11037 lines
521 KiB
Plaintext
11037 lines
521 KiB
Plaintext
The Project Gutenberg eBook of The Green Mummy
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This eBook is for the use of anyone anywhere in the United States and
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most other parts of the world at no cost and with almost no restrictions
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whatsoever. You may copy it, give it away or re-use it under the terms
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you will have to check the laws of the country where you are located
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before using this eBook.
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Title: The Green Mummy
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Author: Fergus Hume
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Release date: October 1, 2001 [eBook #2868]
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Most recently updated: March 15, 2018
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Language: English
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Other information and formats: www.gutenberg.org/ebooks/2868
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Credits: Produced by An Anonymous Project Gutenberg Volunteer, and David Widger
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*** START OF THE PROJECT GUTENBERG EBOOK THE GREEN MUMMY ***
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Produced by An Anonymous Project Gutenberg Volunteer
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THE GREEN MUMMY
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By Fergus Hume
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CONTENTS
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CHAPTER
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I THE LOVERS
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II PROFESSOR BRADDOCK
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III A MYSTERIOUS TOMB
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IV THE UNEXPECTED
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V MYSTERY
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VI THE INQUEST
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VII THE CAPTAIN OF “THE DIVER”
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VIII THE BARONET
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IX MRS. JASHER'S LUCK
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X THE DON AND HIS DAUGHTER
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XI THE MANUSCRIPT
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XII A DISCOVERY
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XIII MORE MYSTERY
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XIV THE UNEXPECTED HAPPENS
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XV AN ACCUSATION
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XVI THE MANUSCRIPT AGAIN
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XVII CIRCUMSTANTIAL EVIDENCE
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XVIII RECOGNITION
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XIX NEARER THE TRUTH
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XX THE LETTER
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XXI A STORY OF THE PAST
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XXII A WEDDING PRESENT
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XXIII JUST IN TIME
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XXIV A CONFESSION
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XXV THE MILLS OF GOD
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XXVI THE APPOINTMENT
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XXVII BY THE RIVER
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THE GREEN MUMMY
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CHAPTER I. THE LOVERS
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“I am very angry,” pouted the maid.
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“In heaven's name, why?” questioned the bachelor.
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“You have, so to speak, bought me.”
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“Impossible: your price is prohibitive.”
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“Indeed, when a thousand pounds--”
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“You are worth fifty and a hundred times as much. Pooh!”
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“That interjection doesn't answer my question.”
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“I don't think it is one which needs answering,” said the young man
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lightly; “there are more important things to talk about than pounds,
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shillings, and sordid pence.”
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“Oh, indeed! Such as--”
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“Love, on a day such as this is. Look at the sky, blue as your eyes; at
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the sunshine, golden as your hair.”
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“Warm as your affection, you should say.”
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“Affection! So cold a word, when I love you.”
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“To the extent of one thousand pounds.”
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“Lucy, you are a--woman. That money did not buy your love, but the
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consent of your step-father to our marriage. Had I not humored his whim,
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he would have insisted upon your marrying Random.”
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Lucy pouted again and in scorn.
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“As if I ever would,” said she.
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“Well, I don't know. Random is a soldier and a baronet; handsome and
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agreeable, with a certain amount of talent. What objection can you find
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to such a match?”
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“One insuperable objection; he isn't you, Archie--darling.”
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“H'm, the adjective appears to be an afterthought,” grumbled the
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bachelor; then, when she merely laughed teasingly after the manner of
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women, he added moodily:
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“No, by Jove, Random isn't me, by any manner of means. I am but a poor
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artist without fame or position, struggling on three hundred a year for
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a grudging recognition.”
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“Quite enough for one, you greedy creature.”
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“And for two?” he inquired softly.
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“More than enough.”
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“Oh, nonsense, nonsense, nonsense!”
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“What! when I am engaged to you? Actions speak much louder than remarks,
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Mr. Archibald Hope. I love you more than I do money.”
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“Angel! angel!”
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“You said that I was a woman just now. What do, you mean?”
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“This,” and he kissed her willing lips in the lane, which was empty save
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for blackbirds and beetles. “Is any explanation a clear one?”
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“Not to an angel, who requires adoration, but to a woman who--Let us
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walk on, Archie, or we shall be late for dinner.”
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The young man smiled and frowned and sighed and laughed in the space of
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thirty seconds--something of a feat in the way of emotional gymnastics.
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The freakish feminine nature perplexed him as it had perplexed Adam,
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and he could not understand this rapid change from poetry to prose. How
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could it be otherwise, when he was but five-and-twenty, and engaged
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for the first time? Threescore years and ten is all too short a time to
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learn what woman really is, and every student leaves this world with the
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conviction that of the thousand sides which the female of man presents
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to the male of woman, not one reveals the being he desires to know.
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There is always a deep below a deep; a veil behind a veil, a sphere
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within a sphere.
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“It's most remarkable,” said the puzzled man in this instance.
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“What is?” asked the enigma promptly.
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To avoid an argument which he could not sustain, Archie switched his on
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to the weather.
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“This day in September; one could well believe that it is still the
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month of roses.”
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“What! With those wilted hedges and falling leaves and reaped fields and
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golden haystacks, and--and--”
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She glanced around for further illustrations in the way of
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contradiction.
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“I can see all those things, dear, and the misplaced day also!”
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“Misplaced?”
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“July day slipped into September. It comes into the landscape of this
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autumn month, as does love into the hearts of an elderly couple who feel
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too late the supreme passion.”
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Lucy's eyes swept the prospect, and the spring-like sunshine,
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revealing all too clearly the wrinkles of aging Nature, assisted her
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comprehension.
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“I understand. Yet youth has its wisdom.”
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“And old age its experience. The law of compensation, my dearest. But I
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don't see,” he added reflectively, “what your remark and my answer have
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to do with the view,” whereat Lucy declared that his wits wandered.
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Within the last five minutes they had emerged from a sunken lane where
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the hedges were white with dust and dry with heat to a vast open space,
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apparently at the World's-End. Here the saltings spread raggedly towards
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the stately stream of the Thames, intersected by dykes and ditches,
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by earthen ramparts, crooked fences, sod walls, and irregular lines of
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stunted trees following the water-courses. The marshes were shaggy with
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reeds and rushes, and brown with coarse, fading herbage, although here
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and there gleamed emerald-hued patches of water-soaked soil, fit for
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fairy-rings. Beyond a moderately high embankment of turf and timber, the
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lovers could see the broad river, sweeping eastward to the Nore, with
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homeward-bound and outward-faring ships afloat on its golden tide.
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Across the gleaming waters, from where they lipped their banks to the
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foot of low domestic Kentish hills, stretched alluvial lands, sparsely
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timbered, and in the clear sunshine clusters of houses, great and small,
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factories with tall, smoky chimneys, clumps of trees and rigid railway
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lines could be discerned. The landscape was not beautiful, in spite of
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the sun's profuse gildings, but to the lovers it appeared a Paradise.
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Cupid, lord of gods and men, had bestowed on them the usual rose-colored
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spectacles which form an important part of his stock-in-trade, and they
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looked abroad on a fairy world. Was not SHE there: was not HE there:
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could Romeo or Juliet desire more?
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From their feet ran the slim, straight causeway, which was the
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King's highway of the district--a trim, prim line of white above the
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picturesque disorder of the marshes. It skirted the low-lying fields at
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the foot of the uplands and slipped through an iron gate to end in
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the far distance at the gigantic portal of The Fort. This was a
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squat, ungainly pile of rugged gray stone, symmetrically built, but
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aggressively ugly in its very regularity, since it insulted the graceful
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curves of Nature everywhere discernible. It stood nakedly amidst the
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bare, bleak meadows glittering with pools of still water, with not even
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the leaf of a creeper to soften its menacing walls, although above them
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appeared the full-foliaged tops of trees planted in the barrack-yard. It
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looked as though the grim walls belted a secret orchard. What with
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the frowning battlements, the very few windows diminutive and closely
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barred, the sullen entrance and the absence of any gracious greenery,
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Gartley Fort resembled the Castle of Giant Despair. On the hither side,
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but invisible to the lovers, great cannons scowled on the river they
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protected, and, when they spoke, received answer from smaller guns
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across the stream. There less extensive forts were concealed amidst
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trees and masked by turf embankments, to watch and guard the golden
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argosies of London commerce.
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Lucy, always impressionable, shivered with her hand in that of Archie's,
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as she stared at the landscape, melancholy even in the brilliant
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sunshine.
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“I should hate to live in Gartley Fort,” said she abruptly. “One might
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as well be in jail.”
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“If you marry Random you will have to live there, or on a baggage wagon.
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He is R.G.A. captain, remember, and has to go where glory calls him,
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like a good soldier.”
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“Glory can call until glory is hoarse for me,” retorted the girl
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candidly. “I prefer an artist's studio to a camp.”
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“Why?” asked Hope, laughing at her vehemence.
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“The reason is obvious. I love the artist.”
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“And if you loved the soldier?”
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“I should mount the baggage wagon and make him Bovril when he was
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wounded. But for you, dear, I shall cook and sew and bake and--”
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“Stop! stop! I want a wife, not a housekeeper.”
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“Every sensible man wants the two in one.”
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“But you should be a queen, darling.”
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“Not with my own consent, Archie: the work is much too hard. Existence
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on six pounds a week with you will be more amusing. We can take a
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cottage, you know, and live, the simple life in Gartley village, until
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you become the P.R.A., and I can be Lady Hope, to walk in silk attire.”
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“You shall be Queen of the Earth, darling, and walk alone.”
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“How dull! I would much rather walk with you. And that reminds me that
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dinner is waiting. Let us take the short cut home through the village.
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On the way you can tell me exactly how you bought me from my step-father
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for one thousand pounds.”
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Archie Hope frowned at the incurable obstinacy of the sex. “I didn't buy
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you, dearest: how many times do you wish me to deny a sale which never
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took place? I merely obtained your step-father's consent to our marriage
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in the near future.”
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“As if he had anything to do with my marriage, being only my
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step-father, and having, in my eyes, no authority. In what way did you
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get his consent--his unnecessary consent,” she repeated with emphasis.
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Of course it was waste of breath to argue with a woman who had made up
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her mind. The two began to walk towards the village along the causeway,
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and Hope cleared his throat to explain--patiently as to a child.
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“You know that your step-father--Professor Braddock--is crazy on the
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subject of mummies?”
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Lucy nodded in her pretty wilful way. “He is an Egyptologist.”
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“Quite so, but less famous and rich than he should be, considering his
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knowledge of dry-as-dust antiquities. Well, then, to make a long story
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short, he told me that he greatly desired to examine into the difference
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between the Egyptians and the Peruvians, with regard to the embalming of
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the dead.”
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“I always thought that he was too fond of Egypt to bother about any
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other country,” said Lucy sapiently.
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“My dear, it isn't the country he cares about, but the civilization of
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the past. The Incas embalmed their dead, as did the Egyptians, and
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in some way the Professor heard of a Royal Mummy, swathed in green
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bandages--so he described it to me.”
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“It should be called an Irish mummy,” said Lucy flippantly. “Well?”
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“This mummy is in possession of a man at Malta, and Professor Braddock,
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hearing that it was for sale for one thousand pounds--”
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“Oh!” interrupted the girl vivaciously, “so this was why father sent
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Sidney Bolton away six weeks ago?”
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“Yes. As you know, Bolton is your step-father's assistant, and is as
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crazy as the Professor on the subject of Egypt. I asked the Professor if
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he would allow me to marry you--”
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“Quite unnecessary,” interpolated Lucy briskly.
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Archie passed over the remark to evade an argument.
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“When I asked him, he said that he wished you to marry Random, who is
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rich. I pointed out that you loved me and not Random, and that Random
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was on a yachting cruise, while I was on the spot. He then said that he
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could not wait for the return of Random, and would give me a chance.”
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“What did he mean by that?”
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“Well, it seems that he was in a hurry to get this Green Mummy from
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Malta, as he feared lest some other person should snap it up. This was
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two months ago, remember, and Professor Braddock wanted the cash at
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once. Had Random been here he could have supplied it, but as Random was
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away he told me that if I handed over one thousand pounds to purchase
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the mummy, that he would permit our engagement now, and our marriage in
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six months. I saw my chance and took it, for your step-father has always
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been an obstacle in our path, Lucy, dear. In a week Professor Braddock
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had the money, as I sold out some of my investments to get it. He then
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sent Bolton to Malta in a tramp steamer for the sake of cheapness, and
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now expects him back with the Green Mummy.”
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“Has Sidney bought it?”
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“Yes. He got it for nine hundred pounds, the Professor told me, and is
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bringing it back in The Diver--that's the same tramp steamer in which
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he went to Malta. So that's the whole story, and you can see there is
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no question of you being bought. The thousand pounds went to get your
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father's consent.”
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“He is not my father,” snapped Lucy, finding nothing else to say.
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“You call him so.”
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“That is only from habit. I can't call him Mr. Braddock, or Professor
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Braddock, when I live with him, so `father' is the sole mode of address
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left to me. And after all,” she added, taking her lover's arm, “I
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like the Professor; he is very kind and good, although extremely
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absent-minded. And I am glad he has consented, for he worried me a lot
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to marry Sir Frank Random. I am glad you bought me.”
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“But I didn't,” cried the exasperated lover.
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“I think you did, and you shouldn't have diminished your income by
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buying what you could have had for nothing.”
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Archie shrugged his shoulders. It was vain to combat her fixed idea.
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“I have still three hundred a year left. And you were worth buying.”
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“You have no right to talk of me as though I had been bought.”
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The young man gasped. “But you said--”
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“Oh, what does it matter what I said. I am going to marry you on three
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hundred a year, so there it is. I suppose when Bolton returns, my father
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will be glad to see the back of me, and then will go to Egypt with
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Sidney to explore this secret tomb he is always talking about.”
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“That expedition will require more than a thousand pounds,” said Archie
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dryly. “The Professor explained the obstacles to me. However, his doings
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have nothing to do with us, darling. Let Professor Braddock fumble
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amongst the dead if he likes. We live!”
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“Apart,” sighed Lucy.
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“Only for the next six months; then we can get our cottage and live on
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love, my dearest.”
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“Plus three hundred a year,” said the girl sensibly then she added, “Oh,
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poor Frank Random!”
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“Lucy,” cried her lover indignantly.
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“Well, I was only pitying him. He's a nice man, and you can't expect him
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to be pleased at our marriage.”
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“Perhaps,” said Hope in an icy tone, “you would like him to be the
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bridegroom. If so, there is still time.”
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“Silly boy!” She took his arm. “As I have been bought, you know that I
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can't run away from my purchaser.”
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“You denied being bought just now. It seems to me, Lucy, that I am to
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marry a weather-cock.”
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“That is only an impolite name for a woman, dear. You have no sense of
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humor, Frank, or you would call me an April lady.”
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“Because you change every five minutes. H'm! It's puzzling.”
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“Is it? Perhaps you would like me to resemble Widow Anne, who is always
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funereal. Here she is, looking like Niobe.”
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They were strolling through Gartley village by this time, and the
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cottagers came to their doors and front gates to look at the handsome
|
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young couple. Everyone knew of the engagement, and approved of the same,
|
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although some hinted that Lucy Kendal would have been wiser to marry
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the soldier-baronet. Amongst these was Widow Anne, who really was Mrs.
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Bolton, the mother of Sidney, a dismal female invariably arrayed in
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rusty, stuffy, aggressive mourning, although her husband had been dead
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for over twenty years. Because of this same mourning, and because she
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was always talking of the dead, she was called “Widow Anne,” and looked
|
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on the appellation as a compliment to her fidelity. At the present
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moment she stood at the gate of her tiny garden, mopping her red eyes
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with a dingy handkerchief.
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“Ah, young love, young love, my lady,” she groaned, when the couple
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passed, for she always gave Lucy a title as though she really and truly
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had become the wife of Sir Frank, “but who knows how long it may last?”
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“As long as we do,” retorted Lucy, annoyed by this prophetic speech.
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Widow Anne groaned with relish. “So me and Aaron, as is dead and gone,
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thought, my lady. But in six months he was knocking the head off me.”
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“The man who would lay his hand on a woman save in the way of--”
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“Oh, Archie, what nonsense, you talk!” cried Miss Kendal pettishly.
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“Ah!” sighed the woman of experience, “I called it nonsense too, my
|
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lady, afore Aaron, who now lies with the worms, laid me out with a
|
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flat-iron. Men's fit for jails only, as I allays says.”
|
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||
“A nice opinion you have of our sex,” remarked Archie dryly.
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||
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||
“I have, sir. I could tell you things as would make your head waggle
|
||
with horror on there shoulders of yours.”
|
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||
“What about your son Sidney? Is he also wicked?”
|
||
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||
“He would be if he had the strength, which he hasn't,” exclaimed the
|
||
widow with uncomplimentary fervor. “He's Aaron's son, and Aaron hadn't
|
||
much to learn from them as is where he's gone too,” and she looked
|
||
downward significantly.
|
||
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||
“Sidney is a decent young fellow,” said Lucy sharply. “How dare you
|
||
miscall your own flesh and blood, Widow Anne? My father thinks a great
|
||
deal of Sidney, else he would not have sent him to Malta. Do try and be
|
||
cheerful, there's a good soul. Sidney will tell you plenty to make you
|
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laugh, when he comes home.”
|
||
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||
“If he ever does come home,” sighed the old woman.
|
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|
||
“What do you mean by that?”
|
||
|
||
“Oh, it's all very well asking questions as can't be answered nohow, my
|
||
lady, but I be all of a mubble-fubble, that I be.”
|
||
|
||
“What is a mubble-fubble?” asked Hope, staring.
|
||
|
||
“It's a queer-like feeling of death and sorrow and tears of blood and
|
||
not lifting your head for groans,” said Widow Anne incoherently, “and
|
||
there's meanings in mubble-fumbles, as we're told in Scripture. Not but
|
||
what the Perfesser's been a kind gentleman to Sid in taking him
|
||
from going round with the laundry cart, and eddicating him to watch
|
||
camphorated corpses: not as what I'd like to keep an eye on them things
|
||
myself. But there's no more watching for my boy Sid, as I dreamed.”
|
||
|
||
“What did you dream?” asked Lucy curiously.
|
||
|
||
Widow Anne threw up two gnarled hands, wrinkled with age and laundry
|
||
work, screwing up her face meanwhile.
|
||
|
||
“I dreamed of battle and murder and sudden death, my lady, with Sid in
|
||
his cold grave playing on a harp, angel-like. Yes!” she folded her rusty
|
||
shawl tightly round her spare form and nodded, “there was Sid, looking
|
||
beautiful in his coffin, and cut into a hash, as you might say, with--”
|
||
|
||
“Ugh! ugh!” shuddered Lucy, and Archie strove to draw her away.
|
||
|
||
“With murder written all over his poor face,” pursued the widow. “And
|
||
I woke up screeching with cramp in my legs and pains in my lungs, and
|
||
beatings in my heart, and stiffness in my--”
|
||
|
||
“Oh, hang it, shut up!” shouted Archie, seeing that Lucy was growing
|
||
pale at this ghoulish recital, “don't be fool, woman. Professor Braddock
|
||
says that Bolton'll be back in three days with the mummy he has been
|
||
sent to fetch from Malta. You have been having nightmare! Don't you see
|
||
how you are frightening Miss Kendal?”
|
||
|
||
“'The Witch' of Endor, sir--”
|
||
|
||
“Deuce take the Witch of Endor and you also. There's a shilling. Go and
|
||
drink yourself into a more cheery frame of mind.”
|
||
|
||
Widow Anne bit the shilling with one of her two remaining teeth, and
|
||
dropped a curtsey.
|
||
|
||
“You're a good, kind gentleman,” she smirked, cheered at the idea of
|
||
unlimited gin. “And when my boy Sid do come home a corpse, I hope you'll
|
||
come to the funeral, sir.”
|
||
|
||
“What a raven!” said Lucy, as Widow Anne toddled away in the direction
|
||
of the one public-house in Gartley village.
|
||
|
||
“I don't wonder that the late Mr. Bolton laid her out with a flat-iron.
|
||
To slay such a woman would be meritorious.”
|
||
|
||
“I wonder how she came to be the mother of Sidney,” said Miss Kendal
|
||
reflectively, as they resumed their walk, “he's such a clever, smart,
|
||
and handsome young man.”
|
||
|
||
“I think Bolton owes everything to the Professor's teaching and example,
|
||
Lucy,” replied her lover. “He was an uncouth lad, I understand, when
|
||
your step-father took him into the house six years ago. Now he is quite
|
||
presentable. I shouldn't wonder if he married Mrs. Jasher.”
|
||
|
||
“H'm! I rather think Mrs. Jasher admires the Professor.”
|
||
|
||
“Oh, he'll never marry her. If she were a mummy there might be a chance,
|
||
of course, but as a human being the Professor will never look at her.”
|
||
|
||
“I don't know so much about that, Archie. Mrs. Jasher is attractive.”
|
||
|
||
Hope laughed. “In a mutton-dressed-as-lamb way, no doubt.”
|
||
|
||
“And she has money. My father is poor and so--”
|
||
|
||
“You make up a match at once, as every woman will do. Well, let us get
|
||
back to the Pyramids, and see how the flirtation is progressing.”
|
||
|
||
Lucy walked on for a few steps in silence. “Do you believe in Mrs.
|
||
Bolton's dream, Archie?”
|
||
|
||
“No! I believe she eats heavy suppers. Bolton will return quite safe; he
|
||
is a clever fellow, not easily taken advantage of. Don't bother any more
|
||
about Widow Anne and her dismal prophecies.”
|
||
|
||
“I'll try not to,” replied Lucy dutifully. “All the same, I wish she had
|
||
not told me her dream,” and she shivered.
|
||
|
||
|
||
|
||
|
||
CHAPTER II. PROFESSOR BRADDOCK
|
||
|
||
|
||
There was only one really palatial mansion in Gartley, and that was the
|
||
ancient Georgian house known as the Pyramids. Lucy's step-father had
|
||
given the place this eccentric name on taking up his abode there some
|
||
ten years previously. Before that time the dwelling had been occupied by
|
||
the Lord of the Manor and his family. But now the old squire was dead,
|
||
and his impecunious children were scattered to the four quarters of the
|
||
globe in search of money with which to rebuild their ruined fortunes. As
|
||
the village was somewhat isolated and rather unhealthily situated in a
|
||
marshy country, the huge, roomy old Grange had not been easy to let,
|
||
and had proved quite impossible to sell. Under these disastrous
|
||
circumstances, Professor Braddock--who described himself humorously as
|
||
a scientific pauper--had obtained the tenancy at a ridiculously low
|
||
rental, much to his satisfaction.
|
||
|
||
Many people would have paid money to avoid exile in these damp waste
|
||
lands, which, as it were, fringed civilization, but their loneliness and
|
||
desolation suited the Professor exactly. He required ample room for his
|
||
Egyptian collection, with plenty of time to decipher hieroglyphics and
|
||
study perished dynasties of the Nile Valley. The world of the present
|
||
day did not interest Braddock in the least. He lived almost continuously
|
||
on that portion of the mental plane which had to do with the far-distant
|
||
past, and only concerned himself with physical existence, when it
|
||
consisted of mummies and mystic beetles, sepulchral ornaments,
|
||
pictured documents, hawk-headed deities and suchlike things of almost
|
||
inconceivable antiquity. He rarely walked abroad and was invariably
|
||
late for meals, save when he missed any particular one altogether, which
|
||
happened frequently. Absent-minded in conversation, untidy in dress,
|
||
unpractical in business, dreamy in manner, Professor Braddock lived
|
||
solely for archaeology. That such a man should have taken to himself a
|
||
wife was mystery.
|
||
|
||
Yet he had been married fifteen years before to a widow, who possessed
|
||
a limited income and one small child. It was the opportunity of
|
||
securing the use of a steady income which had decoyed Braddock into the
|
||
matrimonial snare of Mrs. Kendal. To put it plainly, he had married the
|
||
agreeable widow for her money, although he could scarcely be called a
|
||
fortune-hunter. Like Eugene Aram, he desired cash to assist learning,
|
||
and as that scholar had committed murder to secure what he wanted, so
|
||
did the Professor marry to obtain his ends. These were to have someone
|
||
to manage the house, and to be set free from the necessity of earning
|
||
his bread, so that he might indulge in pursuits more pleasurable than
|
||
money-making. Mrs. Kendal was a placid, phlegmatic lady, who liked
|
||
rather than loved the Professor, and who desired him more as a companion
|
||
than as a husband. With Braddock she did not arrange a romantic marriage
|
||
so much as enter into a congenial partnership. She wanted a man in the
|
||
house, and he desired freedom from pecuniary embarrassment. On these
|
||
lines the prosaic bargain was struck, and Mrs. Kendal became the
|
||
Professor's wife with entirely successful results. She gave her
|
||
husband a home, and her child a father, who became fond of Lucy, and
|
||
who--considering he was merely an amateur parent--acted admirably.
|
||
|
||
But this sensible partnership lasted only for five years. Mrs. Braddock
|
||
died of a chill on the liver and left her five hundred a year to the
|
||
Professor for life, with remainder to Lucy, then a small girl of ten. It
|
||
was at this critical moment that Braddock became a practical man for
|
||
the first and last time in his dreamy life. He buried his wife with
|
||
unfeigned regret--for he had been sincerely attached to her in his
|
||
absent-minded way--and sent Lucy to a Hampstead boarding school. After
|
||
an interview with his late wife's lawyer to see that the income was
|
||
safe, he sought for a house in the country, and quickly discovered
|
||
Gartley Grange, which no one would take because of its isolation. Within
|
||
three months from the burial of Mrs. Braddock, the widower had removed
|
||
himself and his collection to Gartley, and had renamed his new abode
|
||
the Pyramids. Here he dwelt quietly and enjoyably--from his dry-as-dust
|
||
point of view--for ten years, and here Lucy Kendal had come when her
|
||
education was completed. The arrival of a marriageable young lady made
|
||
no difference in the Professor's habits, and he hailed her thankfully as
|
||
the successor to her mother in managing the small establishment. It is
|
||
to be feared that Braddock was somewhat selfish in his views, but the
|
||
fixed idea of archaeological research made him egotistical.
|
||
|
||
The mansion was three-story, flat-roofed, extremely ugly and
|
||
unexpectedly comfortable. Built of mellow red brick with dingy white
|
||
stone facings, it stood a few yards back from the roadway which ran from
|
||
Gartley Fort through the village, and, at the precise point where the
|
||
Pyramids was situated, curved abruptly through woodlands to terminate a
|
||
mile away, at Jessum, the local station of the Thames Railway Line. An
|
||
iron railing, embedded in moldering stone work, divided the narrow front
|
||
garden from the road, and on either side of the door--which could be
|
||
reached by five shallow steps--grew two small yew trees, smartly clipped
|
||
and trimmed into cones of dull green. These yews possessed some magical
|
||
significance, which Professor Braddock would occasionally explain to
|
||
chance visitors interested in occult matters; for, amongst other things
|
||
Egyptian, the archaeologist searched into the magic of the Sons of
|
||
Khem, and insisted that there was more truth than superstition in their
|
||
enchantments.
|
||
|
||
Braddock used all the vast rooms of the ground floor to house his
|
||
collection of antiquities, which he had acquired through many laborious
|
||
years. He dwelt entirely in this museum, as his bedroom adjoined
|
||
his study, and he frequently devoured his hurried meals amongst the
|
||
brilliantly tinted mummy cases. The embalmed dead populated his world,
|
||
and only now and then, when Lucy insisted, did he ascend to the first
|
||
floor, which was her particular abode. Here was the drawing-room,
|
||
the dining-room and Lucy's boudoir; here also were sundry bedrooms,
|
||
furnished and unfurnished, in one of which Miss Kendal slept, while
|
||
the others remained vacant for chance visitors, principally from
|
||
the scientific world. The third story was devoted to the cook, her
|
||
husband--who acted as gardener--and to the house parlor maid, a
|
||
composite domestic, who worked from morning until night in keeping
|
||
the great house clean. During the day these servants attended to their
|
||
business in a comfortable basement, where the cook ruled supreme. At the
|
||
back of the mansion stretched a fairly large kitchen garden, to which
|
||
the cook's husband devoted his attention. This was the entire domain
|
||
belonging to the tenant, as, of course, the Professor did not rent
|
||
the arable acres and comfortable farms which had belonged to the
|
||
dispossessed family.
|
||
|
||
Everything in the house went smoothly, as Lucy was a methodical young
|
||
person, who went by the clock and the almanac. Braddock little knew how
|
||
much of his undeniable comfort he owed to her fostering care; for,
|
||
prior to her return from school, he had been robbed right and left by
|
||
unscrupulous domestics. When his step-daughter arrived he simply handed
|
||
over the keys and the housekeeping money--a fixed sum--and gave her
|
||
strict instructions not to bother him. Miss Kendal faithfully observed
|
||
this injunction, as she enjoyed being undisputed mistress, and knew
|
||
that, so long as her step-father had his meals, his bed, his bath
|
||
and his clothes, he required nothing save the constant society of his
|
||
beloved mummies, of which no one wished to deprive him. These he dusted
|
||
and cleansed and rearranged himself. Not even Lucy dared to invade the
|
||
museum, and the mere mention of spring cleaning drove the Professor into
|
||
displaying frantic rage, in which he used bad language.
|
||
|
||
On returning from her walk with Archie, the girl had lured her
|
||
step-father into assuming a rusty dress suit, which had done service for
|
||
many years, and had coaxed him into a promise to be present at dinner.
|
||
Mrs. Jasher, the lively widow of the district, was coming, and Braddock
|
||
approved of a woman who looked up to him as the one wise man in the
|
||
world. Even science is susceptible to judicious flattery, and Mrs.
|
||
Jasher was never backward in putting her admiration into words.
|
||
Female gossip declared that the widow wished to become the second Mrs.
|
||
Braddock, but if this was really the case, she had but small chance of
|
||
gaining her end. The Professor had once sacrificed his liberty to secure
|
||
a competence, and, having acquired five hundred a year, was not inclined
|
||
for a second matrimonial venture. Had the widow been a dollar heiress
|
||
with a million at her back he would not have troubled to place a ring
|
||
on her finger. And certainly Mrs. Jasher had little to gain from such a
|
||
dreary marriage, beyond a collection of rubbish--as she said--and a
|
||
dull country house situated in a district inhabited solely by peasants
|
||
belonging to Saxon times.
|
||
|
||
Archie Hope left Lucy at the door of the Pyramids and repaired to his
|
||
village lodgings, for the purpose of assuming evening dress. Lucy, being
|
||
her own housekeeper, assisted the overworked parlor maid to lay and
|
||
decorate the table before receiving the guests. Thus Mrs. Jasher found
|
||
no one in the drawing-room to welcome her, and, taking the privilege of
|
||
old friendship, descended to beard Braddock in his den. The Professor
|
||
raised his eyes from a newly bought scarabeus to behold a stout little
|
||
lady smiling on him from the doorway. He did not appear to be grateful
|
||
for the interruption, but Mrs. Jasher was not at all dismayed, being
|
||
a man-hunter by profession. Besides, she saw that Braddock was in the
|
||
clouds as usual, and would have received the King himself in the same
|
||
absent-minded manner.
|
||
|
||
“Pouf! what an abominal smell!” exclaimed the widow, holding a
|
||
flimsy lace handkerchief to her nose. “Kind of camphor-sandal-wood
|
||
charnel-house smell. I wonder you are not asphyxiated. Pouf! Ugh!
|
||
Bur-r-r
|
||
|
||
The Professor stared at her with cold, fishy eyes. “Did you speak?”
|
||
|
||
“Oh, dear me, yes, and you don't even ask me to take a chair. If I were
|
||
a nasty stuffy mummy, now, you would be embracing me by, this time.
|
||
Don't you know that I have come to dinner, you silly man?” and she
|
||
tapped him playfully with her closed fan.
|
||
|
||
“I have had dinner,” said Braddock, egotistic as usual.
|
||
|
||
“No, you have not.” Mrs. Jasher spoke positively, and pointed to a
|
||
small tray of untouched food on the side table. “You have not even had
|
||
luncheon. You must live on air, like a chameleon--or on love, perhaps,”
|
||
she ended in a significantly tender tone.
|
||
|
||
But she might as well have spoken to the granite image of Horus in the
|
||
corner. Braddock merely rubbed his chin and stared harder than ever at
|
||
the glittering visitor.
|
||
|
||
“Dear me!” he said innocently. “I must have forgotten to eat.
|
||
Lamplight!” he looked round vaguely. “Of course, I remember lighting the
|
||
lamps. Time has gone by very rapidly. I am really hungry.” He paused to
|
||
make sure, then repeated his remark in a more positive manner. “Yes, I
|
||
am very hungry, Mrs. Jasher.” He looked at her as though she had just
|
||
entered. “Of course, Mrs. Jasher. Do you wish to see me about anything
|
||
particular?”
|
||
|
||
The widow frowned at his inattention, and then laughed. It was
|
||
impossible to be angry with this dreamer.
|
||
|
||
“I have come to dinner, Professor. Do try and wake up; you are half
|
||
asleep and half starved, too, I expect.”
|
||
|
||
“I certainly feel unaccountably hungry,” admitted Braddock cautiously.
|
||
|
||
“Unaccountably, when you have eaten nothing since breakfast. You weird
|
||
man, I believe you are a mummy yourself.”
|
||
|
||
But the Professor had again returned to examine the scarabeus, this time
|
||
with a powerful magnifying glass.
|
||
|
||
“It certainly belongs to the twentieth dynasty,” he murmured, wrinkling
|
||
his brows.
|
||
|
||
Mrs. Jasher stamped and flirted her fan pettishly. The creature's soul,
|
||
she decided, was certainly not in his body, and until it came back he
|
||
would continue to ignore her. With the annoyance of a woman who is
|
||
not getting her own way, she leaned back in Braddock's one comfortable
|
||
chair--which she had unerringly selected--and examined him intently.
|
||
Perhaps the gossips were correct, and she was trying to imagine what
|
||
kind of a husband he would make. But whatever might be her thoughts, she
|
||
eyed Braddock as earnestly as Braddock eyed the scarabeus.
|
||
|
||
Outwardly the Professor did not appear like the savant he was reported
|
||
to be. He was small of stature, plump of body, rosy as a little Cupid,
|
||
and extraordinarily youthful, considering his fifty-odd years of
|
||
scientific wear and tear. With a smooth, clean-shaven face, plentiful
|
||
white hair like spun silk, and neat feet and hands, he did not look his
|
||
age. The dreamy look in his small blue eyes was rather belied by the
|
||
hardness of his thin-lipped mouth, and by the pugnacious push of his
|
||
jaw. The eyes and the dome-like forehead hinted that brain without much
|
||
originality; but the lower part of this contradictory countenance might
|
||
have belonged to a prize-fighter. Nevertheless, Braddock's plumpness did
|
||
away to a considerable extent with his aggressive look. It was certainly
|
||
latent, but only came to the surface when he fought with a brother
|
||
savant over some tomb-dweller from Thebes. In the soft lamplight he
|
||
looked like a fighting cherub, and it was a pity--in the interests of
|
||
art--that the hairless pink and white face did not surmount a pair of
|
||
wings rather than a rusty and ill-fitting dress suit.
|
||
|
||
“He's nane sa dafty as he looks,” thought Mrs. Jasher, who was Scotch,
|
||
although she claimed to be cosmopolitan. “With his mummies he is all
|
||
right, but outside those he might be difficult to manage. And these
|
||
things,” she glanced round the shadowy room, crowded with the dead
|
||
and their earthly belongings. “I don't think I would care to marry the
|
||
British Museum. Too much like hard work, and I am not so young as I
|
||
was.”
|
||
|
||
The near mirror--a polished silver one, which had belonged, ages ago, to
|
||
some coquette of Memphis--denied this uncomplimentary thought, for Mrs.
|
||
Jasher did not look a day over thirty, although her birth certificate
|
||
set her down as forty-five. In the lamplight she might have passed for
|
||
even younger, so carefully had she preserved what remained to her of
|
||
youth. She assuredly was somewhat stout, and never had been so tall
|
||
as she desired to be. But the lines of her plump figure were still
|
||
discernible in the cunningly cut gown, and she carried her little self
|
||
with such mighty dignity that people overlooked the mortifying height of
|
||
a trifle over five feet. Her features were small and neat, but her large
|
||
blue eyes were so noticeable and melting that those on whom she turned
|
||
them ignored the lack of boldness in chin and nose. Her hair was brown
|
||
and arranged in the latest fashion, while her complexion was so fresh
|
||
and pink that, if she did paint--as jealous women averred--she must
|
||
have been quite an artist with the hare's foot and the rouge pot and the
|
||
necessary powder puff.
|
||
|
||
Mrs. Jasher's clothes repaid the thought she expended upon them, and
|
||
she was artistic in this as in other things. Dressed in a crocus-yellow
|
||
gown, with short sleeves to reveal her beautiful arms, and cut low to
|
||
display her splendid bust, she looked perfectly dressed. A woman would
|
||
have declared the wide-netted black lace with which the dress was draped
|
||
to be cheap, and would have hinted that the widow wore too many jewels
|
||
in her hair, on her corsage, round her arms, and ridiculously gaudy
|
||
rings on her fingers. This might have been true, for Mrs. Jasher
|
||
sparkled like the Milky Way at every movement; but the gleam of gold
|
||
and the flash of gems seemed to suit her opulent beauty. Her slightest
|
||
movement wafted around her a strange Chinese perfume, which she
|
||
obtained--so she said--from a friend of her late husband's who was in
|
||
the British Embassy at Pekin. No one possessed this especial perfume but
|
||
Mrs. Jasher, and anyone who had previously met her, meeting her in the
|
||
darkness, could have guessed at her identity. With a smile to show
|
||
her white teeth, with her golden-hued dress and glittering jewels, the
|
||
pretty widow glowed in that glimmering room like a tropical bird.
