sitting-
|
||
room in summer. Over the court is stretched a piece of tent
|
||
cloth, which is watered during the day and removed at night.
|
||
The street door is almost always left open, and the passage
|
||
leading to the court (_zaguan_) is closed by an iron lattice
|
||
of very elegant workmanship.
|
||
|
||
“Then, light as a kid, she stepped into the carriage, the coachman
|
||
whipped up his mules, and the whole merry party departed, whither I know
|
||
not.
|
||
|
||
“You may fancy that the moment I was off guard I went to Triana; but
|
||
first of all I got myself shaved and brushed myself up as if I had been
|
||
going on parade. She was living with Lillas Pastia, an old fried-fish
|
||
seller, a gipsy, as black as a Moor, to whose house a great many
|
||
civilians resorted to eat _fritata_, especially, I think, because Carmen
|
||
had taken up her quarters there.
|
||
|
||
“‘Lillas,’ she said, as soon as she saw me. ‘I’m not going to work any
|
||
more to-day. To-morrow will be a day, too.* Come, fellow-countryman, let
|
||
us go for a walk!’
|
||
|
||
* _Manana sera otro dia._--A Spanish proverb.
|
||
|
||
“She pulled her mantilla across her nose, and there we were in the
|
||
street, without my knowing in the least whither I was bound.
|
||
|
||
“‘Senorita,’ said I, ‘I think I have to thank you for a present I
|
||
had while I was in prison. I’ve eaten the bread; the file will do for
|
||
sharpening my lance, and I keep it in remembrance of you. But as for the
|
||
money, here it is.’
|
||
|
||
“‘Why, he’s kept the money!’ she exclaimed, bursting out laughing.
|
||
‘But, after all, that’s all the better--for I’m decidedly hard up! What
|
||
matter! The dog that runs never starves!* Come, let’s spend it all! You
|
||
shall treat.’
|
||
|
||
* _Chuquel sos pirela, cocal terela_. “The dog that runs
|
||
finds a bone.”--Gipsy proverb.
|
||
|
||
“We had turned back toward Seville. At the entrance of the _Calle de
|
||
la Serpiente_ she bought a dozen oranges, which she made me put into my
|
||
handkerchief. A little farther on she bought a roll, a sausage, and
|
||
a bottle of manzanilla. Then, last of all, she turned into a
|
||
confectioner’s shop. There she threw the gold coin I had returned to
|
||
her on the counter, with another she had in her pocket, and some small
|
||
silver, and then she asked me for all the money I had. All I possessed
|
||
was one peseta and a few cuartos, which I handed over to her, very much
|
||
ashamed of not having more. I thought she would have carried away the
|
||
whole shop. She took everything that was best and dearest, _yemas_,*
|
||
_turon_,** preserved fruits--as long as the money lasted. And all these,
|
||
too, I had to carry in paper bags. Perhaps you know the _Calle del
|
||
Candilejo_, where there is a head of Don Pedro the Avenger.*** That head
|
||
ought to have given me pause. We stopped at an old house in that street.
|
||
She passed into the entry, and knocked at a door on the ground floor.
|
||
It was opened by a gipsy, a thorough-paced servant of the devil. Carmen
|
||
said a few words to her in Romany. At first the old hag grumbled. To
|
||
smooth her down Carmen gave her a couple of oranges and a handful of
|
||
sugar-plums, and let her have a taste of wine. Then she hung her cloak
|
||
on her back, and led her to the door, which she fastened with a wooden
|
||
bar. As soon as we were alone she began to laugh and caper like a
|
||
lunatic, singing out, ‘You are my _rom_, I’m your _romi_.’****
|
||
|
||
* Sugared yolks of eggs.
|
||
|
||
** A sort of nougat.
|
||
|
||
*** This king, Don Pedro, whom we call “the Cruel,” and whom
|
||
Queen Isabella, the Catholic, never called anything but “the
|
||
Avenger,” was fond of walking about the streets of Seville
|
||
at night in search of adventures, like the Caliph Haroun al
|
||
Raschid. One night, in a lonely street, he quarrelled with a
|
||
man who was singing a serenade. There was a fight, and the
|
||
king killed the amorous _caballero_. At the clashing of
|
||
their swords, an old woman put her head out of the window
|
||
and lighted up the scene with a tiny lamp (candilejo) which
|
||
she held in her hand. My readers must be informed that King
|
||
Don Pedro, though nimble and muscular, suffered from one
|
||
strange fault in his physical conformation. Whenever he
|
||
walked his knees cracked loudly. By this cracking the old
|
||
woman easily recognised him. The next day the _veintiquatro_
|
||
in charge came to make his report to the king. “Sir, a duel
|
||
was fought last night in such a street--one of the
|
||
combatants is dead.” “Have you found the murderer?” “Yes,
|
||
sir.” “Why has he not been punished already?” “Sir, I await
|
||
your orders!” “Carry out the law.” Now the king had just
|
||
published a decree that every duellist was to have his head
|
||
cut off, and that head was to be set up on the scene of the
|
||
fight. The _veintiquatro_ got out of the difficulty like a
|
||
clever man. He had the head sawed off a statue of the king,
|
||
and set that up in a niche in the middle of the street in
|
||
which the murder had taken place. The king and all the
|
||
Sevillians thought this a very good joke. The street took
|
||
its name from the lamp held by the old woman, the only
|
||
witness of the incident. The above is the popular tradition.
|
||
Zuniga tells the story somewhat differently. However that
|
||
may be, a street called _Calle del Candilejo_ still exists
|
||
in Seville, and in that street there is a bust which is said
|
||
to be a portrait of Don Pedro. This bust, unfortunately, is
|
||
a modern production. During the seventeenth century the old
|
||
one had become very much defaced, and the municipality had
|
||
it replaced by that now to be seen.
|
||
|
||
**** _Rom_, husband. _Romi_, wife.
|
||
|
||
“There I stood in the middle of the room, laden with all her purchases,
|
||
and not knowing where I was to put them down. She tumbled them all onto
|
||
the floor, and threw her arms round my neck, saying:
|
||
|
||
“‘I pay my debts, I pay my debts! That’s the law of the _Cales_.’*
|
||
|
||
* _Calo_, feminine _calli_, plural _cales_. Literally
|
||
“black,” the name the gipsies apply to themselves in their
|
||
own language.
|
||
|
||
“Ah, sir, that day! that day! When I think of it I forget what to-morrow
|
||
must bring me!”
|
||
|
||
For a moment the bandit held his peace, then, when he had relighted his
|
||
cigar, he began afresh.
|
||
|
||
“We spent the whole day together, eating, drinking, and so forth. When
|
||
she had stuffed herself with sugar-plums, like any child of six years
|
||
old, she thrust them by handfuls into the old woman’s water-jar.
|
||
‘That’ll make sherbet for her,’ she said. She smashed the _yemas_ by
|
||
throwing them against the walls. ‘They’ll keep the flies from bothering
|
||
us.’ There was no prank or wild frolic she didn’t indulge in. I told her
|
||
I should have liked to see her dance, only there were no castanets to
|
||
be had. Instantly she seized the old woman’s only earthenware plate,
|
||
smashed it up, and there she was dancing the _Romalis_, and making the
|
||
bits of broken crockery rattle as well as if they had been ebony and
|
||
ivory castanets. That girl was good company, I can tell you! Evening
|
||
fell, and I heard the drums beating tattoo.
|
||
|
||
“‘I must get back to quarters for roll-call,’ I said.
|
||
|
||
“‘To quarters!’ she answered, with a look of scorn. ‘Are you a negro
|
||
slave, to let yourself be driven with a ramrod like that! You are as
|
||
silly as a canary bird. Your dress suits your nature.* Pshaw! you’ve no
|
||
more heart than a chicken.’
|
||
|
||
* Spanish dragoons wear a yellow uniform.
|
||
|
||
“I stayed on, making up my mind to the inevitable guard-room. The next
|
||
morning the first suggestion of parting came from her.
|
||
|
||
“‘Hark ye, Joseito,’ she said. ‘Have I paid you? By our law, I owed you
|
||
nothing, because you’re a _payllo_. But you’re a good-looking fellow,
|
||
and I took a fancy to you. Now we’re quits. Good-day!’
|
||
|
||
“I asked her when I should see her again.
|
||
|
||
“‘When you’re less of a simpleton,’ she retorted, with a laugh. Then, in
|
||
a more serious tone, ‘Do you know, my son, I really believe I love you a
|
||
little; but that can’t last! The dog and the wolf can’t agree for long.
|
||
Perhaps if you turned gipsy, I might care to be your _romi_. But that’s
|
||
all nonsense, such things aren’t possible. Pshaw! my boy. Believe me,
|
||
you’re well out of it. You’ve come across the devil--he isn’t always
|
||
black--and you’ve not had your neck wrung. I wear a woollen suit, but
|
||
I’m no sheep.* Go and burn a candle to your _majari_,** she deserves
|
||
it well. Come, good-by once more. Don’t think any more about _La
|
||
Carmencita_, or she’ll end by making you marry a widow with wooden
|
||
legs.’***
|
||
|
||
* _Me dicas vriarda de jorpoy, bus ne sino braco_.--A gipsy
|
||
proverb.
|
||
|
||
** The Saint, the Holy Virgin.
|
||
|
||
*** The gallows, which is the widow of the last man hanged
|
||
upon it.