|
||
|
||
The Professor raised his dreamy eyes and laid the beetle on one side,
|
||
when his brain fully grasped that this charming vision was waiting to
|
||
be entertained. She was better to look upon even than the beloved
|
||
scarabeus, and he advanced to shake hands as though she had just entered
|
||
the room. Mrs. Jasher--knowing his ways--rose to extend her hand, and
|
||
the two small, stout figures looked absurdly like a pair of chubby
|
||
Dresden ornaments which had stepped from the mantelshelf.
|
||
|
||
“Dear lady, I am glad to see you. You have--you have”--the Professor
|
||
reflected, and then came back with a rush to the present century--“you
|
||
have come to dinner, if I mistake not.”
|
||
|
||
“Lucy asked me a week ago,” she replied tartly, for no woman likes to be
|
||
neglected for a mere beetle, however ancient.
|
||
|
||
“Then you will certainly get a good dinner,” said Braddock, waving his
|
||
plump white hands. “Lucy is an excellent housekeeper. I have no fault
|
||
to find with her--no fault at all. But she is obstinate--oh, very
|
||
obstinate, as her mother was. Do you know, dear lady, that in a papyrus
|
||
scroll which I lately acquired I found the recipe for a genuine Egyptian
|
||
dish, which Amenemha--the last Pharaoh of the eleventh dynasty, you
|
||
know--might have eaten, and probably did eat. I desired Lucy to serve it
|
||
to-night, but she refused, much to my annoyance. The ingredients, which
|
||
had to do with roasted gazelle, were oil and coriander seed and--if my
|
||
memory serves me--asafoetida.”
|
||
|
||
“Ugh!” Mrs. Jasher's handkerchief went again to her mouth. “Say no
|
||
more, Professor; your dish sounds horrid. I don't wish to eat it, and be
|
||
turned into a mummy before my time.”
|
||
|
||
“You would make a really beautiful mummy,” said Braddock, paying what
|
||
he conceived was a compliment; “and, should you die, I shall certainly
|
||
attend to your embalming, if you prefer that to cremation.”
|
||
|
||
“You dreadful man!” cried the widow, turning pale and shrinking. “Why, I
|
||
really believe that you would like to see me packed away in one of those
|
||
disgusting coffins.”
|
||
|
||
“Disgusting!” cried the outraged Professor, striking one of the
|
||
brilliantly tinted cases. “Can you call so beautiful a specimen of
|
||
sepulchral art disgusting? Look at the colors, at the regularity of
|
||
the hieroglyphics--why, the history of the dead is set out in this
|
||
magnificent series of pictures.” He adjusted his pince-nez and began
|
||
to read, “The Osirian, Scemiophis that is a female name, Mrs.
|
||
Jasher--who--”
|
||
|
||
“I don't want to have my history written on my coffin,” interrupted the
|
||
widow hysterically, for this funereal talk frightened her. “It would
|
||
take much more space than a mummy case upon which to write it. My life
|
||
has been volcanic, I can tell you. By the way,” she added hurriedly,
|
||
seeing that Braddock was on the eve of resuming the reading, “tell me
|
||
about your Inca mummy. Has it arrived?”
|
||
|
||
The Professor immediately followed the false trail. “Not yet,” he said
|
||
briskly, rubbing his smooth hands, “but in three days I expect The Diver
|
||
will be at Pierside, and Sidney will bring the mummy on here. I shall
|
||
unpack it at once and learn exactly how the ancient Peruvians embalmed
|
||
their dead. Doubtless they learned the art from--”
|
||
|
||
“The Egyptians,” ventured Mrs. Jasher rashly.
|
||
|
||
Braddock glared. “Nothing of the sort, dear lady,” he snorted angrily.
|
||
“Absurd, ridiculous! I am inclined to believe that Egypt was merely a
|
||
colony of that vast island of Atlantis mentioned by Plato. There--if
|
||
my theory is correct--civilization begun, and the kings of
|
||
Atlantis--doubtless the gods of historical tribes--governed the whole
|
||
world, including that portion which we now term South America.”
|
||
|
||
“Do you mean to say that there were Yankees in those days?” inquired
|
||
Mrs. Jasher frivolously.
|
||
|
||
The Professor tucked his hands under his shabby coattails and strode
|
||
up and down the room warming his rage, which was provoked by such
|
||
ignorance.
|
||
|
||
“Good heavens, madam, where have you lived?” he exclaimed
|
||
explosively--“are you a fool, or merely an ignorant woman? I am talking
|
||
of prehistoric times, thousands of years ago, when you were probably a
|
||
stray atom embedded in the slime.”
|
||
|
||
“Oh, you horrid creature!” cried Mrs. Jasher indignantly, and was about
|
||
to give Braddock her opinion, if only to show him that she could hold
|
||
her own, when the door opened.
|
||
|
||
“How are you, Mrs. Jasher?” said Lucy, advancing.
|
||
|
||
“Here am I and here is Archie. Dinner is ready. And you--”
|
||
|
||
“I am very hungry,” said Mrs. Jasher. “I have been called an atom of the
|
||
slime,” then she laughed and took possession of young Hope.
|
||
|
||
Lucy wrinkled her brow; she did not approve of the widow's man-annexing
|
||
instinct.
|
||
|
||
|
||
|
||
|
||
CHAPTER III. A MYSTERIOUS TOMB
|
||
|
||
|
||
One member of the Braddock household was not included in the general
|
||
staff, being a mere appendage of the Professor himself. This was a
|
||
dwarfish, misshapen Kanaka, a pigmy in height, but a giant in breadth,
|
||
with short, thick legs, and long, powerful arms. He had a large head,
|
||
and a somewhat handsome face, with melancholy black eyes and a fine set
|
||
of white teeth. Like most Polynesians, his skin was of a pale bronze and
|
||
elaborately tattooed, even the cheeks and chin being scored with curves
|
||
and straight lines of mystical import. But the most noticeable thing
|
||
about him was his huge mop of frizzled hair, which, by some process,
|
||
known only to himself, he usually dyed a vivid yellow. The flaring locks
|
||
streaming from his head made him resemble a Peruvian image of the sun,
|
||
and it was this peculiar coiffure which had procured for him the odd
|
||
name of Cockatoo. The fact that this grotesque creature invariably wore
|
||
a white drill suit, emphasized still more the suggestion of his likeness
|
||
to an Australian parrot.
|
||
|
||
Cockatoo had come from the Solomon Islands in his teens to the colony
|
||
of Queensland, to work on the plantations, and there the Professor had
|
||
picked him up as his body servant. When Braddock returned to marry Mrs.
|
||
Kendal, the boy had refused to leave him, although it was represented
|
||
to the young savage that he was somewhat too barbaric for sober England.
|
||
Finally, the Professor had consented to bring him over seas, and had
|
||
never regretted doing so, for Cockatoo, finding his scientific master a
|
||
true friend, worshipped him as a visible god. Having been captured when
|
||
young by Pacific black-birders, he talked excellent English, and from
|
||
contact with the necessary restraints of civilization was, on the whole,
|
||
extremely well behaved. Occasionally, when teased by the villagers and
|
||
his fellow-servants, he would break into childish rages, which bordered
|
||
on the dangerous. But a word from Braddock always quieted him, and when
|
||
penitent he would crawl like a whipped dog to the feet of his divinity.
|
||
For the most part he lived entirely in the museum, looking after the
|
||
collection and guarding it from harm. Lucy--who had a horror of the
|
||
creature's uncanny looks--objected to Cockatoo waiting at the table,
|
||
and it was only on rare occasions that he was permitted to assist the
|
||
harassed parlormaid. On this night the Kanaka acted excellently as a
|
||
butler, and crept softly round the table, attending to the needs of the
|
||
diners. He was an admirable servant, deft and handy, but his blue-lined
|
||
face and squat figure together with the obtrusively golden halo, rather
|
||
worried Mrs. Jasher. And, indeed, in spite of custom, Lucy also felt
|
||
uncomfortable when this gnome hovered at her elbow. It looked as though
|
||
one of the fantastical idols from the museum below had come to haunt the
|
||
living.
|
||
|
||
“I do not like that Golliwog,” breathed Mrs. Jasher to her host, when
|
||
Cockatoo was at the sideboard. “He gives me the creeps.”
|
||
|
||
“Imagination, my dear lady, pure imagination. Why should we not have a
|
||
picturesque animal to wait upon us?”
|
||
|
||
“He would wait picturesquely enough at a cannibal feast,” suggested
|
||
Archie, with a laugh.
|
||
|
||
“Don't!” murmured Lucy, with a shiver. “I shall not be able to eat my
|
||
dinner if you talk so.”
|
||
|
||
“Odd that Hope should say what he has said,” observed Braddock
|
||
confidently to the widow. “Cockatoo comes from a cannibal island, and
|
||
doubtless has seen the consumption of human flesh. No, no, my dear lady,
|
||
do not look so alarmed. I don't think he has eaten any, as he was taken
|
||
to Queensland long before he could participate in such banquets. He is a
|
||
very decent animal.”
|
||
|
||
“A very dangerous one, I fancy,” retorted Mrs. Jasher, who looked pale.
|
||
|
||
“Only when he loses his temper, and I'm always able to suppress that
|
||
when it is at its worst. You are not eating your meat, my dear lady.”
|
||
|
||
“Can you wonder at it, and you talk of cannibals?”
|
||
|
||
“Let us change the conversation to cereals,” suggested Hope, whose
|
||
appetite was of the best--“wheat, for instance. In this queer little
|
||
village I notice the houses are divided by a field of wheat. It seems
|
||
wrong somehow for corn to be bunched up with houses.”
|
||
|
||
“That's old Farmer Jenkins,” said Lucy vivaciously; “he owns three or
|
||
four acres near the public-house and will not allow them to be built
|
||
over, although he has been offered a lot of money. I noticed myself,
|
||
Archie, the oddity of finding a cornfield surrounded by cottages. It's
|
||
like Alice in Wonderland.”
|
||
|
||
“But fancy any one offering money for land here,” observed Hope, toying
|
||
with his claret glass, which had just been refilled, by the attentive
|
||
Cockatoo, “at the Back-of-Beyond, as it were. I shouldn't care to live
|
||
here--the neighborhood is so desolate.”
|
||
|
||
“All the same you do live here!” interposed Mrs. Jasher smartly, and
|
||
with a roguish glance at Lucy.
|
||
|
||
Archie caught the glance and saw the blush on Miss Kendal's face.
|
||
|
||
“You have answered your question yourself, Mrs. Jasher,” he--said,
|
||
smiling. “I have the inducement you hint at to remain here, and
|
||
certainly, as a landscape painter, I admire the marshes and sunsets. As
|
||
an artist and an engaged man I stop in Gartley, otherwise I should clear
|
||
out. But I fail to see why a lady of your attractions should--”
|
||
|
||
“I may have a sentimental reason also,” interrupted the widow, with a
|
||
sly glance at the absent-minded Professor, who was drawing hieroglyphics
|
||
on the table-cloth with a fork; “also, my cottage is cheap and very
|
||
comfortable. The late Mr. Jasher did not leave me sufficient money to
|
||
live in London. He was a consul in China, you know, and consuls are
|
||
never very well paid. I will come in for a large income, however.”
|
||
|
||
“Indeed,” said Lucy politely, and wondering why Mrs. Jasher was so
|
||
communicative. “Soon I hope.”
|
||
|
||
“It may be very soon. My brother, you know--a merchant in Pekin. He
|
||
has come home to die, and is unmarried. When he does die, I shall go to
|
||
London. But,” added the widow, meditatively and glancing again at the
|
||
Professor, “I shall be sorry to leave dear Gartley. Still, the memory
|
||
of happy hours spent in this house will always remain with me. Ah me! ah
|
||
me!” and she put her handkerchief to her eyes.
|
||
|
||
Lucy telegraphed to Archie that the widow was a humbug, and Archie
|
||
telegraphed back that he quite agreed with her. But the Professor, whom
|
||
the momentary silence had brought back to the present century, looked up
|
||
and asked Lucy if the dinner was finished.
|
||
|
||
“I have to do some work this evening,” said the Professor.
|
||
|
||
“Oh, father, when you said that you would take a holiday,” said Lucy
|
||
reproachfully.
|
||
|
||
“I am doing so now. Look at the precious minutes I am wasting in
|
||
eating, my dear. Life is short and much remains to be done in the way
|
||
of Egyptian exploration. There is the sepulchre of Queen Tahoser. If I
|
||
could only enter that,” and he sighed, while helping himself to cream.
|
||
|
||
“Why don't you?” asked Mrs. Jasher, who was beginning to give up her
|
||
pursuit of Braddock, for it was no use wooing a man whose interests
|
||
centered entirely in Egyptian tombs.
|
||
|
||
“I have yet to discover it,” said the Professor simply; then, warming to
|
||
the congenial theme, he glanced around and delivered a short historical
|
||
lecture. “Tahoser was the chief wife and queen of a famous Pharaoh--the
|
||
Pharaoh of the Exodus, in fact.”
|
||
|
||
“The one who was drowned in the Red Sea?” asked Archie idly.
|
||
|
||
“Why, yes--but that happened later. Before pursuing the Hebrews,--if
|
||
the Mosaic account is to be believed,--this Pharaoh marched far into
|
||
the interior of Africa,--the Libya of the ancients,--and conquered the
|
||
natives of Upper Ethiopia. Being deeply in love with his queen, he
|
||
took her with him on this expedition, and she died before the Pharaoh
|
||
returned to Memphis. From records which I discovered in the museum of
|
||
Cairo, I have reason to believe that the Pharaoh buried her with much
|
||
pomp in Ethiopia, sacrificing, I believe, many prisoners at her gorgeous
|
||
funeral rites. From the wealth of that Pharaoh--for wealthy he must have
|
||
been on account of his numerous victories--and from the love he bore
|
||
this princess, I am confident--confident,” added Braddock, striking the
|
||
table vehemently, “that when discovered, her tomb will be filled with
|
||
riches, and may also contain documents of incalculable value.”
|
||
|
||
“And you wish to get the money?” asked Mrs. Jasher, who was rather
|
||
bored.
|
||
|
||
The Professor rose fiercely. “Money! I care nothing for money. I desire
|
||
to obtain the funeral jewelry and golden masks, the precious images of
|
||
the gods, so as to place them in the British Museum. And the scrolls
|
||
of papyrus buried with the mummy of Tahoser may contain an account
|
||
of Ethiopian civilization, about which we know nothing. Oh, that
|
||
tomb,--that tomb!” Braddock began to walk the room, quite forgetting
|
||
that he had not finished his dinner. “I know the mountains whose
|
||
entrails were pierced to form the sepulchre. Were I able to go to
|
||
Africa, I am certain that I should discover the tomb. Ah, with what
|
||
glory would my name be covered, were I so fortunate!”
|
||
|
||
“Why don't you go to Africa, sir, and try?” asked Hope.
|
||
|
||
“Fool!” cried the Professor politely. “To fit out an expedition would
|
||
take some five thousand pounds, if not more. I would have to penetrate
|
||
through a hostile country to reach the chain of mountains I speak of,
|
||
where I know this precious tomb is to be found. I need supplies, an
|
||
escort, guns, camels, and all the rest of it. A leader must be obtained
|
||
to manage the fighting men necessary to pass through this dangerous
|
||
zone. It is no easy task to find the tomb of Tahoser. And yet if I
|
||
could--if I could only get the money,” and he walked up and down with
|
||
his head bent on his breast.
|
||
|
||
Mrs. Jasher was used to Braddock's vagaries by this time, and merely
|
||
continued to fan herself placidly.
|
||
|
||
“I wish I could help you with the expedition,” she said quietly. “I
|
||
should like to have some of that lovely Egyptian jewelry myself. But
|
||
I am quite a pauper, until my brother dies, poor man. Then--” She
|
||
hesitated.
|
||
|
||
“What then?” asked Braddock, wheeling.
|
||
|
||
“I shall aid you with pleasure.”
|
||
|
||
“It's a bargain!” Braddock stretched out his hand.
|
||
|
||
“A bargain,” said Mrs. Jasher, accepting the grasp somewhat nervously,
|
||
for she had not expected to be taken so readily at her word. A glance at
|
||
Lucy revealed her nervousness.
|
||
|
||
“Do sit down, father, and finish your dinner,” said that young lady. “I
|
||
am sure you will have more than enough to do when the mummy arrives.”
|
||
|
||
“Mummy--what mummy?” murmured Braddock, again beginning to eat.
|
||
|
||
“The Inca mummy.”
|
||
|
||
“Of course. The mummy of Inca Caxas, which Sidney is bringing from
|
||
Malta. When I strip that corpse of its green bandages I shall find--”
|
||
|
||
“Find what?” asked Archie, seeing that the Professor hesitated.
|
||
|
||
Braddock cast a swift look at his questioner.
|
||
|
||
“I shall find the peculiar mode of Peruvian embalming,” he replied
|
||
abruptly, and somehow the way in which he spoke gave Hope the impression
|
||
that the answer was an excuse. But before he could formulate the thought
|
||
that Braddock was concealing something, Mrs. Jasher spoke frivolously.
|
||
|
||
“I hope your mummy has jewels,” she said.
|
||
|
||
“It has not,” replied Braddock sharply. “So far as I know, the Inca race
|
||
never buried their dead with jewels.”
|
||
|
||
“But I have read in Prescott's History that they did,” said Hope.
|
||
|
||
“Prescott! Prescott!” cried the Professor contemptuously, “a most
|
||
unreliable authority. However, I'll promise you one thing, Hope, that if
|
||
there are any jewels, or jewelry, you shall have the lot.”
|
||
|
||
“Give me some, Mr. Hope,” cried the widow.
|
||
|
||
“I cannot,” laughed Archie; “the green mummy belongs to the Professor.”
|
||
|
||
“I cannot accept such a gift, Hope. Owing to circumstances I have been
|
||
obliged to borrow the money from you; otherwise the mummy would have
|
||
been acquired by some one else. But when I find the tomb of Queen
|
||
Tahoser, I shall repay the loan.”
|
||
|
||
“You have repaid it already,” said Hope, looking at Lucy.
|
||
|
||
Braddock's eyes followed his gaze and his brows contracted. “Humph!” he
|
||
muttered, “I don't know if I am right in consenting to Lucy's marriage
|
||
with a pauper.”
|
||
|
||
“Oh, father!” cried the girl, “Archie is not a pauper.”
|
||
|
||
“I have enough for Lucy and me to live on,” said Hope, although his face
|
||
had flushed, “and, had I been a pauper I could not have given you that
|
||
thousand pounds.”
|
||
|
||
“You will be repaid--you will be repaid,” said Braddock, waving his hand
|
||
to dismiss the subject. “And now,” he rose with a yawn, “if this tedious
|
||
feast is at an end, I shall again seek my work.”
|
||
|
||
Without a word of apology to the disgusted Mrs. Jasher, he trotted to
|
||
the door, and there paused.
|
||
|
||
“By the way, Lucy,” he said, turning, “I had a letter to-day from
|
||
Random. He returns in his yacht to Pierside in two or three days. In
|
||
fact, his arrival will coincide with that of The Diver.”
|
||
|
||
“I don't see what his arrival has to do with me,” said Lucy tartly.
|
||
|
||
“Oh, nothing at all--nothing at all,” said Braddock airily, “only I
|
||
thought--that is, but never mind, never mind. Cockatoo, come down with
|
||
me. Good night! Good night!” and he disappeared.
|
||
|
||
“Well,” said Mrs. Jasher, drawing along breath, “for rudeness and
|
||
selfishness, commend me to a scientist. We might be all mud, for what
|
||
notice he takes of us.”
|
||
|
||
“Never mind,” said Miss Kendal, rising, “come to the drawing-room and
|
||
have some music. Archie, will you stop here?”
|
||
|
||
“No. I don't care to sit over my wine alone,” said that young gentleman,
|
||
rising. “I shall accompany you and Mrs. Jasher. And Lucy,” he stopped
|
||
her at the door, through which the widow had already passed, “what did
|
||
your father mean by his hints concerning Random?”
|
||
|
||
“I think he regrets giving his consent to my marriage with you,” she
|
||
whispered back. “Did you not hear him talk about that tomb? He desires
|
||
to get money for the expedition.”
|
||
|
||
“From Random? What rubbish! Sooner than that--if our marriage is stopped
|
||
by the beastly business--I'll sell out and--”
|
||
|
||
“You'll do nothing of the sort,” interrupted the girl imperiously; “we
|
||
must live if we marry. You have given my father enough.”
|
||
|
||
“But if Random lends money for this expedition?”
|
||
|
||
“He does so at his own risk. I am not going to marry Sir Frank because
|
||
of my step-father's requirements. He has no rights over me, and, whether
|
||
he consents or not, I marry you.”
|
||
|
||
“My darling!” and Archie kissed her before they followed Mrs. Jasher
|
||
into the drawing-room. All the same, he foresaw trouble.
|
||
|
||
|
||
|
||
|
||
CHAPTER IV. THE UNEXPECTED
|
||
|
||
|
||
For the next two or three days, Archie felt decidedly, worried over
|
||
his projected marriage with Lucy. Certainly he had--to put it
|
||
bluntly--purchased Braddock's consent, and that gentleman could scarcely
|
||
draw back from his plighted word, which had cost the lover so much.
|
||
Nevertheless, Hope did not entirely, trust the Professor, as, from the
|
||
few words which he had let drop at the dinner party, it was plain that
|
||
he hankered after money with which to fit out the expedition in search
|
||
of the mysterious tomb to which he had alluded. Archie knew, as did the
|
||
Professor, that he could not supply the necessary five thousand pounds
|
||
without practically ruining himself, and already he had crippled his
|
||
resources in paying over the price of the green mummy. He had fondly
|
||
believed that Braddock would have been satisfied with the relic of
|
||
Peruvian humanity; but it seemed that the Professor, having got what he
|
||
wanted, now clamored for what was at present beyond his reach. The mummy
|
||
was his property, but he desired the contents of Queen Tahoser's tomb
|
||
also. This particular moon, which he cried for, was a very expensive
|
||
article, and Hope did not see how he could gain it.
|
||
|
||
Unless--and here came in the cause of Archie's worry--unless the five
|
||
thousand pounds was borrowed from Sir Frank Random, the Professor would
|
||
have to content himself with the Maltese mummy. But from what the young
|
||
man had seen of Braddock's longing for the especial sepulchre, which
|
||
he desired to loot, he believed that the scientist would not readily
|
||
surrender his whim. Random could easily lend or give the money, since he
|
||
was extremely rich, and extremely generous, but it was improbable that
|
||
he would aid Braddock without a quid pro quo. As the sole desire of the
|
||
baronet's heart was to make Lucy his wife, it could easily be guessed
|
||
that he would only assist the Professor to realize his ambition on
|
||
condition that the savant used his influence with his step-daughter.
|
||
That meant the breaking of the engagement with Hope and the marriage
|
||
of the girl to the soldier. Of course such a state of things would make
|
||
Lucy unhappy; but Braddock cared very little for that. To gratify his
|
||
craze for Egyptian research, he would be willing to sacrifice a dozen
|
||
girls like Lucy.
|
||
|
||
Undoubtedly Lucy would refuse to be passed along from one man to another
|
||
like a bale of goods, and Archie knew that, so far as in her lay, she
|
||
would keep to her engagement, especially as she denied Braddock's right
|
||
to dispose of her hand. All the same, the Professor, in spite of
|
||
his cherubical looks, could make himself extremely disagreeable, and
|
||
undoubtedly would do so if thwarted. The sole course that remained,
|
||
should Braddock begin operations to break the present engagement, would
|
||
be to marry Lucy at once. Archie would willingly have done so, but
|
||
pecuniary difficulties stood in the way. He had never told any one of
|
||
these, not even the girl he loved, but they existed all the same. For
|
||
many years he had been assisting needy relatives, and thus had hampered
|
||
himself, in spite of his income. By sheer force of will, so as to force
|
||
Braddock into giving him Lucy, he had contrived to secure the necessary
|
||
thousand pounds, without confusing the arrangements he had made to pay
|
||
off certain debts connected with his domestic philanthropy; but this
|
||
brought him to the end of his resources. In six months he hoped to
|
||
be free to have his income entirely to himself, and then--small as it
|
||
was--he could support a wife. But until the half year elapsed he could
|
||
see no chance of marrying Lucy with any degree of comfort, and meanwhile
|
||
she would be exposed to the persecutions of the Professor. Perhaps
|
||
persecutions is too harsh a word, as Braddock was kind enough to the
|
||
girl. Nevertheless, he was pertinacious in gaining his aims where his
|
||
pet hobby was concerned, and undoubtedly, could he see any chance of
|
||
obtaining the money from Random by selling his step-daughter, he
|
||
would do so. Assuredly it was dishonorable to act in this way, but the
|
||
Professor was a scientific Jesuit, and deemed that the end justified the
|
||
means, when any glory to himself and gain to the British Museum was in
|
||
question.
|
||
|
||
“But I may be doing him an injustice,” said Archie, when he was
|
||
explaining his fears to Miss Kendal on the third day after the dinner
|
||
party. “After all, the Professor is a gentleman, and will probably hold
|
||
to the bargain which he has made.”
|
||
|
||
“I don't care whether he does or not,” cried Lucy, who had a fine color
|
||
and a certain amount of fire in her eyes. “I am not going to be bought
|
||
and sold to forward these nasty scientific schemes. My father can say
|
||
what he likes and do what he likes, but I marry you--to-morrow if you
|
||
like.”
|
||
|
||
“That's just it,” said Archie, flushing, “we can't marry.”
|
||
|
||
“Why?” she asked, much astonished.
|
||
|
||
Hope looked at the ground and drew patterns with his cane-point in the
|
||
sand. They were seated in the hot sunshine--for the Indian summer still
|
||
continued--under a moldering brick wall, which ran around the most
|
||
delightful of kitchen gardens. This was situated at the back of the
|
||
Pyramids, and contained a multiplicity of pot herbs and fruit trees and
|
||
vegetables. It resembled the Fairy Garden in Madame D'Alnoy's story
|
||
of The White Cat, and in the autumn yielded a plentiful crop of
|
||
fine-flavored fruit. But now the trees were bare and the garden looked
|
||
somewhat forlorn for lack of greenery. But in spite of the lateness of
|
||
the season, Lucy often brought a book to read under the glowing wall,
|
||
and there ripened like a peach in the warm sunshine. On this occasion
|
||
she brought Archie into the old-world garden, as he had hinted at
|
||
confidences. And the time had come to speak plainly, as Hope began to
|
||
think that he had not treated Lucy quite fairly in hiding from her his
|
||
momentarily embarrassed position.
|
||
|
||
“Why can't we marry at once?” asked Lucy, seeing that her lover held his
|
||
peace and looked confused.
|
||
|
||
Hope did not reply directly. “I had better release you from your
|
||
engagement,” he said haltingly.
|
||
|
||
“Oh!” Lucy's nostrils dilated and she threw back her head scornfully.
|
||
“And the other woman's name?”
|
||
|
||
“There is no other woman. I love you and you only. But--money.”
|
||
|
||
“What about money? You have your income!”
|
||
|
||
“Oh yes--that is sure, small as it is. But I have incurred debts on
|
||
behalf of an uncle and his family. These have embarrassed me for the
|
||
moment, and so I cannot see my way to marrying you for at least six
|
||
months, Lucy.” He caught her hand. “I feel ashamed of myself that I
|
||
did not tell you of this before. But I feared to lose you. Yet, on
|
||
reflection, I see that it is dishonorable to keep you in the dark, and
|
||
if you think that I have behaved badly--”
|
||
|
||
“Well, I do in a way,” she interrupted quickly, “as your silence was
|
||
quite unnecessary. Don't treat me as a doll, my dear. I wish to share
|
||
your troubles as well as your joys. Come, tell me all about it.”
|
||
|
||
“You are not angry?”
|
||
|
||
“Yes, I am--at your thinking I loved you so little as to be biased
|
||
against our marriage because of money troubles. Pooh!” she flicked away
|
||
a speck of dust from his coat, “I don't care that for such things.”
|
||
|
||
“You are an angel,” he cried ardently.
|
||
|
||
“I am a very practical girl just now,” she retorted. “Go on, confess!”
|
||
|
||
Archie, thus encouraged, did so, and it was a very mild confession that
|
||
she heard, involving a great deal of unnecessary sacrifice in helping
|
||
a pauper uncle. Hope strove to belittle his good deeds as much as
|
||
possible, but Lucy saw plainly the good heart that had dictated the
|
||
giving up of his small income for some years. When in possession of all
|
||
the facts, she threw her arms around his neck and kissed him.
|
||
|
||
“You are a silly old boy,” she whispered. “As if what you tell me could
|
||
make any difference to me!”
|
||
|
||
“But we can't be married for six months, dearest.”
|
||
|
||
“Of course not. Do you believe that I as a woman can gather together my
|
||
trousseau under six months? No, my dear. We must not marry in haste to
|
||
repent at leisure. In another half year you will enjoy your own income,
|
||
and then we can marry.”
|
||
|
||
“But meanwhile,” said Archie, after kissing her, “the Professor will
|
||
bother you to marry Random.”
|
||
|
||
“Oh no. He has sold me to you for one thousand pounds. There! There, do
|
||
not say a single word. I am only teasing you. Let us say that my father
|
||
has consented to my marriage with you, and cannot withdraw his word. Not
|
||
that I care if he does. I am my own mistress.”
|
||
|
||
“Lucy!”--he took her hands again and looked into her eyes--“Braddock
|
||
is a scientific lunatic, and would do anything to forward his aims
|
||
with regard to this very expensive tomb, which he has set his heart on
|
||
discovering. As I can't lend or give the money, he is sure to apply to
|
||
Random, and Random--”
|
||
|
||
“Will want to marry me,” cried Lucy, rising. “No, my dear, not at all.
|
||
Sir Frank is a gentleman, and when he learns that I am engaged to you,
|
||
he will simply become a dear friend. There, don't worry any more about
|
||
the matter. You ought to have told me of your troubles before, but as
|
||
I have forgiven you, there is no more to be said. In six months I
|
||
shall become Mrs. Hope, and meanwhile I can hold my own against any
|
||
inconvenience that my father may cause me.”
|
||
|
||
“But--” He rose and began to remonstrate, anxious to abase himself still
|
||
further before this angel of a maiden.
|
||
|
||
She placed her hand over his mouth. “Not another word, or I shall box
|
||
your ears, sir--that is, I shall exercise the privilege of a wife before
|
||
I become one. And now,” she slipped her arm within his, “let us go in
|
||
and see the arrival of the precious mummy.”
|
||
|
||
“Oh, it has arrived then.”
|
||
|
||
“Not here exactly. My father expects it at three o'clock.”
|
||
|
||
“It is now a quarter to,” said Archie, consulting his watch. “As I have
|
||
been to London all yesterday I did not know that The Diver had arrived
|
||
at Pierside, How is Bolton?”
|
||
|
||
Lucy wrinkled her brows. “I am rather worried over Sidney,” she said in
|
||
an anxious voice, “and so is my father. He had not appeared.”
|
||
|
||
“What do you mean by that?”
|
||
|
||
“Well,” she looked at the ground in a pondering manner, “my father got
|
||
a letter from Sidney yesterday afternoon, saying that the ship with the
|
||
mummy and himself on board had arrived about four o'clock. The letter
|
||
was sent on by special messenger and came at six.”
|
||
|
||
“Then it arrived in the evening and not in the afternoon?”
|
||
|
||
“How particular you are!” said Miss Kendal, with a shrug. “Well, then,
|
||
Sidney said that he could not bring the mummy to this place last night
|
||
as it was so late. He intended--so he told my father in the letter--to
|
||
remove the case containing the mummy ashore to an inn near the wharf at
|
||
Pierside, and there would remain the night so as to take care of it.”
|
||
|
||
“That's all right,” said Hope, puzzled. “Where's your difficulty?”
|
||
|
||
“A note came from the landlord of the inn this morning, saying that by
|
||
direction of Mr. Bolton--that is Sidney, you know--he was sending the
|
||
mummy in its case to Gartley on a lorry, and that it would arrive at
|
||
three o'clock this afternoon.”
|
||
|
||
“Well?” asked Hope, still puzzled.
|
||
|
||
“Well?” she rejoined impatiently. “Can't you see show strange it is
|
||
that Sidney should let the mummy out of his sight, after guarding it so
|
||
carefully not only from Malta to England, but all the night in Pierside
|
||
at that hotel? Why doesn't he bring the mummy here himself, and come on
|
||
with the lorry?”
|
||
|
||
“There is no explanation--no letter from Sidney Bolton?”
|
||
|
||
“None. He wrote yesterday, as I stated, saying that he would keep the
|
||
case in the hotel, and send it on this morning.”
|
||
|
||
“Did he use the word `send,' or the word `bring'?”
|
||
|
||
“He said 'send.'”
|
||
|
||
“Then that shows he did not intend to bring it himself.”
|
||
|
||
“But why should he not do so?”
|
||
|
||
“I daresay he will explain when he appears.”
|
||
|
||
“I am very sorry for him when he does appear,” said Lucy seriously, “for
|
||
my father is furious. Why, this precious mummy, for which so much has
|
||
been paid, might have been lost.”
|
||
|
||
“Pooh! Who would steal a thing like that?”
|
||
|
||
“A thing like that is worth nearly one thousand pounds,” said Lucy in a
|
||
dry tone, “and if anyone got wind of it, stealing would be easy, since
|
||
Sidney, as appears likely, has sent on the case unguarded.”
|
||
|
||
“Well, let us go in and see if Sidney arrives with the case.”
|
||
|
||
They passed out of the garden and sauntered round to the front of the
|
||
house. There, standing in the roadway, they beheld a ponderous lorry
|
||
with a rough-looking driver standing at the horses' heads. The front
|
||
door of the house was open, so the mummy case had apparently arrived
|
||
before its time, and had been taken to Braddock's museum while they were
|
||
chatting in the kitchen garden.
|
||
|
||
“Did Mr. Bolton come with the case?” asked Lucy, leaning over the
|
||
railings and addressing the driver.
|
||
|
||
“No one came, miss, except myself and my two mates, who have taken the
|
||
case indoor.” The driver jerked a coarse thumb over his shoulder.
|
||
|
||
“Was Mr. Bolton at the hotel, where the case remained for the night?”
|
||
|
||
“No, miss--that is, I dunno who Mr. Bolton is. The landlord of the
|
||
Sailor's Rest told me and my mates to take the case to this here house,
|
||
and we done it. That's all I know, miss.”
|
||
|
||
“Strange,” murmured Lucy, walking to the front door. “What do you think,
|
||
Archie? Isn't it strange?”
|
||
|
||
Hope nodded. “But I daresay Bolton will explain his absence,” said he,
|
||
following her. “He will arrive in time to open the mummy case along with
|
||
the Professor.”
|
||
|
||
“I hope so,” said Miss Kendal, who looked much perplexed. “I can't
|
||
understand Sidney abandoning the case, when it might so easily have
|
||
been stolen. Come in and see my father, Archie,” and she passed into the
|
||
house, followed by the young man, whose curiosity was now aroused. As
|
||
they entered the door, the two men who had taken in the case blundered
|
||
out and shortly drove away on the lorry towards Jessum railway station.
|
||
|
||
In the museum they found Braddock purple with rage and swearing
|
||
vigorously. He was staring at a large packing case, which had been set
|
||
up on end against the wall, while beside him crouched Cockatoo, holding
|
||
chisels and hammers and wedges necessary to open the treasure trove.
|
||
|
||
“So the precious mummy has arrived, father,” said Lucy, who saw that the
|
||
Professor was furious. “Are you not pleased?”
|
||
|
||
“Pleased! pleased!” shouted the angry man of science. “How can I be
|
||
pleased when I see how badly the case has been treated? See how it
|
||
has been bruised and battered and shaken! I'll have an action against
|
||
Captain Hervey of The Diver if my mummy has been injured. Sidney should
|
||
have taken better care of so precious an object.”
|
||
|
||
“What does he say?” asked Archie, glancing round the museum to see if
|
||
the delinquent had arrived.
|
||
|
||
“Say!” shouted Braddock again, and snatching a chisel from Cockatoo.
|
||
“Oh, what can he say when he is not here?”
|
||
|
||
“Not here?” said Lucy, more and more surprised at the unaccountable
|
||
absence of Braddock's assistant. “Where is he, then?”
|
||
|
||
“I don't know. I wish I did; I'd have him arrested for neglecting to
|
||
watch over this case. As it is, when he comes back I'll dismiss him from
|
||
my employment. He can go back to his infernal laundry work along with
|
||
his old witch of a mother.”
|
||
|
||
“But why hasn't Bolton come back, sir?” asked Hope sharply.
|
||
|
||
Braddock struck a furious blow at the head of the chisel which he had
|
||
inserted into the case.
|
||
|
||
“I want to know that. He brought the case to the Sailor's Rest, and
|
||
should have come on with it this morning. Instead of doing so, he tells
|
||
the landlord--a most unreliable man--to send it on. And my precious
|
||
mummy--the mummy that has cost nine hundred pounds,” cried Braddock,
|
||
working furiously, and battering the chisel as though it were Bolton's
|
||
head, “is left to be stolen by any scientific thief that comes along.”