|
||
|
||
“As she spoke, she drew back the bar that closed the door, and once we
|
||
were out in the street she wrapped her mantilla about her, and turned on
|
||
her heel.
|
||
|
||
“She spoke the truth. I should have done far better never to think of
|
||
her again. But after that day in the _Calle del Candilejo_ I couldn’t
|
||
think of anything else. All day long I used to walk about, hoping I
|
||
might meet her. I sought news of her from the old hag, and from the
|
||
fried-fish seller. They both told me she had gone away to _Laloro_,
|
||
which is their name for Portugal. They probably said it by Carmen’s
|
||
orders, but I soon found out they were lying. Some weeks after my day
|
||
in the _Calle del Candilejo_ I was on duty at one of the town gates. A
|
||
little way from the gate there was a breach in the wall. The masons were
|
||
working at it in the daytime, and at night a sentinel was posted on it,
|
||
to prevent smugglers from getting in. All through one day I saw Lillas
|
||
Pastia going backward and forward near the guard-room, and talking to
|
||
some of my comrades. They all knew him well, and his fried-fish and
|
||
fritters even better. He came up to me, and asked if I had any news of
|
||
Carmen.
|
||
|
||
“‘No,’ said I.
|
||
|
||
“‘Well,’ said he, ‘you’ll soon hear of her, old fellow.’
|
||
|
||
“He was not mistaken. That night I was posted to guard the breach in
|
||
the wall. As soon as the sergeant had disappeared I saw a woman coming
|
||
toward me. My heart told me it was Carmen. Still I shouted:
|
||
|
||
“‘Keep off! Nobody can pass here!’
|
||
|
||
“‘Now, don’t be spiteful,’ she said, making herself known to me.
|
||
|
||
“‘What! you here, Carmen?’
|
||
|
||
“‘Yes, _mi payllo_. Let us say few words, but wise ones. Would you
|
||
like to earn a douro? Some people will be coming with bundles. Let them
|
||
alone.’
|
||
|
||
“‘No,’ said I, ‘I must not allow them through. These are my orders.’
|
||
|
||
“‘Orders! orders! You didn’t think about orders in the _Calle del
|
||
Candilejo_!’
|
||
|
||
“‘Ah!’ I cried, quite maddened by the very thought of that night. ‘It
|
||
was well worth while to forget my orders for that! But I won’t have any
|
||
smuggler’s money!’
|
||
|
||
“‘Well, if you won’t have money, shall we go and dine together at old
|
||
Dorotea’s?’
|
||
|
||
“‘No,’ said I, half choked by the effort it cost me. ‘No, I can’t.’
|
||
|
||
“‘Very good! If you make so many difficulties, I know to whom I can
|
||
go. I’ll ask your officer if he’ll come with me to Dorotea’s. He looks
|
||
good-natured, and he’ll post a sentry who’ll only see what he had better
|
||
see. Good-bye, canary-bird! I shall have a good laugh the day the order
|
||
comes out to hang you!’
|
||
|
||
“I was weak enough to call her back, and I promised to let the whole
|
||
of gipsydom pass in, if that were necessary, so that I secured the
|
||
only reward I longed for. She instantly swore she would keep her word
|
||
faithfully the very next day, and ran off to summon her friends, who
|
||
were close by. There were five of them, of whom Pastia was one, all well
|
||
loaded with English goods. Carmen kept watch for them. She was to warn
|
||
them with her castanets the instant she caught sight of the patrol. But
|
||
there was no necessity for that. The smugglers finished their job in a
|
||
moment.
|
||
|
||
“The next day I went to the _Calle del Candilejo_. Carmen kept me
|
||
waiting, and when she came, she was in rather a bad temper.
|
||
|
||
“‘I don’t like people who have to be pressed,’ she said. ‘You did me a
|
||
much greater service the first time, without knowing you’d gain anything
|
||
by it. Yesterday you bargained with me. I don’t know why I’ve come, for
|
||
I don’t care for you any more. Here, be off with you. Here’s a douro for
|
||
your trouble.’
|
||
|
||
“I very nearly threw the coin at her head, and I had to make a violent
|
||
effort to prevent myself from actually beating her. After we had
|
||
wrangled for an hour I went off in a fury. For some time I wandered
|
||
about the town, walking hither and thither like a madman. At last I went
|
||
into a church, and getting into the darkest corner I could find, I cried
|
||
hot tears. All at once I heard a voice.
|
||
|
||
“‘A dragoon in tears. I’ll make a philter of them!’
|
||
|
||
“I looked up. There was Carmen in front of me.
|
||
|
||
“‘Well, _mi payllo_, are you still angry with me?’ she said. ‘I must
|
||
care for you in spite of myself, for since you left me I don’t know what
|
||
has been the matter with me. Look you, it is I who ask you to come to
|
||
the _Calle del Candilejo_, now!’
|
||
|
||
“So we made it up: but Carmen’s temper was like the weather in our
|
||
country. The storm is never so close, in our mountains, as when the sun
|
||
is at its brightest. She had promised to meet me again at Dorotea’s, but
|
||
she didn’t come.
|
||
|
||
“And Dorotea began telling me again that she had gone off to Portugal
|
||
about some gipsy business.
|
||
|
||
“As experience had already taught me how much of that I was to believe,
|
||
I went about looking for Carmen wherever I thought she might be, and
|
||
twenty times in every day I walked through the _Calle del Candilejo_.
|
||
One evening I was with Dorotea, whom I had almost tamed by giving her
|
||
a glass of anisette now and then, when Carmen walked in, followed by a
|
||
young man, a lieutenant in our regiment.
|
||
|
||
“‘Get away at once,’ she said to me in Basque. I stood there,
|
||
dumfounded, my heart full of rage.
|
||
|
||
“‘What are you doing here?’ said the lieutenant to me. ‘Take yourself
|
||
off--get out of this.’
|
||
|
||
“I couldn’t move a step. I felt paralyzed. The officer grew angry, and
|
||
seeing I did not go out, and had not even taken off my forage cap, he
|
||
caught me by the collar and shook me roughly. I don’t know what I said
|
||
to him. He drew his sword, and I unsheathed mine. The old woman caught
|
||
hold of my arm, and the lieutenant gave me a wound on the forehead, of
|
||
which I still bear the scar. I made a step backward, and with one jerk
|
||
of my elbow I threw old Dorotea down. Then, as the lieutenant still
|
||
pressed me, I turned the point of my sword against his body and he
|
||
ran upon it. Then Carmen put out the lamp and told Dorotea, in her own
|
||
language, to take to flight. I fled into the street myself, and began
|
||
running along, I knew not whither. It seemed to me that some one was
|
||
following me. When I came to myself I discovered that Carmen had never
|
||
left me.
|
||
|
||
“‘Great stupid of a canary-bird!’ she said, ‘you never make anything but
|
||
blunders. And, indeed, you know I told you I should bring you bad luck.
|
||
But come, there’s a cure for everything when you have a Fleming from
|
||
Rome* for your love. Begin by rolling this handkerchief round your head,
|
||
and throw me over that belt of yours. Wait for me in this alley--I’ll be
|
||
back in two minutes.
|
||
|
||
* _Flamenco de Roma_, a slang term for the gipsies. Roma
|
||
does not stand for the Eternal City, but for the nation of
|
||
the _romi_, or the married folk--a name applied by the
|
||
gipsies to themselves. The first gipsies seen in Spain
|
||
probably came from the Low Countries, hence their name of
|
||
_Flemings_.
|
||
|
||
“She disappeared, and soon came back bringing me a striped cloak which
|
||
she had gone to fetch, I knew not whence. She made me take off my
|
||
uniform, and put on the cloak over my shirt. Thus dressed, and with the
|
||
wound on my head bound round with the handkerchief, I was tolerably like
|
||
a Valencian peasant, many of whom come to Seville to sell a drink they
|
||
make out of ‘_chufas_.’* Then she took me to a house very much like
|
||
Dorotea’s, at the bottom of a little lane. Here she and another gipsy
|
||
woman washed and dressed my wounds, better than any army surgeon could
|
||
have done, gave me something, I know not what, to drink, and finally
|
||
made me lie down on a mattress, on which I went to sleep.
|
||
|
||
* A bulbous root, out of which rather a pleasant beverage is
|
||
manufactured.
|
||
|
||
“Probably the woman had mixed one of the soporific drugs of which they
|
||
know the secret in my drink, for I did not wake up till very late the
|
||
next day. I was rather feverish, and had a violent headache. It was some
|
||
time before the memory of the terrible scene in which I had taken part
|
||
on the previous night came back to me. After having dressed my wound,
|
||
Carmen and her friend, squatting on their heels beside my mattress,
|
||
exchanged a few words of ‘_chipe calli_,’ which appeared to me to be
|
||
something in the nature of a medical consultation. Then they both of
|
||
them assured me that I should soon be cured, but that I must get out
|
||
of Seville at the earliest possible moment, for that, if I was caught
|
||
there, I should most undoubtedly be shot.
|
||
|
||
“‘My boy,’ said Carmen to me, ‘you’ll have to do something. Now that
|
||
the king won’t give you either rice or haddock* you’ll have to think of
|
||
earning your livelihood. You’re too stupid for stealing _a pastesas_.**
|
||
But you are brave and active. If you have the pluck, take yourself off
|
||
to the coast and turn smuggler. Haven’t I promised to get you hanged?