|
||
While the Professor, assisted by Cockatoo, loosened the lid of the
|
||
packing case, a mild voice was heard at the door. Lucy turned, as did
|
||
Archie, to see Widow Anne curtseying on the threshold of the door.
|
||
|
||
Braddock himself took no notice of her entrance, being occupied with his
|
||
task, and even while doing it swore scientifically under his breath.
|
||
He was furious against Bolton for neglect of duty, and Hope rather
|
||
sympathized with him. It was a serious matter to have left a valuable
|
||
object like the green mummy to the rough care of laborers.
|
||
|
||
“I beg your pardon, my lady,” whimpered Widow Anne, who looked more lean
|
||
and rusty and dismal than ever; “but has my Sid come? I saw the cart and
|
||
the coffin. Where's my boy?”
|
||
|
||
“Coffin! coffin!” bellowed Braddock angrily between thunder blows. “What
|
||
do you mean by calling this case a coffin?”
|
||
|
||
“Well, it do hold one of them camphorated corps, sir,” said Mrs. Bolton
|
||
with another curtsey. “My boy Sid told me as much, afore he went to them
|
||
furren parts.”
|
||
|
||
“Have you seen him since he returned?” questioned Lucy, while Braddock
|
||
and Cockatoo strained at the lid, now nearly off.
|
||
|
||
“Why, I ain't set eyes on him,” moaned the widow dismally, “and summat
|
||
tells me as I never will.”
|
||
|
||
“Don't talk rubbish, woman,” said Archie tartly, for he did not wish
|
||
Lucy to be upset again by this ancient ghoul.
|
||
|
||
“Woman indeed, sir. I'd have you know,--oh!” the widow jumped and
|
||
quavered as the lid of the packing case fell on the floor with a bang.
|
||
“Oh lor, sir, the start you did give me!”
|
||
|
||
But Braddock had no eyes for her, and no ears for anyone. He pulled
|
||
lustily at the straw packing, and soon the floor was littered with
|
||
rubbish. But no green case appeared, and no mummy. Suddenly Widow Anne
|
||
shrieked again.
|
||
|
||
“There's my Sid--dead--oh, my son, dead! dead!”
|
||
|
||
She spoke truly. The body of Sidney Bolton was before them.
|
||
|
||
|
||
|
||
|
||
CHAPTER V. MYSTERY
|
||
|
||
|
||
After that one cry of agony from Widow Anne, there was silence for
|
||
quite one minute. The terrible contents of the packing case startled
|
||
and terrified all present. Faint and white, Lucy clung to the arm of
|
||
her lover to keep herself from sinking to the ground, as Mrs. Bolton had
|
||
done. Archie stared at the grotesque rigidity of the body, as though he
|
||
had been changed into stone, while Professor Braddock stared likewise,
|
||
scarcely able to credit the evidence of his eyes. Only the Kanaka was
|
||
unmoved and squatted on his hams, indifferently surveying the living
|
||
and the dead. As a savage he could not be expected to have the nerves of
|
||
civilized man.
|
||
|
||
Braddock, who had dropped chisel and hammer in the first movement of
|
||
surprise, was the quickest to recover his powers of speech. The sole
|
||
question he asked, revealed the marvelous egotism of a scientist,
|
||
nominated by one idea. “Where is the mummy of Inca Caxas?” he murmured
|
||
with a bewildered air.
|
||
|
||
Widow Anne, groveling on the floor, pulled her gray locks into wild
|
||
confusion, and uttered a cry of mingled rage and grief. “He asks that?
|
||
he asks that?” she cried, stammering and choking, “when he has murdered
|
||
my poor boy Sid.”
|
||
|
||
“What's that?” demanded Braddock sharply, and recovering from a
|
||
veritable stupor, which the disappearance of the mummy and the sight of
|
||
his dead assistant had thrown him into. “Kill your son: how could I
|
||
kill your son? What advantage would it have been to me had I killed your
|
||
son?”
|
||
|
||
“God knows! God knows!” sobbed the old woman, “but you--”
|
||
|
||
“Mrs. Bolton, you are raving,” said Hope hastily, and strove to raise
|
||
her from the floor. “Let Miss Kendal take you away. And you go, Lucy:
|
||
this sight is too terrible for your eyes.”
|
||
|
||
Lucy, inarticulate with nervous fear, nodded and tottered towards the
|
||
door of the museum; but Widow Anne refused to be lifted to her feet.
|
||
|
||
“My boy is dead,” she wailed; “my boy Sid is a corp as I saw him in my
|
||
dream. In the coffin, too, cut to pieces--”
|
||
|
||
“Rubbish! rubbish!” interrupted Braddock, peering into the depths of the
|
||
packing case. “I can see no wound.”
|
||
|
||
Mrs. Bolton leaped to her feet with an agility surprising in so aged a
|
||
woman. “Let me find the wound,” she screamed, throwing herself forward.
|
||
|
||
Hope caught her back and forced her towards the door. “No! The body must
|
||
not be disturbed until the police see it,” he said firmly.
|
||
|
||
“The police--ah, yes, the police,” remarked Braddock quickly, “we must
|
||
send for the police to Pierside and tell them my mummy has been stolen.”
|
||
|
||
“That my boy has been murdered,” screeched Widow Anne, waving her skinny
|
||
arms, and striving to break from Archie. “You wicked old devil to kill
|
||
my darling Sid. If he hadn't gone to them furren parts he wouldn't be a
|
||
corp now. But I'll have the lawr: you'll be hanged, you--you--”
|
||
|
||
Braddock lost his patience under this torrent of unjust accusations and
|
||
rushed towards Mrs. Bolton, dragging Cockatoo by the arm. In less time
|
||
than it takes to tell, he had swept both Archie and the widow out into
|
||
the hall, where Lucy was trembling, and Cockatoo, by his master's order,
|
||
was locking the door.
|
||
|
||
“Not a thing shall be touched until the police come. Hope, you are, a
|
||
witness that I have not meddled with the dead: you were present when
|
||
I opened the packing case: you have seen that a useless body has been
|
||
substituted for a valuable mummy. And yet this old witch dares--dares--”
|
||
Braddock stamped and grew incoherent from sheer rage.
|
||
|
||
Archie soothed him, leaving go of Widow Anne's arm to do so. “Hush!
|
||
hush!” said the young man quietly, “the poor woman does not know what
|
||
she is saying. I'll go for the police and--”
|
||
|
||
“No,” interrupted the Professor sharply; “Cockatoo can go for the
|
||
inspector of Pierside. I shall call in the village constable.
|
||
Meanwhile you keep the key of the museum,” he dropped it into Hope's
|
||
breast-pocket, “so that you and the police may be sure the body has
|
||
not been touched. Widow Anne, go home,” he turned angrily on the old
|
||
creature, who was now trembling after her burst of rage, “and don't dare
|
||
to come here again until you ask pardon for what you have said.”
|
||
|
||
“I want to be near my poor boy's corp,” wailed Widow Anne, “and I'm very
|
||
sorry, Perfesser. I didn't mean to--”
|
||
|
||
“But you have, you witch. Go away!” and he stamped.
|
||
|
||
But by this time Lucy had recovered her self-possession, which had been
|
||
sorely shaken by the sight of the dead. “Leave her to me,” she observed,
|
||
taking Mrs. Bolton's arm, and leading her towards the stairs. “I shall
|
||
take her to my room and give her some brandy. Father, you must make some
|
||
allowance for her natural grief, and--”
|
||
|
||
Braddock stamped again. “Take her away! take her away!” he cried
|
||
testily, “and keep her out of my sight. Is it not enough to have lost
|
||
an invaluable assistant, and a costly mummy of infinite historical
|
||
and archaeological value, without my being accused of--of--oh!” The
|
||
Professor choked with rage and shook his hand in the air.
|
||
|
||
Seeing that he was unable to speak, Lucy seized the opportunity of the
|
||
lull in the storm, and hurried the old woman, sobbing and moaning, up
|
||
the stairs. By this time the shrieks of Mrs. Bolton, and the wordy
|
||
wrath of Braddock, had drawn the cook and her husband, along with the
|
||
housemaid, from the basement to the ground floor. The sight of their
|
||
surprised faces only added to their master's anger, and he advanced
|
||
furiously.
|
||
|
||
“Go downstairs again: go down, I tell you!”
|
||
|
||
“But if there's anything wrong, sir,” ventured the gardener timidly.
|
||
|
||
“Everything is wrong. My mummy has been lost: Mr. Bolton has been
|
||
murdered. The police are coming, and--and--” He choked again.
|
||
|
||
But the servants waited to hear no more. The mere mention of the words
|
||
“murder” and “police” sent them, pale-faced and startled, down to the
|
||
basement, where they huddled like a flock of sheep. Braddock looked
|
||
around for Hope, but found that he had opened the front door, and had
|
||
vanished. But he was too distracted to think why Archie had gone, and
|
||
there was much to do in putting things straight. Beckoning to Cockatoo,
|
||
he stalked into a side room, and scribbled a pencil note to the
|
||
inspector of police at Pierside, telling him of what had happened, and
|
||
asking him to come at once to the Pyramids with his underlings. This
|
||
communication he dispatched by Cockatoo, who flew to get his bicycle.
|
||
In a short time he was riding at top speed to Brefort, which was on this
|
||
side of the river; facing Pierside. There he could ferry across to the
|
||
town and deliver his terrible message.
|
||
|
||
Having done all that he could until the police came, Braddock walked out
|
||
of the front door and into the roadway to see if Archie was in sight. He
|
||
could not see the young man, but, as luck would have it, and by one of
|
||
those coincidences which are much more common than is suspected, he saw
|
||
the Gartley doctor walking briskly past.
|
||
|
||
“Hi!” shouted the Professor, who was purple in the face and perspiring
|
||
profusely. “Hi, there, Dr. Robinson! I want you. Come! come! hurry, man,
|
||
hurry!” he ended in a testy rage, and the doctor, knowing Braddock's
|
||
eccentricities, advanced with a smile. He was a slim, dark, young
|
||
medical practitioner with an amiable countenance, which argued of no
|
||
mighty intelligence.
|
||
|
||
“Well, Professor,” he remarked quietly, “do you want me to attend you
|
||
for apoplexy? Take your time, my dear sir--take your time.” He patted
|
||
the scientist on the shoulder to soothe his clamorous rage. “You are
|
||
already purple in the face. Don't let your blood rush to your head.”
|
||
|
||
“Robinson, you're a--a--a fool!” shouted Braddock, glaring at the suave
|
||
looks of the doctor. “I am in perfect health, damn you, sir.”
|
||
|
||
“Then Miss Kendal--?”
|
||
|
||
“She is quite well also. But Bolton--?”
|
||
|
||
“Oh!” Robinson looked interested. “Has he returned with your mummy?”
|
||
|
||
“Mummy,” bellowed Braddock, stamping like an insane Cupid--“the mummy
|
||
hasn't arrived.”
|
||
|
||
“Really, Professor, you surprise me,” said the doctor mildly.
|
||
|
||
“I'll surprise you more,” growled Braddock, dragging Robinson into the
|
||
garden and up the steps.
|
||
|
||
“Gently! gently! my dear sir,” said the doctor, who really began to
|
||
think that much learning had made the Professor mad. “Didn't Bolton--?”
|
||
|
||
“Bolton is dead, you fool.”
|
||
|
||
“Dead!” The doctor nearly tumbled backward down the steps.
|
||
|
||
“Murdered. At least I think he is murdered. At all events he arrived
|
||
here to-day in the packing case, which should have contained my green
|
||
mummy. Come in and examine the body at once. No,” Braddock pushed back
|
||
the doctor just as fiercely as he had dragged him forward, “wait until
|
||
the constable comes. I want him to see the body first, and to observe
|
||
that nothing has been touched. I have sent for the Pierside inspector to
|
||
come. There will be all sorts of trouble,” cried Braddock despairingly,
|
||
“and my work--most important work--will be delayed, just because this
|
||
silly young ass Sidney Bolton chose to be murdered,” and the Professor
|
||
stormed up and down the hall, shaking impotent arms in the air.
|
||
|
||
“Good heavens!” stammered Robinson, who was young in years and somewhat
|
||
new to his profession, “you--you must be mistaken.”
|
||
|
||
“Mistaken! mistaken!” shouted Braddock with another glare. “Come and see
|
||
that poor fellow's body then. He is dead, murdered.”
|
||
|
||
“By whom?”
|
||
|
||
“Hang you, sir, how should I know?”
|
||
|
||
“In what way has he been murdered? Stabbed, shot, or--”
|
||
|
||
“I don't know--I don't know! Such a nuisance to lose a man like
|
||
Bolton--an invaluable assistant. What I shall do without him I really
|
||
don't know. And his mother has been here, making no end of a fuss.”
|
||
|
||
“Can you blame her?” said the doctor, recovering his breath. “She is his
|
||
mother, after all, and poor Bolton was her only son.”
|
||
|
||
“I am not denying the relationship, confound you!” snapped the
|
||
Professor, ruffling his hair until it stood up like the crest of a
|
||
parrot. “But she needn't--ah!” He glanced through the open door, and
|
||
then rushed to the threshold. “Here is Hope and Painter. Come in--come
|
||
in. I have the doctor here. Hope, you have the key. You observe,
|
||
constable, that Mr. Hope has the key. Open the door: open the door, and
|
||
let us see the meaning of this dreadful crime.”
|
||
|
||
“Crime, sir?” queried the constable, who had heard all that was known
|
||
from Hope, but now wished to hear what Braddock had to say.
|
||
|
||
“Yes, crime: crime, you idiot! I have lost my mummy.”
|
||
|
||
“But I thought, sir, that a murder--”
|
||
|
||
“Oh, of course--of course,” gabbled the Professor, as if the death was
|
||
quite a minor consideration. “Bolton's dead--murdered, I suppose, as he
|
||
could scarcely have nailed himself down in a packing case. But it's my
|
||
precious mummy I am thinking of, Painter. A mummy--if you know what a
|
||
mummy is--that cost me nine hundred pounds. Go in, man. Go in and don't
|
||
stand there gaping. Don't you see that Mr. Hope has opened the door. I
|
||
have sent Cockatoo to Pierside to notify the police. They will soon be
|
||
here. Meanwhile, doctor, you can examine the body, and Painter here can
|
||
give his opinion as to who stole my mummy.”
|
||
|
||
“The assassin stole the mummy,” said Archie, as the four men entered the
|
||
museum, “and substituted the body of the murdered man.”
|
||
|
||
“That is all A B C,” snapped Braddock, issuing into the vast room, “but
|
||
we want to know the name of the assassin, if we are to revenge Bolton
|
||
and get back my mummy. Oh, what a loss!--what a loss! I have lost nine
|
||
hundred pounds, or say one thousand, considering the cost of bringing
|
||
Inca Caxas to England.”
|
||
|
||
Archie forebore to remind the Professor as to who had really lost
|
||
the money, as the scientist was not in a fit state to be talked to
|
||
reasonably, and seemed much more concerned because his Peruvian relic of
|
||
humanity had been lost than for the terrible death of Sidney Bolton.
|
||
But by this time Painter--a fair-haired young constable of small
|
||
intelligence--was examining the packing case and surveying the dead. Dr.
|
||
Robinson also looked with a professional eye, and Braddock, wiping
|
||
his purple face and gasping with exhaustion, sat down on a stone
|
||
sarcophagus. Archie, folding his arms, leaned against the wall and
|
||
waited quietly to hear what the experts in crime and medicine would say.
|
||
|
||
The packing case was deep and wide and long, made of tough teak and
|
||
banded at intervals with iron bands. Within this was a case of tin,
|
||
which, when it held the mummy, had been soldered up; impervious to
|
||
air and water. But the unknown person who had extracted the mummy, to
|
||
replace it by a murdered man's body, had cut open the tin casing with
|
||
some sharp instrument. There was straw round the tin casing and straw
|
||
within, amongst which the body of the unfortunate young man was placed.
|
||
Rigor mortis had set in, and the corpse, with straight legs and hands
|
||
placed stiffly by its side, lay against the back of the tin casing
|
||
surrounded more or less by the straw packing, or at least by so much as
|
||
the Professor had not torn away. The face looked dark, and the eyes were
|
||
wide open and staring. Robinson stepped forward and ran his hand round
|
||
the neck. Uttering an ejaculation, he removed the woollen scarf which
|
||
the dead man had probably worn to keep himself from catching cold, and
|
||
those who looked on saw that a red-colored window cord was tightly bound
|
||
about the throat of the dead.
|
||
|
||
“The poor devil has been strangled,” said the doctor quietly. “See: the
|
||
assassin has left the bow-string on, and had the courage to place over
|
||
it this scarf, which belonged to Bolton.”
|
||
|
||
“How do you know that, sir?” asked Painter heavily.
|
||
|
||
“Because Widow Anne knitted that scarf for Bolton before he went
|
||
to Malta. He showed it to me, laughingly, remarking that his mother
|
||
evidently thought that he was going to Lapland.”
|
||
|
||
“When did he show it to you, sir?”
|
||
|
||
“Before he went to Malta, of course,” said Robinson in mild surprise.
|
||
“You don't suppose he showed it to me when he returned. When did he
|
||
return to England?” he asked the Professor, with an afterthought.
|
||
|
||
“Yesterday afternoon, about four o'clock,” replied Braddock.
|
||
|
||
“Then, from the condition of the body”--the doctor felt the dead
|
||
flesh--“he must have been murdered last night. H'm! With your
|
||
permission, Painter, I'll examine the corpse.”
|
||
|
||
The constable shook his head. “Better wait, sir, until the inspector
|
||
comes,” he said in his unintelligent way. “Poor Sid! Why, I knew him. He
|
||
was at school with me, and now he's dead. Who killed him?”
|
||
|
||
None of his listeners could answer this question.
|
||
|
||
|
||
|
||
|
||
CHAPTER VI. THE INQUEST
|
||
|
||
|
||
Like a geographical Lord Byron, the isolated village of Gartley awoke
|
||
one morning to find itself famous. Previously unknown, save to the
|
||
inhabitants of Brefort, Jessum, and the surrounding country, and to
|
||
the soldiers stationed in the Fort, it became a nine days' centre of
|
||
interest. Inspector Date of Pierside arrived with his constables to
|
||
inquire into the reported crime, and the local journalists, scenting
|
||
sensation, came flying to Gartley on bicycles and in traps. Next morning
|
||
London was duly advised that a valuable mummy was missing, and that
|
||
the assistant of Professor Braddock, who had been sent to fetch it from
|
||
Malta, was murdered by strangulation. In a couple of days the three
|
||
kingdoms were ringing with the news of the mystery.
|
||
|
||
And a mystery it proved, to be, for, in spite of Inspector Date's
|
||
efforts and the enterprise of Scotland Yard detectives summoned by
|
||
the Professor, no clue could be found to the identity of the assassin.
|
||
Briefly, the story told by the newspapers ran as follows:
|
||
|
||
The tramp steamer Diver--Captain George Hervey in command--had berthed
|
||
alongside the Pierside jetty at four o'clock on a Wednesday afternoon in
|
||
mid-September, and some two hours later Sidney Bolton removed the case,
|
||
containing the green mummy, ashore.
|
||
|
||
As it was impossible to carry the case to the Pyramids on that night,
|
||
Bolton had placed it in his bedroom at the Sailor's Rest, a mean little
|
||
public-house of no very savory reputation near the water's edge. He was
|
||
last seen alive by the landlord and the barmaid, when, after a drink of
|
||
harmless ginger-beer, he retired to bed at eight, leaving instructions
|
||
to the landlord--overheard by the barmaid--that the case was to be sent
|
||
on next day to Professor Braddock of Gartley. Bolton hinted that he
|
||
might leave the hotel early and would probably precede the case to its
|
||
destination, so as to advise Professor Braddock--necessarily anxious--of
|
||
its safe arrival. Before retiring he paid his bill, and deposited in
|
||
the landlord's hand a small sum of money, so that the case might be sent
|
||
across stream to Brefort, thence to be taken in a lorry to the Pyramids.
|
||
There was no sign, said the barmaid and the landlord, that Bolton
|
||
contemplated suicide, or that he feared sudden death. His whole demeanor
|
||
was cheerful, and he expressed himself exceedingly glad to be in England
|
||
once more.
|
||
|
||
At eleven on the ensuing morning, a persistent knocking and a subsequent
|
||
opening of the door of Bolton's bedroom proved that he was not in the
|
||
room, although the tumbled condition of the bed-clothes proved that he
|
||
had taken some rest. No one in the hotel thought anything of Bolton's
|
||
absence, since he had hinted at an early departure, although the
|
||
chamber-maid considered it strange that no one had seen him leave the
|
||
hotel. The landlord obeyed Bolton's instructions and sent the case, in
|
||
charge of a trustworthy man, to Brefort across the river. There a lorry
|
||
was procured, and the case was taken to Gartley, where it arrived at
|
||
three in the afternoon. It was then that Professor Braddock, in opening
|
||
the case, discovered the body of his ill-fated assistant, rigid in
|
||
death, and with a red window cord tightly bound round the throat of the
|
||
corpse. At once, said the newspapers, the Professor sent for the police,
|
||
and later insisted that the smartest Scotland Yard detectives should
|
||
come down to elucidate the mystery. At present both police and
|
||
detectives were engaged in searching for a needle in a haystack, and so
|
||
far had met with no success.
|
||
|
||
Such was the tale set forth in the local and London and provincial
|
||
journals. Widely as it was discussed, and many as were the theories
|
||
offered, no one could fathom the mystery. But all agreed that the
|
||
failure of the police to find a clue was inexplicable. It was difficult
|
||
enough to understand how the assassin could have murdered Bolton and
|
||
opened the packing case, and removed the mummy to replace it by the body
|
||
of his victim in a house filled with at least half a dozen people; but
|
||
it was yet more difficult to guess how the criminal had escaped with so
|
||
noticeable an object as the mummy, bandaged with emerald-hued woollen
|
||
stuff woven from the hair of Peruvian llamas. If the culprit was one who
|
||
thieved and murdered for gain, he could scarcely sell the mummy without
|
||
being arrested, since all England was ringing with the news of its
|
||
disappearance; if a scientist, impelled to robbery by an archaeological
|
||
mania, he could not possibly keep possession of the mummy without
|
||
someone learning that he possessed it. Meanwhile the thief and his
|
||
plunder had vanished as completely as if the earth had swallowed both.
|
||
Great was the wonder at the cleverness of the criminal, and many were
|
||
the solutions offered to account for the disappearance. One enterprising
|
||
weekly paper, improving on the Limerick craze, offered a furnished house
|
||
and three pounds a week for life to the fortunate person who could solve
|
||
the mystery. As yet no one had won the prize, but it was early days
|
||
yet, and at least five thousand amateur detectives tried to work out the
|
||
problem.
|
||
|
||
Naturally Hope was sorry for the untimely death of Bolton, whom he had
|
||
known as an amiable and clever young man. But he was also annoyed
|
||
that his loan of the money to Braddock should have been, so to speak,
|
||
nullified by the loss of the mummy. The Professor was perfectly furious
|
||
at his double loss of assistant and embalmed corpse, and was only
|
||
prevented from offering a reward for the discovery of the thief and
|
||
assassin by the painful fact that he had no money. He hinted to Archie
|
||
that a reward should be offered, but that young man, backed by Lucy,
|
||
declined to throw away good money after bad. Braddock took this refusal
|
||
so ill, that Hope felt perfectly convinced he would try and wriggle
|
||
out of his promise to permit the marriage and persuade Lucy to engage
|
||
herself to Sir Frank Random, should the baronet be willing to offer a
|
||
reward. And Hope was also certain that Braddock, a singularly
|
||
obstinate man, would never rest until he once more had the mummy in
|
||
his possession. That the murderer of Sidney Bolton should be hanged was
|
||
quite a minor consideration with the Professor.
|
||
|
||
Meanwhile Widow Anne had insisted on the dead body being taken to her
|
||
cottage, and Braddock, with the consent of Inspector Date, willingly
|
||
agreed, as he did not wish a newly dead corpse to remain under his roof.
|
||
Therefore, the remains of the unfortunate young man were taken to
|
||
his humble home, and here the body was inspected by the jury when the
|
||
inquest took place in the coffee-room of the Warrior Inn, immediately
|
||
opposite Mrs. Bolton's abode. There was a large crowd round the inn, as
|
||
people had come from far and wide to hear the verdict of the jury, and
|
||
Gartley, for the first and only time in its existence, presented the
|
||
aspect of an August Bank Holiday.
|
||
|
||
The Coroner--an elderly doctor with a short temper; caused by the
|
||
unrealized ambition of a country practitioner--opened the proceedings by
|
||
a snappy speech, in which he set forth the details of the crime in the
|
||
same bold fashion in which they had been published by the newspapers.
|
||
A plan of the Sailor's Rest was then placed before the jury, and the
|
||
Coroner drew the attention of the twelve good and lawful men to the fact
|
||
that the bedroom occupied by deceased was on the ground floor, with a
|
||
window looking out on to the river, merely a stone-throw away.
|
||
|
||
“So you will see, gentlemen,” said the Coroner, “that the difficulty of
|
||
the assassin in leaving the hotel with his plunder was not so great as
|
||
has been imagined. He had merely to open the window in the quiet hours
|
||
of the night, when no one was about, and pass the mummy through to his
|
||
accomplice, who probably waited without. It is also probable that a boat
|
||
was waiting by the bank of the river, and the mummy having been placed
|
||
in this, the assassin and his friend could row away into the unknown
|
||
without the slightest chance of discovery.”
|
||
|
||
Inspector Date--a tall, thin, upright man with an iron jaw and a severe
|
||
expression--drew the Coroner's attention to the fact that there was no
|
||
evidence to show that the assassin had an accomplice.
|
||
|
||
“What you have stated, sir, may have occurred,” rasped Date in a
|
||
military voice, “but we cannot prove the truth of your assumption, since
|
||
the evidence at our disposal is merely circumstantial.”
|
||
|
||
“I never suggested that it was anything else,” snapped the Coroner. “You
|
||
waste time in traversing my statements. Say what you have to say, Mr.
|
||
Inspector, and produce your witnesses--if you have any.”
|
||
|
||
“There are no witnesses who can swear to the identity of the murderer,”
|
||
said Inspector Date coldly, and determined not to be ruffled by the
|
||
apparent antagonism of the Coroner. “The criminal has vanished, and no
|
||
one can guess his name or occupation, or even the reason which led him
|
||
to slay the deceased.”
|
||
|
||
Coroner: “The reason is plain. He wanted the mummy.”
|
||
|
||
Inspector: “Why should he want the mummy?”
|
||
|
||
Coroner: “That is what we wish to find out.”
|
||
|
||
Inspector: “Exactly, sir. We wish to learn the reason why the murderer
|
||
strangled the deceased.”
|
||
|
||
Coroner: “We know that reason. What we wish to know is why the murderer
|
||
stole the mummy. And I would point out to you, Mr. Inspector, that, as
|
||
yet, we do not even know the sex of the assassin. It might be a woman
|
||
who murdered the deceased.”
|
||
|
||
Professor Braddock, who was seated near the door of the coffee-room,
|
||
being even more irascible than usual, rose to contradict.
|
||
|
||
“There isn't a scrap of evidence to show that the murderer was a woman.”
|
||
|
||
Coroner: “You are out of order, sir. And I would point out that, as yet,
|
||
Inspector Date has produced no witnesses.”
|
||
|
||
Date glared. He and the Coroner were old enemies, and always sparred
|
||
when they met. It seemed likely, that the peppery little Professor would
|
||
join in the quarrel and that there would be a duel of three; but Date,
|
||
not wishing for an adverse report in the newspapers as to his conduct of
|
||
the case, contented himself with the glare aforesaid, and, after a short
|
||
speech, called Braddock. The Professor, looking more like a cross
|
||
cherub than ever, gave his evidence tartly. It seemed ridiculous to his
|
||
prejudiced mind that all this fuss should be made over Bolton's body,
|
||
when the mummy; was still missing. However, as the discovery of the
|
||
criminal would assuredly lead to the regaining of that precious Peruvian
|
||
relic, he curbed his wrath and answered the Coroner's questions in a
|
||
fairly amiable fashion.
|
||
|
||
And, after all, Braddock had very little to tell. He had, so he stated,
|
||
seen an advertisement in a newspaper that a mummy, swathed in green
|
||
bandages, was to be sold in Malta; and had sent his assistant to buy it
|
||
and bring it home. This was done, and what happened after the mummy
|
||
left the tramp steamer was known to everyone, through the medium of the
|
||
press.
|
||
|
||
“With which,” grumbled the Professor, “I do not agree.”
|
||
|
||
“What do you mean by that?” asked the Coroner sharply.
|
||
|
||
“I mean, sir,” snapped Braddock, equally sharply, “that the publicity
|
||
given by the newspapers to these details will probably place the
|
||
assassin on his guard.”
|
||
|
||
“Why not on her guard?” persisted the Coroner wilfully.
|
||
|
||
“Rubbish! rubbish! rubbish! My mummy wasn't stolen by a woman. What the
|
||
devil would a woman want with my mummy?”
|
||
|
||
“Be more respectful, Professor.”
|
||
|
||
“Then talk sense, doctor,” and the two glared at one another.
|
||
|
||
After a moment or two the situation was adjusted in silence, and the
|
||
Coroner asked a few questions, pertinent to the matter in hand.
|
||
|
||
“Had the deceased any enemies?”
|
||
|
||
“No, sir, he hadn't, not being famous enough, or rich enough, or clever
|
||
enough to excite the hatred of mankind. He was simply an intelligent
|
||
young man, who worked excellently when supervised by me. His mother is
|
||
a washerwoman in this village, and the lad brought washing to my
|
||
house. Noting that he was intelligent and was anxious to rise above his
|
||
station, I engaged him as my assistant and trained him to do my work.”
|
||
|
||
“Archaeological work?”
|
||
|
||
“Yes. I don't wash, whatever Bolton's mother may, do. Don't ask silly
|
||
questions.”
|
||
|
||
“Be more respectful,” said the Coroner again, and grew red. “Have you
|
||
any idea as to the name of anyone who desired to obtain possession of
|
||
this mummy?”
|
||
|
||
“I daresay dozens of scientists in my line of business would have liked
|
||
to get the corpse of Inca Caxas. Such as--” and he reeled out a list of
|
||
celebrated men.
|
||
|
||
“Nonsense,” growled the Coroner. “Famous men like those you mention
|
||
would not murder even for the sake of obtaining this mummy.”
|
||
|
||
“I never said that they would,” retorted Braddock, “but you wanted to
|
||
hear who would like to have the mummy; and I have told you.”
|
||
|
||
The Coroner waived the question.
|
||
|
||
“Was there any jewelry on the mummy likely to attract a thief?” he
|
||
asked.
|
||
|
||
“How the devil should I know?” fumed the Professor. “I never unpacked
|
||
the mummy; I never even saw it. Any jewelry buried with Inca Caxas would
|
||
be bound up in the bandages. So far as I know those bandages were never
|
||
unwound.”
|
||
|
||
“You can throw no light on the subject?”
|
||
|
||
“No, I can't. Bolton went to get the mummy and brought it home. I
|
||
understood that he would personally bring his precious charge to my
|
||
house; but he didn't. Why, I don't know.”
|
||
|
||
When the Professor stepped down, still fuming at what he considered
|
||
were the unnecessary questions of the Coroner, the young doctor who had
|
||
examined the corpse was called. Robinson deposed that deceased had been
|
||
strangled by means of a red window cord, and that, from the condition of
|
||
the body, he would judge death had taken place some twelve hours more
|
||
or less before the opening of the packing case by Braddock. That was at
|
||
three o'clock on Thursday afternoon, so in witness's opinion the crime
|
||
was committed between two and three on the previous morning.
|
||
|
||
“But I can't be absolutely certain as to the precise hour,” added
|
||
witness; “at any rate poor Bolton was strangled after midnight and
|
||
before three o'clock.”
|
||
|
||
“That is a wide margin,” grumbled the Coroner, jealous of his
|
||
brother-practitioner. “Were there any, other wounds on the body?”
|
||
|
||
“No. You can see for yourself, if you have inspected the corpse.”
|
||
|
||
The Coroner, thus reproved, glared, and Widow Anne appeared after
|
||
Robinson retired. She stated, with many sobs, that her son had no
|
||
enemies and was a good, kind young man. She also related her dream,
|
||
but this was flouted by the Coroner, who did not believe in the occult.
|
||
However, the narration of her premonition was listened to with deep
|
||
interest by those in the court. Widow Anne concluded her evidence by
|
||
asking how she was to live now that her boy Sid was dead. The Coroner
|
||
professed himself unable to answer this question, and dismissed her.
|
||
|
||
Samuel Quass, the landlord of the Sailor's Rest, was next called. He
|
||
proved to be a big, burly, red-haired, red-whiskered man, who looked
|
||
like a sailor. And indeed a few questions elicited the information that
|
||
he was a retired sea-captain. He gave his evidence gruffly but honestly,
|
||
and although he kept so shady a public-house, seemed straightforward
|
||
enough. He told much the same tale as had appeared in the newspapers.
|
||
In the hotel on that night there was only himself, his wife and two
|
||
children, and the staff of servants. Bolton retired to bed saying that
|
||
he might start early for Gartley, and paid one pound to get the case
|
||
taken across to river and placed on a lorry. As Bolton had vanished next
|
||
morning, Quass obeyed instructions, with the result which everyone knew.
|
||
He also stated that he did not know the case contained a mummy.
|
||
|
||
“What did you think it contained?” asked the Coroner quickly.
|
||
|
||
“Clothes and curios from foreign parts,” said the witness coolly.
|
||
|
||
“Did Mr. Bolton tell you so?”
|
||
|
||
“He told me nothing about the case,” growled the witness, “but he
|
||
chatted a lot about Malta, which I know well, having put into that port
|
||
frequent when a sailor.”
|
||
|
||
“Did he hint at any rows taking place at Malta?”
|
||
|
||
“No, he didn't.”
|
||
|
||
“Did he say that he had enemies?”
|
||
|
||
“No, he didn't.”
|
||
|
||
“Did he strike you as a man who was in fear of death?”
|
||
|
||
“No, he didn't,” said the witness for the third time. “He seemed happy
|
||
enough. I never thought for one moment that he was dead until I heard
|
||
how his body had been found in the packing case.”
|
||
|
||
The Coroner asked all manner of questions, and so did Inspector Date;
|
||
but all attempts to incriminate Quass were vain. He was bluff and
|
||
straightforward, and told--so far as could be judged--everything he
|
||
knew. There was nothing for it but to dismiss him, and Eliza Flight was
|
||
called as the last witness.
|
||
|
||
She also proved to be the most important, as she knew several things
|
||
which she had not told to her master, or to the reporters, or even to
|
||
the police. On being asked why she had kept silence, she said that her
|
||
desire was to obtain any reward that might be offered; but as she had
|
||
heard that there would be no reward, she was willing to tell what she
|
||
knew. It was an important piece of evidence.
|
||
|
||
The girl stated that Bolton had retired to bed at eight on the ground
|
||
floor, and the bedroom had a window--as marked in the plan--which looked
|
||
on to the river a stone-throw distant. At nine or a trifle later witness
|
||
went out to have a few words with her lover. In the darkness she saw
|
||
that the window was open and that Bolton was talking to an old woman
|
||
muffled in a shawl. She could not see the woman's face, nor judge of her
|
||
stature, as she was stooping down to listen to Bolton. Witness did
|
||
not take much notice, as she was in a hurry to see her lover. When she
|
||
returned past the window at ten o'clock it was closed and the light was
|
||
extinguished, so she thought that Mr. Bolton was asleep.
|
||
|
||
“But, to tell the truth,” said Eliza Flight, “I never thought anything
|
||
of the matter at all. It was only after the murder that I saw how
|
||
important it was I should remember everything.”
|
||
|
||
“And you have?”
|
||
|
||
“Yes, sir,” said the girl, honestly enough. “I have told you everything
|
||
that happened on that night. Next morning--” She hesitated.
|
||
|
||
“Well, what about next morning?”
|
||
|
||
“Mr. Bolton had locked his door. I know that, because a few minutes
|
||
after eight on the night before, not knowing he had retired. I tried to
|
||
enter the room and make ready the bed for the night. He sang out through
|
||
the door--which was locked, for I tried it--that he was in bed. That was
|
||
a lie also, as after nine I saw him talking to the woman at the window.”
|
||
|
||
“You previously said an old woman,” said the Coroner, referring to his
|
||
notes. “How do you know she was old?”
|
||
|
||
“I can't say if she was old or young,” said the witness candidly; “it's
|
||
only a manner of speaking. She had a dark shawl over her head and a dark
|
||
dress. I couldn't say if she was old or young, fair or dark, stout or
|
||
lean, tall or short. The night was dark.”
|
||
|
||
The Coroner referred to the plan.
|
||
|
||
“There is a gas-lamp near the window of the bedroom. Did you not see her
|
||
in that light?”
|
||
|
||
“Oh, yes, sir; but just for a moment. I took very little notice. Had I
|
||
known that the gentleman was to be murdered, I should have taken a great
|
||
deal of notice.”
|
||
|
||
“Well, about this locked door?”
|
||
|
||
“It was locked over-night, sir, but when I went next morning, it was
|
||
not locked. I knocked and knocked, but could get no answer. As it was
|
||
eleven, I thought the gentleman was sleeping very long, so I tried to
|
||
open the door. It was not locked, as I say--but,” added witness with
|
||
emphasis, “the window was snibbed and the blind was down.”