|
||
That’s better than being shot, and besides, if you set about it
|
||
properly, you’ll live like a prince as long as the _minons_*** and the
|
||
coast-guard don’t lay their hands on your collar.’
|
||
|
||
* The ordinary food of a Spanish soldier.
|
||
|
||
** _Ustilar a pastesas_, to steal cleverly, to purloin
|
||
without violence.
|
||
|
||
*** A sort of volunteer corps.
|
||
|
||
“In this attractive guise did this fiend of a girl describe the new
|
||
career she was suggesting to me,--the only one, indeed, remaining, now
|
||
I had incurred the penalty of death. Shall I confess it, sir? She
|
||
persuaded me without much difficulty. This wild and dangerous life, it
|
||
seemed to me, would bind her and me more closely together. In future, I
|
||
thought, I should be able to make sure of her love.
|
||
|
||
“I had often heard talk of certain smugglers who travelled about
|
||
Andalusia, each riding a good horse, with his mistress behind him and
|
||
his blunderbuss in his fist. Already I saw myself trotting up and down
|
||
the world, with a pretty gipsy behind me. When I mentioned that notion
|
||
to her, she laughed till she had to hold her sides, and vowed there was
|
||
nothing in the world so delightful as a night spent camping in the open
|
||
air, when each _rom_ retired with his _romi_ beneath their little tent,
|
||
made of three hoops with a blanket thrown across them.
|
||
|
||
“‘If I take to the mountains,’ said I to her, ‘I shall be sure of you.
|
||
There’ll be no lieutenant there to go shares with me.’
|
||
|
||
“‘Ha! ha! you’re jealous!’ she retorted, ‘so much the worse for you. How
|
||
can you be such a fool as that? Don’t you see I must love you, because I
|
||
have never asked you for money?’
|
||
|
||
“When she said that sort to thing I could have strangled her.
|
||
|
||
“To shorten the story, sir, Carmen procured me civilian clothes,
|
||
disguised in which I got out of Seville without being recognised. I went
|
||
to Jerez, with a letter from Pastia to a dealer in anisette whose house
|
||
was the smugglers’ meeting-place. I was introduced to them, and their
|
||
leader, surnamed _El Dancaire_, enrolled me in his gang. We started for
|
||
Gaucin, where I found Carmen, who had told me she would meet me there.
|
||
In all these expeditions she acted as spy for our gang, and she was the
|
||
best that ever was seen. She had now just returned from Gibraltar, and
|
||
had already arranged with the captain of a ship for a cargo of English
|
||
goods which we were to receive on the coast. We went to meet it near
|
||
Estepona. We hid part in the mountains, and laden with the rest, we
|
||
proceeded to Ronda. Carmen had gone there before us. It was she again
|
||
who warned us when we had better enter the town. This first journey, and
|
||
several subsequent ones, turned out well. I found the smuggler’s life
|
||
pleasanter than a soldier’s: I could give presents to Carmen, I had
|
||
money, and I had a mistress. I felt little or no remorse, for, as the
|
||
gipsies say, ‘The happy man never longs to scratch his itch.’ We were
|
||
made welcome everywhere, my comrades treated me well, and even showed me
|
||
a certain respect. The reason of this was that I had killed my man,
|
||
and that some of them had no exploit of that description on their
|
||
conscience. But what I valued most in my new life was that I often saw
|
||
Carmen. She showed me more affection than ever; nevertheless, she would
|
||
never admit, before my comrades, that she was my mistress, and she had
|
||
even made me swear all sorts of oaths that I would not say anything
|
||
about her to them. I was so weak in that creature’s hands, that I obeyed
|
||
all her whims. And besides, this was the first time she had revealed
|
||
herself as possessing any of the reserve of a well-conducted woman,
|
||
and I was simple enough to believe she had really cast off her former
|
||
habits.
|
||
|
||
“Our gang, which consisted of eight or ten men, was hardly ever together
|
||
except at decisive moments, and we were usually scattered by twos and
|
||
threes about the towns and villages. Each one of us pretended to have
|
||
some trade. One was a tinker, another was a groom; I was supposed to
|
||
peddle haberdashery, but I hardly ever showed myself in large places, on
|
||
account of my unlucky business at Seville. One day, or rather one night,
|
||
we were to meet below Veger. _El Dancaire_ and I got there before the
|
||
others.
|
||
|
||
“‘We shall soon have a new comrade,’ said he. ‘Carmen has just managed
|
||
one of her best tricks. She has contrived the escape of her _rom_, who
|
||
was in the _presidio_ at Tarifa.’
|
||
|
||
“I was already beginning to understand the gipsy language, which nearly
|
||
all my comrades spoke, and this word _rom_ startled me.
|
||
|
||
“What! her husband? Is she married, then?’ said I to the captain.
|
||
|
||
“‘Yes!’ he replied, ‘married to Garcia _el Tuerto_*--as cunning a gipsy
|
||
as she is herself. The poor fellow has been at the galleys. Carmen has
|
||
wheedled the surgeon of the _presidio_ to such good purpose that she
|
||
has managed to get her _rom_ out of prison. Faith! that girl’s worth
|
||
her weight in gold. For two years she has been trying to contrive his
|
||
escape, but she could do nothing until the authorities took it into
|
||
their heads to change the surgeon. She soon managed to come to an
|
||
understanding with this new one.’
|
||
|
||
* One-eyed man.
|
||
|
||
“You may imagine how pleasant this news was for me. I soon saw Garcia
|
||
_el Tuerto_. He was the very ugliest brute that was ever nursed
|
||
in gipsydom. His skin was black, his soul was blacker, and he was
|
||
altogether the most thorough-paced ruffian I ever came across in my
|
||
life. Carmen arrived with him, and when she called him her _rom_ in my
|
||
presence, you should have seen the eyes she made at me, and the faces
|
||
she pulled whenever Garcia turned his head away.
|
||
|
||
“I was disgusted, and never spoke a word to her all night. The next
|
||
morning we had made up our packs, and had already started, when we
|
||
became aware that we had a dozen horsemen on our heels. The braggart
|
||
Andalusians, who had been boasting they would murder every one who came
|
||
near them, cut a pitiful figure at once. There was a general rout. _El
|
||
Dancaire_, Garcia, a good-looking fellow from Ecija, who was called _El
|
||
Remendado_, and Carmen herself, kept their wits about them. The rest
|
||
forsook the mules and took to the gorges, where the horses could not
|
||
follow them. There was no hope of saving the mules, so we hastily
|
||
unstrapped the best part of our booty, and taking it on our shoulders,
|
||
we tried to escape through the rocks down the steepest of the slopes. We
|
||
threw our packs down in front of us and followed them as best we could,
|
||
slipping along on our heels. Meanwhile the enemy fired at us. It was
|
||
the first time I had ever heard bullets whistling around me and I
|
||
didn’t mind it very much. When there’s a woman looking on, there’s no
|
||
particular merit in snapping one’s fingers at death. We all escaped
|
||
except the poor _Remendado_, who received a bullet wound in the loins. I
|
||
threw away my pack and tried to lift him up.
|
||
|
||
“‘Idiot!’ shouted Garcia, ‘what do we want with offal! Finish him off,
|
||
and don’t lose the cotton stockings!’
|
||
|
||
“‘Drop him!’ cried Carmen.
|
||
|
||
“I was so exhausted that I was obliged to lay him down for a moment
|
||
under a rock. Garcia came up, and fired his blunderbuss full into his
|
||
face. ‘He’d be a clever fellow who recognised him now!’ said he, as he
|
||
looked at the face, cut to pieces by a dozen slugs.
|
||
|
||
“There, sir; that’s the delightful sort of life I’ve led! That night
|
||
we found ourselves in a thicket, worn out with fatigue, with nothing to
|
||
eat, and ruined by the loss of our mules. What do you think that devil
|
||
Garcia did? He pulled a pack of cards out of his pocket and began
|
||
playing games with _El Dancaire_ by the light of a fire they kindled.
|
||
Meanwhile I was lying down, staring at the stars, thinking of _El
|
||
Remendado_, and telling myself I would just as lief be in his place.
|
||
Carmen was squatting down near me, and every now and then she would
|
||
rattle her castanets and hum a tune. Then, drawing close to me, as if
|
||
she would have whispered in my ear, she kissed me two or three times
|
||
over almost against my will.
|
||
|
||
“‘You are a devil,’ said I to her.
|
||
|
||
“‘Yes,’ she replied.
|
||
|
||
“After a few hours’ rest, she departed to Gaucin, and the next morning a
|
||
little goatherd brought us some food. We stayed there all that day, and
|
||
in the evening we moved close to Gaucin. We were expecting news from
|
||
Carmen, but none came. After daylight broke we saw a muleteer attending
|
||
a well-dressed woman with a parasol, and a little girl who seemed to
|
||
be her servant. Said Garcia, ‘There go two mules and two women whom St.
|
||
Nicholas has sent us. I would rather have had four mules, but no matter.
|
||
I’ll do the best I can with these.’
|
||
|
||
“He took his blunderbuss, and went down the pathway, hiding himself
|
||
among the brushwood.