|
||
|
||
“That is natural enough,” said the Coroner. “Mr. Bolton, after his
|
||
interview with the woman, would of course snib the window, and pull down
|
||
the blind. When he went away next morning he would unlock the door.”
|
||
|
||
“Begging your pardon, sir, but, as we know, he didn't go away next
|
||
morning, being in the packing case, nailed down.”
|
||
|
||
The Coroner could have kicked himself for the very natural mistake
|
||
he had made, for he saw a derisive grin on the faces around him, and
|
||
particularly on that of Inspector Date.
|
||
|
||
“Then the assassin must have gone out by the door,” he said weakly.
|
||
|
||
“Then I don't know how he got out,” cried Eliza Flight, “for I was up at
|
||
six and the front and back doors of the hotel were locked. And after six
|
||
I was about in passages and rooms doing my work, and master and missus
|
||
and others were all over the place. How could the murderer walk out,
|
||
sir, without some of us seeing him?”
|
||
|
||
“Perhaps you did, and took no notice?”
|
||
|
||
“Oh, sir, if a stranger was around we should all have taken notice.”
|
||
|
||
This concluded the evidence, which was meagre enough. Widow Anne was
|
||
indeed recalled to see if Miss Flight could identify her as the woman
|
||
who, had been talking to Bolton, but witness failed to recognize her,
|
||
and the widow herself proved, by means of three friends, that she had
|
||
been imbibing gin at home on the night and at the hour in question.
|
||
Also, there was no evidence to connect this unknown woman with the
|
||
murder, and no sound--according to the unanimous testimony of the
|
||
inmates of the Sailor's Rest--had been heard in the bedroom of Bolton.
|
||
Yet, as the Coroner observed, there must have been some knocking and
|
||
hammering and ripping going on. But of this nothing could be proved,
|
||
and although several witnesses were examined again, not one could throw
|
||
light on the mystery. Under these circumstances the jury could only
|
||
bring in a verdict of wilful murder against some person or persons
|
||
unknown, which was done. And it may be mentioned that the cord with
|
||
which Bolton had been strangled was identified by the landlord and the
|
||
chamber-maid as belonging to the blind of the bedroom window.
|
||
|
||
“Well,” said Hope, when the inquest was over, “so nothing can be proved
|
||
against anyone. What is to be done next?”
|
||
|
||
“I'll tell you after I have seen Random,” said the Professor curtly.
|
||
|
||
|
||
|
||
|
||
CHAPTER VII. THE CAPTAIN OF THE DIVER
|
||
|
||
|
||
The day after the inquest, Sidney Bolton's body was buried in Gartley
|
||
churchyard. Owing to the nature of the death, and the publicity given
|
||
to the murder by the press, a great concourse of people assembled to
|
||
witness the interment, and there was an impressive silence when the
|
||
corpse was committed to the grave. Afterwards, as was natural, much
|
||
discussion followed on the verdict at the inquest. It was the
|
||
common opinion that the jury could have brought in no other verdict,
|
||
considering the nature of the evidence supplied; but many people
|
||
declared that Captain Hervey of The Diver should have been called. If
|
||
the deceased had enemies, said these wiseacres, it was probable that he
|
||
would have talked about them to the skipper. But they forgot that the
|
||
witnesses called at the inquest, including the mother of the dead man,
|
||
had insisted that Bolton had no enemies, so it is difficult to see what
|
||
they expected Captain Hervey to say.
|
||
|
||
After the funeral, the journals made but few remarks about the mystery.
|
||
Every now and then it was hinted that a clue had been found, and that
|
||
the police would sooner or later track down the criminal. But all this
|
||
loose chatter came to nothing, and as the days went by, the public--in
|
||
London, at all events--lost interest in the case. The enterprising
|
||
weekly paper that had offered the furnished house and the life income
|
||
to the person who found the assassin received an intimation from
|
||
the Government that such a lottery could not be allowed. The paper,
|
||
therefore, returned to Limericks, and the amateur detectives, like so
|
||
many Othellos, found their occupation gone. Then a political crisis took
|
||
place in the far East, and the fickle public relegated the murder
|
||
of Bolton to the list of undiscovered crimes. Even the Scotland Yard
|
||
detectives, failing to find a clue, lost interest in the matter, and it
|
||
seemed as though the mystery of Bolton's death would not be solved until
|
||
the Day of Judgment.
|
||
|
||
In the village, however, people still continued to be keenly interested,
|
||
since Bolton was one of themselves, and, moreover, Widow Anne kept up a
|
||
perpetual outcry about her murdered boy. She had lost the small weekly
|
||
sum which Sidney had allowed her out of his wages, so the neighbors, the
|
||
gentry of the surrounding country, and the officers at the Fort sent
|
||
her ample washing to do. Widow Anne in a few weeks had quite a large
|
||
business, considering the size of the village, and philosophically
|
||
observed to a neighbor that “It was an ill wind which blew no one any
|
||
good,” adding also that Sidney was more good to her dead than alive. But
|
||
even in Gartley the villagers grew weary of discussing a mystery which
|
||
could never be solved, and so the case became rarely talked about. In
|
||
these days of bustle and worry and competition, it is wonderful how
|
||
people forget even important events. If a blue sun arose to lighten
|
||
the world instead of a yellow one, after nine days of wonder, man would
|
||
settle down quite comfortably to a cerulean existence. Such is the
|
||
wonderful adaptability of humanity.
|
||
|
||
Professor Braddock was less forgetful, as he always bore in mind the
|
||
loss of his mummy, and constantly thought of schemes whereby he could
|
||
trap the assassin of his late secretary. Not that he cared for the dead
|
||
in any way, save from a strictly business point of view, but the capture
|
||
of the criminal meant the restitution of the mummy, and--as Braddock
|
||
told everyone with whom he came in contact--he was determined to regain
|
||
possession of his treasure. He went himself to the Sailor's Rest, and
|
||
drove the landlord and his servants wild by asking tart questions and
|
||
storming when a satisfactory answer could not be supplied. Quass
|
||
was glad when he saw the plump back of the cross little man, who so
|
||
pertinaciously followed what everyone else had abandoned.
|
||
|
||
“Life was too short,” grumbled Quass, “to be bothered in that way.”
|
||
|
||
The wooing of Archie and Lucy went on smoothly, and the Professor showed
|
||
no sign of wishing to break the engagement. But Hope, as he confided
|
||
to Lucy, was somewhat worried, as his pauper uncle, on an insufficient
|
||
borrowed capital, had begun to speculate in South African mines, and it
|
||
was probable that he would lose all his money. In that case Hope fancied
|
||
he would be once more called upon to make good the avuncular loss, and
|
||
so the marriage would have to be postponed. But it so happened that the
|
||
pauper uncle made some lucky speculative shots and acquired money, which
|
||
he promptly reinvested in new mines of the wildcat description. Still,
|
||
for the moment all was well, and the lovers had a few halcyon days of
|
||
peace and happiness.
|
||
|
||
Then came a bolt from the blue in the person of Captain Hervey, who
|
||
called a fortnight after the funeral to see the Professor. The skipper
|
||
was a tall, slim man, lean as a fasting friar, and hard as nails, with
|
||
closely clipped red hair, mustache of the same aggressive hue, and
|
||
an American goatee. He spoke with a Yankee accent, and in a truculent
|
||
manner, sufficiently annoying to the fiery Professor. When he met
|
||
Braddock in the museum, the two became enemies at the first glance, and
|
||
because both were bad-tempered and obstinate, took an instant dislike to
|
||
one another. Like did not draw to like in this instance.
|
||
|
||
“What do you want to see me about?” asked Braddock crossly. He had
|
||
been summoned by Cockatoo from the perusal of a new papyrus to see his
|
||
visitor, and consequently was not in the best of tempers.
|
||
|
||
“I've jes' blew in fur a trifle of chin-music,” replied Hervey with an
|
||
emphatic U.S.A. accent.
|
||
|
||
“I'm busy: get out,” was the uncomplimentary reply.
|
||
|
||
Hervey took a chair and, stretching his lengthy legs, produced a black
|
||
cheroot, as long and lean as himself.
|
||
|
||
“If you were in the States, Professor, I'd draw a bead on you for that
|
||
style of lingo. I'm not taking any. See!” and he lighted up.
|
||
|
||
“You're the captain of 'The Diver'?”
|
||
|
||
“That's so; I was, that is. Now, I've shifted to a dandy wind-jammer of
|
||
sorts that can run rings round the old barky. I surmise I'm off for the
|
||
South Seas, pearl-fishing, in three months. I'll take that Kanaka along
|
||
with me, if y'like, Professor,” and he cast a side glance at Cockatoo,
|
||
who was squatting on his hams as usual, polishing a blue enameled jar
|
||
from a Theban tomb.
|
||
|
||
“I require the services of the man,” said Braddock stiffly. “As to you,
|
||
sir: you've been paid for your business in connection with Bolton's
|
||
passage and the shipment of my mummy, so there is no more to be said.”
|
||
|
||
|
||
|
||
“Heaps more! heaps, you bet,” remarked the man of the sea placidly, and
|
||
controlling a temper which in less civilized parts would have led him to
|
||
wipe the floor with the plump scientist. “My owners were paid fur that
|
||
racket: not me. No, sir. So I've paddled into this port to see if I can
|
||
rake in a few dollars on my own.”
|
||
|
||
“I've no dollars to give you--in charity, that is.”
|
||
|
||
“Huh! An' who asked charity, you bald-headed jelly-bag?”
|
||
|
||
Braddock grew scarlet with fury. “If you speak to me like that, you
|
||
ruffian, I'll throw you out.”
|
||
|
||
“What?--you?”
|
||
|
||
“Yes, me,” and the Professor stood on tip-toe, like the bantam he was.
|
||
|
||
“You make me smile, and likewise tired,” murmured Hervey, admiring the
|
||
little man's pluck. “See here, Professor, touching that mummy?”
|
||
|
||
“My mummy: my green mummy. What about it?” Braddock rose to the fly
|
||
thrown by this skilful angler.
|
||
|
||
“That's so. What will you shell out if I pass along that corpse?”
|
||
|
||
“Ah!” The Professor again stood on tip-toe, gasping and purple in the
|
||
face. He almost squeaked in the extremity of his anger. “I knew it.”
|
||
|
||
“Knew what?” demanded the skipper, genuinely surprised.
|
||
|
||
“I knew that you had stolen my mummy. Yes, you needn't deny it. Bolton,
|
||
like the silly fool he was, told you how valuable the mummy was, and you
|
||
strangled the poor devil to get my property.”
|
||
|
||
“Go slow,” said the captain, in no wise perturbed by this accusation.
|
||
“I would have you remember that at the inquest it was stated that the
|
||
window was locked and the door was open. How then could I waltz into
|
||
that blamed hotel and arrange for a funeral? 'Sides, I guess shooting
|
||
is mor'n my line than garrotting. I leave that to the East Coast
|
||
Yellow-Stomachs.”
|
||
|
||
Braddock sat down and wiped his face. He saw plainly enough that he had
|
||
not a leg to stand on, as Hervey was plainly innocent.
|
||
|
||
“'Sides,” went on the skipper, chewing his cheroot, “I guess if I'd
|
||
wanted that old corpse of yours, I'd have yanked Bolton overside, and
|
||
set down the accident to bad weather. Better fur me to loot the case
|
||
aboard than to make a fool of myself ashore. No, sir, H.H. don't run 'is
|
||
own perticler private circus in that blamed way.”
|
||
|
||
“H.H. Who the devil is H.H.?”
|
||
|
||
“Me, you bet. Hiram Hervey, citizen of the U.S.A. Nantucket neighborhood
|
||
for home life. And see, don't you get m'hair riz, or I'll scalp.”
|
||
|
||
“You can't scalp me,” chuckled Braddock, passing his hand over a very
|
||
bald head. “See here, what do you want?”
|
||
|
||
“Name a price and I'll float round to get back your verdant corpse.”
|
||
|
||
“I thought you were going to the South Seas?”
|
||
|
||
“In three months, pearl-fishing. Lots of time, I reckon, to run this old
|
||
circus I want you to finance.”
|
||
|
||
“Have you any suspicions?”
|
||
|
||
“No, 'sept I don't believe in that window business.”
|
||
|
||
“What do you mean?” Braddock sat upright.
|
||
|
||
“Well,” drawled the Yankee, “y'see, I interviewed the gal as told that
|
||
perticler lie in court.”
|
||
|
||
“Eliza Flight. Was it a lie she told?”
|
||
|
||
“Well, not exactly. The window was snibbed, but that was done after the
|
||
chap who sent your pal to Kingdom Come had got out.”
|
||
|
||
“Do you mean to say that the window was locked from the outside?” asked
|
||
Braddock, and then, when Hervey nodded, he exclaimed “Impossible!”
|
||
|
||
“Narry an impossibility, you bet. The chap who engineered the circus
|
||
was all-fired smart. The snib was an old one, and he yanked a piece of
|
||
string round it, and passed the string through the crack between the
|
||
upper and lower sash of the window. When outside he pulled, and the snib
|
||
slid into place. But he left the string on the ground outside. I picked
|
||
it up nex' day and guessed the racket he'd been on. I tried the same
|
||
business and brought off the deal.”
|
||
|
||
“It sounds wonderful and yet impossible,” cried Braddock, rubbing his
|
||
bald head and walking excitedly to and fro. “See here, I'll come along
|
||
with you and see how it's done.”
|
||
|
||
“You bet you won't, unless you shell out. See here”--Hervey leaned
|
||
forward--“from that window business it's plain that no one inside the
|
||
shanty corpsed your pal. The chap as did it entered and left by the
|
||
window, and made tracks with that old corp you want. Now you pass along
|
||
five hundred pounds--that's English currency, I reckon--and I'll smell
|
||
round for the robber.”
|
||
|
||
“And where do you think I can obtain five hundred pounds?” asked the
|
||
Professor very dryly.
|
||
|
||
“Well, I guess if that blamed corpse is worth it, you'll be willing to
|
||
trade. Y'don't live in this shanty for nothing.”
|
||
|
||
“My good friend, I have enough to live on, and obtain this house at a
|
||
small rent on account of its isolation. But I can no more find the sum
|
||
of five hundred pounds than fly.”
|
||
|
||
Hervey rose and straightened his legs.
|
||
|
||
“Then I guess I'd best be getting back to Pierside.”
|
||
|
||
“One moment, sir. Did anything happen on the voyage?--did Bolton say
|
||
anything likely to lead you to suppose that he was in danger of being
|
||
robbed and murdered?”
|
||
|
||
“No,” said the skipper musingly, and pulling his goatee. “He told me
|
||
that he had secured the old corpse, and was bringing it home to you. I
|
||
didn't talk much to Bolton; he wasn't my style.”
|
||
|
||
“Have you any idea who killed him?”
|
||
|
||
“No, I ain't.”
|
||
|
||
“Then how do you propose to find the criminal who has the mummy?”
|
||
|
||
“You give me five hundred pounds and see,” said Hervey coolly.
|
||
|
||
“I haven't got the money.”
|
||
|
||
“Then I reckon you don't get the corpse. So long,” and the skipper
|
||
strolled towards the door. Braddock followed him.
|
||
|
||
“You have a clue?”
|
||
|
||
“No, I've got nothing; not even that five hundred pounds you make such
|
||
a fuss over. It's a wasted day with H.H., I surmise. Wait!” He scribbled
|
||
on a card and flung it across the room. “That's my Pierside address if
|
||
you should change your blamed mind.”
|
||
|
||
The Professor picked up the card. “The Sailor's Rest! What, are you
|
||
stopping there?” Then, when Hervey nodded, he cried violently, “Why, I
|
||
believe you have a clue, and stop at the hotel to follow it up.”
|
||
|
||
“Maybe I do and maybe I don't,” retorted the captain, opening the door
|
||
with a jerk; “anyhow, I don't hunt for that corpse without the dollars.”
|
||
|
||
When Hiram Hervey departed, the Professor raged up and down the room so
|
||
violently that Cockatoo was cowed by his anger. Apparently this American
|
||
skipper knew of something which might lead to the discovery of the
|
||
assassin and incidentally to the restoration of the green mummy to its
|
||
rightful owner. But he would not make a move unless he was paid five
|
||
hundred pounds, and Braddock did not know where to procure that
|
||
amount. Having long since made himself acquainted with Hope's financial
|
||
condition, he knew well that there was no chance of getting a second
|
||
check in that quarter. Of course there was Random, whom he had heard
|
||
casually had returned from his yachting cruise, and was now back again
|
||
at the Fort. But Random was in love with Lucy, and would probably only
|
||
give or lend the money on condition that the Professor helped him with
|
||
his wooing. In that case, since Lucy was engaged to Hope, there would
|
||
be some difficulty in altering present conditions. But having arrived
|
||
at this point of his somewhat angry meditations, Braddock sent Cockatoo
|
||
with a message to his step-daughter, saying that he wished to see her.
|
||
|
||
“I'll see if she really loves Hope,” thought the Professor, rubbing his
|
||
plump hands. “If she doesn't, there may be a chance of her throwing
|
||
him over to become Lady Random. Then I can get the money. And indeed,”
|
||
soliloquized the Professor virtuously, “I must point out to her that
|
||
it is wrong of her to make a poor marriage, when she can gain a
|
||
wealthy husband. I will only be doing my duty by my dear dead wife, by
|
||
preventing her wedding poverty. But girls are so obstinate, and Lucy is
|
||
a thorough girl.”
|
||
|
||
His amiable anxiety on behalf of Miss Kendal was only cut short by the
|
||
entrance of the young lady herself. Professor Braddock then showed his
|
||
hand too plainly by evincing a strong wish to conciliate her in every
|
||
way. He procured her a seat: he asked after her health: he told her that
|
||
she was growing prettier every day, and in all ways behaved so unlike
|
||
his usual self, that Lucy became alarmed and thought that he had been
|
||
drinking.
|
||
|
||
“Why have you sent for me?” she asked, anxious to come to the point.
|
||
|
||
“Aha!” Braddock put his venerable head on one side like a roguish bird
|
||
and smiled in an infantine manner. “I have good news for you.”
|
||
|
||
“About the mummy?” she demanded innocently.
|
||
|
||
“No, about flesh and blood, which you prefer. Sir Frank Random has
|
||
arrived back at the Fort. There!”
|
||
|
||
“I know that,” was Miss Kendal's unexpected reply. “His yacht came to
|
||
Pierside on the same afternoon as The Diver arrived.”
|
||
|
||
“Oh, indeed!” said the Professor, struck by the coincidence, and with a
|
||
stare. “How do you know?”
|
||
|
||
“Archie met Sir Frank the other day, and learned as much.”
|
||
|
||
“What?” Braddock struck a tragic attitude. “Do you mean to say that
|
||
those two young men speak to one another?”
|
||
|
||
“Yes. Why not? They are friends.”
|
||
|
||
“Oh!” Braddock became roguish again. “I fancied they were lovers of a
|
||
certain young lady who is in this room.”
|
||
|
||
By this time Lucy was beginning to guess what her step-father was aiming
|
||
at, and grew correspondingly angry.
|
||
|
||
“Archie is my sole lover now,” she remarked stiffly. “Sir Frank knows
|
||
that we are engaged and is quite ready to be the friend of us both.”
|
||
|
||
“And he calls that love. Idiot!” cried the Professor, much disgusted.
|
||
“But I would point out to you, Lucy--and I do so because of my deep
|
||
affection for you, dear child--that Sir Frank is wealthy.”
|
||
|
||
“So is Archie--in my love.”
|
||
|
||
“Nonsense! nonsense! That is mere foolish romance, He has no money.”
|
||
|
||
“You should not say that. Archie had money to the extent of one thousand
|
||
pounds, which he gave you.”
|
||
|
||
“One thousand pounds: a mere nothing. Consider, Lucy, that if you marry
|
||
Random you will have a title.”
|
||
|
||
Miss Kendal, whose patience was getting exhausted, stamped a very neat
|
||
boot.
|
||
|
||
“I don't know why you talk in this way, father.”
|
||
|
||
“I wish to see you happy.”
|
||
|
||
“Then your wish is granted: you do see me happy. But I won't be happy
|
||
long if you keep bothering me to marry a man I don't care two straws
|
||
about. I am going to be Mrs. Hope, so there.”
|
||
|
||
“My dear child,” said the Professor, who always became paternal when
|
||
most obstinate, “I have reason to believe that the green mummy can be
|
||
discovered and poor Sidney's death avenged if a reward of five hundred
|
||
pounds is offered. If Hope can give me that money--”
|
||
|
||
“He will not: I shall not allow him to. He has lost too much already.”
|
||
|
||
“In that case I must apply to Sir Frank Random.”
|
||
|
||
“Well, apply,” she snapped, being decidedly angry; “it's none of my
|
||
business. I don't want to hear anything about it.”
|
||
|
||
“It is your business, miss,” cried Braddock, growing angry in his turn
|
||
and becoming very pink; “you know that only by getting you to marry
|
||
Random can I procure the money.”
|
||
|
||
“Oh!” said Lucy coldly. “So this is why you sent for me. Now, father, I
|
||
have had enough of this. You gave your consent to Archie being engaged
|
||
to me in exchange for one thousand pounds. As I love him I shall abide
|
||
by the word you gave. If I had not loved him I should have refused to
|
||
marry him. You understand?”
|
||
|
||
“I understand that I have a very obstinate girl to deal with. You shall
|
||
marry as I choose.”
|
||
|
||
“I shall do nothing of the sort. You have no right to dictate my choice
|
||
of a husband.”
|
||
|
||
“No right, when I am your father?”
|
||
|
||
“You are not my father: merely my step-father--merely a relation by
|
||
marriage. I am of age. I can do as I like, and intend to.”
|
||
|
||
“But, Lucy,” implored Braddock, changing his tune, “think.”
|
||
|
||
“I have thought. I marry Archie.”
|
||
|
||
“But he is poor and Random is rich.”
|
||
|
||
“I don't care. I love Archie and I don't love Frank.”
|
||
|
||
“Would you have me lose the mummy for ever?”
|
||
|
||
“Yes, I would, if my misery is to be the price of its restoration. Why
|
||
should I sell myself to a man I care nothing about, just because you
|
||
want a musty, fusty old corpse? Now I am going.” Lucy walked to the
|
||
door. “I shan't listen to another word. And if you bother me again, I
|
||
shall marry Archie at once and leave the house.”
|
||
|
||
“I can make you leave it in any case, you ungrateful girl,” bellowed
|
||
Braddock, who was purple with rage, never having a very good temper at
|
||
the best of times. “Look what I have done for you!”
|
||
|
||
Miss Kendal could have pointed out that her step-father had done nothing
|
||
save attend to himself. But she disdained such an argument, and
|
||
without another word opened the door and walked out. Almost immediately
|
||
afterwards Cockatoo entered, much to the relief of the Professor, who
|
||
relieved his feelings by kicking the unfortunate Kanaka. Then he sat
|
||
down again to consider ways and means of obtaining the necessary mummy
|
||
and still more necessary money.
|
||
|
||
|
||
|
||
|
||
CHAPTER VIII. THE BARONET
|
||
|
||
Sir Frank Random was an amiable young gentleman with--as the saying
|
||
goes--all his goods in the shop window. Fair-haired and tall, with a
|
||
well-knit, athletic figure, a polished manner, and a man-of-the-world
|
||
air, he strictly resembled the romantic officer of Bow Bells, Family
|
||
Herald, Young Ladies' Journal fiction. But the romance was all in his
|
||
well-groomed looks, as he was as commonplace a Saxon as could be
|
||
met with in a day's march. Fond of sport, attentive to his duties as
|
||
artillery captain, and devoted to what is romantically known as the fair
|
||
sex, he sauntered easily through life, very well contented with himself
|
||
and with his agreeable surroundings. He read fiction when he did read,
|
||
and those weekly papers devoted to sport; troubled his head very
|
||
little about politics, save when they had to do with a possible
|
||
German invasion, and was always ready to do any one a good turn. His
|
||
brother-officers declared that he was not half a bad sort, which was
|
||
high praise from the usually reticent service man. His capacity may be
|
||
accurately gauged by the fact that he did not possess a single enemy,
|
||
and that every one spoke well of him. A mortal who possesses no quality
|
||
likely to be envied by those around him is certain to belong to the rank
|
||
and file of humanity. But these unconsidered units of mankind can always
|
||
console themselves with the undoubted fact that mediocrity is invariably
|
||
happy.
|
||
|
||
Such a man as Random would never set the Thames on fire, and certainly
|
||
he had no ambition to perform that astounding feat. He was fond of his
|
||
profession and intended to remain in the army as long as he could. He
|
||
desired to marry and beget a family, and retire, when set free from
|
||
soldiering, to his country seat, and there perform blamelessly the
|
||
congenial role of a village squire, until called upon to join the
|
||
respectable corpses in the Random vault. Not that he was a saint or
|
||
ever could be one. Neither black nor white, he was simply gray, being an
|
||
ordinary mixture of good and bad. As theology has provided no hereafter
|
||
for gray people, it is hard to imagine where the bulk of humanity will
|
||
go. But doubts on this point never troubled Random. He went to church,
|
||
kept his mouth shut and his pores open and vaguely believed that it
|
||
would be all right somehow. A very comfortable if superficial philosophy
|
||
indeed.
|
||
|
||
It can easily be guessed that Random's somewhat colorless personality
|
||
would never attract Lucy Kendal, since the hues of her own character
|
||
were deeper. For this reason she was drawn to Hope, who possessed that
|
||
aggressive artistic temperament, where good and bad, are in violent
|
||
contrast. Random took opinions from books, or from other people, and
|
||
his mind, like a looking-glass, reflected whatever came along; but Hope
|
||
possessed opinions of his own, both right and wrong, and held to these
|
||
in the face of all verbal opposition. He could argue and did argue, when
|
||
Random simply agreed. Lucy had similar idiosyncrasies, inherited from
|
||
a clever father, so it was just as well that she preferred Archie
|
||
to Frank. Had the latter young gentleman married her, he would have
|
||
dwindled to Lady Random's husband, and would have found too late that he
|
||
had domesticated a kind of imitation George Eliot. When he congratulated
|
||
Archie on his engagement somewhat ruefully, he little thought what an
|
||
escape he had had.
|
||
|
||
But Professor Braddock, who did not belong to the gray tribe, knew
|
||
nothing of this, as his Egyptological studies did not permit him time to
|
||
argue on such commonplace matters. He therefore failed in advance when
|
||
he set out to persuade Random into renewing his suit. As the fiery
|
||
little man afterwards expressed himself, “I might as well have talked to
|
||
a mollusc,” for Random politely declined to be used as an instrument
|
||
to forward the Professor's ambition at the cost of Miss Kendal's
|
||
unhappiness. The interview took place in Sir Frank's quarters at the
|
||
Fort on the day after Hervey had called to propose a search for the
|
||
corpse. And it was during this interview that Braddock learned something
|
||
which both startled and annoyed him.
|
||
|
||
Random, at three o'clock, had just changed into mufti, when the
|
||
Professor was announced by his servant. Braddock, determined to give his
|
||
host no chance of denying himself, followed close on the man's heels,
|
||
and was in the room almost before Sir Frank had read the card. It was
|
||
a bare room, sparsely furnished, according to the War Office's idea
|
||
of comfort, and although the baronet had added a few more civilized
|
||
necessities, it still looked somewhat dismal. Braddock, who liked
|
||
comfort, shook hands carelessly with his host and cast a disapproving
|
||
eye on his surroundings.
|
||
|
||
“Dog kennel! dog kennel!” grumbled the polite Professor. “Bare
|
||
desolation like a damned dungeon. You might as well live in the Sahara.”
|
||
|
||
“It would certainly be warmer,” replied Random, who knew the scientist's
|
||
snappy ways very well. “Take a chair, sir!”
|
||
|
||
“Hard as bricks, confound it! Hand me over a cushion. There, that's
|
||
better! No, I never drink between meals, thank you. Smoke? Hang it,
|
||
Random, you should know by this time that I dislike making a chimney of
|
||
my throat! There! there! don't fuss. Take a seat and listen to what I
|
||
have to say. It's important. Poke the fire, please: it's cold.”
|
||
|
||
Random placidly did as he was told, and then lighted a cigar, as he sat
|
||
down quietly.
|
||
|
||
“I am sorry to hear of your trouble, sir.'”
|
||
|
||
“Trouble! trouble! What particular trouble?”
|
||
|
||
“The death of your assistant.”
|
||
|
||
“Oh yes. Silly young ass to get killed. Lost my mummy, too: there's
|
||
trouble if you like.”
|
||
|
||
“The green mummy.” Random looked into the fire, “Yes. I have heard of
|
||
the green mummy.”
|
||
|
||
“I should think you have,” snapped Braddock, warming his plump hands.
|
||
“Every penny-a-liner has been talking about it. When did you return?”
|
||
|
||
“On the same day that that steamer with the mummy on board arrived,” was
|
||
Random's odd reply.
|
||
|
||
The Professor stared suspiciously. “I don't see why you should date your
|
||
movements by my mummy,” he retorted.
|
||
|
||
“Well, I had a reason in doing so.”
|
||
|
||
“What reason?”
|
||
|
||
“The mummy--”
|
||
|
||
“What about it?--do you know where it is?” Braddock started to his feet,
|
||
and looked eagerly at the calm face of his host.
|
||
|
||
“No, I wish I did. How much did you pay for it, Professor?”
|
||
|
||
“What's that to you?” snapped the other, resuming his seat.
|
||
|
||
“Nothing at all. But it is a great deal to Don Pedro de Gayangos.”
|
||
|
||
“And who the deuce is he? Some Spanish Egyptologist?”
|
||
|
||
“I don't think he is an Egyptologist, sir.”
|
||
|
||
“He must be, if he wants my mummy.”
|
||
|
||
“You forget, Professor, that the green mummy comes from Peru.”
|
||
|
||
“Who denied that it did, sir? You are illogical--infernally so.” The
|
||
little man rose and straddled on the hearth-rug, with his back to the
|
||
fire and his hands under his coat-tails. “Now, sir,” he said, glaring
|
||
at the young man like a school-master--“what the deuce are you talking
|
||
about? Out with it: no evasion.”
|
||
|
||
“Oh, hang it, Professor, don't jump down my throat, spurs and all,” said
|
||
Random, rather annoyed by this dictatorial tone.
|
||
|
||
“I never wear spurs: go on, sir, and don't argue.”
|
||
|
||
Sir Frank could not help laughing, although he knew that it was useless
|
||
to induce Braddock to be civil. Not that the Professor, meant to be
|
||
rude, especially as he desired to conciliate Random. But long years of
|
||
fighting with other scientists and of having his own scientific way had
|
||
turned him into a kind of school-master, and every one knows that they
|
||
are the most domineering of the human race.
|
||
|
||
“It's a long story,” said the baronet, with a shrug and a smile.
|
||
|
||
“Story! story! What story?”
|
||
|
||
|
||
“'That which I am about to tell you.” And then
|
||
|
||
Random began hurriedly, so as to prevent further arguments of an
|
||
unprofitable kind. “I was at Genoa with my yacht, and there stopped on
|
||
shore at the Casa Bianca.”
|
||
|
||
“What place is that?”
|
||
|
||
“An hotel. I there met with a certain Don Pedro de Gayangos and his
|
||
daughter, Donna Inez, He was a gentleman from Lima, and had come to
|
||
Europe in search of the green mummy.”
|
||
|
||
Braddock stared.
|
||
|
||
“And what did this confounded Spaniard want with my green mummy?” he
|
||
demanded indignantly. “How did he know of its existence?--what reason
|
||
had he to try and obtain it? Answer, sir.”
|
||
|
||
“I shall let Don Pedro answer himself,” said Random dryly. “He arrives
|
||
in a couple of days, and intends to take rooms at the Warrior Inn along
|
||
with his daughter. Then you can question him, Professor.”
|
||
|
||
“I question you,” snapped Braddock angrily.
|
||
|
||
“And I am answering to the best of my ability. Don Pedro told me nothing
|
||
beyond the fact that he wanted the mummy, and had come to Europe to get
|
||
it. In some way he learned that it was in Malta and was for sale.”
|
||
|
||
“Quite so: quite so,” rasped the Professor. “He saw the advertisement in
|
||
the newspapers, as I did, and wanted to buy it over my head.”
|
||
|
||
“Oh, he wanted to buy it right enough, and wired to Malta,” said Random,
|
||
“but in reply he received a letter stating that it had been sold to you
|
||
and was being taken to England on The Diver. I followed The Diver in my
|
||
yacht and arrived at Pierside an hour after she did.”
|
||
|
||
“Ah!” Braddock glared. “I begin to see light. This infernal Spaniard was
|
||
on board, and wanted my mummy. He knew that Bolton had taken it to the
|
||
Sailor's Rest and went there to kill the poor lad and get my--”
|
||
|
||
“Nothing of the sort,” interrupted Sir Frank impatiently. “Don Pedro
|
||
remained behind in Genoa, intending to write and ask if you would sell
|
||
him the mummy. I wrote and told him of the murder of your assistant
|
||
and related all that had happened. He wired to me that he was coming to
|
||
England at once, as--as I told you. He will be in Gartley in a couple of
|
||
days. That is the whole story.”
|
||
|
||
“It is a sufficiently strange one,” grumbled Braddock, frowning. “What
|
||
does he want with my mummy?”
|
||
|
||
“I cannot tell you. But if you will sell--”
|
||
|
||
“Sell! sell! sell!” vociferated Braddock furiously.
|
||
|
||
“Don Pedro will give you a good price,” finished Random calmly.
|
||
|
||
“I haven't got the mummy,” said the Professor, sitting down and wiping
|
||
his pink head, “and if I had, I certainly would not sell. However, I'll
|
||
hear what this gentleman has to say when he arrives. Perhaps he can
|
||
throw some light on the mystery of this crime.”
|
||
|
||
“I am perfectly certain that he cannot, sir. Don Pedro--as I said--was
|
||
left behind in Genoa.”
|
||
|
||
“Humph!” said the Professor, unconvinced. “He could easily employ a
|
||
third party.”
|
||
|
||
Random rose, looking and feeling annoyed.
|
||
|
||
“I assure you that Don Pedro is a gentleman and a man of honor. He would
|
||
not stoop to--”
|
||
|
||
“There! there!” Braddock waved his hands. “Sit down: sit down.”
|
||
|
||
“You shouldn't say such things, Professor.”
|
||
|
||
“I say what I desire to say,” retorted the old gentleman tartly; “but we
|
||
can dismiss the subject for the time being.”
|
||
|
||
“I am only too glad to do so,” said Random, who was ruffled out of his
|
||
usual calm by the veiled accusation which Braddock had brought against
|
||
his foreign friend, “and to get to a more agreeable subject, tell me how
|
||
Miss Kendal is keeping.”
|
||
|
||
“She is ill, very ill,” said the Professor solemnly.
|
||
|
||
“Ill? Why, Hope, whom I met the other day, said that she was feeling
|
||
very well and very happy.”
|
||
|
||
“So Hope thinks, because he has forced her into an engagement.”
|
||
|
||
Random started to his feet.
|
||
|
||
“Forced her? Nonsense!”
|
||
|
||
“It isn't nonsense, and don't dare to speak like that to me, sir. I
|
||
repeat that Lucy--poor child--is breaking her heart for you.”
|
||
|
||
The young man stared and then broke into a hearty laugh.
|
||
|
||
“Pardon me, sir, but that is impossible.”
|
||
|
||
“It isn't, confound you!” said Braddock, who did not like being laughed
|
||
at. “I know women.”
|
||
|
||
“You don't know your daughter.”
|
||
|
||
“Step-daughter, you mean.”
|
||
|
||
“Ah, perhaps the more distant relationship accounts for your ignorance
|
||
of her character,” said Random dryly. “You are quite wrong. I was in
|
||
love with Miss Kendal, and asked her to be my wife before I went on
|
||
leave. She refused me, saying that she loved Hope, and because of her
|
||
refusal I took my broken heart to Monte Carlo, where I lost much more
|
||
money than I had any right to lose.”
|
||
|
||
“Your broken heart seems to have mended quickly,” said Braddock, who was
|
||
trying to suppress his wrath at this instance of Lucy's duplicity, for
|
||
so he considered it.
|
||
|
||
“Oh, pooh, it's only my way of speaking,” laughed the young man. “If my
|
||
heart had been really broken I should not have mentioned the fact.”
|
||
|
||
“Then you did not love Lucy, and you dared to play fast and loose with
|
||
her affections,” raged Braddock, stamping.
|
||
|
||
“You are quite wrong,” said Sir Frank sharply; “I did love Miss Kendal,
|
||
or I should certainly not have asked her to be my wife. But when she
|
||
told me that she loved another man, I stood aside as any fellow would.”
|
||
|
||
“You should have insisted on--”
|
||
|
||
“On nothing, sir. I am not the man to force a woman to give me a heart
|
||
which belongs to another person. I am very glad that Miss Kendal is
|
||
engaged to Hope, as he is a capital fellow, and will make her a better
|
||
husband than I ever could have made her. Besides,” Random shrugged his
|
||
shoulders, “one nail drives another out.”
|
||
|
||
“Humph! That means you love another.”
|
||
|
||
“I am not bound to tell you my private affairs, Professor.”
|
||
|
||
“Quite so: quite so; but Inez is a pretty and romantic name.”
|
||
|
||
“I don't know what you are talking about, sir,” said Random stiffly.
|
||
|
||
Braddock chuckled, having read the truth in the flush which had crept
|
||
over Random's tanned face.
|
||
|
||
“I ask your pardon,” he said elaborately. “I am an old man, and I
|
||
was your father's friend. You must not mind if I have been a trifle
|
||
inquisitive.”
|
||
|
||
“Say no more, sir: that is all right.”
|
||
|
||
“I don't agree with you, Random. Things are not all right and never will
|
||
be until my mummy is discovered. Now you can help me.”
|
||
|
||
“In what way?” asked the other uneasily.
|
||
|
||
“With money. Understand, my boy,” added the Professor in a genial way
|
||
which he knew well how to assume, “I should have preferred Lucy becoming
|
||
your wife. However, since she prefers Hope, there's no more to be said
|
||
on that score. I therefore will not make the offer I came here to make.”
|
||
|
||
“An offer, sir?”
|
||
|
||
“Yes! I fancied that you loved Lucy and were broken-hearted by the news
|
||
of her engagement to Hope. I therefore intended to ask you to give me,
|
||
or rather lend me, five hundred pounds on condition that I helped you
|
||
to--”
|
||
|
||
“Stop, Professor,” said Random, coloring, “I should never have bought
|
||
Miss Kendal as my wife on those terms.”
|
||
|
||
“Of course! of course! and--as I say--there is no more to be said. I
|
||
shall therefore agree to Lucy's engagement to Hope”--Braddock carefully
|
||
omitted to say that he had already agreed and had been paid one thousand
|
||
pounds to agree--“and will congratulate you when you lead Donna Inez to
|
||
the altar.”
|
||
|
||
“I never said anything about Donna Inez, Professor Braddock.”
|
||
|
||
“Of course not: modern reticence. However, I can see through a brick
|
||
wall as well as most people. I understand, so let us drop the subject,
|
||
my boy. And this five hundred pounds--”
|
||
|
||
“I cannot lend it to you, Professor. The fact is, I lost heaps of coin
|
||
at Monte Carlo, and am not in a position to--”
|
||
|
||
“Very good, let us shelve that also,” said Braddock with apparent
|
||
heartiness, although he was really very angry at his failure. “I am
|
||
sorry, though, as I wish to get back the mummy and to revenge poor
|
||
Sidney Bolton's death.”
|
||
|
||
“How can the five hundred do that?” asked Random with interest.
|
||
|
||
“Well,” drawled the Professor with his eyes on the young man's attentive
|
||
face, “Captain Hervey of The Diver came to me yesterday and proposed
|
||
to search for the assassin and his plunder on condition that I paid him
|
||
five hundred pounds. I am, as you know, very poor for a scientist,
|
||
and so I wished to borrow the five hundred from you on condition that
|
||
Lucy--”
|
||
|
||
“We won't talk of that again,” said Random hurriedly; “but do you mean
|
||
to say that this Captain Hervey knows of anything likely to solve this
|
||
mystery?”
|
||
|
||
“He says that he does not, and merely proposes to search. From what I
|
||
have seen of the man I should think that he had all the capacities of a
|
||
good bloodhound and would certainly succeed. But he will not move a step
|
||
without money.”
|
||
|
||
“Five hundred pounds,” murmured Random thoughtfully, while the Professor
|
||
watched him closely. “I can tell you how to obtain it.”
|
||
|
||
“How? In what way?”
|
||
|
||
“Don Pedro seems to be rich, and he wants the mummy,” said the baronet.
|
||
“So when he comes here ask him to--”
|
||
|
||
“Certainly not: certainly not,” raged Braddock, clapping on his hat in
|
||
a fury. “How dare you make such a proposition to me, Random! If this Don
|
||
Pedro offers the reward and Hervey finds the mummy, he will simply hand
|
||
it over to your friend.”
|
||
|
||
“He can scarcely do that, since you have bought the mummy. But Don Pedro
|
||
is willing to purchase it from you.”
|
||
|
||
“Humph!” Braddock moved to the door, thinking. “I shall reserve my
|
||
decision until this man arrives. Good day,” and he departed.
|
||
|
||
Random did not attempt to detain him, as he was somewhat weary of the
|
||
Professor's vagaries. He knew very well that Braddock would call on
|
||
Don Pedro when he came to the Warrior Inn, and join forces with him in
|
||
searching for the lost goods. And the train of thought initiated by the
|
||
Professor's visit led Random to a certain drawer, whence he took the
|
||
photograph of a splendid-looking beauty. To this he pressed his lips. “I
|
||
wonder if your father will give you to me in exchange for that mummy,”
|
||
he thought, and kissed the pictured face again.
|
||
|
||
|
||
|
||
|
||
CHAPTER IX. MRS. JASHER'S LUCK'
|
||
|
||
|
||
Some weeks had now elapsed since the death and burial of Sidney Bolton,
|
||
and the excitement had simmered down to a gentle speculation as to who
|
||
had killed him. This question was discussed in a half-hearted manner
|
||
round the winter fires of Gartley, but gradually people were ceasing to
|
||
interest themselves in a crime, the mystery of which would apparently
|
||
never be solved. Life went on in the village and at the Pyramids much
|
||
in the same way, save that the Professor attended along with Cockatoo to
|
||
his museum and did not engage another assistant.
|
||
|
||
Archie and Lucy were perfectly happy, as they looked forward to being
|
||
married in the spring, and Braddock showed no desire to interfere with
|
||
their engagement. They knew, of course, that he had called upon Sir
|
||
Frank, but were ignorant of what had taken place. Random himself called
|
||
at the Pyramids to congratulate Miss Kendal on her engagement, and
|
||
seemed so very pleased that she was going to marry the man of her
|
||
choice, that, woman-like, she grew rather annoyed. As the baronet had
|
||
been her lover, she thought that he should wear the willow for her
|
||
sake. But Random showed no disposition to do so, therefore Lucy shrewdly
|
||
guessed that his broken heart had been mended by another woman. The
|
||
Professor could have confirmed the truth of this from the hints which
|
||
Random had given him, but he said nothing about his interview with the
|
||
young man, nor did he mention that a Spanish gentleman from Peru was
|
||
seeking for the famous green mummy.
|
||
|
||
Considerably vexed that Random should be so cheerful, Lucy cast round to
|
||
learn the truth. She could scarcely ask the baronet himself, and Archie
|
||
professed himself unable to explain. Miss Kendal did not dream of
|
||
cross-examining Braddock, as it never entered her mind that the
|
||
dry-as-dust scientist would know anything. It then occurred to this
|
||
inquisitive young lady that Mrs. Jasher might be aware of Random's
|
||
secret, which made him so cheerful. Sir Frank was a great friend of
|
||
the plump widow, and frequently went to take afternoon tea at her small
|
||
house, which was situated no great distance from the Fort. In fact,
|
||
Mrs. Jasher entertained the officers largely, as she was hospitable
|
||
by nature, and liked to have presentable men about her for flirting
|
||
purposes. With good-looking youth she assumed the maternal air, and in
|
||
the role of a clever woman of the world professed to be the adviser of
|
||
one and all. In this way she became quite a favorite, and her little
|
||
parlor--she liked the old English word--was usually, well filled at the
|
||
hour of afternoon tea.
|
||
|
||
Twice already Lucy had called on Mrs. Jasher after the commotion caused
|
||
by the crime, as she wished to speak to her about the same; but on each
|
||
occasion the widow proved to be absent in London. However, the third
|
||
visit proved to be more lucky, for Mrs. Jasher was at home, and
|
||
expressed herself happy to see the girl.
|
||
|
||
“So good of you to come and see me in my little wooden hut,” said the
|
||
widow, kissing her guest.
|
||
|
||
And Mrs. Jasher's cottage really was a little wooden hut, being what was
|
||
left of an old-fashioned farmhouse, built before the stone age. It lay
|
||
on the verge of the marshes in an isolated position and was placed in
|
||
the middle of a square garden, protected from the winter floods by a low
|
||
stone wall solidly built, but of no great height. The road to the Fort
|
||
ran past the front part of the garden, but behind the marshes spread
|
||
towards the embankment, which cut off the view of the Thames. The
|
||
situation was not an ideal one, nor was the cottage, but money was
|
||
scarce with Mrs. Jasher, and she had obtained the whole place at a
|
||
surprisingly small rental. The house and grounds were dry enough in
|
||
summer, but decidedly damp in winter. Therefore, the widow went to a
|
||
flat in London, as a rule, for the season of fogs. But this winter she
|
||
had made up her mind--so she told Lucy--to remain in her own little
|
||
castle and brave the watery humors of the marshes.
|
||
|
||
“I can always keep fires burning in every room,” said Mrs. Jasher, when
|
||
she had removed her guest's hat and had settled her for a confidential
|
||
talk on the sofa. “And after all, my dear, there is no place like home.”
|
||
|
||
The room was small, and Mrs. Jasher was small, so she suited her
|
||
surroundings excellently. Also, the widow had the good taste to furnish
|
||
it sparsely, instead of crowding it with furniture; but what furniture
|
||
there was could not be improved upon. There were Chippendale chairs,
|
||
a Louis Quinze table, a Sheridan cabinet, and a satin-wood desk,
|
||
hand-painted, which was said to have been the property of the unhappy
|
||
Marie Antoinette. Oil-paintings adorned the rose-tinted walls, chiefly
|
||
landscapes, although one or two were portraits. Also, there were
|
||
water-colored pictures, framed and signed caricatures, many plates
|
||
of old china, and rice-paper adornments from Canton. The room was
|
||
essentially feminine, being filled with Indian stuffs, with silver
|
||
oddments, with flowers, and with other trifles. The walls, the carpet,
|
||
the hangings, and the upholstery of the arm-chairs were all of a rosy
|
||
hue, so that Mrs. Jasher looked as young as Dame Holda in the Venusberg.
|
||
A very pretty room and a very charming hostess, was the verdict of the
|
||
young gentlemen from the Fort, who came here to flirt when they were not
|
||
serving their country.
|
||
|
||
Mrs. Jasher in a tea-rose tea-gown for afternoon tea--she always liked
|
||
to be in keeping--rang for that beverage dear to the feminine heart, and
|
||
lighted a rose-shaded lamp. When a glow as of dawn spread through the
|
||
dainty room, she settled Lucy on the sofa near the fire, and drew up an
|
||
arm-chair on the other side of the hearth-rug. Outside it was cold and
|
||
foggy, but the rose-hued curtains shut out all that was disagreeable in
|
||
the weather, and in the absence of male society, the two women talked
|
||
more or less confidentially. Lucy did not dislike Mrs. Jasher, even
|
||
though she fancied that the lively widow was planning to become the
|
||
mistress of the Pyramids.
|
||
|
||
“Well, my dear girl,” said Mrs. Jasher, shading her face from the fire
|
||
with a large fan, “and how is your dear father after his late terrible
|
||
experiences?”
|
||
|
||
“He is perfectly well, and rather cross,” replied Lucy, smiling.
|
||
|
||
“Cross?”
|
||
|
||
“Of course. He has lost that wretched mummy.”
|
||
|
||
“And poor Sidney Bolton.”
|
||
|
||
“Oh, I don't think he cares for poor Sidney's death beyond the fact
|
||
that he misses his services. But the mummy cost nine hundred pounds, and
|
||
father is much annoyed, especially as Peruvian mummies are somewhat hard
|
||
to obtain. You see, Mrs. Jasher, father wishes to see the difference
|
||
between the Peruvian and Egyptian modes of embalming.”
|
||
|
||
“Ugh! How gruesome!” Mrs. Jasher shuddered. “But has anything been
|
||
discovered likely to show who killed this poor lad?”
|
||
|
||
“No, the whole thing is a mystery.”
|
||
|
||
Mrs. Jasher looked into the fire over the top of the fan.
|
||
|
||
“I have read the papers,” she said slowly, “and have gathered what I
|
||
could from what the reporters explained. But I intend to call on the
|
||
Professor and hear all that evidence which did not get into the papers.”
|
||
|
||
“I think that everything has been made public. The police have no clue
|
||
to the murderer. Why do you want to know?”
|
||
|
||
Mrs. Jasher made a movement of surprise.
|
||
|
||
“Why, I am the Professor's friend, of course, my dear, and naturally I
|
||
want to help him to solve this mystery.”
|
||
|
||
“There is no chance, so far as I can see, of it ever being solved,” said
|
||
Lucy. “It's very sweet of you, of course, but were I you I should not
|
||
talk about it to my father.”
|
||
|
||
“Why?” asked Mrs. Jasher quickly.
|
||
|
||
“Because he thinks of nothing else, and both Archie and I are trying to
|
||
get him off the subject. The mummy is lost and poor Sidney is buried.
|
||
There is no more to be said.”
|
||
|
||
“Still, if a reward was offered--”
|
||
|
||
“My father is too poor to offer a reward, and the Government will not do
|
||
so. And as people will not work without money, why--” Lucy completed her
|
||
sentence with a shrug.
|
||
|
||
“I might offer a reward if the dear Professor will let me,” said the
|
||
widow unexpectedly.
|
||
|
||
“You! But I thought that you were poor, as we are.”
|
||
|
||
“I was, and I am not very rich now. All the same, I have come in for
|
||
some thousands of pounds.”
|
||
|
||
“I congratulate you. A legacy?”
|
||
|
||
“Yes. You remember how I told you about my brother who was a Pekin
|
||
merchant. He is dead.”
|
||
|
||
“Oh, I am so sorry.”
|
||
|
||
“My dear, what is the use of being sorry. I never cry over spilt milk,
|
||
or assume a virtue which I have not. My brother and I were almost
|
||
strangers, as we lived apart for so many years. However, he came home to
|
||
die at Brighton, and a few weeks ago--just after this murder took place,
|
||
in fact--I was summoned to his death-bed. He lingered on until last week
|
||
and died in my arms. He left me nearly all his money, so I will be able
|
||
to help the Professor.”
|
||
|
||
“I don't see why you should,” said Lucy, wondering why Mrs. Jasher did
|
||
not wear mourning for the dead.
|
||
|
||
“Oh yes, you do see,” remarked the widow, raising her eyes and rubbing
|
||
her plump hands together. “I want to marry your father.”
|
||
|
||
Lucy did not express astonishment, as she had understood this for a long
|
||
time.
|
||
|
||
“I guessed as much.”
|
||
|
||
“And what do you say?”
|
||
|
||
Miss Kendal shrugged her shoulders.
|
||
|
||
“If my step-father,” she emphasized the word--“if my step-father
|
||
consents, why should I mind? I am going to marry Archie, and no doubt
|
||
the Professor will be lonely.”
|
||
|
||
“Then you do not disapprove of me as a mother.”
|
||
|
||
“My dear Mrs. Jasher,” said Lucy, coldly, “there is no relationship
|
||
between me and my step-father beyond the fact that he married my
|
||
mother. Therefore you can never be my mother. Were I stopping on at the
|
||
Pyramids, that question might arise, but as I become Mrs. Hope in six
|
||
months, we can be friends--nothing more.”
|
||
|
||
“I am quite content with that,” said Mrs. Jasher in a businesslike way.
|
||
“After all, I am no sentimentalist. But I am glad that you do not mind
|
||
my marrying the Professor, as I don't want you to prevent the match, my
|
||
dear.”
|
||
|
||
Lucy laughed.
|
||
|
||
“I assure you that I have no influence with my father, Mrs. Jasher. He
|
||
will marry you if he thinks fit and without consulting me. But,” added
|
||
the girl with emphasis, “I do not see what you gain in becoming Mrs.
|
||
Braddock.”
|
||
|
||
“I may become Lady Braddock,” said the widow, dryly. Then, in answer to
|
||
the open astonishment on Lucy's face, she hastened to remark: “Do you
|
||
mean to say that you don't know your father is heir to a baronetcy?”
|
||
|
||
“Oh, I know that,” rejoined Miss Kendal. “The Professor's brother, Sir
|
||
Donald Braddock, is an old man and unmarried. If he dies without heirs,
|
||
as it seems likely, the Professor will certainly take the title.”
|
||
|
||
“Well, then, there you are!” cried Mrs. Jasher, in her liveliest tone.
|
||
“I want to give my legacy for the title and preside over a scientific
|
||
salon in London.”
|
||
|
||
“I understand. But you will never get my father to live in London.”
|
||
|
||
“Wait until I marry him,” said the little woman shrewdly. “I'll make a
|
||
man of him. I know, of course, that mummies and sepulchral ornaments and
|
||
those sort of horrid things are dull, but the Professor will become Sir
|
||
Julian Braddock, and that is enough for me. I don't love him, of course,
|
||
as love between two elderly people is absurd, but I shall make him a
|
||
good wife, and with my money he can take his proper position in the
|
||
scientific world, which he doesn't occupy at present. I would rather he
|
||
had been artistic, as science is so dull. However, I am getting on in
|
||
years and wish to have some amusement before I die, so I must take what
|
||
I can get. What do you say?”
|
||
|
||
“I am quite agreeable, as, when I leave, someone must look after my
|
||
father, else he will be shamefully robbed by everyone in household
|
||
matters. We are good friends, so why not you as well as another.”
|
||
|
||
“You are a dear girl,” said Mrs. Jasher with a sigh of relief, and
|
||
kissed Lucy fondly. “I am sure we shall get on excellently.”
|
||
|
||
“At a distance. The artistic world doesn't touch on the scientific, you
|
||
know. And you forget, Mrs. Jasher, that my father wishes to go to Egypt
|
||
to explore this mysterious tomb.”
|
||
|
||
Mrs. Jasher nodded.
|
||
|
||
“Yes, I promised, when I came in for my brother's money, to help the
|
||
Professor to fit out his expedition. But it seems to me that the money
|
||
will be better spent in offering a reward so that the mummy can be
|
||
found.”
|
||
|
||
“Well,” said Lucy, laughing, “you can give the Professor his choice.”
|
||
|
||
“Before marriage, not after. He needs to be managed, like all men.”
|
||
|
||
“You will not find him easy to manage,” said Lucy dryly. “He is a very
|
||
obstinate man, and quite feminine in his persistency.”
|
||
|
||
“H'm! I recognize that he is a difficult character, and between you and
|
||
me dear, I should not marry him but for the title. It sounds rather like
|
||
an adventuress talking in this way, but, after all, if he makes me Lady
|
||
Braddock I can give him enough money to let him realize his desire of
|
||
getting the mummy back. It's six of one and half a dozen of the other.
|
||
And I'll be good to him: you need not fear.”
|
||
|
||
“I am quite sure that, good or bad, the Professor will have his own way.
|
||
It is not his happiness I am thinking of so much as yours.”
|
||
|
||
“Really. Here is the tea. Put the table near the fire, Jane, between
|
||
Miss Kendal and myself. Thank you. The muffins on the fender. Thank you.
|
||
No, there is nothing more. Close the door when you go out.”
|
||
|
||
The tea equippage having been arranged, Mrs. Jasher poured out a cup
|
||
of Souchong, and handed it to her guest, resuming the subject of her
|
||
proposed marriage meanwhile.
|
||
|
||
“I don't see why you should be anxious about me, dear. I am quite
|
||
able to look after myself. And the Professor seems to be kind-hearted
|
||
enough.”
|
||
|
||
“Oh, he is kind-hearted when he gets his own way. Give him his hobby and
|
||
he will never bother you. But he won't live in London, and he will not
|
||
consent to this salon you wish to institute.”
|
||
|
||
“Why not? It means fame to him. I shall gather round me all the
|
||
scientists of London and make my house a centre of interest. The
|
||
Professor can stop in his laboratory if he likes. As his wife, I can
|
||
do all that is necessary. Well, my dear”--Mrs. Jasher took a cup of
|
||
tea--“we need not talk the subject threadbare. You do not disapprove of
|
||
my marriage with your step-father, so you can leave the rest to me. If
|
||
you can give me a hint of how to proceed to bring about this marriage,
|
||
of course I am not above taking it.”
|
||
|
||
Lucy glanced at the tea-gown.
|
||
|
||
“As you will have to tell the Professor that your brother is dead to
|
||
account for possessing the money,” she said pointedly, “I should advise
|
||
you to go into mourning. Professor Braddock will be shocked otherwise.”
|
||
|
||
“Dear me, what a tender heart he must have!” said Mrs. Jasher
|
||
flippantly. “My brother was very little to me, poor man, so he cannot
|
||
be anything to the Professor. However, I shall adopt your advice, and,
|
||
after all, black suits me very well. There”--she swept her hands across
|
||
the tea-table--“that is settled. Now about yourself?”
|
||
|
||
“Archie and I marry in the springtime.”
|
||
|
||
“And your other admirer, who has come back?”
|
||
|
||
“Sir Frank Random?” said Lucy, coloring.
|
||
|
||
“Of course. He called to see me a day or so ago, and seems less
|
||
broken-hearted than he should be.”
|
||
|
||
Lucy nodded and colored still deeper.
|
||
|
||
“I suppose some other woman has consoled him.”
|
||
|
||
“Of course. Catch a modern man wearing the willow for any girl, however
|
||
dear. Are you angry?”
|
||
|
||
“Oh no, no.”
|
||
|
||
“Oh yes, yes, I think,” said the widow, laughing, “else you are no
|
||
woman, my dear. I know I should be angry to see a man get over his
|
||
rejection so rapidly.”
|
||
|
||
“Who is she?” asked Lucy abruptly.
|
||
|
||
“Donna Inez de Gayangos.”
|
||
|
||
“A Spaniard?”
|
||
|
||
“I believe so--a colonial Spaniard, at least--from Lima. Her father, Don
|
||
Pedro de Gayangos, met Sir Frank in Genoa by chance.”
|
||
|
||
“Well?” demanded Lucy impatiently.
|
||
|
||
Mrs. Jasher shrugged her plump shoulders.
|
||
|
||
“Well, my dear, can't you put two and two together. Of course Sir Frank
|
||
fell in love with this dark-hued angel.”
|
||
|
||
“Dark-hued! and I am light-haired. What a compliment!”
|
||
|
||
“Perhaps Sir Frank wanted a change. He played on white and lost, and
|
||
therefore stakes his money on black to win. That's the result of having
|
||
been at Monte Carlo. Besides, this young lady is rich, I understand, and
|
||
Sir Frank--so he told me--lost much more money at Monte Carlo than he
|
||
could afford. Well, you don't look pleased.”
|
||
|
||
Lucy roused herself from a fit of abstraction.
|
||
|
||
“Oh yes, I am pleased, of course. I suppose, as any woman would, I felt
|
||
rather hurt for the moment in being forgotten so soon. But, after all,
|
||
I can't blame Sir Frank for consoling himself. If I am married first,
|
||
he shall dance at my wedding: if he is married first, I shall dance at
|
||
his.”
|
||
|
||
“And you shall both dance at mine,” said Mrs. Jasher. “Why, there is
|
||
quite an epidemic of matrimony. Well, Donna Inez arrives here with her
|
||
father in a day, or so. They stop at the Warrior Inn, I believe.”
|
||
|
||
“That horrid place?”
|
||
|
||
“Oh, it is clean and respectable. Besides, Sir Frank can hardly ask
|
||
them to stop in the Fort, and I have no room in this bandbox of mine.
|
||
However, the two of them--Donna Inez and Frank, I mean--can come here
|
||
and flirt; so can you and Archie if you like.”
|
||
|
||
“I fear four people in this room would not do,” laughed Lucy, rising to
|
||
take her leave. “Well, I hope Sir Frank will marry this lady and that
|
||
you will become Mrs. Braddock. Only one thing I should like to know.”
|
||
|
||
“And that is?”
|
||
|
||
“Why was the mummy stolen. It was not valuable save to a scientist.”
|
||
|
||
“By that argument a scientist must be the murderer and thief,” said Mrs.
|
||
Jasher. “However, we shall see. Meanwhile, live every moment of love's
|
||
golden hours: they never return.”
|
||
|
||
“That is good advice; I shall take it and my leave,” said Lucy, and
|
||
departed in a very happy frame of mind.
|
||
|
||
|
||
|
||
|
||
CHAPTER X. THE DON AND HIS DAUGHTER
|
||
|
||
|
||
Professor Braddock was usually the most methodical of men, and timed his
|
||
life by the clock and the almanac. He rose at seven, summer and winter,
|
||
to partake of a hearty breakfast, which served him until dinner came at
|
||
five thirty. Braddock dined at this unusual hour--save when there was
|
||
company--as he did not eat any luncheon and scorned the very idea of
|
||
afternoon tea. Two meals a day, he maintained, was enough for any man
|
||
who led a sedentary life, as too much food was apt to clog the wheels of
|
||
the intellect. He usually worked in his museum--if the indulgence of his
|
||
hobby could be called work--from nine until four, after which hour he
|
||
took a short walk in the garden or through the village. On finishing his
|
||
dinner he would glance over some scientific publication, or perhaps,
|
||
by way of recreation, play a game or two of patience; but at seven he
|
||
invariably retired into his own rooms to renew work. Retirement to bed
|
||
took place at midnight, so it can be guessed that the Professor got
|
||
through an enormous quantity of work during the year. A more methodical
|
||
man, or a more industrious man did not exist.
|
||
|
||
But on occasions even this enthusiast wearied of his hobby, and of the
|
||
year's routine. A longing to see brother scientists of his own way of
|
||
thinking would seize him, and he would abruptly depart for London, to
|
||
occupy quiet lodgings, and indulge in intercourse with his fellow-men.
|
||
Braddock rarely gave early intimation of his urban nostalgia. At
|
||
breakfast he would suddenly announce that the fit took him to go to
|
||
London, and he would drive to Jessum along with Cockatoo to catch the
|
||
ten o'clock train to London. Sometimes he sent the Kanaka back; at
|
||
other times he would take him to town; but whether Cockatoo remained or
|
||
departed, the museum was always locked up lest it should be profaned by
|
||
the servants of the house. As a matter of fact, Braddock need not have
|
||
been afraid, for Lucy--knowing her step-father's whims and violent
|
||
temper--took care that the sanctity of the place should remain
|
||
inviolate.
|
||
|
||
Sometimes the Professor came back in a couple of days; at times his
|
||
absence would extend to a week; and on two or three occasions he
|
||
remained absent for a fortnight. But whenever he returned, he said very
|
||
little about his doings to Lucy, perhaps deeming that dry scientific
|
||
details would not appeal to a lively young lady. As soon as he was
|
||
established in his museum again, life at the Pyramids would resume
|
||
its usual routine, until Braddock again felt the want of a change. The
|
||
wonder was, considering the nature of his work, and the closeness of
|
||
his application, that he did not more often indulge in these Bohemian
|
||
wanderings.
|
||
|
||
Lucy, therefore, was not astonished when, on the morning after her visit
|
||
to Mrs. Jasher, the Professor announced in his usual abrupt way that
|
||
he intended to go to London, but would leave Cockatoo in charge of his
|
||
precious collection. She was somewhat disturbed, however, as, wishing to
|
||
forward the widow's matrimonial aims, she had invited her to dinner for
|
||
the ensuing night. This she told her step-father, and, rather to her
|
||
surprise, he expressed himself sorry that he could not remain.
|
||
|
||
“Mrs. Jasher,” said Braddock hastily, drinking his coffee, “is a very
|
||
sensible woman, who knows when to be silent.”
|
||
|
||
“She is also a good housekeeper, I believe,” hinted Miss Kendal
|
||
demurely.
|
||
|
||
“Eh, what? Well? Why do you say that?” snapped Braddock sharply.
|
||
|
||
Lucy fenced.
|
||
|
||
“Mrs. Jasher admires you, father.”
|
||
|
||
Braddock grunted, but did not seem displeased, since even a scientist
|
||
possessing the usual vanity of the male is not inaccessible to flattery.
|
||
|
||
“Did Mrs. Jasher tell you this?” he inquired, smiling complacently.
|
||
|
||
“Not in so many words. Still, I am a woman, and can guess how much
|
||
another woman leaves unsaid.” Lucy paused, then added significantly:
|
||
“I do not think that she is so very old, and you must admit that she is
|
||
wonderfully well preserved.”
|
||
|
||
“Like a mummy,” remarked the Professor absently; then pushed back his
|
||
chair to add briskly: “What does all this mean, you minx? I know that
|
||
the woman is all right so far as a woman can be: but her confounded age
|
||
and her looks and her unexpressed admiration. What are these to an old
|
||
man like myself?”
|
||
|
||
“Father,” said Lucy earnestly, “when I marry Archie I shall, in all
|
||
probability, leave Gartley for London.”
|
||
|
||
“I know--I know. Bless me, child, do you think that I have not thought
|
||
of that? If you were only wise, which you are not, you would marry
|
||
Random and remain at the Fort.”
|
||
|
||
“Sir Frank has other fish to fry, father. And even if I did remain at
|
||
the Fort as his wife, I still could not look after you.”
|
||
|
||
“Humph! I am beginning to see what you are driving at. But I can't
|
||
forget your mother, my dear. She was a good wife to me.”
|
||
|
||
“Still,” said Lucy coaxingly, and becoming more and more the champion of
|
||
Mrs. Jasher, “you cannot manage this large house by yourself. I do not
|
||
like to leave you in the hands of servants when I marry. Mrs. Jasher is
|
||
very domesticated and--”
|
||
|
||
“And would make a good housekeeper. No, no, I don't want to give you
|
||
another mother, child.”
|
||
|
||
“There is no danger of that, even if I did not marry,” rejoined Lucy
|
||
stiffly. “A girl can have only one mother.”
|
||
|
||
“And a man apparently can have two wives,” said Braddock with dry humor.
|
||
“Humph!”--he pinched his plump chin--“it's not a bad idea. But of course
|
||
I can't fall in love at my age.”
|
||
|
||
“I don't think that Mrs. Jasher asks for impossibilities.”
|
||
|
||
The Professor rose briskly.
|
||
|
||
“I'll think over it,” said he. “Meanwhile, I am going to London.”
|
||
|
||
“When will you be back, father?”
|
||
|
||
“I can't say. Don't ask silly questions. I dislike being bound to time.
|
||
I may be a week, and I may be only a few days. Things can go on here
|
||
as usual, but if Hope comes to see you, ask Mrs. Jasher in, to play
|
||
chaperon.”
|
||
|
||
Lucy consented to this suggestion, and Braddock went away to prepare for
|
||
his departure. To get him off the premises was like launching a ship,
|
||
as the entire household was at his swift heels, packing boxes, strapping
|
||
rugs, cutting sandwiches, helping him on with his overcoat and assisting
|
||
him into the trap, which had been hastily sent for to the Warrior Inn.
|
||
All the time Braddock talked and scolded and gave directions and
|
||
left instructions, until every one was quite bewildered. Lucy and the
|
||
servants all sighed with relief when they saw the trap disappear round
|
||
the end of the road in the direction of Jessum. In addition to being a
|
||
famous archaeologist, the Professor was assuredly a great nuisance to
|
||
those who had to do with his whims and fancies.
|
||
|
||
For the next two or three days Lucy enjoyed herself in a quiet way with
|
||
Archie. In spite of the lateness of the season, the weather was still
|
||
fine, and the artist took the opportunity of the pale sunshine to sketch
|
||
a great deal of the marsh scenery. Lucy attended him as a rule when he
|
||
went abroad, and sometimes Mrs. Jasher, voluble and merry, would come
|
||
along with them to play the part of chaperon. But the girl noticed
|
||
that Mrs. Jasher's merriment was forced at times, and in the searching
|
||
morning light she appeared to be quite old. Wrinkles showed themselves
|
||
on her plump face and weary lines appeared round her mouth. Also, she
|
||
was absent-minded while the lovers chattered, and, when spoken to, would
|
||
return to the present moment with a start. As the widow was now well off
|
||
as regards money, and as her scheme to marry Braddock was well on the
|
||
way to success--for Lucy had duly reported the Professor's attitude--it
|
||
was difficult to understand why Mrs. Jasher should look so worried. One
|
||
day Lucy spoke to her on the subject. Random had strolled across the
|
||
marshes to look at Hope sketch, and the two men chatted together, while
|
||
Miss Kendal led the little widow to one side.
|
||
|
||
“There is nothing the matter, I hope,” said Lucy gently.
|
||
|
||
“No. Why do you say that?” asked Mrs. Jasher, flushing.
|
||
|
||
“You have been looking worried for the last few days.”
|
||
|
||
“I have a few troubles,” sighed the widow--“troubles connected with the
|
||
estate of my late brother. The lawyers are very disagreeable and make
|
||
all sorts of difficulties to swell their costs. Then, strangely enough,
|
||
I am beginning to feel my brother's death more than I thought I should
|
||
have done. You see that I am in mourning, dear. After what you said
|
||
the other day I felt that it was wrong for me not to wear mourning. Of
|
||
course my poor brother and I were almost strangers. All the same, as
|
||
he has left me money and was my only relative, I think it right to show
|
||
some grief. I am a lonely woman, my dear.”
|
||
|
||
“When my father comes back you will no longer be lonely,” said Lucy.
|
||
|
||
“I hope not. I feel that I want a man to look after me. I told you that
|
||
I desired to marry the Professor for his possible title and in order
|
||
to form a salon and have some amusement and power. But also I want a
|
||
companion for my old age. There is no denying,” added Mrs. Jasher with
|
||
another sigh, “that I am growing old in spite of all the care I take.
|
||
I am grateful for your friendship, dear. At one time I thought that you
|
||
did not like me.”
|
||
|
||
“Oh, I think we get on very well together,” said Lucy somewhat
|
||
evasively, for she did not want to say that she would make the widow an
|
||
intimate friend, “and, as you know, I am quite pleased that you should
|
||
marry my step-father.”
|
||
|
||
“So pleasant to think that you look at my ambition in that light,” said
|
||
Mrs. Jasher, patting the girl's arm. “When does the Professor return?”
|
||
|
||
“I cannot say. He refused to fix a date. But he usually remains away
|
||
for a fortnight. I expect him back in that time, but he may come much
|
||
earlier. He will come back when the fancy takes him.”
|
||
|
||
“I shall alter all that, when we are married,” muttered Mrs. Jasher with
|
||
a frown. “He must be taught to be less selfish.”
|
||
|
||
“I fear you will never improve him in that respect,” said Lucy dryly,
|
||
and rejoined the gentlemen in time to hear Random mention the name of
|
||
Don Pedro de Gayangos.
|
||
|
||
“What is that, Sir Frank?” she asked.
|
||
|
||
Random turned toward her with his pleasant smile.
|
||
|
||
“My Spanish friend, whom I met at Genoa, is coming here to-morrow.”
|
||
|
||
“With his daughter?” questioned Mrs. Jasher roguishly.
|
||
|
||
“Of course,” replied the young soldier, coloring. “Donna Inez is quite
|
||
devoted to her father and never leaves him.”
|
||
|
||
“She will one day, I expect,” said Hope innocently, for his eyes were
|
||
on his sketch and not on Random's face, “when the husband of her choice
|
||
comes along.”
|
||
|
||
“Perhaps he has come along already,” tittered Mrs. Jasher significantly.
|
||
|
||
Lucy took pity on Random's confusion.
|
||
|
||
“Where will they stay?”
|
||
|
||
“At the Warrior Inn. I have engaged the best rooms in the place. I fancy
|
||
they will be comfortable there, as Mrs. Humber, the landlady, is a good
|
||
housekeeper and an excellent cook. And I don't think Don Pedro is hard
|
||
to please.”
|
||
|
||
“A Spaniard, you say,” remarked Archie idly. “Does he speak English?”
|
||
|
||
“Admirably--so does the daughter.”
|
||
|
||
“But why does a Spaniard come to so out-of-the-way a place?” asked Mrs.
|
||
Jasher, after a pause.
|
||
|
||
“I thought I told you the other day, when we spoke of the matter,”
|
||
answered Sir Frank with surprise. “Don Pedro has come here to interview
|
||
Professor Braddock about that missing mummy.”
|
||
|
||
Hope looked up sharply.
|
||
|
||
“What does he know about the mummy?”
|
||
|
||
“Nothing so far as I know, save that he came to Europe with the
|
||
intention of purchasing it, and found himself forestalled by Professor
|
||
Braddock. Don Pedro told me no more than that.”
|
||
|
||
“Humph!” murmured Hope to himself. “Don Pedro will be disappointed when
|
||
he learns that the mummy is missing.”
|
||
|
||
Random did not catch the words and was about to ask him what he had
|
||
said, when two tall figures, conducted by a shorter one, were seen
|
||
moving on the white road which led to the Fort.
|
||
|
||
“Strangers!” said Mrs. Jasher, putting up her lorgnette, which she used
|
||
for effect, although she had remarkably keen sight.
|
||
|
||
“How do you know?” asked Lucy carelessly.
|
||
|
||
“My dear, look how oddly the man is dressed.”
|
||
|
||
“I can't tell at this distance,” said Lucy, “and if you can, Mrs. Jasher
|
||
I really do not see why you require glasses.”
|
||
|
||
Mrs. Jasher laughed at the compliment to her sight, and colored through
|
||
her rouge at the reproof to her vanity. Meanwhile, the smaller figure,
|
||
which was that of a village lad leading a tall gentleman and a slender
|
||
lady, pointed toward the group round Hope's easel. Shortly, the boy ran
|
||
back up to the village road, and the gentleman came along the pathway
|
||
with the lady. Random, who had been looking at them intently, suddenly
|
||
started, having at length recognized them.
|
||
|
||
“Don Pedro and his daughter,” he said in an astonished voice, and sprang
|
||
forward to welcome the unexpected visitors.
|
||
|
||
“Now, my dear,” whispered the widow in Lucy's ear, “we shall see the
|
||
kind of woman Sir Frank prefers to you.”
|
||
|
||
“Well, as Sir Frank has seen the kind of man I prefer to him,” retorted
|
||
Lucy, “that makes us quite equal.”