|
||
|
||
“We followed him, _El Dancaire_ and I keeping a little way behind. As
|
||
soon as the woman saw us, instead of being frightened--and our dress
|
||
would have been enough to frighten any one--she burst into a fit of loud
|
||
laughter. ‘Ah! the _lillipendi_! They take me for an _erani_!’ *
|
||
|
||
* “The idiots, they take me for a smart lady!”
|
||
|
||
“It was Carmen, but so well disguised that if she had spoken any other
|
||
language I should never have recognised her. She sprang off her mule,
|
||
and talked some time in an undertone with _El Dancaire_ and Garcia. Then
|
||
she said to me:
|
||
|
||
“‘Canary-bird, we shall meet again before you’re hanged. I’m off to
|
||
Gibraltar on gipsy business--you’ll soon have news of me.’
|
||
|
||
“We parted, after she had told us of a place where we should find
|
||
shelter for some days. That girl was the providence of our gang. We soon
|
||
received some money sent by her, and a piece of news which was still
|
||
more useful to us--to the effect that on a certain day two English lords
|
||
would travel from Gibraltar to Granada by a road she mentioned. This was
|
||
a word to the wise. They had plenty of good guineas. Garcia would have
|
||
killed them, but _El Dancaire_ and I objected. All we took from them,
|
||
besides their shirts, which we greatly needed, was their money and their
|
||
watches.
|
||
|
||
“Sir, a man may turn rogue in sheer thoughtlessness. You lose your
|
||
head over a pretty girl, you fight another man about her, there is a
|
||
catastrophe, you have to take to the mountains, and you turn from a
|
||
smuggler into a robber before you have time to think about it. After
|
||
this matter of the English lords, we concluded that the neighbourhood of
|
||
Gibraltar would not be healthy for us, and we plunged into the _Sierra
|
||
de Ronda_. You once mentioned Jose-Maria to me. Well, it was there I
|
||
made acquaintance with him. He always took his mistress with him on his
|
||
expeditions. She was a pretty girl, quiet, modest, well-mannered, you
|
||
never heard a vulgar word from her, and she was quite devoted to him.
|
||
He, on his side, led her a very unhappy life. He was always running
|
||
after other women, he ill-treated her, and then sometimes he would take
|
||
it into his head to be jealous. One day he slashed her with a knife.
|
||
Well, she only doted on him the more! That’s the way with women, and
|
||
especially with Andalusians. This girl was proud of the scar on her arm,
|
||
and would display it as though it were the most beautiful thing in the
|
||
world. And then Jose-Maria was the worst of comrades in the bargain.
|
||
In one expedition we made with him, he managed so that he kept all the
|
||
profits, and we had all the trouble and the blows. But I must go back to
|
||
my story. We had no sign at all from Carmen. _El Dancaire_ said: ‘One
|
||
of us will have to go to Gibraltar to get news of her. She must have
|
||
planned some business. I’d go at once, only I’m too well known at
|
||
Gibraltar.’ _El Tuerto_ said:
|
||
|
||
“‘I’m well known there too. I’ve played so many tricks on the
|
||
crayfish*--and as I’ve only one eye, it is not overeasy for me to
|
||
disguise myself.’
|
||
|
||
* Name applied by the Spanish populace to the British
|
||
soldiers, on account of the colour of their uniform.
|
||
|
||
“‘Then I suppose I must go,’ said I, delighted at the very idea of
|
||
seeing Carmen again. ‘Well, how am I to set about it?’
|
||
|
||
“The others answered:
|
||
|
||
“‘You must either go by sea, or you must get through by San Rocco,
|
||
whichever you like the best; once you are in Gibraltar, inquire in the
|
||
port where a chocolate-seller called _La Rollona_ lives. When you’ve
|
||
found her, she’ll tell you everything that’s happening.’
|
||
|
||
“It was settled that we were all to start for the Sierra, that I was
|
||
to leave my two companions there, and take my way to Gibraltar, in
|
||
the character of a fruit-seller. At Ronda one of our men procured me
|
||
a passport; at Gaucin I was provided with a donkey. I loaded it with
|
||
oranges and melons, and started forth. When I reached Gibraltar I found
|
||
that many people knew _La Rollona_, but that she was either dead or had
|
||
gone _ad finibus terroe_,* and, to my mind, her disappearance explained
|
||
the failure of our correspondence with Carmen. I stabled my donkey,
|
||
and began to move about the town, carrying my oranges as though to sell
|
||
them, but in reality looking to see whether I could not come across any
|
||
face I knew. The place is full of ragamuffins from every country in the
|
||
world, and it really is like the Tower of Babel, for you can’t go ten
|
||
paces along a street without hearing as many languages. I did see some
|
||
gipsies, but I hardly dared confide in them. I was taking stock of them,
|
||
and they were taking stock of me. We had mutually guessed each other
|
||
to be rogues, but the important thing for us was to know whether we
|
||
belonged to the same gang. After having spent two days in fruitless
|
||
wanderings, and having found out nothing either as to _La Rollona_ or
|
||
as to Carmen, I was thinking I would go back to my comrades as soon as I
|
||
had made a few purchases, when, toward sunset, as I was walking along a
|
||
street, I heard a woman’s voice from a window say, ‘Orange-seller!’
|
||
|
||
* To the galleys, or else to all the devils in hell.
|
||
|
||
“I looked up, and on a balcony I saw Carmen looking out, beside a
|
||
scarlet-coated officer with gold epaulettes, curly hair, and all
|
||
the appearance of a rich _milord_. As for her, she was magnificently
|
||
dressed, a shawl hung on her shoulders, she’d a gold comb in her hair,
|
||
everything she wore was of silk; and the cunning little wretch, not a
|
||
bit altered, was laughing till she held her sides.
|
||
|
||
“The Englishman shouted to me in mangled Spanish to come upstairs, as
|
||
the lady wanted some oranges, and Carmen said to me in Basque:
|
||
|
||
“‘Come up, and don’t look astonished at anything!’
|
||
|
||
“Indeed, nothing that she did ought ever to have astonished me. I don’t
|
||
know whether I was most happy or wretched at seeing her again. At the
|
||
door of the house there was a tall English servant with a powdered head,
|
||
who ushered me into a splendid drawing-room. Instantly Carmen said to me
|
||
in Basque, ‘You don’t know one word of Spanish, and you don’t know me.’
|
||
Then turning to the Englishman, she added:
|
||
|
||
“‘I told you so. I saw at once he was a Basque. Now you’ll hear what a
|
||
queer language he speaks. Doesn’t he look silly? He’s like a cat that’s
|
||
been caught in the larder!’
|
||
|
||
“‘And you,’ said I to her in my own language, ‘you look like an impudent
|
||
jade--and I’ve a good mind to scar your face here and now, before your
|
||
spark.’
|
||
|
||
“‘My spark!’ said she. ‘Why, you’ve guessed that all alone! Are you
|
||
jealous of this idiot? You’re even sillier than you were before our
|
||
evening in the _Calle del Candilejo_! Don’t you see, fool, that at this
|
||
moment I’m doing gipsy business, and doing it in the most brilliant
|
||
manner? This house belongs to me--the guineas of that crayfish will
|
||
belong to me! I lead him by the nose, and I’ll lead him to a place that
|
||
he’ll never get out of!’
|
||
|
||
“‘And if I catch you doing any gipsy business in this style again, I’ll
|
||
see to it that you never do any again!’ said I.
|
||
|
||
“‘Ah! upon my word! Are you my _rom_, pray that you give me orders? If
|
||
_El Tuerto_ is pleased, what have you to do with it? Oughtn’t you to
|
||
be very happy that you are the only man who can call himself my
|
||
_minchorro_?’ *
|
||
|
||
* My “lover,” or rather my “fancy.”
|
||
|
||
“‘What does he say?’ inquired the Englishman.
|
||
|
||
“‘He says he’s thirsty, and would like a drink,’ answered Carmen, and
|
||
she threw herself back upon a sofa, screaming with laughter at her own
|
||
translation.
|
||
|
||
“When that girl begins to laugh, sir, it was hopeless for anybody to try
|
||
and talk sense. Everybody laughed with her. The big Englishman began to
|
||
laugh too, like the idiot he was, and ordered the servant to bring me
|
||
something to drink.
|
||
|
||
“While I was drinking she said to me:
|
||
|
||
“‘Do you see that ring he has on his finger? If you like I’ll give it to
|
||
you.’
|
||
|
||
“And I answered:
|
||
|
||
“‘I would give one of my fingers to have your _milord_ out on the
|
||
mountains, and each of us with a _maquila_ in his fist.’
|
||
|
||
“‘_Maquila_, what does that mean?’ asked the Englishman.
|
||
|
||
“‘Maquila,’ said Carmen, still laughing, ‘means an orange. Isn’t it a
|
||
queer word for an orange? He says he’d like you to eat _maquila_.’
|
||
|
||
“‘Does he?’ said the Englishman. ‘Very well, bring more _maquila_
|
||
to-morrow.’
|
||
|
||
“While we were talking a servant came in and said dinner was ready.
|
||
Then the Englishman stood up, gave me a piastre, and offered his arm
|
||
to Carmen, as if she couldn’t have walked alone. Carmen, who was still
|
||
laughing, said to me:
|
||
|
||
“‘My boy, I can’t ask you to dinner. But to-morrow, as soon as you hear
|
||
the drums beat for parade, come here with your oranges. You’ll find a
|
||
better furnished room than the one in the _Calle del Candilejo_, and
|
||
you’ll see whether I am still your _Carmencita_. Then afterwards we’ll
|
||
talk about gipsy business.’