|
||
|
||
“I am glad these new-comers talk English,” said Hope, who had risen to
|
||
his feet. “I know nothing of Spanish.”
|
||
|
||
“They are not Spanish, but Peruvian,” said Mrs. Jasher.
|
||
|
||
“The language is the same, more or less. Confound it! here is Random
|
||
bringing them here. I wish he would take them to the Fort. There's no
|
||
more work for the next hour, I suppose,” and Hope, rather annoyed, began
|
||
to pack his artistic traps.
|
||
|
||
On a nearer view, Don Pedro proved to be a tall, lean, dry man, not
|
||
unlike Dore's conception of Don Quixote. He must have had Indian blood
|
||
in his veins, judging from his very dark eyes, his stiff, lank hair,
|
||
worn somewhat long, and his high cheek-bones. Also, although he was
|
||
arrayed in puritanic black, his barbaric love of color betrayed itself
|
||
in a red tie and in a scarlet handkerchief which was twisted loosely
|
||
round a soft slouch hat, It was the hat and the brilliant red of tie and
|
||
handkerchief which had caught Mrs. Jasher's eye at so great a distance,
|
||
and which had led her to pronounce the man a stranger, for Mrs. Jasher
|
||
well knew that no Englishman would affect such vivid tints. All the
|
||
same, in spite of this eccentricity, Don Pedro looked a thorough
|
||
Castilian gentleman, and bowed gravely when presented to the ladies by
|
||
Random.
|
||
|
||
“Mrs. Jasher, Miss Kendal, permit me to present Don Pedro de Gayangos.”
|
||
|
||
“I am charmed,” said the Peruvian, bowing, hat in hand, “and in turn,
|
||
allow me, ladies, to introduce my daughter, Donna Inez de Gayangos.”
|
||
|
||
Archie was also presented to the Don and to the young lady, after which
|
||
Lucy and Mrs. Jasher, while not appearing to look, made a thorough
|
||
examination of the lady with whom Random was in love. No doubt Donna
|
||
Inez was making an examination on her own account, and with the
|
||
cleverness of the sex the three women, while chatting affably, learned
|
||
all that there was to be learned from the outward appearance of each
|
||
other in three minutes. Miss Kendal could not deny but what Donna Inez
|
||
was very beautiful, and frankly admitted--inwardly, of course--her own
|
||
inferiority. She was merely pretty, whereas the Peruvian lady was truly
|
||
handsome and quite majestic in appearance.
|
||
|
||
Yet about Donna Inez there was the same indefinite barbaric look
|
||
as characterized her father. Her face was lovely, dark and proud in
|
||
expression, but there was an aloofness about it which puzzled the
|
||
English girl. Donna Inez might have belonged to a race populating
|
||
another planet of the solar system. She had large black, melting eyes,
|
||
a straight Greek nose and perfect mouth, a well-rounded chin and
|
||
magnificent hair, dark and glossy as the wing of the raven, which was
|
||
arranged in the latest Parisian style of coiffure. Also, her gown--as
|
||
the two women guessed in an instant--was from Paris. She was perfectly
|
||
gloved and booted, and even if she betrayed somehow a barbaric taste for
|
||
color in the dull ruddy hue of her dress, which was subdued with black
|
||
braid, yet she looked quite a well-bred woman. All the same, her whole
|
||
appearance gave an observant onlooker the idea that she would be more
|
||
at home in a scanty robe and glittering with rudely wrought ornaments of
|
||
gold. Perhaps Peru, where she came from, suggested the comparison, but
|
||
Lucy's thoughts flew back to an account of the Virgins of the Sun, which
|
||
the Professor had once described. It occurred to her, perhaps wrongly,
|
||
that in Donna Inez she beheld one who in former days would have been the
|
||
bride of some gorgeous Inca.
|
||
|
||
“I fear you will find England dull after the sunshine of Lima,” said
|
||
Lucy, having ended a swift examination.
|
||
|
||
Donna Inez shivered a trifle and glanced around at the gray misty air
|
||
through which the pale sunshine struggled with difficulty.
|
||
|
||
“I certainly prefer the tropics to this,” she said in musical English,
|
||
“but my father has come down here on business, and until it is concluded
|
||
we shall remain in this place.”
|
||
|
||
“Then we must make things as bright as possible for you,” said Mrs.
|
||
Jasher cheerfully, and desperately anxious to learn more of the
|
||
new-comers. “You must come to see me, Donna Inez--yonder is my cottage.”
|
||
|
||
“Thank you, madame: you are very good.”
|
||
|
||
Meanwhile Don Pedro was talking to the two young men.
|
||
|
||
“Yes, I did arrive here earlier than I expected,” he was remarking, “but
|
||
I have to return to Lima shortly, and I wish to get my business with
|
||
Professor Braddock finished as speedily as possible.”
|
||
|
||
“I am sorry,” said Lucy politely, “but my father is absent.”
|
||
|
||
“And when will he return, Miss Kendal?”
|
||
|
||
“I can scarcely say--in a week or a fortnight.”
|
||
|
||
Don Pedro made a gesture of annoyance.
|
||
|
||
“It is a pity, as I am so very pressed for time. Still, I must remain
|
||
until the Professor returns. I am so anxious to hear if the mummy has
|
||
been found.”
|
||
|
||
“It is not found yet,” said Hope quickly, “and never will be.”
|
||
|
||
Don Pedro looked at him quietly.
|
||
|
||
“It must be found,” said he. “I have come all the way from Lima to
|
||
obtain it. When you hear my story you will not be surprised at my desire
|
||
to regain the mummy.”
|
||
|
||
“Regain it?” echoed Hope and Random in one breath.
|
||
|
||
Don Pedro nodded.
|
||
|
||
“The mummy was stolen from my father,” he said.
|
||
|
||
|
||
|
||
|
||
CHAPTER XI. THE MANUSCRIPT
|
||
|
||
|
||
It was certainly strange how constantly the subject of the missing
|
||
mummy came uppermost. Since it had disappeared and since the man who had
|
||
brought it to England was dead, it might have been thought that nothing
|
||
more would be said about the matter. But Professor Braddock harped
|
||
incessantly on his loss--which was perhaps natural--and Widow Anne also
|
||
talked a great deal as to the possibility of the mummy, being found,
|
||
as she hoped to learn by that means the name of the assassin who had
|
||
strangled her poor boy. Now Don Pedro de Gayangos appeared with the
|
||
strange information that the weird relic of Peruvian civilization had
|
||
been stolen from his father. Apparently fate was not inclined to let the
|
||
matter of the lost mummy drop, and was working round to a denouement,
|
||
which would possibly include the solution of the mystery of Sidney
|
||
Bolton's death. Yet, on the face of it, there appeared to be no chance
|
||
of the truth becoming known.
|
||
|
||
Of course, when Don Pedro announced that the Mummy had formerly belonged
|
||
to his father, every one was anxious to hear how it had been stolen. The
|
||
Gayangos family were established in Lima, and the embalmed body of Inca
|
||
Caxas had been purchased from a gentleman residing in Malta. How, then,
|
||
had it crossed the water, and how had Don Pedro learned its whereabouts,
|
||
only to arrive too late to secure his missing property? Mrs. Jasher was
|
||
especially anxious to learn these things, and explained her reasons to
|
||
Lucy.
|
||
|
||
“You see, my dear,” she said to the girl on the day after Don Pedro's
|
||
arrival in Gartley, “if we learn the past of that horrid mummy, we may
|
||
gain a clue to the person who desired possession of the nasty thing, and
|
||
so may hunt down this terrible criminal. Once he is found, the mummy may
|
||
be secured again, and should I be able to return it to your father, out
|
||
of gratitude he would certainly marry me.”
|
||
|
||
“You seem to think that the assassin is a man,” said Lucy dryly; “yet
|
||
you forget that the person who talked to Sidney through the window of
|
||
the Sailor's Rest was a woman.”
|
||
|
||
“An old woman,” emphasized Mrs. Jasher briskly: “quite so.”
|
||
|
||
Lucy contradicted.
|
||
|
||
“Eliza Flight did not say if the woman was old or young, but merely
|
||
stated that she wore a dark dress and a dark shawl over her head. Still,
|
||
this mysterious woman was connected in some way with the murder, else
|
||
she would not have been speaking to Sidney.”
|
||
|
||
“I don't follow you, my dear. You talk as though poor Mr. Bolton
|
||
expected to be murdered. For my part, I hold by the verdict of wilful
|
||
murder against some person or persons unknown. The truth is to be found,
|
||
if anywhere, in the past of the mummy.”
|
||
|
||
“We can discover nothing about that.”
|
||
|
||
“You forget what Don Pedro said, my dear,” remarked Mrs. Jasher hastily,
|
||
“that the mummy had been stolen from his father. Let us hear what he has
|
||
to say and we may find a clue. I am anxious that the Professor should
|
||
regain the green mummy for reasons which you know of. And now, my hear,
|
||
can you come to dinner to-night?”
|
||
|
||
“Well, I don't know.” Miss Kendal hesitated. “Archie said that he would
|
||
look in this evening.”
|
||
|
||
“I shall ask Mr. Hope also, my love. Don Pedro is coming and his
|
||
daughter likewise. Needless to say Sir Frank will follow the young lady.
|
||
We shall be a party of six, and after dinner we must induce Don Pedro to
|
||
relate the story of how the mummy was stolen.”
|
||
|
||
“He may not be inclined.”
|
||
|
||
“Oh, I think so,” replied; Mrs. Jasher quickly. “He wants to get the
|
||
mummy back again, and if we discuss the subject we may see some chance
|
||
of securing it.”
|
||
|
||
“But Don Pedro will not wish it to be restored to my father.”
|
||
|
||
Mrs. Jasher shrugged her plump shoulders.
|
||
|
||
“Your father and Don Pedro can arrange that themselves. All I desire is,
|
||
that the mummy should be found. Undoubtedly it belongs by purchase to
|
||
the Professor, but as it has been stolen, this Peruvian gentleman may
|
||
claim it. Well?”
|
||
|
||
“I shall come and Archie also,” assented Lucy, who was beginning to be
|
||
interested in the matter. “The affair is somewhat romantic.”
|
||
|
||
“Criminal, my dear, criminal,” said Mrs. Jasher, rising to take her
|
||
leave. “It is not a matter I care to mix myself up with. Still”--she
|
||
laughed--“you know, why I am doing so.”
|
||
|
||
“If I had to take all this trouble to gain a husband,” observed Lucy
|
||
somewhat acidly, “I should remain single all my life.”
|
||
|
||
“If you were as lonely as I am,” retorted the plump widow, “you would
|
||
do your best to secure a man toy look after you. I should prefer a young
|
||
and handsomer husband--such as Sir Frank Random, for instance but, as
|
||
beggars cannot be choosers, I must content myself with old age, a famous
|
||
scientist, and the chance of a possible title. Now mind, dear, to-night
|
||
at seven--not a minute later,” and she bustled away to prepare for the
|
||
reception of her guests.
|
||
|
||
It seemed to Lucy that Mrs. Jasher was taking a great deal of trouble to
|
||
become Mrs. Braddock, especially as the Professor's brother might live
|
||
for many a long day yet, in which case the widow would not gain the
|
||
title she coveted for years. However, the girl rather sympathized
|
||
with Mrs. Jasher, who was a companionable soul, and fond of society.
|
||
Circumstances condemned her to a somewhat lonely life in an isolated
|
||
cottage in a rather dull neighborhood, so it was little to be wondered
|
||
at that she should strive to move heaven and earth--as she was doing--in
|
||
the hope of escaping from her solitude. Besides, although Miss Kendal
|
||
did not wish to make a close companion of the widow, yet she did not
|
||
dislike her, and, moreover, thought that she would make Professor
|
||
Braddock a very presentable wife. Thinking thus, Lucy was quite willing
|
||
to forward Mrs. Jasher's plans by inducing Don Pedro to tell all he knew
|
||
about this missing mummy.
|
||
|
||
Thus it came about that six people assembled in the tiny pink parlor
|
||
of Mrs. Jasher at the hour of seven o'clock. It required dexterous
|
||
management to seat the whole company in the dining room, which was only
|
||
a trifle larger than the parlor. However, Mrs. Jasher contrived to place
|
||
them round her hospitable board in, a fairly comfortable fashion, and,
|
||
once seated, the dinner was so good that no one felt the drawbacks of
|
||
scanty elbow room. The widow, as hostess, was placed at the head of the
|
||
table; Don Pedro, as the eldest of the men, at the foot; and Sir Frank,
|
||
with Donna Inez, faced Archie and Lucy Kendal. Jane, who was well
|
||
instructed in waiting by her mistress, attended to her duties admirably,
|
||
acting both as footman and butler. Lucy, indeed, had offered Mrs. Jasher
|
||
the services of Cockatoo to hand round the wine, but the widow with a
|
||
pretty shudder had declined.
|
||
|
||
“That dreadful creature with his yellow mop of hair gives me the
|
||
shivers,” she declared.
|
||
|
||
Considering the isolation of the district, and the narrow limits of Mrs.
|
||
Jasher's income, the meal was truly, admirable, being well cooked and
|
||
well served, while the table was arrayed like an altar for the reception
|
||
of the various dishes. Whatever Mrs. Jasher might be as an adventuress,
|
||
she certainly proved herself to be a capital housekeeper, and Lucy
|
||
foresaw that, if she did become Mrs. Braddock, the Professor would fare
|
||
sumptuously, for the rest of his scientific life. When the meal was
|
||
ended the widow produced a box of superfine cigars and another of
|
||
cigarettes, after which she left the gentlemen to sip their wine, and
|
||
took her two young friends to chatter chiffons in the tiny parlor. And
|
||
it said much for Mrs. Jasher's methodical ways that, considering the
|
||
limited space, everything went--as the saying goes--like clockwork.
|
||
Likewise, the widow had proved herself a wonderful hostess, as she
|
||
kept the ball of conversation rolling briskly and induced a spirit of
|
||
fraternity, uncommon in an ordinary dinner party.
|
||
|
||
During the meal Mrs. Jasher had kept off the subject of the mummy, which
|
||
was the excuse for the entertainment; but when the gentlemen strolled
|
||
into the parlor, feeling well fed and happy, she hinted at Don Pedro's
|
||
quest. As the night was cold and the Peruvian gentleman came from the
|
||
tropics, he was established in a well padded arm-chair close to the
|
||
sea-coal fire, and with her own fair hands Mrs. Jasher gave him a cup of
|
||
fragrant coffee, which was rendered still more agreeable to the palate
|
||
by the introduction of a vanilla bean. With this and with a good
|
||
cigar--for the ladies gave the gentlemen permission to smoke--Don Pedro
|
||
felt very happy and easy, and complimented Mrs. Jasher warmly on her
|
||
capability of making her fellow-creatures comfortable.
|
||
|
||
“It is altogether comfortable, madame,” said Don Pedro, rising to make
|
||
a courtly bow. In fact, so agreeable was the foreigner that Mrs. Jasher
|
||
dreamed for one swift moment of throwing over the dry-as-dust scientist
|
||
to become a Spanish lady of Lima.
|
||
|
||
“You flatter me, Don Pedro,” she said, waving a wholly unnecessary fan
|
||
out of compliment to her guest's Spanish extraction. “Indeed, I am very
|
||
glad that you are pleased with my poor little house.”
|
||
|
||
“Pardon, madame, but no house can be poor when it is a casket to contain
|
||
such a jewel.”
|
||
|
||
“There!” said Lucy somewhat satirically to the young men, while
|
||
Mrs. Jasher blushed and bridled, “what Englishman could turn such a
|
||
compliment? It reminds one of Georgian times.”
|
||
|
||
“We are more sober now than my fathers were then,” said Hope, smiling,
|
||
“and I am sure if Random thought for a few minutes he could produce
|
||
something pretty. Go on, Random.”
|
||
|
||
“My brain is not equal to the strain after dinner,” said Sir Frank.
|
||
|
||
As for Donna Inez, she did not speak, but sat smiling quietly in her
|
||
corner of the room, looking remarkably handsome. As a young girl Lucy
|
||
was pretty, and Mrs. Jasher was a comely widow, but neither one had the
|
||
majestic looks of the Spanish lady. She smiled, a veritable queen amidst
|
||
the gim-crack ornaments of Mrs. Jasher's parlor, and Sir Frank, who was
|
||
fathoms deep in love, could not keep his eyes off her face.
|
||
|
||
For a few minutes the conversation was frivolous, quite the Shakespeare
|
||
and musical glasses kind of speech. Then Mrs. Jasher, who had no idea
|
||
that her good dinner should be wasted in charming nothings, introduced
|
||
the subject of the mummy by a reference to Professor Braddock. It was
|
||
characteristic of her cleverness that she did not address Don Pedro, but
|
||
pointed her speech at Lucy Kendal.
|
||
|
||
“I do hope your father will return with that mummy,” she observed, after
|
||
a dexterous allusion to the late tragedy.
|
||
|
||
“I don't think he has gone to look for it,” replied Miss Kendal
|
||
indifferently.
|
||
|
||
“But surely he desired to get it back, after paying nearly one thousand
|
||
pounds for it,” said Mrs. Jasher, with well-feigned astonishment.
|
||
|
||
“Oh, of course; but he would scarcely look for it in London.”
|
||
|
||
“Has Professor Braddock gone to search for the mummy?” asked Don Pedro.
|
||
|
||
“No,” answered Lucy. “He is visiting the British Museum to make some
|
||
researches in the Egyptian department.”
|
||
|
||
“When do you expect him back, please?”
|
||
|
||
Lucy shrugged her shoulders.
|
||
|
||
“I can't say, Don Pedro. My father comes and goes as the whim takes
|
||
him.”
|
||
|
||
The Spanish gentleman looked thoughtfully into the fire.
|
||
|
||
“I shall be glad to see the Professor when he returns,” he said in his
|
||
excellent, slow-sounding English. “My concern about this mummy is deep.”
|
||
|
||
“Dear me,” remarked Mrs. Jasher, shielding her fair cheek with the
|
||
unnecessary fan, and venturing on a joke, “is the mummy a relative?”
|
||
|
||
“Yes, madame,” replied Don Pedro, gravely and unexpectedly.
|
||
|
||
At this every one, very naturally, looked astonished--that is, all save
|
||
Donna Inez, who still preserved her fixed smile. Mrs. Jasher took a
|
||
mental note of the same, and decided that the young lady was not very
|
||
intelligent. Meanwhile Don Pedro continued his speech after a glance
|
||
round the circle.
|
||
|
||
“I have the blood of the royal Inca race in my veins,” he said with
|
||
pride.
|
||
|
||
“Ha!” murmured the widow to herself, “then that accounts for your love
|
||
of color, which is so un-English;” then she raised her voice. “Tell us
|
||
all about it, Don Pedro,” she entreated; “we are usually so dull here
|
||
that a romantic story excites us dreadfully.”
|
||
|
||
“I do not know that it is very romantic,” said Don Pedro with a polite
|
||
smile, “and if you will not find it dull--”
|
||
|
||
“Oh, no!” said Archie, who was as anxious as Mrs. Jasher to hear what
|
||
was to be said about the mummy. “Come, sir, we are all attention.”
|
||
|
||
Don Pedro bowed again, and again swept the circle with his deep-set
|
||
eyes.
|
||
|
||
“The Inca Caxas,” he remarked, “was one of the decadent rulers of
|
||
ancient Peru. At the Conquest by the Spaniards, Inca Atahuallpa was
|
||
murdered by Pizarro, as you probably know. Inca Toparca succeeded him as
|
||
a puppet king. He died also, and it was suspected that he was slain by
|
||
a native chief called Challcuchima. Then Manco succeeded, and is looked
|
||
upon by historians as the last Inca of Peru. But he was not.”
|
||
|
||
“This is news, indeed,” said Random lazily. “And who was the last Inca?”
|
||
|
||
“The man who is now the green mummy.”
|
||
|
||
“Inca Caxas,” ventured Lucy timidly.
|
||
|
||
Don Pedro looked at her sharply. “How do you come to know the name?”
|
||
|
||
“You mentioned it just now, but, before that, I heard my father mention
|
||
it,” said Lucy, who was surprised at the sharpness of his tone.
|
||
|
||
“And where did the Professor learn the name?” asked Don Pedro anxiously.
|
||
|
||
Lucy shook her head.
|
||
|
||
“I cannot say. But go on with the story,” she continued, with the naive
|
||
curiosity of a child.
|
||
|
||
“Yes, do,” pleaded Mrs. Jasher, who was listening with all her ears.
|
||
|
||
The Peruvian meditated for a few minutes, then slipped his hand into the
|
||
pocket of his coat and brought out a discolored parchment, scrawled and
|
||
scribbled with odd-looking letters in purple ink somewhat faded.
|
||
|
||
“Did you ever see this before?” he asked Lucy, “or any manuscript like
|
||
it?”
|
||
|
||
“No,” she answered, bending forward to examine the parchment carefully.
|
||
|
||
Don Pedro again swept an inquiring eye round the circle, but everyone
|
||
denied having seen the manuscript.
|
||
|
||
“What is it?” asked Sir Frank curiously.
|
||
|
||
Don Pedro restored the manuscript to his pocket.
|
||
|
||
“It is an account of the embalming of Inca Caxas, written by his son,
|
||
who was my ancestor.”
|
||
|
||
“Then you are descended from this Inca?” said Mrs. Jasher eagerly.
|
||
|
||
“I am. Had I my rights I should rule Peru. As it is, I am a poor
|
||
gentleman with very little money. That,” added Don Pedro with emphasis,
|
||
“is why I wish to recover the mummy of my great ancestor.”
|
||
|
||
“Is it then so valuable?” asked Archie suddenly. He was thinking of some
|
||
reason why the mummy should have been stolen.
|
||
|
||
“Well, in itself it is of no great value, save to an archaeologist,” was
|
||
Don Pedro's reply; “but I had better tell you the story of how it was
|
||
stolen from my father.”
|
||
|
||
“Go on, go on,” cried Mrs. Jasher. “This is most interesting.”
|
||
|
||
Don Pedro plunged into his story without further preamble.
|
||
|
||
“Inca Caxas held his state amidst the solitudes of the Andes, away from
|
||
the cruel men who had conquered his country. He died and was buried.
|
||
This manuscript,”--he touched his pocket--“was written by his son, and
|
||
details the ceremonies, the place of sepulchre, and also gives a list of
|
||
the jewels with which the mummy was buried.”
|
||
|
||
“Jewels,” murmured Hope under his breath. “I thought as much.”
|
||
|
||
“The son of Inca Caxas married a Spanish lady and made peace with the
|
||
Spaniards. He came to live at Cuzco, and brought with him, for some
|
||
purpose which the manuscript does not disclose, the mummy of his father.
|
||
But the manuscript was lost for years, and although my family--the De
|
||
Gayangoses--became poor, no member of it knew that, concealed in the
|
||
corpse of Inca Caxas, were two large emeralds of immense value. The
|
||
mummy of our royal ancestor was treated as a sacred thing and venerated
|
||
accordingly. Afterwards my family came to live at Lima, and I still
|
||
dwell in the old house.”
|
||
|
||
“But how was the mummy stolen from you?” asked Random curiously.
|
||
|
||
“I am coming to that,” said Don Pedro, frowning at the interruption.
|
||
“I was not in Lima at the time; but I had met the man who stole the
|
||
precious mummy.”
|
||
|
||
“Was he a Spaniard?”
|
||
|
||
“No,” answered Don Pedro slowly, “he was an English sailor called Vasa.”
|
||
|
||
“Vasa is a Swedish name,” observed Hope critically.
|
||
|
||
“This man said that he was English, and certainly spoke like an
|
||
Englishman, so far as I, a foreigner, can tell. At that time, when I was
|
||
a young man, civil war raged in Peru. My father's house was sacked, and
|
||
this Vasa, who had been received hospitably by my father when he was
|
||
shipwrecked at Callao, stole the mummy, of Inca Caxas. My father died of
|
||
grief and charged me to get the mummy back. When peace was restored to
|
||
my unhappy country I tried to recover the venerated body of my ancestor.
|
||
But all search proved vain, as Vasa had disappeared, and it was supposed
|
||
that, for some reason, he had taken the embalmed body out of the
|
||
country. It was when the mummy was lost that I unexpectedly came across
|
||
the manuscript, which detailed the funeral ceremonies of Inca Caxas,
|
||
and on learning about the two emeralds I was naturally more anxious than
|
||
ever to discover the mummy and retrieve my fallen fortunes by means
|
||
of the jewels. But, as I said, all search proved vain, and I afterward
|
||
married, thinking to settle down on what fortune remained to me. I did
|
||
live quietly in Lima for years until my wife died. Then with my daughter
|
||
I came to Europe on a visit.”
|
||
|
||
“To search for the mummy?” questioned Archie eagerly.
|
||
|
||
“No, sir. I had given up all hope of finding that. But chance placed a
|
||
clue in my hands. At Genoa I came across a newspaper, which stated that
|
||
a mummy in a green case--and a Peruvian mummy at that--was for sale
|
||
at Malta. I immediately made inquiries, thinking that this was the
|
||
long-lost body of Inca Caxas. But it so happened that I was too late,
|
||
as already the mummy had been sold to Professor Braddock, and had been
|
||
taken to England on board The Diver by Mr. Bolton. Chance, which had
|
||
pointed out the whereabouts of the mummy, also brought me at Genoa
|
||
into relations with Sir Frank Random”--Don Pedro bowed his head to
|
||
the baronet--“and, as it appeared that he knew Professor Braddock, I
|
||
thankfully accepted his offer to introduce me. Hence I am here, but only
|
||
to hear that the mummy is again lost. That is all,” and the Peruvian
|
||
gentleman dramatically waved his arm.
|
||
|
||
“A strange story,” said Archie, who was the first to speak, “and it
|
||
certainly solves at least one part of the mystery.”
|
||
|
||
“What is that?” demanded Mrs. Jasher quickly.
|
||
|
||
“It shows that the mummy was stolen on account of the emeralds.”
|
||
|
||
“Pardon me, but that is impossible, sir,” said Don Pedro, drawing up his
|
||
lean figure. “No one but myself knew that the mummy held two emeralds
|
||
in its dead hands, and I learned that only a few years ago from the
|
||
manuscript which I had the honor of showing you.”
|
||
|
||
“There is that objection assuredly,” replied Hope with composure. “Yet
|
||
I can hardly believe that any man would risk his neck to steal so
|
||
remarkable a mummy, which he would have a difficulty in disposing of.
|
||
But did this assassin know of the emeralds, he would venture much to
|
||
gain them, since jewels can be disposed of with comparative ease, and
|
||
cannot easily be traced.”
|
||
|
||
“All the same,” said Random, looking up, “I do not see how the assassin
|
||
could have learned that the jewels were wrapped in the bandages.”
|
||
|
||
“Humph!” said Hope, glancing at De Gayangos, “perhaps there is more than
|
||
one copy of this manuscript you speak of.”
|
||
|
||
“Not to my knowledge.”
|
||
|
||
“The sailor Vasa might have copied it.”
|
||
|
||
“No.” Don Pedro shook his head. “It is written in Latin, since a Spanish
|
||
priest taught the son of Inca Caxas, who wrote it, that language. I do
|
||
not think that Vasa knew Latin. Also, if Vasa had copied the manuscript,
|
||
he would have stripped the mummy to procure the jewels. Now, in the
|
||
newspaper advertisement it stated that the bandages of the mummy were
|
||
intact, as also was the verdant case. No,” said Don Pedro decisively, “I
|
||
am quite of opinion that Vasa, and indeed everyone else, was ignorant of
|
||
this manuscript.”
|
||
|
||
“It seems to me,” suggested Mrs. Jasher, “that it would be best to find
|
||
this sailor.”
|
||
|
||
“That,” remarked De Gayangos, “is impossible. It is twenty years since
|
||
he disappeared with the mummy. Let us drop the subject until Professor
|
||
Braddock returns to discuss it with me.” And this was accordingly done.
|
||
|
||
|
||
CHAPTER XII. A DISCOVERY
|
||
|
||
|
||
Three days went by, and Professor Braddock still remained absent in
|
||
London, although an occasional letter to Lucy requested such and such an
|
||
article from the museum to be forwarded, sometimes by post and on other
|
||
occasions by Cockatoo, who traveled up to town especially. The Kanaka
|
||
always returned with the news that his master was looking well, but
|
||
brought no word of the Professor's return. Lucy was not surprised, as
|
||
she was accustomed to Braddock's vagaries.
|
||
|
||
Meanwhile Don Pedro, comfortably established at the Warrior Inn,
|
||
wandered about Gartley in his dignified way, taking very little interest
|
||
in the village, but a great deal in the Pyramids. As the Professor was
|
||
absent, Lucy could not ask him to dinner, but she did invite him and
|
||
Donna Inez to afternoon tea. Don Pedro was anxious to peep into the
|
||
museum, but Cockatoo absolutely refused to let him enter, saying that
|
||
his master had forbidden anyone to view the collection during his
|
||
absence. And in this refusal Cockatoo was supported by Miss Kendal, who
|
||
had a wholesome dread of her step-father's rage, should he return and
|
||
find that a stranger had been making free of his sacred apartments. The
|
||
Peruvian gentleman expressed himself extremely disappointed, so much
|
||
so, indeed, that Lucy fancied he believed Braddock had the green mummy
|
||
hidden in the museum, in spite of the reported loss from the Sailor's
|
||
Rest.
|
||
|
||
Failing to get permission to range through the rooms of the Pyramids,
|
||
Don Pedro paid occasional visits to Pierside and questioned the police
|
||
regarding the Bolton murder. From Inspector Date he learned nothing of
|
||
any importance, and indeed that officer expressed his belief that not
|
||
until the Day of judgment would the truth become known. It then occurred
|
||
to De Gayangos to explore the neighborhood of the Sailor's Rest, and
|
||
to examine that public-house himself. He saw the famous window through
|
||
which the mysterious woman had talked to the deceased, and noted that
|
||
it looked across a stony, narrow path to the water's edge, wherefrom a
|
||
rugged jetty ran out into the stream for some little distance. Nothing
|
||
would have been easier, reflected Don Pedro, than for the assassin to
|
||
enter by the window, and, having accomplished his deed, to leave in the
|
||
same way, bearing the case containing the mummy. A few steps would carry
|
||
the man and his burden to a waiting boat, and once the craft slipped
|
||
into the mists on the river, all trace would be lost, as had truly
|
||
happened. In this way the Peruvian gentleman believed the murder and the
|
||
theft had been accomplished, but even supposing things had happened as
|
||
he surmised, still, he was as far as ever from unraveling the mystery.
|
||
|
||
While Don Pedro searched for his royal ancestor's corpse, and
|
||
incidentally for the thief and murderer, his daughter was being wooed by
|
||
Sir Frank Random. Heaven only knows what he saw in her--as Lucy observed
|
||
to young Hope--for the girl had not a word to say for herself. She was
|
||
undeniably handsome, and dressed with great taste, save for stray
|
||
hints of barbaric delight in color, doubtless inherited from her Inca
|
||
ancestors. All the same, she appeared to be devoid of small talk or
|
||
great talk, or any talk whatsoever. She sat and smiled and looked like
|
||
a handsome picture, but after her appearance had satisfied the eye,
|
||
she left much to be desired. Yet Sir Frank approved of her stately
|
||
quietness, and seemed anxious to make her his wife. Lucy, in spite of
|
||
the fact that he had so speedily got over her refusal to marry him, was
|
||
anxious that he should be happy with Donna Inez, whom he appeared to
|
||
love, and afforded him every opportunity of meeting the lady, so that
|
||
he might prosecute his wooing. All the same, she wondered that he should
|
||
desire to marry an iceberg, and Donna Inez, with her silent tongue and
|
||
cold smiles, was little else. However, as Frank Random was the
|
||
chief party concerned in the love-making--for Donna Inez was merely
|
||
passive--there was no more to be said.
|
||
|
||
Sometimes Hope came to dine at the Pyramids, and on these occasions
|
||
Mrs. Jasher was present in her character of chaperon. As Miss Kendal was
|
||
helping the widow to marry Professor Braddock, she in her turn did her
|
||
best to speed Archie's wooing. Certainly the young couple were engaged
|
||
and there was no understanding to be brought about. Nevertheless, Mrs.
|
||
Jasher was a useful article of furniture to be in the room when they
|
||
were together, for Gartley, like all English villages, was filled with
|
||
scandalmongers, who would have talked, had Hope and Lucy not employed
|
||
Mrs. Jasher as gooseberry. Sometimes Donna Inez came with the widow,
|
||
while her father was hunting for the mummy in Pierside, and then Sir
|
||
Frank Random would be sure to put in an appearance to woo his Dulcinea
|
||
in admiring silence. Mrs. Jasher declared that the two must have made
|
||
love by telepathy, for they rarely exchanged a word. But this was all
|
||
the better, as Archie and Lucy chattered a great deal, and two pair of
|
||
magpies--Mrs. Jasher declared--would have been too much for her nerves.
|
||
She made a very good chaperon, as she allowed the young people to act as
|
||
they pleased, only sanctioning the meetings by her elderly presence.
|
||
|
||
One evening Mrs. Jasher was due to dinner, and Hope had already arrived.
|
||
No one else was expected, as Don Pedro had taken his daughter to the
|
||
theatre at Pierside and Sir Frank had gone to London in connection with
|
||
his military duties. It was a bitterly cold night, and already a fall
|
||
of snow had hinted that there was to be a real English Christmas of
|
||
the genuine kind. Lucy had prepared an excellent dinner for three, and
|
||
Archie had brought a set of new patience cards for Mrs. Jasher, who was
|
||
fond of the game. While the widow played, the lovers hoped to make love
|
||
undisturbed, and looked forward to a happy evening. But there was one
|
||
drawback, for although the dinner hour was supposed to be eight o'clock,
|
||
and it was now thirty minutes past, Mrs. Jasher had not arrived. Lucy
|
||
was dismayed.
|
||
|
||
“What can be keeping her?” she asked Archie, to which that young
|
||
gentleman replied that he did not know, and, what was more, he did not
|
||
care. Miss Kendal very properly rebuked this sentiment. “You ought to
|
||
care, Archie, for you know that if Mrs. Jasher does not come to dinner,
|
||
you will have to go away.”
|
||
|
||
“Why should I?” he inquired sulkily.
|
||
|
||
“People will talk.”
|
||
|
||
“Let them. I don't care.”
|
||
|
||
“Neither do I, you stupid boy. But my father will care, and if people
|
||
talk he will be very angry.”
|
||
|
||
“My dear Lucy,” and Archie put his arm round her waist to say this, “I
|
||
don't see why you should be afraid of the Professor. He is only your
|
||
step-father, and you aren't so very fond of him as to mind what he says.
|
||
Besides, we can marry soon, and then he can go hang.”
|
||
|
||
“But I don't want him to go hang,” she replied, laughing. “After all,
|
||
the Professor has always been kind to me, and as a step-father has
|
||
behaved very well, when he could easily have made himself disagreeable.
|
||
Another thing is that he can be very bad tempered when he likes, and if
|
||
I let people talk about us--which they will do if they get a chance--he
|
||
will behave so coldly to me, that I shall have a disagreeable time. As
|
||
we can't marry for ever so long, I don't want to be uncomfortable.”
|
||
|
||
“We can marry whenever you like,” said Hope unexpectedly.
|
||
|
||
“What, with your income so unsettled?”
|
||
|
||
“It is not unsettled.”
|
||
|
||
“Yes, it is. You will help that horrid spendthrift uncle of yours, and
|
||
until he and his family are solvent I don't see how we can be sure of
|
||
our money.”
|
||
|
||
“We are sure of it now, dearest. Uncle Simon has turned up trumps after
|
||
all, and so have his investments.”
|
||
|
||
“What do you mean exactly?”
|
||
|
||
“I mean that yesterday I received a letter from him saying that he was
|
||
now rich, and would pay back all I had lent him. I went up to London
|
||
to-day, and had an interview. The result of that is that I am some
|
||
thousands to the good, that Uncle Simon is well off for the rest of his
|
||
life and will require no more assistance, and that my three hundred a
|
||
year is quite clear for ever and ever and ever.”
|
||
|
||
“Then we can marry,” cried Miss Kendal with a gasp of delight.
|
||
|
||
“Whenever you choose--next week if you like.”
|
||
|
||
“In January then--just after Christmas. We'll go on a trip to Italy and
|
||
return to take a flat in London. Oh, Archie, I am sorry I thought so
|
||
badly of your uncle. He has behaved very well. And what a mercy it is
|
||
that he will require no more assistance! You are sure he will not.”
|
||
|
||
“If he does, he won't get it,” said Hope candidly. “While I was a
|
||
bachelor I could assist him; but when I am married I must look after
|
||
myself and my wife.” He gave Lucy a hug. “It's all right now, dear,
|
||
and Uncle Simon has behaved excellently--far better than I expected.
|
||
We shall go to Italy for the honeymoon and need not hurry back until
|
||
we--well, say until we quarrel.”
|
||
|
||
“In that case we shall live in Italy for the rest of our lives,” said
|
||
Lucy with twinkling eyes; “but we must come back in a year and take a
|
||
studio in Chelsea.”
|
||
|
||
“Why not in Gartley? Remember, the Professor will be lonely.”
|
||
|
||
“No, he won't. Mrs. Jasher, as I told you, intends to marry him.”
|
||
|
||
“He might not wish to marry her”
|
||
|
||
“That doesn't matter,” rejoined Lucy, with the cleverness of a woman.
|
||
“She can manage to bring the marriage about. Besides, I want to break
|
||
with the old life here, and begin quite a new one with you. When I
|
||
am your wife and Mrs. Jasher is my step-father's, everything will be
|
||
capitally arranged.”
|
||
|
||
“Well, I hope so,” said Archie heartily, “for I want you all to myself
|
||
and have no desire to share you with anyone else. But I say,” he glanced
|
||
at his watch; “it is getting towards nine o'clock, and I am desperately
|
||
hungry. Can't we go to dinner?”
|
||
|
||
“Not until Mrs. Jasher arrives,” said Lucy primly.
|
||
|
||
“Oh, bother--!”
|
||
|
||
Hope, being quite exasperated with hunger, would have launched out into
|
||
a speech condemning the widow's unpunctuality, when in the hall below
|
||
the drawing-room was heard the sound of the door opening and closing.
|
||
Without doubt this was Mrs. Jasher arriving at last, and Lucy ran out
|
||
of the room and down the stairs to welcome her in her eagerness to get
|
||
Archie seated at the dinner table. The young man lingered by the open
|
||
door of the drawing-room, ready to welcome the widow, when he heard Lucy
|
||
utter an exclamation of surprise and became aware that she was ascending
|
||
the stairs along with Professor Braddock. At once he reflected there
|
||
would be trouble, since he was in the house with Lucy, and lacked the
|
||
necessary chaperon which Braddock's primitive Anglo-Saxon instincts
|
||
insisted upon.
|
||
|
||
“I did not know you were returning to-night,” Lucy was saying when she
|
||
re-entered the drawing-room with her step-father.
|
||
|
||
“I arrived by the six o'clock train,” explained the Professor, unwinding
|
||
a large red scarf from his neck, and struggling out of his overcoat with
|
||
the assistance of his daughter. “Ha, Hope, good evening.”
|
||
|
||
“Where have you been since?” asked Lucy, throwing the Professor's coat
|
||
and wraps on to a chair.
|
||
|
||
“With Mrs. Jasher,” said Braddock, warming his plump hands at the fire.
|
||
“So you must blame me that she is not here to preside at dinner as the
|
||
chaperon of you young people.”
|
||
|
||
Lucy and her lover glanced at one another in surprise. This light and
|
||
airy tone was a new one for the Professor to take. Instead of being
|
||
angry, he seemed to be unusually gay, and looked at them in quite a
|
||
jocular manner for a dry-as-dust scientist.
|
||
|
||
“We waited dinner for her, father,” ventured Lucy timidly.
|
||
|
||
“Then I am ready to eat it,” announced Braddock. “I am extremely hungry,
|
||
my dear. I can't live on love, you know.”
|
||
|
||
“Live on love?” Lucy stared, and Archie laughed quietly.
|
||
|
||
“Oh yes, you may smile and look astonished;” went on the Professor
|
||
good-humoredly, “but science does not destroy the primeval instincts
|
||
entirely. Lucy, my dear,” he took her hand and patted it, “while in
|
||
London and in lodgings, it was borne in upon me forcibly how lonely I
|
||
was and how lonely I would be when you married our young friend yonder.
|
||
I had intended to come down to-morrow, but to-night, such was my feeling
|
||
of loneliness that I considered favorably your idea that I should find a
|
||
second helpmate in Mrs. Jasher. I have always had a profound admiration
|
||
for that lady, and so--on the spur of the moment, as I may say--I
|
||
decided to come down this evening and propose.”
|
||
|
||
“Oh,” Lucy clapped her hands, very well satisfied with the unexpected
|
||
news, “and have you?”
|
||
|
||
“Mrs. Jasher,” said the Professor gravely, “did me the honor to promise
|
||
to become my wife this evening.”
|
||
|
||
“She will become your wife this evening?” said Archie, smiling.
|
||
|
||
Braddock, with one of those odd twists of humor which were
|
||
characteristic of him, became irascible.
|
||
|
||
“Confound it, sir, don't I speak English,” he snapped, with his eyes
|
||
glaring rebuke. “She promised this evening to become Mrs. Braddock.
|
||
We shall marry--so we have arranged--in the springtime, which is the
|
||
natural pairing season for human beings as well as for birds. And I am
|
||
glad to say that Mrs. Jasher takes a deep interest in archaeology.”
|
||
|
||
“And, what is more, she is a splendid housekeeper,” said Lucy.
|
||
|
||
The temporary anger of the Professor vanished. He drew his step-daughter
|
||
towards him and kissed her on the cheek.
|
||
|
||
“I believe that I have to thank you for putting the idea into my head,”
|
||
said he, “and also--if Mrs. Jasher is to be believed--for aiding her
|
||
to see the mutual advantage it would be to both of us to marry. Ha,” he
|
||
released Lucy and rubbed his hands, “let us go to dinner.”
|
||
|
||
“I am very glad,” said Miss Kendal heartily.
|
||
|
||
“So am I, so am I,” replied Braddock, nodding. “As you very truly
|
||
observed, my child, the house would have gone to rack and ruin without
|
||
a woman to look after my interests. Well,” he took the arms of the two
|
||
young people, “I really think that we must have a bottle of champagne on
|
||
the strength of it.”
|
||
|
||
Shortly the trio were seated at the table, and Braddock explained that
|
||
Mrs. Jasher, being overcome by his proposal, had not been able to face
|
||
the ordeal of congratulations.
|
||
|
||
“But she will come to-morrow,” said he, as Cockatoo filled three
|
||
glasses.
|
||
|
||
“Indeed, I shall congratulate her to-night,” said Lucy obstinately. “As
|
||
soon as dinner is over, I shall go with Archie to her house, and tell
|
||
her how pleased I am.”
|
||
|
||
“It is very cold for you to be out, Lucy dear,” urged Archie anxiously.
|
||
|
||
“Oh, I can wrap up warmly,” she answered.
|
||
|
||
Strange to say, the Professor made no objection to the excursion,
|
||
although Hope quite expected such a stickler for etiquette to refuse
|
||
permission to his step-daughter. But Braddock seemed rather pleased
|
||
than otherwise. His proposal of marriage seemed to have put him into
|
||
excellent humor, and he raised his glass with a chuckle.
|
||
|
||
“I drink to your happiness, my dear Lucy, and to that of Mrs. Jasher's.”
|
||
|
||
“And I drink to Archie's and to yours, father,” she replied. “I am glad
|
||
that you will not be lonely when we are married. Archie and I wish to
|
||
become one in January.”
|
||
|
||
“Yes,” said Hope, finishing his champagne, “my income is now all right,
|
||
as my uncle has paid up.”
|
||
|
||
“Very good, very good. I make no objection,” said Braddock placidly. “I
|
||
will give you a handsome wedding present, Lucy, for you may have heard
|
||
that my future wife has money left to her by her brother, who was lately
|
||
a merchant in Pekin. She is heart and hand with me in our proposed
|
||
expedition to Egypt.”
|
||
|
||
“Will you go there for the honeymoon, sir?” asked Hope.
|
||
|
||
“Not exactly for the honeymoon, since we are to be married in spring,
|
||
and my expedition to the tomb of Queen Tahoser cannot start until the
|
||
late autumn. But Mrs. Braddock will come with me. That is only just,
|
||
since it will be her money which will furnish the sinews of war.”
|
||
|
||
“Well, everything is arranged very well,” said Lucy. “I marry Archie;
|
||
you, father, make Mrs. Jasher your wife; and I suspect Sir Frank will
|
||
marry Donna Inez.”
|
||
|
||
“Ha!” said Braddock with a start, “the daughter of De Gayangos, who has
|
||
come here for the missing mummy. Mrs. Jasher told me somewhat of that,
|
||
my dear. But I shall see Don Pedro myself to-morrow. Meanwhile, let us
|
||
eat and drink. I must go down to the museum, and you--”
|
||
|
||
“We shall go to congratulate Mrs. Jasher,” said Lucy.
|
||
|
||
So it was arranged, and shortly Professor Braddock retired into his
|
||
sanctum along with the devoted Cockatoo, who displayed lively joy on
|
||
beholding his master once more. Lucy, after being carefully wrapped up
|
||
by Archie, set out with that young man to congratulate the bride-elect.
|
||
It was just half-past nine when they started out.
|
||
|
||
The night was frosty and the stars twinkled like jewels in a cloudless
|
||
sky of dark blue. The moon shone with hard brilliance on the ground,
|
||
which was powdered with a light fall of snow. As the young people walked
|
||
briskly through the village, their footsteps rang on the frosty earth
|
||
and they scrunched the snow in their quick tread. The Warrior Inn was
|
||
still open, as it was not late, and lights shone from the windows of the
|
||
various cottages. When the two, following the road through the marshes,
|
||
emerged from the village, they saw the great mass of the Fort bulking
|
||
blackly against the clear sky, the glittering stream of the Thames,
|
||
and the marshes outlined in delicate white. The fairy world of snow and
|
||
moonlight appealed to Archie's artistic sense, and Lucy approving of the
|
||
same, they did not hurry to arrive at their destination.
|
||
|
||
But shortly they saw the squarely fenced acre of ground near the
|
||
embankment, wherein Mrs. Jasher's humble abode was placed. Light shone
|
||
through the pink curtains of the drawing-room, showing that the widow
|
||
had not yet retired. In a few minutes the lovers were at the gate and
|
||
promptly entered. It was then that one of those odd things happened
|
||
which would argue that some people are possessed of a sixth sense.
|
||
|
||
Archie closed the gate after him, and, glancing right and left, walked
|
||
up the snowy path with Lucy. To the right was a leafless arbor, also
|
||
powdered with snow, and against the white bulked a dark form something
|
||
like a coffin. Hope out of curiosity went up to it.
|
||
|
||
“What the deuce is this?” he asked himself; then raised his voice in
|
||
loud surprise. “Lucy! Lucy! come here!”
|
||
|
||
“What is it?” she asked, running up.
|
||
|
||
“Look”--he pointed to the oddly shaped case--“the green mummy!”
|
||
|
||
|
||
|
||
|
||
CHAPTER XIII. MORE MYSTERY
|
||
|
||
|
||
Neither Lucy nor Archie Hope had ever seen the mummy, but they knew
|
||
the appearance which it would present, as Professor Braddock, with the
|
||
enthusiasm of an archaeologist, had often described the same to them. It
|
||
appeared, according to Braddock, that on purchasing the precious corpse
|
||
in Malta, his dead assistant had written home a full description of
|
||
the treasure trove. Consequently, being advised beforehand, Hope had no
|
||
difficulty in recognizing the oddly shaped case, which was made somewhat
|
||
in the Egyptian form. On the impulse of the moment he had proclaimed
|
||
this to be the long-lost mummy, and when a closer examination by the
|
||
light of a lucifer match revealed the green hue of the coffin wood, he
|
||
knew that he was right.
|
||
|
||
But what was the mummy in its ancient case doing in Mrs. Jasher's arbor?
|
||
That was the mute question which the two young people asked themselves
|
||
and each other, as they stood in the chilly moonlight, staring at the
|
||
grotesque thing. The mummy had disappeared from the Sailor's Rest at
|
||
Pierside some weeks ago, and now unexpectedly appeared in a lonely
|
||
garden, surrounded by marshes. How it had been brought there, or why
|
||
it should have been brought there, or who had brought it to such an
|
||
unlikely place, were questions hard to answer. However, the most obvious
|
||
thing to do was to question Mrs. Jasher, since the uncanny object was
|
||
lying within a stone-throw of her home. Lucy, after a rapid word or two,
|
||
went to ring the bell, and summon the lady, while Archie stood by the
|
||
arbor, wondering how the mummy came to be there. In the same way George
|
||
III had wondered how the apples got into the dumplings.
|
||
|
||
Far and wide spread the marshes, flatly towards the shore of the river
|
||
on one side, but on the other sloping up to Gartley village, which
|
||
twinkled with many lights on the rising ground. Some distance away the
|
||
Fort rose black and menacing in the moonlight, and the mighty stream of
|
||
the Thames glittered like polished steel as it flowed seaward. As there
|
||
were only a few leafless trees dotted about the marshy ground, and as
|
||
that same ground, lightly sprinkled with powdery snow, revealed every
|
||
moving object for quite a mile or so, Hope could not conceive how the
|
||
mummy case, which seemed heavy, could have been brought into the silent
|
||
garden without its bearers being seen. It was not late, and soldiers
|
||
were still returning through Gartley to the Fort. Then, again, some
|
||
noise must have been caused by so bulky an object being thrust through
|
||
the narrow wicket, and Mrs. Jasher, inhabiting a wooden house, which was
|
||
a very sea-shell for sound, might have heard footsteps and voices. If
|
||
those who had brought the mummy here--and there was more than one from
|
||
the size of the case--could be discovered, then the mystery of Sidney
|
||
Bolton's death would be solved very speedily. It was at this moment of
|
||
his reflections that Lucy returned to the arbor, leading Mrs. Jasher,
|
||
who was attired in a tea-gown and who looked bewildered.
|
||
|
||
“What are you talking about, my dear?” she said, as Lucy led her towards
|
||
the arbor. “I declare I was ever so much astonished, when Jane told
|
||
me that you wished to speak to me. I was just writing a letter to
|
||
the lawyer who has my poor brother's property in hand, announcing my
|
||
engagement to the Professor. Mr. Hope? You here also. Well, I'm sure.”
|
||
|
||
Lucy grew impatient at all this babble.
|
||
|
||
“Did you not hear what I said, Mrs. Jasher?” she cried irritably. “Can't
|
||
you use your eyes? Look! The green mummy is in your arbor.”
|
||
|
||
“The--green--mummy--in--my--arbor,” repeated Mrs. Jasher, like a child
|
||
learning words of one syllable, and staring at the black object before
|
||
which the three were standing.
|
||
|
||
“As you see,” said Archie abruptly. “How did it come here?”
|
||
|
||
He spoke harshly. Of course, it was absurd to accuse Mrs. Jasher of
|
||
knowing anything about the matter, since she had been writing letters.
|
||
Still, the fact remained that a mummy, which had been thieved from a
|
||
murdered man, was in her arbor, and naturally she was called upon to
|
||
explain.
|
||
|
||
Some suspicion in his tone struck the little woman, and she turned on
|
||
him with indignation.
|
||
|
||
“How did it come here?” she repeated. “Now, how can I tell, you silly
|
||
boy. I have been writing to my lawyer about my engagement to Mr.
|
||
Braddock. I daresay he has told you.”
|
||
|
||
“Yes,” chimed in Miss Kendal, “and we came here to congratulate you,
|
||
only to find the mummy.”
|
||
|
||
“Is that the horrid thing?” Mrs. Jasher stared with all her eyes, and
|
||
timidly touched the hard green-stained wood.
|
||
|
||
“It's the case--the mummy is inside.”
|
||
|
||
“But I thought that the Professor opened the case to find the body of
|
||
poor Sidney Bolton,” argued Mrs. Jasher.
|
||
|
||
“That was a packing case in which this”--Archie struck the old-world
|
||
coffin--“was stored. But this is the corpse of Inca Caxas, about which
|
||
Don Pedro told us the other night. How does it come to be hidden in your
|
||
garden?”
|
||
|
||
“Hidden.” Mrs. Jasher repeated the word with a laugh. “There is not much
|
||
hiding about it. Why, every one can see it from the path.”
|
||
|
||
“And from the door of your house,” remarked Hope significantly. “Did you
|
||
not see it when you took leave of Braddock?”
|
||
|
||
“No,” snapped the widow. “If I had I should certainly have come to look.
|
||
Also Professor Braddock, who is so anxious to recover it, would not have
|
||
allowed it to remain here.”
|
||
|
||
“Then the case was not here when the Professor left you to-night?”
|
||
|
||
“No! He left me at eight o'clock to go home to dinner.”
|
||
|
||
“When did he arrive here?” questioned Hope quickly.
|
||
|
||
“At seven. I am sure of the time, for I was just sitting down to my
|
||
supper. He was here an hour. But he said nothing, when he entered, of
|
||
any mummy being in the arbor; nor when he left me at the door and I came
|
||
to say good-bye to him--did either of us see this object. To be sure,”
|
||
added Mrs. Jasher meditatively, “we did not look particularly in the
|
||
direction of this arbor.”
|
||
|
||
“I scarcely see how any one entering or leaving the garden could fail to
|
||
see it, especially as the snow reflects the moonlight so brightly.”
|
||
|
||
Mrs. Jasher shivered, and taking the skirt of her tea-gown, flung it
|
||
over her carefully attired head,
|
||
|
||
“It is very cold,” she remarked irritably. “Don't you think we had
|
||
better return to the house, and talk there?”
|
||
|
||
“What!” said Archie grimly, “and leave the mummy to be carried away
|
||
as mysteriously as it has been brought. No, Mrs. Jasher. That mummy
|
||
represents one thousand pounds of my money.”
|
||
|
||
“I understood that the Professor bought it himself.”
|
||
|
||
“So he did, but I supplied the purchase money. Therefore I do not intend
|
||
that this should be lost sight of again. Lucy, my dear, you run home
|
||
again and tell your father what we have found. He had better bring men,
|
||
to take it to his museum. When it is there, Mrs. Jasher can then explain
|
||
how it came to be in her garden.”
|
||
|
||
Without a word Lucy set off, walking quickly, anxious to fulfill her
|
||
mission and gladden the heart of her step-father with the amazing news.
|
||
|
||
Archie and Mrs. Jasher were left alone, and the former lighted a
|
||
cigarette, while he tapped the mummy case, and examined it as closely as
|
||
the pale gleam of the moonlight permitted. Mrs. Jasher made no move to
|
||
enter the house, much as she had complained of the cold. But perhaps she
|
||
found the flimsy skirt of the tea-gown sufficient protection.
|
||
|
||
“It seems to me, Mr. Hope,” said she very tartly, “that you suspect my
|
||
having a hand in this,” and she tapped the mummy coffin also.
|
||
|
||
“Pardon me,” observed Hope very politely, “but I suspect nothing,
|
||
because I have no grounds upon which to base my suspicions. But
|
||
certainly it is odd that this missing mummy should be found in your
|
||
garden. You will admit that much.”
|
||
|
||
“I admit nothing of the sort,” she rejoined coolly. “Only myself and
|
||
Jane live in the cottage, and you don't expect that two delicate women
|
||
could move this huge thing.” She tapped the case again. “Moreover, had I
|
||
found the mummy I should have taken it to the Pyramids at once, so as to
|
||
give Professor Braddock some pleasure.”
|
||
|
||
“It will certainly be an acceptable wedding present,” said Archie
|
||
sarcastically.
|
||
|
||
“Pardon me,” said Mrs. Jasher in her turn, “but I have nothing to do
|
||
with it as a present or otherwise. How the thing came into my arbor
|
||
I really cannot say. As I told you, Professor Braddock made no remark
|
||
about it when he came; and when he left, although I was at the door,
|
||
I did not notice anything in this arbor. Indeed I cannot say if I ever
|
||
looked in this direction.”
|
||
|
||
Archie mused and glanced at his watch.
|
||
|
||
“The Professor told Lucy that he came by the six train: you say that he
|
||
was here at seven.”
|
||
|
||
“Yes, and he left at eight. What is the time now?”
|
||
|
||
“Ten o'clock, or a few minutes after. Therefore, since neither you nor
|
||
Braddock saw the mummy, I take it that the case was brought here by some
|
||
unknown people between eight o'clock and a quarter to ten, about which
|
||
time I arrived here with Lucy.”
|
||
|
||
Mrs. Jasher nodded.
|
||
|
||
“You put the matter very clearly,” she observed dryly. “You have
|
||
mistaken your vocation, Mr. Hope, and should have been a criminal
|
||
lawyer. I should turn detective were I you.”
|
||
|
||
“Why?” asked Archie with a start.
|
||
|
||
“You might ascertain my movements on the night when the crime was
|
||
committed,” snapped the little widow. “A woman muffled in a shawl,
|
||
in much the same way as my head is now muffled in my skirt, talked to
|
||
Bolton through the bedroom window of the Sailor's Rest, you know.”
|
||
|
||
Hope expostulated.
|
||
|
||
“My dear lady, how you run on! I assure you that I would as soon suspect
|
||
Lucy as you.”
|
||
|
||
“Thank you,” said the widow very dryly and very tartly.
|
||
|
||
“I merely wish to point out,” went on Archie in a conciliatory tone,
|
||
“that, as the mummy in its case--as appears probable--was brought into
|
||
your garden between the hours of eight and ten, less fifteen minutes,
|
||
that you may have heard the voices or footsteps of those who carried it
|
||
here.”
|
||
|
||
“I heard nothing,” said Mrs. Jasher, turning towards the path. “I had my
|
||
supper, and played a game or two of patience, and then wrote letters,
|
||
as I told you before. And I am not going to stand in the cold, answering
|
||
silly questions, Mr. Hope. If you wish to talk you must come inside.”
|
||
|
||
Hope shook his head and lighted a fresh cigarette.
|
||
|
||
“I stand guard over this mummy until its rightful owner comes,” said he
|
||
determinedly.
|
||
|
||
“Ho!” rejoined Mrs. Jasher scornfully: she was now at the door. “I
|
||
understood that you bought the mummy and therefore were its owner. Well,
|
||
I only hope you'll find those emeralds Don Pedro talked about,” and with
|
||
a light laugh she entered the cottage.
|
||
|
||
Archie looked after her in a puzzled way. There was no reason to suspect
|
||
Mrs. Jasher, so far as he saw, even though a woman had been seen talking
|
||
to Bolton on the night of the crime. And yet, why should the widow refer
|
||
to the emeralds, which were of such immense value, according to Don
|
||
Pedro? Hope glanced at the case and shook the primitive coffin, anxious
|
||
for the moment to open it and ascertain if the jewels were still
|
||
clutched grimly in the mummy's dead hands. But the coffin was fastened
|
||
tightly down with wooden pegs, and could only be opened with extreme
|
||
care and difficulty. Also, as Hope reflected, even did he manage to
|
||
open this receptacle of the dead, he still could not ascertain if
|
||
the emeralds were safe, since they would be hidden under innumerable
|
||
swathings of green-dyed llama wool. He therefore let the matter rest
|
||
there, and, staring at the river, wondered how the mummy had been
|
||
brought to the garden in the marshes.
|
||
|
||
Hope recollected that experts had decided the mode in which the mummy
|
||
had been removed from the Pierside public-house. It had been passed
|
||
through the window, according to Inspector Date and others, and, when
|
||
taken across the narrow path which bordered the river, had been placed
|
||
in a waiting boat. After that it had vanished until it had re-appeared
|
||
in this arbor. But if taken by water once, it could have been taken by
|
||
water again. There was a rude jetty behind the embankment, which Hope
|
||
could easily see from where he stood. In all probability the mummy had
|
||
been landed there and carried to the garden, while Mrs. Jasher was busy
|
||
with her supper and her game of cards and her letters. Also, the path
|
||
from the shore to the house was very lonely, and if any care had been
|
||
exercised, which was probable, no one from the Fort road or from the
|
||
village street could have seen the stealthy conspirators bringing their
|
||
weird burden. So far Hope felt that he could argue excellently. But who
|
||
had brought the mummy to the garden and why had it been brought there?
|
||
These questions he could not answer so easily, and indeed not at all.
|
||
|
||
While thus meditating, he heard, far away in the frosty air, a puffing
|
||
and blowing and panting like an impatient motor-car. Before he could
|
||
guess what this was, Braddock appeared, simply racing along the marshy
|
||
causeway, followed closely by Cockatoo, and at some distance away by
|
||
Lucy. The little scientist rushed through the gate, which he flung open
|
||
with a noise fit to wake the dead, and lunged forward, to fall with
|
||
outstretched arms upon the green case. There he remained, still puffing
|
||
and blowing, and looked as though he were hugging a huge green beetle.
|
||
Cockatoo, who, being lean and hard, kept his breath more easily, stood
|
||
respectfully by, waiting for his master to give orders, and Lucy came
|
||
in quietly by the gate, smiling at her father's enthusiasm. At the same
|
||
moment Mrs. Jasher, well wrapped up in a coat of sables, emerged from
|
||
the cottage.
|
||
|
||
“I heard you coming, Professor,” she called out, hurrying down the path.
|
||
|
||
“I should think the whole Fort heard the Professor coming,” said Hope,
|
||
glancing at the dark mass. “The soldiers must think it is an invasion.”
|
||
|
||
But Braddock paid no heed to this jocularity, or even to Mrs. Jasher, to
|
||
whom he had been so lately engaged. All his soul was in the mummy case,
|
||
and as soon as he recovered his breath, he loudly proclaimed his joy at
|
||
this miraculous recovery of the precious article.
|
||
|
||
“Mine! mine!” he roared, and his words ran violently through the frosty
|
||
air.
|
||
|
||
“Be calm, sir,” advised Hope--“be calm.”
|
||
|
||
“Calm! calm!” bellowed Braddock, struggling to a standing position. “Oh,
|
||
confound you, sir, how can I be calm when I find what I have lost?
|
||
You have a mean, groveling soul, Hope, not the soaring spirit of a
|
||
collector.”
|
||
|
||
“There is no need to be rude to Archie, father,” corrected Lucy sharply.
|
||
|
||
“Rude! Rude! I am never rude. But this mummy.” Braddock peered closely
|
||
at it and rapped the wood to assure himself it was no phantom. “Yes!
|
||
it is my mummy, the mummy of Inca Caxas. Now I shall learn how the
|
||
Peruvians embalmed their royal dead. Mine! mine! mine!” He crooned like
|
||
a mother over a child, caressing the coffin; then suddenly drew himself
|
||
upright and fixed Mrs. Jasher with an indignant eye. “So it was you,
|
||
madam, who stole my mummy,” he declared venomously, “and I thought of
|
||
making you my wife. Oh, what an escape I have had. Shame, woman, shame!”
|
||
|
||
Mrs. Jasher stared, then her face grew redder than the rouge on her
|
||
cheeks, and she stamped furiously in the neat Louis Quinze slippers in
|
||
which she had in judiciously come out.
|
||
|
||
“How dare you say what you have said?” she cried, her voice shrill and
|
||
hard with anger. “Mr. Hope has been saying the same thing. Are you both
|
||
mad? I never set eyes on the horrid thing in my life. And only to-night
|
||
you told me that you loved--”
|
||
|
||
“Yes, yes, I said many foolish things, I don't doubt, madam. But that
|
||
is not the question. My mummy! my mummy!” he rapped the wood
|
||
furiously--“how does my mummy come to be here?”
|
||
|
||
“I don't know,” said Mrs. Jasher, still furious, “and I don't care.”
|
||
|
||
“Don't care: don't care, when I look forward to your helping me in my
|
||
lifework! As my wife--”
|
||
|
||
“I shall never be your wife,” cried the widow, stamping again. “I
|
||
wouldn't be your wife for a thousand or a million pounds. Marry your
|
||
mummy, you horrid, red-faced, crabbed little--”
|
||
|
||
“Hush! hush!” whispered Lucy, taking the angry woman round the waist,
|
||
“you must make allowances for my father. He is so excited over his good
|
||
fortune that he--”
|
||
|
||
“I shall not make allowance,” interrupted Mrs. Jasher angrily. “He
|
||
practically accuses me of stealing the mummy. If I did that, I must have
|
||
murdered poor Sidney Bolton.”
|
||
|
||
“No, no,” cried the Professor, wiping his red face. “I never hinted at
|
||
such a thing. But the mummy is in your garden.”
|
||
|
||
“What of that? I don't know how it came there. Mr. Hope, surely you do
|
||
not support Professor Braddock in his preposterous accusation?”
|
||
|
||
“I bring no accusation,” stuttered the Professor.
|
||
|
||
“Neither do I, Mrs. Jasher. You are excited now. Go in and sleep, and
|
||
to-morrow you will talk reasonably.” This brilliant speech was from
|
||
Hope, and wrought Mrs. Jasher into a royal rage.
|
||
|
||
“Well,” she gasped, “he asks me to be calm, as it I wasn't the very
|
||
calmest person here. I declare: oh, I shall be ill! Lucy,” she seized
|
||
the girl's hand and dragged her towards the cottage, “come in and give
|
||
me red lavender. I shall be in bed for days and days and days. Oh, what
|
||
brutes men can be! But listen, you two horrors,” she indicated Braddock
|
||
and Hope, as she pushed open the door, “if you dare to say a word
|
||
against me, I'll have an action for libel against you. Oh, dear me,
|
||
how very ill I feel! Lucy, darling, help me, oh, help me,
|
||
and--and--oh--oh--oh!” She flopped down on the threshold of her home
|
||
with a cry.
|
||
|
||
“Archie! Archie! She's fainted.”
|
||
|
||
Hope rushed forward, and raised the stout little woman in his arms.
|
||
Jane, attracted by the clamor, appeared on the scene, and between the
|
||
three of them they managed to get Mrs. Jasher placed on the sofa of the
|
||
pink drawing-room. She certainly was in a dead faint, so Hope left her
|
||
to the administrations of Lucy and the servant, and walked out again
|
||
into the garden, closing the cottage door after him.
|
||
|
||
He found the heartless Professor quite oblivious to Mrs. Jasher's
|
||
sufferings, so taken up was he with the newly found mummy. Cockatoo had
|
||
been sent for a hand-cart, and while he was absent Braddock expatiated
|
||
on the perfections of this relic of Peruvian civilization.
|
||
|
||
“Will you sell it to Don Pedro?” asked Hope.
|
||
|
||
“After I have done with it, not before,” snapped Braddock, hovering
|
||
round his treasure. “I shall want a percentage on my bargain also.”
|
||
|
||
Archie thought privately that if Braddock unswathed the mummy, he
|
||
would find the emeralds and would probably stick to them, so that his
|
||
expedition to Egypt might be financed. It that case Don Pedro would no
|
||
longer wish to buy the corpse of his ancestor. But while he debated as
|
||
to the advisability of telling the Professor of the existence of the
|
||
emeralds, Cockatoo returned with the hand-cart.
|
||
|
||
“You have lost Mrs. Jasher,” said Hope, while he, assisted the Professor
|
||
to hoist the mummy on to the cart.
|
||
|
||
“Never mind! never mind!” Braddock patted the coffin. “I have found
|
||
something much more to my mind: something ever so much better. Ha! ha!”
|
||
|
||
|
||
|
||
|
||
CHAPTER XIV. THE UNEXPECTED HAPPENS
|
||
|
||
|
||
In spite of newspapers and letters and tape-machines and telegrams and
|
||
such like aids to the speedy diffusion of news, the same travels
|
||
quicker in villages than in cities. Word of mouth can spread gossip
|
||
with marvelous rapidity in sparsely inhabited communities, since it is
|
||
obvious that in such places every person knows the other--as the saying
|
||
goes--inside out. In every English village walls have ears and windows
|
||
have eyes, so that every cottage is a hot-bed of scandal, and what is
|
||
known to one is, within the hour, known to the others. Even the Sphinx
|
||
could not have preserved her secret long in such a locality.
|
||
|
||
Gartley could keep up its reputation in this respect along with the
|
||
best, therefore it was little to be wondered at, that early next morning
|
||
every one knew that Professor Braddock had found his long-lost mummy in
|
||
Mrs. Jasher's garden, and had removed the same to the Pyramids without
|
||
unnecessary delay. It was not particularly late when the hand-cart, with
|
||
its uncanny burden, had passed along the sole street of the place, and
|
||
several men had emerged from the Warrior Inn ostensibly to offer help,
|
||
but really to know what the eccentric master of the great house was
|
||
doing. Braddock brusquely rejected these offers; but the oddly shaped
|
||
mummy case, stained green, having been seen, it needed little wit
|
||
for those who had caught a sight of it to put two and two together,
|
||
especially as the weird object had been described at the inquest and had
|
||
been talked over ever since in every cottage. And as the cart had been
|
||
seen coming out of the widow's garden, it naturally occurred to the
|
||
villagers that Mrs. Jasher had been concealing the mummy. Shortly the
|
||
rumor spread that she had also murdered Bolton, for unless she had
|
||
done so, she certainly--according to village logic--could not have been
|
||
possessed of the spoil. Finally, as Mrs. Jasher's doors and windows were
|
||
small and the mummy was rather bulky, it was natural to presume that she
|
||
had hidden it in the garden. Report said she had buried it and had dug
|
||
it up just in time to be pounced upon by its rightful owner. From which
|
||
it can be seen that gossip is not invariably accurate.
|
||
|
||
However this may be, the news of Professor Braddock's good fortune
|
||
shortly came to Don Pedro's ears through the medium of the landlady. As
|
||
she revealed what she had heard in the morning, the Peruvian gentleman
|
||
was spared a sleepless night. But as soon as he learned the truth--which
|
||
was surprising enough in its unexpectedness--he hastily finished his
|
||
breakfast and hurried to the Pyramids. As yet he had not intended to
|
||
see Braddock so promptly, or at least not until he had made further
|
||
inquiries at Pierside, but the news that Braddock possessed the royal
|
||
ancestor of the De Gayangoses brought him immediately into the museum.
|
||
He greeted the Professor in his usual grave and dignified manner, and
|
||
no one would have guessed from his inherent calmness that the unexpected
|
||
news of Braddock's arrival, and the still more unexpected information
|
||
about the green mummy, had surprised him beyond measure. Being somewhat
|
||
superstitious, it also occurred to Don Pedro that the coincidence meant
|
||
good fortune to him in the recovery of his long-lost ancestor.
|
||
|
||
Braddock, already knowing a great deal about Don Pedro from Lucy and
|
||
Archie Hope, was only too pleased to see the Peruvian, hoping to find in
|
||
him a kindred spirit. As yet the Professor was not aware of the contents
|
||
of the ancient Latin manuscript, which revealed the fact of the hidden
|
||
emeralds, since Hope had decided to leave it to the Peruvian to impart
|
||
the information. Archie knew very well that Don Pedro--as he had
|
||
plainly stated--wished to purchase the mummy, and it was only right that
|
||
Braddock should know what he was selling. But Hope forgot one important
|
||
fact perhaps from the careless way in which Don Pedro had told his
|
||
story--namely, that the Professor in a second degree was a receiver
|
||
of stolen goods. Therefore it was more than probable that the Peruvian
|
||
would claim the mummy as his own property. Still, in that event he would
|
||
have to prove his claim, and that would not be easy.
|
||
|
||
The plump little professor had not yet unsealed the case, and when Don
|
||
Pedro entered, he was standing before it rubbing his fat hands, with a
|
||
gloating expression in his face. However, as Cockatoo had brought in the
|
||
Peruvian's card, Braddock expected his visitor and wheeled to face him.
|
||
|
||
“How are you, sir?” said he, extending his hand. “I am glad to see you,
|
||
as I hear that you know all about this mummy of Inca Caxas.”
|
||
|
||
“Well, I do,” answered De Gayangos, sitting down in the chair which his
|
||
host pushed forward. “But may I ask who told you that this mummy was
|
||
that of the last Inca?”
|
||
|
||
Braddock pinched his plump chin and replied readily, enough.
|
||
|
||
“Certainly, Don Pedro. I wished to learn the difference in embalming
|
||
between the Egyptians and the ancient Peruvians, and looked about for a
|
||
South American corpse. Unexpectedly I saw in several European newspapers
|
||
and in two English journals that a green Peruvian mummy was for sale at
|
||
Malta for one thousand pounds. I sent my assistant, Sidney Bolton, to
|
||
buy it, and he managed to get it, coffin and all, for nine hundred.
|
||
While in Malta, and before he started back in The Diver with the mummy,
|
||
he wrote me an account of the transaction. The seller--who was the son
|
||
of a Maltese collector--told Bolton that his father had picked up the
|
||
mummy in Paris some twenty and more years ago. It came from Lima some
|
||
thirty years back, I believe, and, according to the collector in Paris,
|
||
was the corpse of Inca Caxas. That is the whole story.”
|
||
|
||
Don Pedro nodded gravely.
|
||
|
||
“Was there a Latin manuscript delivered along with the mummy?” he asked.
|
||
|
||
Braddock's eyes opened widely.
|
||
|
||
“No, sir. The mummy came thirty years ago from Lima to Paris. It passed
|
||
twenty years back into the possession of the Maltese collector, and his
|
||
son sold it to me a few months ago. I never heard of any manuscript.”
|
||
|
||
“Then Mr. Hope did not repeat to you what I told him the other night?”
|
||
|
||
The Professor sat down and his mouth grew obstinate.
|
||
|
||
“Mr. Hope related some story you told him and others about this mummy
|
||
having been stolen from you.”
|
||
|
||
“From my father,” corrected the unsmiling Peruvian; keeping a careful
|
||
eye on his host; “that is really the case. Inca Caxas is, or was, my
|
||
ancestor, and this manuscript”--Don Pedro produced the same from his
|
||
inner pocket--“details the funeral ceremonies.”
|
||
|
||
“Very interesting; most interesting,” fussed Braddock, stretching out
|
||
his hand. “May I see it?”
|
||
|
||
“You read Latin,” observed Don Pedro, surrendering the manuscript.
|
||
|
||
Braddock raised his eyebrows.
|
||
|
||
“Of course,” he said simply, “every well-educated man reads Latin, or
|
||
should do so. Wait, sir, until I glance through this document.”
|
||
|
||
“One moment,” said Don Pedro, as the Professor began to literally devour
|
||
the discolored page. “You know from Hope, I have no doubt, how I chance
|
||
upon my own property in Europe?”
|
||
|
||
Braddock, still with his eyes on the manuscript, mumbled
|
||
|
||
“Your own property. Quite so: quite so.”
|
||
|
||
“You admit that. Then you will no doubt restore the mummy to me.”