|
||
|
||
“I gave her no answer--even when I was in the street I could hear the
|
||
Englishman shouting, ‘Bring more _maquila_ to-morrow,’ and Carmen’s
|
||
peals of laughter.
|
||
|
||
“I went out, not knowing what I should do; I hardly slept, and next
|
||
morning I was so enraged with the treacherous creature that I made up
|
||
my mind to leave Gibraltar without seeing her again. But the moment
|
||
the drums began to roll, my courage failed me. I took up my net full of
|
||
oranges, and hurried off to Carmen’s house. Her window-shutters had been
|
||
pulled apart a little, and I saw her great dark eyes watching for me.
|
||
The powdered servant showed me in at once. Carmen sent him out with a
|
||
message, and as soon as we were alone she burst into one of her fits of
|
||
crocodile laughter and threw her arms around my neck. Never had I seen
|
||
her look so beautiful. She was dressed out like a queen, and scented;
|
||
she had silken furniture, embroidered curtains--and I togged out like
|
||
the thief I was!
|
||
|
||
“‘_Minchorro_,’ said Carmen, ‘I’ve a good mind to smash up everything
|
||
here, set fire to the house, and take myself off to the mountains.’ And
|
||
then she would fondle me, and then she would laugh, and she danced about
|
||
and tore up her fripperies. Never did monkey gambol nor make such faces,
|
||
nor play such wild tricks, as she did that day. When she had recovered
|
||
her gravity--
|
||
|
||
“‘Hark!’ she said, ‘this is gipsy business. I mean him to take me to
|
||
Ronda, where I have a sister who is a nun’ (here she shrieked with
|
||
laughter again). ‘We shall pass by a particular spot which I shall make
|
||
known to you. Then you must fall upon him and strip him to the skin.
|
||
Your best plan would be to do for him, but,’ she added, with a certain
|
||
fiendish smile of hers, which no one who saw it ever had any desire to
|
||
imitate, ‘do you know what you had better do? Let _El Tuerto_ come up
|
||
in front of you. You keep a little behind. The crayfish is brave, and
|
||
skilful too, and he has good pistols. Do you understand?’
|
||
|
||
“And she broke off with another fit of laughter that made me shiver.
|
||
|
||
“‘No,’ said I, ‘I hate Garcia, but he’s my comrade. Some day, maybe,
|
||
I’ll rid you of him, but we’ll settle our account after the fashion of
|
||
my country. It’s only chance that has made me a gipsy, and in certain
|
||
things I shall always be a thorough Navarrese,* as the proverb says.
|
||
|
||
* _Navarro fino_.
|
||
|
||
“‘You’re a fool,’ she rejoined, ‘a simpleton, a regular _payllo_. You’re
|
||
just like the dwarf who thinks himself tall because he can spit a long
|
||
way.* You don’t love me! Be off with you!’
|
||
|
||
* _Or esorjle de or marsichisle, sin chisnar lachinguel_.
|
||
“The promise of a dwarf is that he will spit a long way.”--A
|
||
gipsy proverb.
|
||
|
||
“Whenever she said to me ‘Be off with you,” I couldn’t go away. I
|
||
promised I would start back to my comrades and wait the arrival of the
|
||
Englishman. She, on her side, promised she would be ill until she left
|
||
Gibraltar for Ronda.
|
||
|
||
“I remained at Gibraltar two days longer. She had the boldness to
|
||
disguise herself and come and see me at the inn. I departed, I had a
|
||
plan of my own. I went back to our meeting-place with the information as
|
||
to the spot and the hour at which the Englishman and Carmen were to pass
|
||
by. I found _El Dancaire_ and Garcia waiting for me. We spent the night
|
||
in a wood, beside a fire made of pine-cones that blazed splendidly. I
|
||
suggested to Garcia that we should play cards, and he agreed. In the
|
||
second game I told him he was cheating; he began to laugh; I threw the
|
||
cards in his face. He tried to get at his blunderbuss. I set my foot on
|
||
it, and said, ‘They say you can use a knife as well as the best ruffian
|
||
in Malaga; will you try it with me?’ _El Dancaire_ tried to part us. I
|
||
had given Garcia one or two cuffs, his rage had given him courage, he
|
||
drew his knife, and I drew mine. We both of us told _El Dancaire_ he
|
||
must leave us alone, and let us fight it out. He saw there was no means
|
||
of stopping us, so he stood on one side. Garcia was already bent double,
|
||
like a cat ready to spring upon a mouse. He held his hat in his
|
||
left hand to parry with, and his knife in front of him--that’s their
|
||
Andalusian guard. I stood up in the Navarrese fashion, with my left arm
|
||
raised, my left leg forward, and my knife held straight along my right
|
||
thigh. I felt I was stronger than any giant. He flew at me like an
|
||
arrow. I turned round on my left foot, so that he found nothing in front
|
||
of him. But I thrust him in the throat, and the knife went in so far
|
||
that my hand was under his chin. I gave the blade such a twist that it
|
||
broke. That was the end. The blade was carried out of the wound by a
|
||
gush of blood as thick as my arm, and he fell full length on his face.
|
||
|
||
“‘What have you done?’ said _El Dancaire_ to me.
|
||
|
||
“‘Hark ye,’ said I, ‘we couldn’t live on together. I love Carmen and I
|
||
mean to be the only one. And besides, Garcia was a villain. I remember
|
||
what he did to that poor _Remendado_. There are only two of us left now,
|
||
but we are both good fellows. Come, will you have me for your friend,
|
||
for life or death?’
|
||
|
||
“_El Dancaire_ stretched out his hand. He was a man of fifty.
|
||
|
||
“‘Devil take these love stories!’ he cried. ‘If you’d asked him for
|
||
Carmen he’d have sold her to you for a piastre! There are only two of us
|
||
now--how shall we manage for to-morrow?’
|
||
|
||
“‘I’ll manage it all alone,’ I answered. ‘I can snap my fingers at the
|
||
whole world now.’
|
||
|
||
“We buried Garcia, and we moved our camp two hundred paces farther on.
|
||
The next morning Carmen and her Englishman came along with two muleteers
|
||
and a servant. I said to _El Dancaire_:
|
||
|
||
“‘I’ll look after the Englishman, you frighten the others--they’re not
|
||
armed!’
|
||
|
||
“The Englishman was a plucky fellow. He’d have killed me if Carmen
|
||
hadn’t jogged his elbow.
|
||
|
||
“To put it shortly, I won Carmen back that day, and my first words were
|
||
to tell her she was a widow.
|
||
|
||
“When she knew how it had all happened--
|
||
|
||
“‘You’ll always be a _lillipendi_,’ she said. ‘Garcia ought to have
|
||
killed you. Your Navarrese guard is a pack of nonsense, and he has sent
|
||
far more skilful men than you into the darkness. It was just that his
|
||
time had come--and yours will come too.’
|
||
|
||
“‘Ay, and yours too!--if you’re not a faithful _romi_ to me.’
|
||
|
||
“‘So be it,’ said she. ‘I’ve read in the coffee grounds, more than once,
|
||
that you and I were to end our lives together. Pshaw! what must be, will
|
||
be!’ and she rattled her castanets, as was her way when she wanted to
|
||
drive away some worrying thought.
|
||
|
||
“One runs on when one is talking about one’s self. I dare say all these
|
||
details bore you, but I shall soon be at the end of my story. Our new
|
||
life lasted for some considerable time. _El Dancaire_ and I gathered a
|
||
few comrades about us, who were more trustworthy than our earlier ones,
|
||
and we turned our attention to smuggling. Occasionally, indeed, I must
|
||
confess we stopped travellers on the highways, but never unless we were
|
||
at the last extremity, and could not avoid doing so; and besides, we
|
||
never ill-treated the travellers, and confined ourselves to taking their
|
||
money from them.
|
||
|
||
“For some months I was very well satisfied with Carmen. She still served
|
||
us in our smuggling operations, by giving us notice of any opportunity
|
||
of making a good haul. She remained either at Malaga, at Cordova, or at
|
||
Granada, but at a word from me she would leave everything, and come to
|
||
meet me at some _venta_ or even in our lonely camp. Only once--it was at
|
||
Malaga--she caused me some uneasiness. I heard she had fixed her fancy
|
||
upon a very rich merchant, with whom she probably proposed to play her
|
||
Gibraltar trick over again. In spite of everything _El Dancaire_ said to
|
||
stop me, I started off, walked into Malaga in broad daylight, sought for
|
||
Carmen and carried her off instantly. We had a sharp altercation.
|
||
|
||
“‘Do you know,’ said she, ‘now that you’re my _rom_ for good and all, I
|
||
don’t care for you so much as when you were my _minchorro_! I won’t be
|
||
worried, and above all, I won’t be ordered about. I choose to be free to
|
||
do as I like. Take care you don’t drive me too far; if you tire me
|
||
out, I’ll find some good fellow who’ll serve you just as you served _El
|
||
Tuerto_.’
|
||
|
||
“_El Dancaire_ patched it up between us; but we had said things to each
|
||
other that rankled in our hearts, and we were not as we had been before.
|
||
Shortly after that we had a misfortune: the soldiers caught us, _El
|
||
Dancaire_ and two of my comrades were killed; two others were taken.
|
||
I was sorely wounded, and, but for my good horse, I should have fallen
|
||
into the soldiers’ hands. Half dead with fatigue, and with a bullet in
|
||
my body, I sought shelter in a wood, with my only remaining comrade.
|
||
When I got off my horse I fainted away, and I thought I was going to
|
||
die there in the brushwood, like a shot hare. My comrade carried me to a
|
||
cave he knew of, and then he sent to fetch Carmen.
|
||
|
||
“She was at Granada, and she hurried to me at once. For a whole
|
||
fortnight she never left me for a single instant. She never closed her
|
||
eyes; she nursed me with a skill and care such as no woman ever showed
|
||
to the man she loved most tenderly. As soon as I could stand on my feet,
|
||
she conveyed me with the utmost secrecy to Granada. These gipsy women
|
||
find safe shelter everywhere, and I spent more than six weeks in a house
|
||
only two doors from that of the _Corregidor_ who was trying to arrest
|
||
me. More than once I saw him pass by, from behind the shutter. At last I
|
||
recovered, but I had thought a great deal, on my bed of pain, and I had
|
||
planned to change my way of life. I suggested to Carmen that we should
|
||
leave Spain, and seek an honest livelihood in the New World. She laughed
|
||
in my face.
|
||
|
||
“‘We were not born to plant cabbages,’ she cried. ‘Our fate is to live
|
||
_payllos_! Listen: I’ve arranged a business with Nathan Ben-Joseph at
|
||
Gibraltar. He has cotton stuffs that he can not get through till you
|
||
come to fetch them. He knows you’re alive, and reckons upon you. What
|
||
would our Gibraltar correspondents say if you failed them?’
|
||
|
||
“I let myself by persuaded, and took up my vile trade once more.
|
||
|
||
“While I was hiding at Granada there were bull-fights there, to which
|
||
Carmen went. When she came back she talked a great deal about a skilful
|
||
_picador_ of the name of Lucas. She knew the name of his horse, and how
|
||
much his embroidered jacket had cost him. I paid no attention to this;
|
||
but a few days later, Juanito, the only one of my comrades who was left,
|
||
told me he had seen Carmen with Lucas in a shop in the Zacatin. Then
|
||
I began to feel alarmed. I asked Carmen how and why she had made the
|
||
_picador’s_ acquaintance.
|
||
|
||
“‘He’s a man out of whom we may be able to get something,’ said she.
|
||
‘A noisy stream has either water in it or pebbles. He has earned twelve
|
||
hundred reals at the bull-fights. It must be one of two things: we
|
||
must either have his money, or else, as he is a good rider and a plucky
|
||
fellow, we can enroll him in our gang. We have lost such an one an such
|
||
an one; you’ll have to replace them. Take this man with you!’
|
||
|
||
“‘I want neither his money nor himself,’ I replied, ‘and I forbid you to
|
||
speak to him.’
|
||
|
||
“‘Beware!’ she retorted. ‘If any one defies me to do a thing, it’s very
|
||
quickly done.’
|
||
|
||
“Luckily the _picador_ departed to Malaga, and I set about passing in
|
||
the Jew’s cotton stuffs. This expedition gave me a great deal to do, and
|
||
Carmen as well. I forgot Lucas, and perhaps she forgot him too--for the
|
||
moment, at all events. It was just about that time, sir, that I met you,
|
||
first at Montilla, and then afterward at Cordova. I won’t talk about
|
||
that last interview. You know more about it, perhaps, than I do. Carmen
|
||
stole your watch from you, she wanted to have your money besides, and
|
||
especially that ring I see on your finger, and which she declared to be
|
||
a magic ring, the possession of which was very important to her. We had
|
||
a violent quarrel, and I struck her. She turned pale and began to cry.
|
||
It was the first time I had ever seen her cry, and it affected me in the
|
||
most painful manner. I begged her to forgive me, but she sulked with me
|
||
for a whole day, and when I started back to Montilla she wouldn’t kiss
|
||
me. My heart was still very sore, when, three days later, she joined me
|
||
with a smiling face and as merry as a lark. Everything was forgotten,
|
||
and we were like a pair of honeymoon lovers. Just as we were parting she
|
||
said, ‘There’s a _fete_ at Cordova; I shall go and see it, and then I
|
||
shall know what people will be coming away with money, and I can warn
|
||
you.’
|
||
|
||
“I let her go. When I was alone I thought about the _fete_, and about
|
||
the change in Carmen’s temper. ‘She must have avenged herself already,’
|
||
said I to myself, ‘since she was the first to make our quarrel up.’ A
|
||
peasant told me there was to be bull-fighting at Cordova. Then my blood
|
||
began to boil, and I went off like a madman straight to the bull-ring. I
|
||
had Lucas pointed out to me, and on the bench, just beside the barrier,
|
||
I recognised Carmen. One glance at her was enough to turn my suspicion
|
||
into certainty. When the first bull appeared Lucas began, as I had
|
||
expected to play the agreeable; he snatched the cockade off the bull and
|
||
presented it to Carmen, who put it in her hair at once.*
|
||
|
||
* _La divisa_. A knot of ribbon, the colour of which
|
||
indicates the pasturage from which each bull comes. This
|
||
knot of ribbon is fastened into the bull’s hide with a sort
|
||
of hook, and it is considered the very height of gallantry
|
||
to snatch it off the living beast and present it to a woman.
|
||
|
||
“The bull avenged me. Lucas was knocked down, with his horse on his
|
||
chest, and the bull on top of both of them. I looked for Carmen, she had
|
||
disappeared from her place already. I couldn’t get out of mine, and I
|
||
was obliged to wait until the bull-fight was over. Then I went off to
|
||
that house you already know, and waited there quietly all that evening
|
||
and part of the night. Toward two o’clock in the morning Carmen came
|
||
back, and was rather surprised to see me.
|
||
|
||
“‘Come with me,’ said I.
|
||
|
||
“‘Very well,’ said she, ‘let’s be off.’
|
||
|
||
“I went and got my horse, and took her up behind me, and we travelled
|
||
all the rest of the night without saying a word to each other. When
|
||
daylight came we stopped at a lonely inn, not far from a hermitage.
|
||
There I said to Carmen:
|
||
|
||
“‘Listen--I forget everything, I won’t mention anything to you. But
|
||
swear one thing to me--that you’ll come with me to America, and live
|
||
there quietly!’
|
||
|
||
“‘No,’ said she, in a sulky voice, ‘I won’t go to America--I am very
|
||
well here.’
|
||
|
||
“‘That’s because you’re near Lucas. But be very sure that even if
|
||
he gets well now, he won’t make old bones. And, indeed, why should I
|
||
quarrel with him? I’m tired of killing all your lovers; I’ll kill you
|
||
this time.’
|
||
|
||
“She looked at me steadily with her wild eyes, and then she said:
|
||
|
||
“‘I’ve always thought you would kill me. The very first time I saw you I
|
||
had just met a priest at the door of my house. And to-night, as we were
|
||
going out of Cordova, didn’t you see anything? A hare ran across the
|
||
road between your horse’s feet. It is fate.’
|
||
|
||
“‘Carmencita,’ I asked, ‘don’t you love me any more?’
|
||
|
||
“She gave me no answer, she was sitting cross-legged on a mat, making
|
||
marks on the ground with her finger.
|
||
|
||
“‘Let us change our life, Carmen,’ said I imploringly. ‘Let us go away
|
||
and live somewhere we shall never be parted. You know we have a hundred
|
||
and twenty gold ounces buried under an oak not far from here, and then
|
||
we have more money with Ben-Joseph the Jew.’
|
||
|
||
“She began to smile, and then she said, ‘Me first, and then you. I know
|
||
it will happen like that.’
|
||
|
||
“‘Think about it,’ said I. ‘I’ve come to the end of my patience and my
|
||
courage. Make up your mind--or else I must make up mine.’
|
||
|
||
“I left her alone and walked toward the hermitage. I found the hermit
|
||
praying. I waited till his prayer was finished. I longed to pray myself,
|
||
but I couldn’t. When he rose up from his knees I went to him.
|
||
|
||
“‘Father,’ I said, ‘will you pray for some one who is in great danger?’
|
||
|
||
“‘I pray for every one who is afflicted,’ he replied.
|
||
|
||
“‘Can you say a mass for a soul which is perhaps about to go into the
|
||
presence of its Maker?’
|
||
|
||
“‘Yes,’ he answered, looking hard at me.
|
||
|
||
“And as there was something strange about me, he tried to make me talk.
|
||
|
||
“‘It seems to me that I have seen you somewhere,’ said he.
|
||
|
||
“I laid a piastre on his bench.
|
||
|
||
“‘When shall you say the mass?’ said I.
|
||
|
||
“‘In half an hour. The son of the innkeeper yonder is coming to serve
|
||
it. Tell me, young man, haven’t you something on your conscience that is
|
||
tormenting you? Will you listen to a Christian’s counsel?’
|
||
|
||
“I could hardly restrain my tears. I told him I would come back, and
|
||
hurried away. I went and lay down on the grass until I heard the bell.
|
||
Then I went back to the chapel, but I stayed outside it. When he had
|
||
said the mass, I went back to the _venta_. I was hoping Carmen would
|
||
have fled. She could have taken my horse and ridden away. But I found
|
||
her there still. She did not choose that any one should say I had
|
||
frightened her. While I had been away she had unfastened the hem of her
|
||
gown and taken out the lead that weighted it; and now she was sitting
|
||
before a table, looking into a bowl of water into which she had just
|
||
thrown the lead she had melted. She was so busy with her spells that at
|
||
first she didn’t notice my return. Sometimes she would take out a bit of
|
||
lead and turn it round every way with a melancholy look. Sometimes she
|
||
would sing one of those magic songs, which invoke the help of Maria
|
||
Padella, Don Pedro’s mistress, who is said to have been the _Bari
|
||
Crallisa_--the great gipsy queen.*
|
||
|
||
* Maria Padella was accused of having bewitched Don Pedro.
|
||
According to one popular tradition she presented Queen
|
||
Blanche of Bourbon with a golden girdle which, in the eyes
|
||
of the bewitched king, took on the appearance of a living
|
||
snake. Hence the repugnance he always showed toward the
|
||
unhappy princess.
|
||
|
||
“‘Carmen,’ I said to her, ‘will you come with me?’ She rose, threw away
|
||
her wooden bowl, and put her mantilla over her head ready to start. My
|
||
horse was led up, she mounted behind me, and we rode away.
|
||
|
||
“After we had gone a little distance I said to her, ‘So, my Carmen, you
|
||
are quite ready to follow me, isn’t that so?’
|
||
|
||
“She answered, ‘Yes, I’ll follow you, even to death--but I won’t live
|
||
with you any more.’
|
||
|
||
“We had reached a lonely gorge. I stopped my horse.
|
||
|
||
“‘Is this the place?’ she said.
|
||
|
||
“And with a spring she reached the ground. She took off her mantilla and
|
||
threw it at her feet, and stood motionless, with one hand on her hip,
|
||
looking at me steadily.
|
||
|
||
“‘You mean to kill me, I see that well,’ said she. ‘It is fate. But
|
||
you’ll never make me give in.’
|
||
|
||
“I said to her: ‘Be rational, I implore you; listen to me. All the
|
||
past is forgotten. Yet you know it is you who have been my ruin--it is
|
||
because of you that I am a robber and a murderer. Carmen, my Carmen, let
|
||
me save you, and save myself with you.’
|
||
|
||
“‘Jose,’ she answered, ‘what you ask is impossible. I don’t love you
|
||
any more. You love me still, and that is why you want to kill me. If
|
||
I liked, I might tell you some other lie, but I don’t choose to give
|
||
myself the trouble. Everything is over between us two. You are my _rom_,
|
||
and you have the right to kill your _romi_, but Carmen will always be
|
||
free. A _calli_ she was born, and a _calli_ she’ll die.’
|
||
|
||
“‘Then, you love Lucas?’ I asked.
|
||
|
||
“‘Yes, I have loved him--as I loved you--for an instant--less than I
|
||
loved you, perhaps. But now I don’t love anything, and I hate myself for
|
||
ever having loved you.’
|
||
|
||
“I cast myself at her feet, I seized her hands, I watered them with my
|
||
tears, I reminded her of all the happy moments we had spent together,
|
||
I offered to continue my brigand’s life, if that would please her.
|
||
Everything, sir, everything--I offered her everything if she would only
|
||
love me again.
|
||
|
||
“She said:
|
||
|
||
“‘Love you again? That’s not possible! Live with you? I will not do it!’
|
||
|
||
“I was wild with fury. I drew my knife, I would have had her look
|
||
frightened, and sue for mercy--but that woman was a demon.
|
||
|
||
“I cried, ‘For the last time I ask you. Will you stay with me?’
|
||
|
||
“‘No! no! no!’ she said, and she stamped her foot.
|
||
|
||
“Then she pulled a ring I had given her off her finger, and cast it into
|
||
the brushwood.
|
||
|
||
“I struck her twice over--I had taken Garcia’s knife, because I had
|
||
broken my own. At the second thrust she fell without a sound. It seems
|
||
to me that I can still see her great black eyes staring at me. Then they
|
||
grew dim and the lids closed.
|
||
|
||
“For a good hour I lay there prostrate beside her corpse. Then I
|
||
recollected that Carmen had often told me that she would like to lie
|
||
buried in a wood. I dug a grave for her with my knife and laid her in
|
||
it. I hunted about a long time for her ring, and I found it at last.
|
||
I put it into the grave beside her, with a little cross--perhaps I did
|
||
wrong. Then I got upon my horse, galloped to Cordova, and gave myself up
|
||
at the nearest guard-room. I told them I had killed Carmen, but I would
|
||
not tell them where her body was. That hermit was a holy man! He prayed
|
||
for her--he said a mass for her soul. Poor child! It’s the _calle_ who
|
||
are to blame for having brought her up as they did.”
|
||
|
||
|
||
|
||
CHAPTER IV
|
||
|
||
Spain is one of the countries in which those nomads, scattered all over
|
||
Europe, and known as Bohemians, Gitanas, Gipsies, Ziegeuner, and so
|
||
forth, are now to be found in the greatest numbers. Most of these people
|
||
live, or rather wander hither and thither, in the southern and eastern
|
||
provinces of Spain, in Andalusia, and Estramadura, in the kingdom
|
||
of Murcia. There are a great many of them in Catalonia. These last
|
||
frequently cross over into France and are to be seen at all our
|
||
southern fairs. The men generally call themselves grooms, horse doctors,
|
||
mule-clippers; to these trades they add the mending of saucepans and
|
||
brass utensils, not to mention smuggling and other illicit practices.
|
||
The women tell fortunes, beg, and sell all sorts of drugs, some of which
|
||
are innocent, while some are not. The physical characteristics of the
|
||
gipsies are more easily distinguished then described, and when you have
|
||
known one, you should be able to recognise a member of the race among
|
||
a thousand other men. It is by their physiognomy and expression,
|
||
especially, that they differ from the other inhabitants of the same
|
||
country. Their complexion is exceedingly swarthy, always darker than
|
||
that of the race among whom they live. Hence the name of _cale_ (blacks)
|
||
which they frequently apply to themselves.* Their eyes, set with a
|
||
decided slant, are large, very black, and shaded by long and heavy
|
||
lashes. Their glance can only be compared to that of a wild creature. It
|
||
is full at once of boldness and shyness, and in this respect their eyes
|
||
are a fair indication of their national character, which is cunning,
|
||
bold, but with “the natural fear of blows,” like Panurge. Most of the
|
||
men are strapping fellows, slight and active. I don’t think I ever saw
|
||
a gipsy who had grown fat. In Germany the gipsy women are often very
|
||
pretty; but beauty is very uncommon among the Spanish gitanas. When very
|
||
young, they may pass as being attractive in their ugliness, but once
|
||
they have reached motherhood, they become absolutely repulsive. The
|
||
filthiness of both sexes is incredible, and no one who has not seen a
|
||
gipsy matron’s hair can form any conception of what it is, not even
|
||
if he conjures up the roughest, the greasiest, and the dustiest heads
|
||
imaginable. In some of the large Andalusian towns certain of the gipsy
|
||
girls, somewhat better looking than their fellows, will take more care
|
||
of their personal appearance. These go out and earn money by performing
|
||
dances strongly resembling those forbidden at our public balls in
|
||
carnival time. An English missionary, Mr. Borrow, the author of two very
|
||
interesting works on the Spanish gipsies, whom he undertook to convert
|
||
on behalf of the Bible Society, declares there is no instance of any
|
||
gitana showing the smallest weakness for a man not belonging to her
|
||
own race. The praise he bestows upon their chastity strikes me as being
|
||
exceedingly exaggerated. In the first place, the great majority are
|
||
in the position of the ugly woman described by Ovid, “_Casta quam nemo
|
||
rogavit_.” As for the pretty ones, they are, like all Spanish women,
|
||
very fastidious in choosing their lovers. Their fancy must be taken,
|
||
and their favour must be earned. Mr. Borrow quotes, in proof of their
|
||
virtue, one trait which does honour to his own, and especially to his
|
||
simplicity: he declares that an immoral man of his acquaintance offered
|
||
several gold ounces to a pretty gitana, and offered them in vain. An
|
||
Andalusian, to whom I retailed this anecdote, asserted that the immoral
|
||
man in question would have been far more successful if he had shown the
|
||
girl two or three piastres, and that to offer gold ounces to a gipsy was
|
||
as poor a method of persuasion as to promise a couple of millions to a
|
||
tavern wench. However that may be, it is certain that the gitana shows
|
||
the most extraordinary devotion to her husband. There is no danger and
|
||
no suffering she will not brave, to help him in his need. One of the
|
||
names which the gipsies apply to themselves, _Rome_, or “the married
|
||
couple,” seems to me a proof of their racial respect for the married
|
||
state. Speaking generally, it may be asserted that their chief virtue is
|
||
their patriotism--if we may thus describe the fidelity they observe in
|
||
all their relations with persons of the same origin as their own, their
|
||
readiness to help one another, and the inviolable secrecy which they
|
||
keep for each other’s benefit, in all compromising matters. And indeed
|
||
something of the same sort may be noticed in all mysterious associations
|
||
which are beyond the pale of the law.
|
||
|
||
* It has struck me that the German gipsies, though they
|
||
thoroughly understand the word _cale_, do not care to be
|
||
called by that name. Among themselves they always use the
|
||
designation _Romane tchave_.
|
||
|
||
Some months ago, I paid a visit to a gipsy tribe in the Vosges country.
|
||
In the hut of an old woman, the oldest member of the tribe, I found
|
||
a gipsy, in no way related to the family, who was sick of a mortal
|
||
disease. The man had left a hospital, where he was well cared for, so
|
||
that he might die among his own people. For thirteen weeks he had been
|
||
lying in bed in their encampment, and receiving far better treatment
|
||
than any of the sons and sons-in-law who shared his shelter. He had a
|
||
good bed made of straw and moss, and sheets that were tolerably white,
|
||
whereas all the rest of the family, which numbered eleven persons, slept
|
||
on planks three feet long. So much for their hospitality. This very same
|
||
woman, humane as was her treatment of her guest said to me constantly
|
||
before the sick man: “_Singo, singo, homte hi mulo_.” “Soon, soon he
|
||
must die!” After all, these people live such miserable lives, that a
|
||
reference to the approach of death can have no terrors for them.
|
||
|
||
One remarkable feature in the gipsy character is their indifference
|
||
about religion. Not that they are strong-minded or sceptical. They
|
||
have never made any profession of atheism. Far from that, indeed, the
|
||
religion of the country which they inhabit is always theirs; but they
|
||
change their religion when they change the country of their residence.
|
||
They are equally free from the superstitions which replace religious
|
||
feeling in the minds of the vulgar. How, indeed, can superstition exist
|
||
among a race which, as a rule, makes its livelihood out of the credulity
|
||
of others? Nevertheless, I have remarked a particular horror of touching
|
||
a corpse among the Spanish gipsies. Very few of these could be induced
|
||
to carry a dead man to his grave, even if they were paid for it.
|
||
|
||
I have said that most gipsy women undertake to tell fortunes. They do
|
||
this very successfully. But they find a much greater source of profit
|
||
in the sale of charms and love-philters. Not only do they supply toads’
|
||
claws to hold fickle hearts, and powdered loadstone to kindle love in
|
||
cold ones, but if necessity arises, they can use mighty incantations,
|
||
which force the devil to lend them his aid. Last year the following
|
||
story was related to me by a Spanish lady. She was walking one day along
|
||
the _Calle d’Alcala_, feeling very sad and anxious. A gipsy woman who
|
||
was squatting on the pavement called out to her, “My pretty lady, your
|
||
lover has played you false!” (It was quite true.) “Shall I get him
|
||
back for you?” My readers will imagine with what joy the proposal was
|
||
accepted, and how complete was the confidence inspired by a person who
|
||
could thus guess the inmost secrets of the heart. As it would have been
|
||
impossible to proceed to perform the operations of magic in the most
|
||
crowded street in Madrid, a meeting was arranged for the next day.
|
||
“Nothing will be easier than to bring back the faithless one to your
|
||
feet!” said the gitana. “Do you happen to have a handkerchief, a scarf,
|
||
or a mantilla, that he gave you?” A silken scarf was handed her. “Now
|
||
sew a piastre into one corner of the scarf with crimson silk--sew half
|
||
a piastre into another corner--sew a peseta here--and a two-real piece
|
||
there; then, in the middle you must sew a gold coin--a doubloon would be
|
||
best.” The doubloon and all the other coins were duly sewn in. “Now give
|
||
me the scarf, and I’ll take it to the Campo Santo when midnight strikes.
|
||
You come along with me, if you want to see a fine piece of witchcraft.
|
||
I promise you shall see the man you love to-morrow!” The gipsy departed
|
||
alone for the Campo Santo, since my Spanish friend was too much afraid
|
||
of witchcraft to go there with her. I leave my readers to guess whether
|
||
my poor forsaken lady ever saw her lover, or her scarf, again.
|
||
|
||
In spite of their poverty and the sort of aversion they inspire, the
|
||
gipsies are treated with a certain amount of consideration by the more
|
||
ignorant folk, and they are very proud of it. They feel themselves to be
|
||
a superior race as regards intelligence, and they heartily despise the
|
||
people whose hospitality they enjoy. “These Gentiles are so stupid,”
|
||
said one of the Vosges gipsies to me, “that there is no credit in taking
|
||
them in. The other day a peasant woman called out to me in the street.
|
||
I went into her house. Her stove smoked and she asked me to give her a
|
||
charm to cure it. First of all I made her give me a good bit of bacon,
|
||
and then I began to mumble a few words in _Romany_. ‘You’re a fool,’ I
|
||
said, ‘you were born a fool, and you’ll die a fool!’ When I had got near
|
||
the door I said to her, in good German, ‘The most certain way of keeping
|
||
your stove from smoking is not to light any fire in it!’ and then I took
|
||
to my heels.”
|
||
|
||
The history of the gipsies is still a problem. We know, indeed, that
|
||
their first bands, which were few and far between, appeared in Eastern
|
||
Europe towards the beginning of the fifteenth century. But nobody can
|
||
tell whence they started, or why they came to Europe, and, what is still
|
||
more extraordinary, no one knows how they multiplied, within a short
|
||
time, and in so prodigious a fashion, and in several countries, all
|
||
very remote from each other. The gipsies themselves have preserved no
|
||
tradition whatsoever as to their origin, and though most of them do
|
||
speak of Egypt as their original fatherland, that is only because they
|
||
have adopted a very ancient fable respecting their race.
|
||
|
||
Most of the Orientalists who have studied the gipsy language believe
|
||
that the cradle of the race was in India. It appears, in fact, that
|
||
many of the roots and grammatical forms of the _Romany_ tongue are to
|
||
be found in idioms derived from the Sanskrit. As may be imagined, the
|
||
gipsies, during their long wanderings, have adopted many foreign words.
|
||
In every _Romany_ dialect a number of Greek words appear.
|
||
|
||
At the present day the gipsies have almost as many dialects as there are
|
||
separate hordes of their race. Everywhere, they speak the language of
|
||
the country they inhabit more easily than their own idiom, which
|
||
they seldom use, except with the object of conversing freely before
|
||
strangers. A comparison of the dialect of the German gipsies with that
|
||
used by the Spanish gipsies, who have held no communication with each
|
||
other for several centuries, reveals the existence of a great number of
|
||
words common to both. But everywhere the original language is notably
|
||
affected, though in different degrees, by its contact with the more
|
||
cultivated languages into the use of which the nomads have been forced.
|
||
German in one case and Spanish in the other have so modified the
|
||
_Romany_ groundwork that it would not be possible for a gipsy from the
|
||
Black Forest to converse with one of his Andalusian brothers, although a
|
||
few sentences on each side would suffice to convince them that each was
|
||
speaking a dialect of the same language. Certain words in very frequent
|
||
use are, I believe, common to every dialect. Thus, in every vocabulary
|
||
which I have been able to consult, _pani_ means water, _manro_ means
|
||
bread, _mas_ stands for meat, and _lon_ for salt.
|
||
|
||
The nouns of number are almost the same in every case. The German
|
||
dialect seems to me much purer than the Spanish, for it has preserved
|
||
numbers of the primitive grammatical forms, whereas the Gitanos have
|
||
adopted those of the Castilian tongue. Nevertheless, some words are an
|
||
exception, as though to prove that the language was originally common
|
||
to all. The preterite of the German dialect is formed by adding _ium_
|
||
to the imperative, which is always the root of the verb. In the
|
||
Spanish _Romany_ the verbs are all conjugated on the model of the first
|
||
conjugation of the Castilian verbs. From _jamar_, the infinitive of “to
|
||
eat,” the regular conjugation should be _jame_, “I have eaten.” From
|
||
_lillar_, “to take,” _lille_, “I have taken.” Yet, some old gipsies
|
||
say, as an exception, _jayon_ and _lillon_. I am not acquainted with any
|
||
other verbs which have preserved this ancient form.
|
||
|
||
While I am thus showing off my small acquaintance with the _Romany_
|
||
language, I must notice a few words of French slang which our thieves
|
||
have borrowed from the gipsies. From _Les Mysteres de Paris_ honest
|
||
folk have learned that the word _chourin_ means “a knife.” This is
|
||
pure _Romany_--_tchouri_ is one of the words which is common to every
|
||
dialect. Monsieur Vidocq calls a horse _gres_--this again is a gipsy
|
||
word--_gras_, _gre_, _graste_, and _gris_. Add to this the word
|
||
_romanichel_, by which the gipsies are described in Parisian slang.
|
||
This is a corruption of _romane tchave_--“gipsy lads.” But a piece of
|
||
etymology of which I am really proud is that of the word _frimousse_,
|
||
“face,” “countenance”--a word which every schoolboy uses, or did use, in
|
||
my time. Note, in the first place, the Oudin, in his curious dictionary,
|
||
published in 1640, wrote the word _firlimouse_. Now in _Romany_,
|
||
_firla_, or _fila_, stands for “face,” and has the same meaning--it
|
||
is exactly the _os_ of the Latins. The combination of _firlamui_ was
|
||
instantly understood by a genuine gipsy, and I believe it to be true to
|
||
the spirit of the gipsy language.
|
||
|
||
I have surely said enough to give the readers of Carmen a favourable
|
||
idea of my _Romany_ studies. I will conclude with the following proverb,
|
||
which comes in very appropriately: _En retudi panda nasti abela macha_.
|
||
“Between closed lips no fly can pass.”
|
||
|
||
|
||
|
||
|
||
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