|
||
|
||
By this time the drift of Don Pedro's observations entirely reached
|
||
the understanding of the scientist, and he dropped the document he was
|
||
reading to leap to his feet.
|
||
|
||
“Restore the mummy to you!” he gasped. “Why, it is mine.”
|
||
|
||
“Pardon me,” said the Peruvian, still gravely but very decisively, “you
|
||
admitted that it belonged to me.”
|
||
|
||
Braddock's face deepened to a fine purple.
|
||
|
||
“I didn't know what I was saying,” he protested. “How could I say it was
|
||
your property when I have bought it for nine hundred pounds?”
|
||
|
||
“It was stolen from me.”
|
||
|
||
“That has got to be proved,” said Braddock caustically.
|
||
|
||
Don Pedro rose, looking more like, Don Quixote than ever.
|
||
|
||
“I have the honor to give you my word and--”
|
||
|
||
“Yes, yes. That is all right. I cast no imputation on your honor.”
|
||
|
||
“I should think not,” said the other coldly but strongly.
|
||
|
||
“All the same, you can scarcely expect me to part with so valuable
|
||
an object,” Braddock waved his hand towards the case, “without strict
|
||
inquiry into the circumstances. And again, sir, even if you succeed in
|
||
proving your ownership, I am not inclined to restore the mummy to you
|
||
for nothing.”
|
||
|
||
“But it is stolen property you are keeping from me.”
|
||
|
||
“I know nothing about that: I have only your bare word that it is so,
|
||
Don Pedro. All I know is that I paid nine hundred pounds for the
|
||
mummy and that it cost the best part of another hundred to bring it to
|
||
England. What I have, I keep.”
|
||
|
||
“Like your country,” said the Peruvian sarcastically.
|
||
|
||
“Precisely,” replied the Professor suavely. “Every Englishman has
|
||
a bull-dog tenacity of purpose. Brag is a good dog, Don Pedro, but
|
||
Holdfast is a better one.”
|
||
|
||
“Then I understand,” said the Peruvian, stretching out his hand to pick
|
||
up the fallen manuscript, “that you will keep the mummy.”
|
||
|
||
“Certainly,” said Braddock coolly, “since I have paid for it. Also, I
|
||
shall keep the jewels, which the manuscript tells me--from the glance I
|
||
obtained of it--were buried with it.”
|
||
|
||
“The sole jewels buried are two large emeralds which the mummy holds in
|
||
its hands,” explained Don Pedro, restoring the manuscript to his pocket,
|
||
“and I wish for them so that I may get money to restore the fortunes of
|
||
my family.”
|
||
|
||
“No! no! no!” said Braddock forcibly. “I have bought the mummy and the
|
||
jewels with it. They will sell to supply me with money to fit out my
|
||
expedition to the tomb of Queen Tahoser.”
|
||
|
||
“I shall dispute your claim,” cried De Gayangos, losing his calmness.
|
||
|
||
Braddock waved his hand with supreme content.
|
||
|
||
“I can give you the address of my lawyers,” he retorted; “any steps you
|
||
choose to take will only result in loss, and from what you hint I should
|
||
not think that you had much money to spend on litigation.”
|
||
|
||
Don Pedro bit his lip, and saw that it was indeed a more difficult task
|
||
than he had anticipated to make Braddock yield up his prize.
|
||
|
||
“If you were in Lima,” he muttered, speaking Spanish in his excitement,
|
||
“you would then learn that I speak truly.”
|
||
|
||
“I do not doubt your truth,” answered the Professor in the same
|
||
language.
|
||
|
||
De Gayangos wheeled and faced his host, much surprised.
|
||
|
||
“You speak my tongue, senor?” he demanded.
|
||
|
||
Braddock nodded.
|
||
|
||
“I have been in Spain, and I have been in Peru,” he answered dryly,
|
||
“therefore I know classical Spanish and its colonial dialects. As to
|
||
being in Lima, I was there, and I do not wish to go there again, as I
|
||
had quite enough of those uncivilized parts thirty years ago, when the
|
||
country was much disturbed after your civil war.”
|
||
|
||
“You were in Lima thirty years ago,” echoed Don Pedro; “then you were
|
||
there when Vasa stole this mummy.”
|
||
|
||
“I don't know who stole it, or even if it was stolen,” said the
|
||
Professor obstinately, “and I don't know the name of Vasa. Ah! now I
|
||
remember. Young Hope did say something about the Swedish sailor who you
|
||
said stole the mummy.”
|
||
|
||
“Vasa did, and brought it to Europe to sell--probably to that man in
|
||
Paris, who afterwards sold it to your Malteses collector.”
|
||
|
||
“No doubt,” rejoined Braddock calmly; “but what has all this to do with
|
||
me, Don Pedro?”
|
||
|
||
“I want my mummy,” raged the other, and looked dangerous.
|
||
|
||
“Then you won't get it,” retorted Braddock, adopting a pugnacious
|
||
attitude and quite composed. “This mummy has caused one death, Don
|
||
Pedro, and from your looks I should think you would like it to cause
|
||
another.”
|
||
|
||
“Will you not be honest?”
|
||
|
||
“I'll knock your head off if you bring my honesty into question,” cried
|
||
the Professor, standing on tip-toe like a bantam. “The best thing to do
|
||
will be to take the matter into court. Then the law can decide, and I
|
||
have little doubt but what it will decide in my favor.”
|
||
|
||
The Englishman and the Peruvian glared at one another, and Cockatoo, who
|
||
was crouching on the floor, glanced from one angry face to another. He
|
||
guessed that the white men were quarreling and perhaps would come to
|
||
blows. It was at this moment that a knock came to the door, and a
|
||
minute later Archie entered. Braddock glanced at him, and took a sudden
|
||
resolution as he stepped forward.
|
||
|
||
“Hope, you are just in time,” he declared. “Don Pedro states that the
|
||
mummy belongs to him, and I assert that I have bought it. We shall make
|
||
you umpire. He wants it: I want it. What is to be done?”
|
||
|
||
“The mummy is my own flesh and blood, Mr. Hope,” said Don Pedro.
|
||
|
||
“Precious little of either about it,” said Braddock contemptuously.
|
||
|
||
Archie twisted a chair round and straddled his long legs across it, with
|
||
his arms resting on its back. His quick brain had rapidly comprehended
|
||
the situation, and, being acquainted with both sides of the question, it
|
||
was not difficult to come to a decision. If it was hard that Don Pedro
|
||
should lose his ancestor's mummy, it was equally hard that Braddock--or
|
||
rather himself--should lose the purchase money, seeing that it had been
|
||
paid in good faith to the seller in Malta for a presumably righteously
|
||
acquired object. On these premises the young Solon proceeded to deliver
|
||
judgment.
|
||
|
||
“I understand,” said he judiciously, “that Don Pedro had the mummy
|
||
stolen from him thirty years ago, and that you, Professor, bought it
|
||
under the impression that the Maltese owner had a right to possess it.”
|
||
|
||
“Yes,” snapped Braddock, “and I daresay the Maltese owner thought so
|
||
too, since he bought it from that collector in Paris.”
|
||
|
||
Hope nodded.
|
||
|
||
“And if Vasa sold it to the man in Paris,” said he calmly, “he certainly
|
||
would not tell the purchaser that he had looted the mummy in Lima, and
|
||
the poor man would not know that he was receiving stolen goods. Is that
|
||
right, Don Pedro?”
|
||
|
||
“Yes, sir,” said the Peruvian, who had recovered his temper and his
|
||
gravity; “but I declare solemnly that the mummy was stolen from my
|
||
father and should belong to me.”
|
||
|
||
“No one disputes that,” said Archie cheerfully; “but it ought to belong
|
||
to the Professor also, since he has bought it. Now, as it can't possibly
|
||
belong to two people, we must split the difference. You, Professor,
|
||
must sell back the mummy to Don Pedro for the price you paid for it, and
|
||
then, Don Pedro, you must recompense Professor Braddock for his loss.”
|
||
|
||
“I have not much money,” said Don Pedro gravely; “still, I am willing to
|
||
do as you say.”
|
||
|
||
“I don't know that I am,” protested Braddock noisily. “There are the two
|
||
emeralds which are of immense value, as Don Pedro says, and they belong
|
||
to me, since the mummy is my property.”
|
||
|
||
“Professor,” said Archie solemnly, “you must do right, even if you lose
|
||
by it. I believe the story of Senor De Gayangos; and the mummy with its
|
||
jewels belongs to him. Besides, you only wish to see the way in which
|
||
the Inca race embalmed their dead. Well, then, unpack the mummy here in
|
||
the presence of Don Pedro. When you have satisfied your curiosity, and
|
||
when Senor De Gayangos signs a check for one thousand pounds, he can
|
||
take away the corpse. You have had so much trouble over it, that I
|
||
wonder your are not anxious to see the last of it.”
|
||
|
||
“But the emeralds would sell for much money and would defray the
|
||
expenses of my expedition into Egypt to search for that Queen's tomb.”
|
||
|
||
“I understood from Lucy that Mrs. Jasher intended to finance that
|
||
expedition when she became your wife.”
|
||
|
||
“Humph!” muttered Braddock, stroking his fat chin. “I said a few foolish
|
||
things to her last night when I was heated up. She may not forgive me,
|
||
Hope.”
|
||
|
||
“A woman will forgive anything to the man she loves,” said Archie.
|
||
|
||
Braddock was no fool, and could not help casting a glance at his tubby
|
||
figure, which was reflected in a near mirror. It seemed incredible that
|
||
Mrs. Jasher could love him for his looks, and the fact that he
|
||
might some day be a baronet did not strike him at the moment as a
|
||
consideration. However, he foresaw trouble and expense should Don
|
||
Pedro go to law, as he seemed determined to do. Taking all things into
|
||
consideration, Braddock thought that Archie's judgment was a good one,
|
||
and yielded.
|
||
|
||
“Well,” he said after reflection, “let us agree. I shall open the case
|
||
and examine the mummy, which after all is the reason why I bought it.
|
||
When I have satisfied myself as to the difference between the modes of
|
||
embalming, Don Pedro can give me a check and take away the mummy. I only
|
||
hope that he will have less trouble with it than I have had,” and,
|
||
so speaking, Braddock, signing to Cockatoo to bring all the necessary
|
||
tools, laid hands on the case.
|
||
|
||
“I am content,” said Don Pedro briefly, and seated himself in a chair
|
||
beside the young Daniel who had delivered judgment.
|
||
|
||
Hope offered to assist the Professor to open the case, but was dismissed
|
||
with an abrupt refusal.
|
||
|
||
“Though I am glad you are present to see the mummy unpacked,” said
|
||
Braddock, laboring at the lid of the case, “for if the emeralds are
|
||
missing, Don Pedro might accuse me of stealing them.”
|
||
|
||
“Why should the emeralds be missing?” asked Hope quickly.
|
||
|
||
Braddock shrugged his shoulders.
|
||
|
||
“Sidney Bolton was killed,” said he in a low voice, “and it was not
|
||
likely that any one would commit a murder for the sake of this mummy,
|
||
and then leave it stranded in Mrs. Jasher's garden. I have my doubts
|
||
about the safety of the emeralds, else I would not have consented to
|
||
sell the thing back again.”
|
||
|
||
With this honest speech, the Professor vigorously attacked the lid of
|
||
the case, and inserted a steel instrument into the cracks to prize up
|
||
the covering. The lid was closed with wooden pegs in an antique but
|
||
perfectly safe manner, and apparently had not been opened since the
|
||
dead Inca had been laid to rest therein hundreds of years ago among the
|
||
Andean mountains. Don Pedro winced at this desecration of the dead, but,
|
||
as he had given his consent, there was nothing left to do but to grin
|
||
and bear it. In a wonderfully short space of time, considering the
|
||
neatness of the workmanship and the holding power of the wooden pegs,
|
||
the lid was removed. Then the four on-lookers saw that the mummy had
|
||
been tampered with. Swathed in green-stained llama wool, it lay rigid
|
||
in its case. But the swathings had been cut; the hands protruded and the
|
||
emeralds were gone--torn rudely from the hard grip of the dead.
|
||
|
||
|
||
|
||
|
||
CHAPTER XV. AN ACCUSATION
|
||
|
||
|
||
Both Don Pedro and Professor Braddock were amazed and angry at the
|
||
disappearance of the jewels, but Hope did not express much surprise.
|
||
Considering the facts of the murder, it was just what he expected,
|
||
although it must be confessed that he was wise after the event.
|
||
|
||
“I refer you to your own words immediately before the case was opened,
|
||
Professor,” he remarked, after the first surprise had subsided.
|
||
|
||
“Words! words!” snapped Braddock, who was anything but pleased. “What
|
||
words of mine do you mean, Hope?”
|
||
|
||
“You said that it was not likely that any one would commit a murder for
|
||
the sake of the mummy only, and then leave it stranded in Mrs. Jasher's
|
||
garden. Also, you declared that you had your doubts about the safety of
|
||
the emeralds, else you would not have consented to sell the mummy again
|
||
to its rightful owner.”
|
||
|
||
The Professor nodded.
|
||
|
||
“Quite so: quite so. And what I say I hold to,” he retorted,
|
||
“especially as I have proved myself a true prophet. You can both see
|
||
for yourselves,” he waved his hand towards the rifled case, “that poor
|
||
Sidney must have been killed for the sake of the emeralds. The question
|
||
is, who killed him?”
|
||
|
||
“The person who knew about the jewels,” said Don Pedro promptly.
|
||
|
||
“Of course: but who did know? I was ignorant until you told me about the
|
||
manuscript. And you, Hope?” He searched Archie's face.
|
||
|
||
“Do you intend to accuse me?” questioned the young man with a slight
|
||
laugh. “I assure you, Professor, that I was ignorant of what had been
|
||
buried with the corpse, until Don Pedro related his story the other
|
||
night to myself and Random, and the ladies.”
|
||
|
||
Braddock turned impatiently to De Gayangos, as he did not approve of
|
||
Archie's apparent flippancy.
|
||
|
||
“Does any one else know of the contents of this manuscript?” he demanded
|
||
irritably.
|
||
|
||
Don Pedro nursed his chin and looked musingly on the ground.
|
||
|
||
“It is just possible that Vasa may.”
|
||
|
||
“Vasa? Vasa? Oh yes, the sailor who stole the mummy thirty years ago
|
||
from your father in Lima. Pooh! pooh! pooh! You tell me that this
|
||
manuscript is written in Latin, and evidently in monkish Latin at that,
|
||
which is of the worst. Your sailor could not read it, and would not know
|
||
the value of the manuscript. If he had, he would have carried it off.”
|
||
|
||
“Senor,” said the Peruvian politely, “I have an idea that my father made
|
||
a translation of this manuscript, or at all events a copy.”
|
||
|
||
“But I understood,” put in Hope, still astride of his chair, “that you
|
||
did not find the original manuscript until your father died.”
|
||
|
||
“That is quite true, sir,” assented the other readily, “but I did not
|
||
tell you everything the other night. My father it was who found the
|
||
manuscript at Cuzco, and although I cannot state authoritatively, yet I
|
||
believe I am correct in saying that he had a copy made. But whether the
|
||
copy was merely a transcript or actually a translation, I cannot tell. I
|
||
think it was the former, as if Vasa, reading a translation, had learned
|
||
of the jewels, he undoubtedly would have stolen them before selling this
|
||
mummy to the Parisian collector.”
|
||
|
||
“Perhaps he did,” said Braddock, pointing to the rifled corpse. “You see
|
||
that the emeralds are missing.”
|
||
|
||
“Your assistant's assassin stole them,” insisted Don Pedro coldly.
|
||
|
||
“We cannot be sure of that,” retorted the Professor, “although I admit
|
||
that no man would jeopardize his neck for the sake of a corpse.”
|
||
|
||
Archie looked surprised.
|
||
|
||
“But an enthusiast such as you are, Professor, might risk so much.”
|
||
|
||
For once in his life Braddock made a good-humored reply.
|
||
|
||
“No, sir. Not even for this mummy would I place myself in the power of
|
||
the law. And I do not think that any other scientist would either. We
|
||
savants may not be worldly, but we are not fools. However, the fact
|
||
remains that the jewels are gone, and whether they were stolen by Vasa
|
||
thirty years ago, or by poor Sidney's assassin the other day, I don't
|
||
know, and, what is more, I don't care. I shall examine the mummy
|
||
further, and in a couple of days Don Pedro can bring me a check for one
|
||
thousand and remove his ancestor.”
|
||
|
||
“No! no!” cried the Peruvian hurriedly; “since the emeralds are missing,
|
||
I am not in a position to pay you one thousand English pounds, sir.
|
||
I want to take back the body of Inca Caxas to Lima; as one must show
|
||
respect to one's ancestors. But the fact is, I cannot pay the money.”
|
||
|
||
“You said that you could,” shouted the exasperated Professor in his
|
||
bullying way.
|
||
|
||
“I admit it, senor, but I had hoped to do so when I sold the emeralds,
|
||
which--as you can see--are not available. Therefore the body of my royal
|
||
ancestor must remain here until I can procure the money. And it may be
|
||
that Sir Frank Random will help me in this matter.”
|
||
|
||
“He wouldn't help me,” snapped Braddock, “so why should he help you?”
|
||
|
||
Don Pedro, looking more dignified than ever, drew himself up to his tall
|
||
height.
|
||
|
||
“Sir Frank,” he said, in a stately way, “has done me the honor of
|
||
seeking to be my son-in-law. As my daughter loves him, I am willing to
|
||
permit the marriage, but now that I have learned the emeralds are lost,
|
||
I shall not consent until Sir Frank buys the mummy from you, Professor.
|
||
It is only right that my daughter's hand should redeem her regal
|
||
forefather from purely scientific surroundings and that she should take
|
||
the mummy back to be buried in Lima. At the same time, sir, I must say
|
||
that I am the rightful owner of the dead, and that you should surrender
|
||
the mummy to me free of charge.”
|
||
|
||
“What, and lose a thousand pounds!” cried Braddock furiously. “No, sir,
|
||
I shall do nothing of the sort. You only wanted the mummy for the sake
|
||
of the jewels, and now that they are lost, you do not care what becomes
|
||
of your confounded ancestor, and you--”
|
||
|
||
The Professor would have gone on still more furiously, but that Hope,
|
||
seeing Don Pedro was growing angry at the insult, chimed in.
|
||
|
||
“Let me throw oil on the troubled waters,” he said, smoothly. “Don Pedro
|
||
is not able to redeem the mummy until the emeralds are found. As such
|
||
is the case, we must find the emeralds and enable him to do what is
|
||
necessary.”
|
||
|
||
“And how are we to find the jewels?” asked Braddock crossly.
|
||
|
||
“By finding the assassin.”
|
||
|
||
“How is that to be done?” asked De Gayangos gloomily. “I have been doing
|
||
my best at Pierside, but I cannot find a single clue. Vasa is not to be
|
||
found.”
|
||
|
||
“Vasa!” exclaimed Archie and the Professor, both profoundly astonished.
|
||
|
||
Don Pedro raised his eyebrows.
|
||
|
||
“Certainly. Vasa, if anyone, must have killed your assistant, since he
|
||
alone could have known that the jewels were buried with Inca Caxas.”
|
||
|
||
“But, my dear sir,” argued Hope good-naturedly, “if Vasa stole the
|
||
manuscript, whether translated or not, he certainly must have learned
|
||
the truth long, long ago, since thirty years have elapsed. In that event
|
||
he must have stolen the jewels, as Professor Braddock remarked lately,
|
||
before he sold the mummy to the Parisian collector.”
|
||
|
||
“That may be so,” said Don Pedro obstinately, while the Professor
|
||
muttered his approval, “but we cannot be certain on that point. No
|
||
one--I agree with the Professor in this--would have risked his neck to
|
||
steal a mere mummy, therefore the motive for the committal of the crime
|
||
must have been the emeralds. Only Vasa knew of their existence outside
|
||
myself and my dead father. He, therefore, must be the assassin. I shall
|
||
hunt for him, and, when I find him, I shall have him arrested.”
|
||
|
||
“But you can't possibly recognize the man after thirty years?” argued
|
||
Braddock disbelievingly.
|
||
|
||
“I have a royal memory for faces,” said Don Pedro imperturbably, “and in
|
||
the past I saw much of Vasa. He was then a young sailor of twenty.”
|
||
|
||
“Humph!” muttered Braddock. “He is now fifty, and must have changed in
|
||
thirty years. You'll never recognize him.”
|
||
|
||
“Oh, I think so,” said the Peruvian smoothly. “His eyes were peculiarly
|
||
blue and full of light. Also, he had a scar on the right temple from a
|
||
blow which he received in a street riot in which I also was concerned.
|
||
Finally, gentlemen, Vasa loved a peon girl on my father's estate, and
|
||
she induced him to have the sun encircled by a serpent--a Peruvian
|
||
symbol--tattooed on his left wrist. With all these marks, and with my
|
||
memory for faces, which never yet has failed me, I have no doubt but
|
||
what I shall recognize the man.”
|
||
|
||
“And then?”
|
||
|
||
“And then I shall have him arrested”
|
||
|
||
Hope shrugged his square shoulders. He had not much belief in Don
|
||
Pedro's boasted royal memory, and did not think that he would recognize
|
||
a young sailor of twenty in what would certainly be a grizzled old salt
|
||
of fifty years. However, it was possible that the man might be right in
|
||
his surmise, since Vasa alone could have known about the emeralds. The
|
||
only doubt was whether he would have waited for thirty years before
|
||
looting the mummy. Archie said nothing of these thoughts, as they
|
||
would only serve to prolong an unprofitable discussion. But he made one
|
||
suggestion.
|
||
|
||
“Your best plan,” he said suggestively, “is to write a description of
|
||
Vasa--who, by the way, has probably changed his name--and hand it to the
|
||
police, with the promise of a reward if he is found.”
|
||
|
||
“I am very poor, senor. Surely the Professor here--”
|
||
|
||
“I can offer nothing,” said Braddock quickly, “as I am quite as poor as
|
||
you are, if not more so, Sir Frank might help,” he added sarcastically.
|
||
|
||
“I shall not ask,” said Don Pedro loftily. “If Sir Frank chooses to
|
||
become my son-in-law by purchasing back my royal ancestor, to which you
|
||
have no right, I am willing that it should be so. But, poor as I am,
|
||
I shall offer a reward myself, since the honor of the De Gayangoses is
|
||
involved in this matter. What reward do you suggest, Mr. Hope?”
|
||
|
||
“Five hundred pounds,” said the Professor quickly.
|
||
|
||
“Too much,” said Hope sharply--“far too much. Make the reward one
|
||
hundred pounds, Don Pedro. That is enough to tempt many a man.”
|
||
|
||
The Peruvian bowed and noted down the amount.
|
||
|
||
“I shall go at once to Pierside and see Inspector Date, who had to do
|
||
with the inquest,” he remarked. “Meanwhile, Professor, please do not
|
||
desecrate my royal ancestor's body more than you can help.”
|
||
|
||
“I shall certainly not search for any more emeralds,” retorted Braddock
|
||
dryly. “Now, clear out, both of you, and leave me to examine the mummy.
|
||
Cockatoo, show these gentlemen out, and let no one else in.”
|
||
|
||
Don Pedro returned to the Warrior Hotel to inform his daughter of
|
||
what had taken place, with the intention of going in the afternoon to
|
||
Pierside. Meanwhile, he wrote out a full description of Vasa, making an
|
||
allowance for the lapse of years and explaining the scar and the
|
||
symbol on the left wrist. Hope also sought Lucy and related the latest
|
||
development of the case. The girl was not surprised, as she likewise
|
||
believed that the assassin had desired more than the mummy when he
|
||
murdered Sidney Bolton.
|
||
|
||
“Mrs. Jasher did not know about the emeralds?” she asked suddenly.
|
||
|
||
“No,” replied Archie, much surprised. “Surely you do not suspect her of
|
||
having a hand in the devilment?”
|
||
|
||
“Certainly not,” was the prompt answer. “Only I cannot understand how
|
||
the mummy came to be in her garden.”
|
||
|
||
“It was brought up from the river, I expect.”
|
||
|
||
“But why to Mrs. Jasher's garden?”
|
||
|
||
Hope shook his head.
|
||
|
||
“I cannot tell that. The whole thing is a mystery, and seems likely to
|
||
remain so.”
|
||
|
||
“It seems to me,” said the girl, after a pause, “that it would be best
|
||
for my father to return this mummy to Don Pedro, and have done with it,
|
||
since it seems to bring bad luck. Then he can marry Mrs. Jasher, and go
|
||
to Egypt on her fortune to seek for this tomb.”
|
||
|
||
“I doubt very much if Mrs. Jasher will marry the Professor now, after
|
||
what he said last night.”
|
||
|
||
“Nonsense, my father was in a rage and said what first came into his
|
||
mind. I daresay she is angry. However, I shall see her this afternoon,
|
||
and put matters right.”
|
||
|
||
“You are very anxious that the Professor should marry the lady.”
|
||
|
||
“I am,” replied Lucy seriously, “as I want to leave my father
|
||
comfortably settled when I marry you. The sooner he makes Mrs. Jasher
|
||
his wife, the readier will he be to let me go, and I want to marry you
|
||
as soon as I possibly can. I am tired of Gartley and of this present
|
||
life.”
|
||
|
||
Of course to this speech Archie could make only one answer, and as that
|
||
took the form of kissing, it was entirely satisfactory to Miss Kendal.
|
||
Then they discussed the future and also the proposed engagement of Sir
|
||
Frank Random to the Peruvian lady. But both left the subject of the
|
||
mummy alone, as they were quite weary of the matter, and neither could
|
||
suggest a solution of the mystery.
|
||
|
||
Meanwhile Professor Braddock had passed a very pleasant hour in
|
||
examining the swathings of the mummy. But his pleasure was destined
|
||
to be cut short sooner than he desired, as Captain Hiram Hervey
|
||
unexpectedly arrived. Although Cockatoo--as he had been instructed--did
|
||
his best to keep him out, the sailor forced his way in, and heralded his
|
||
appearance by throwing the Kanaka head-foremost into the museum.
|
||
|
||
“What does this mean?” demanded the fiery Professor, while Cockatoo,
|
||
with an angry expression, struggled to his feet, and Hervey, smoking
|
||
his inevitable cheroot, stood on the threshold--“how dare you treat my
|
||
property in this careless way.”
|
||
|
||
“Guess your property should behave itself then,” said the captain in
|
||
careless tones, and sauntered into the room. “D'y think I'm goin' to
|
||
be chucked out by a measly nigger and--Great Scott!”--this latter
|
||
exclamation was extorted by the sight of the mummy.
|
||
|
||
Braddock motioned to the still angry Cockatoo to move aside, and then
|
||
nodded triumphantly.
|
||
|
||
“You didn't expect to see that, did you?” he asked.
|
||
|
||
Hervey came to anchor on a chair and turned the cheroot in his mouth
|
||
with an odd look at the mummy.
|
||
|
||
“When will he be hanged?”
|
||
|
||
Braddock stared.
|
||
|
||
“When will who be hanged?”
|
||
|
||
“The man as stole that thing.”
|
||
|
||
“We haven't found him yet,” Braddock informed him swiftly.
|
||
|
||
“Then how in creation did you annex the corpse.”
|
||
|
||
The Professor sat down and explained. The lean, long mariner listened
|
||
quietly, only nodding at intervals. He did not seem to be surprised
|
||
when he heard that the corpse of the head Inca had been found in Mrs.
|
||
Jasher's garden, especially when Braddock explained the whereabouts of
|
||
the property.
|
||
|
||
“Wal,” he drawled, “that don't make my hair stand on end. I guess the
|
||
garden was on his way and he used it for a cemetery.”
|
||
|
||
“What are you talking about?” demanded the perplexed scientist.
|
||
|
||
“About the man who strangled your help and yanked away the corpse.”
|
||
|
||
“But I don't know who he is. Nobody knows.”
|
||
|
||
“Go slow. I do.”
|
||
|
||
“You!” Braddock started and flung himself across the room to seize
|
||
Hervey by the lapels of his reefer coat. “You know. Tell me who he is,
|
||
so that I can get the emeralds.”
|
||
|
||
“Emeralds!” Hervey removed Braddock's plump hands and stared greedily.
|
||
|
||
“Don't you know? No, of course you don't. But two emeralds were buried
|
||
with the mummy, and they have been stolen.”
|
||
|
||
“Who by?”
|
||
|
||
“No doubt by the assassin who murdered poor Sidney.”
|
||
|
||
Hervey spat on the floor, and his weather-beaten face took on an
|
||
expression of, profound regret.
|
||
|
||
“I guess I'm a fool of the best.”
|
||
|
||
“Why?” asked Braddock, again puzzled.
|
||
|
||
“To think,” said Hervey, addressing the mummy, “that you were on board
|
||
my boat, and I never looted you.”
|
||
|
||
“What!” Braddock stamped. “Would you have committed theft?”
|
||
|
||
“Theft be hanged!” was the reply. “It ain't thieving to loot the dead.
|
||
I guess a corpse hasn't got any use for jewels. You bet I'd have gummed
|
||
straightways onto that mummy, when I brought it from Malta in the old
|
||
Diver, had I known it was a jeweler's shop of sorts. Huh! Two emeralds,
|
||
and I never knew. I could kick myself.”
|
||
|
||
“You are a blackguard,” gasped the astonished Professor.
|
||
|
||
“Oh, shucks!” was the elegant retort, “give it a rest. I'm no worse than
|
||
that dandy gentleman who added murder to stealing, anyhow.”
|
||
|
||
“Ah!” Braddock bounded off his chair like an india-rubber ball, “you
|
||
said that you knew who had committed the murder.”
|
||
|
||
“Wal,” drawled Hervey again, “I do and I don't. That is I suspect, but I
|
||
can't swear to the business before a judge.”
|
||
|
||
“Who killed Bolton?” asked the Professor furiously. “Tell me at once.”
|
||
|
||
“Not me, unless it's made worth my while.”
|
||
|
||
“It will be, by Don Pedro.”
|
||
|
||
“That yellow-stomach. What's he got to do with it?”
|
||
|
||
“I have just told you the mummy belongs to him; he came to Europe to
|
||
find it. He wants the emeralds, and intends to offer a reward of one
|
||
hundred pounds for the discovery of the assassin.”
|
||
|
||
Hervey arose briskly.
|
||
|
||
“I'm right on the job,” said he, sauntering to the door. “I'll go to
|
||
that old inn of yours, where you say the Don's stopping, and look him
|
||
up. Guess I'll trade.”
|
||
|
||
“But who killed Bolton?” asked Braddock, running to the door and
|
||
gripping Hervey by his coat.
|
||
|
||
The mariner looked down on the anxious face of the plump little man with
|
||
a grim smile.
|
||
|
||
“I can tell you,” said he, “as you can't figure out the business, unless
|
||
I'm on the racket. No, sir; I'm the white boy in thin circus.”
|
||
|
||
The Professor shook the lean sailor in his anxiety.
|
||
|
||
“Who is he?”
|
||
|
||
“That almighty aristocrat that came on board my ship, when I lay in the
|
||
Thames on the very afternoon I arrived with Bolton.”
|
||
|
||
“Who do you mean?” demanded Braddock, more and more perplexed.
|
||
|
||
“Sir Frank Random.”
|
||
|
||
“What! did he kill Bolton and steal my mummy?”
|
||
|
||
“And hide it in that garden on his way to the Fort? I guess he did.”
|
||
|
||
The Professor sat down and closed his eyes with horror. When he opened
|
||
them again, Hervey was gone.
|
||
|
||
|
||
|
||
|
||
CHAPTER XVI. THE MANUSCRIPT AGAIN
|
||
|
||
|
||
But the Professor was not going to let Captain Hervey escape without
|
||
giving him full information. Before the Yankee skipper could reach
|
||
the front door, Braddock was at his heels, gasping and blowing like a
|
||
grampus.
|
||
|
||
“Come back, come back. Tell me all.”
|
||
|
||
“I reckon not,” rejoined the mariner, removing Braddock's grip. “You
|
||
ain't the one to give the money. I'll go to the Don, or to Inspector
|
||
Date of Pierside.”
|
||
|
||
“But Sir Frank must be innocent,” insisted Braddock.
|
||
|
||
“He's got to prove it,” was the dry response. “Let me go.”
|
||
|
||
“No. You must tell me on what grounds--”
|
||
|
||
“Oh, the devil take you!” said Hervey hastily, and sat down on one of
|
||
the hall chairs. “It's this way, since you won't let me skip until
|
||
I tell you. This almighty aristocrat came to Pierside on the same
|
||
afternoon as I cast anchor. While Bolton was on board, he looked in to
|
||
have a yarn of sorts.”
|
||
|
||
“What about?”
|
||
|
||
“Now, how in creation should I know?” snapped the skipper. “I wasn't on
|
||
hand, as I'd enough to do with unloading cargo. But his lordship went
|
||
with Bolton to the state-room, and they talked for half an hour. When
|
||
they came out, I saw that his lordship had his hair riz, and heard him
|
||
saying things to Bolton.”
|
||
|
||
“What sort of things?”
|
||
|
||
“Well, for one, he said, `You'll repent of this,' and then again, `Your
|
||
life isn't safe while you keep it.'”
|
||
|
||
“Meaning the mummy?”
|
||
|
||
“I reckon that's so, unless I am mistaken,” said Hervey serenely.
|
||
|
||
“Why didn't you go to the police with this information?”
|
||
|
||
“Me? Not much. Why, I saw no way of making dollars. And then, again,
|
||
I did not think of putting things together, until I found that his
|
||
lorship--”
|
||
|
||
“Meaning Sir Frank,” interpolated the Professor, frowning.
|
||
|
||
“I'm talking Queen's, or King's, or Republican lingo, I guess, and I
|
||
do mean his lorship,” said the skipper dryly--“until I found that his
|
||
lorship had been in the public-house where the crime was committed.”
|
||
|
||
“The Sailor's Rest? When did he go there?”
|
||
|
||
“In the evening. After his talk with Bolton, and after a row--as they
|
||
both seemed to have their hair off--he skipped over the side and went
|
||
back to his yacht, which wasn't far away. Bolton took his blamed mummy
|
||
ashore and got fixed at the Sailor's Rest. I gathered afterwards, from
|
||
the second mate of The Diver (which ain't my ship now), that his lorship
|
||
came into the hotel and had a drink. Afterwards my second mate saw him
|
||
talking to Bolton through the window.”
|
||
|
||
“In the same place as the woman talked?” questioned the Professor.
|
||
|
||
“That's so, only it was later in the evening that the woman came along
|
||
to give chin-music through the window. I am bound to say,” added the
|
||
captain generously, “that no one I can place my hand on saw his lorship
|
||
loafing about the hotel after dark. But what of that? He may have laid
|
||
his plans, and arranged for the corpse to be found later, in that blamed
|
||
packing case.”
|
||
|
||
“Is this all your evidence?”
|
||
|
||
“It's enough, I guess.”
|
||
|
||
“Not to procure a warrant.”
|
||
|
||
“Why, a man in the States would be electrocuted on half the evidence.”
|
||
|
||
“I daresay,” retorted the little man with contempt, “but we are in
|
||
a land where justice of the purest prevails. All your evidence is
|
||
circumstantial. It proves nothing.”
|
||
|
||
The captain was considerably nettled.
|
||
|
||
“I calculate that it proves Sir Frank wanted the mummy, else why did he
|
||
come on board my ship to see your infernal assistant. The words he
|
||
used showed that he was warning Bolton how he'd do for him. And then he
|
||
talked through the window, and was in the public-house, which ain't a
|
||
place for an almighty aristocrat to shelter in. I guess he's the man
|
||
wanted by the police. Why,” added Hervey, warming to his tale, “he'd a
|
||
slap-up yacht laying near the blamed hotel, and could easily ship the
|
||
corpse, after slipping it through the window. When he got tired of it,
|
||
and looted the emeralds, he took it by boat, below the Fort, to Mrs.
|
||
Jasher's garden and left it there, so as to pull the wool over the eyes
|
||
of the police. It's as clear as mud to me. You search his lorship's
|
||
shanty, and you'll find the emeralds.”
|
||
|
||
“It is strange,” muttered Braddock unwillingly.
|
||
|
||
“Strange, but not true,” said a voice from the head of the stairs, and
|
||
young Hope came down leisurely, with a pale face, but a very determined
|
||
air. “Random is absolutely innocent.”
|
||
|
||
“How do you know?” demanded the skipper contemptuously.
|
||
|
||
“Because he is an English gentleman and my very good friend.”
|
||
|
||
“Huh! I guess that defense won't save him from being lynched.”
|
||
|
||
Meanwhile Braddock was looking irritably at Archie.
|
||
|
||
“You've been listening to a private conversation, sir. How dare you
|
||
listen?”
|
||
|
||
“If you hold private conversations at the top of your voices in the
|
||
hall, you must be expected to be listened to,” said Archie coolly. “I
|
||
plead guilty, and I am not sorry.”
|
||
|
||
“When did you come?”
|
||
|
||
“In time to hear all that Captain Hervey has explained. I was chatting
|
||
with Lucy, and had just left her, when I heard your loud voices.”
|
||
|
||
“Has Lucy heard anything?”
|
||
|
||
“No. She is busy in her room. But I'll tell her,” Hope turned to mount
|
||
the stairs; “she likes Random, and will no more believe him guilty than
|
||
I do at this present moment.”
|
||
|
||
“Stop!” cried Braddock, flying forward to pull Hope back, as he placed
|
||
his foot on the first stair. “Tell Lucy nothing just now. We must go to
|
||
the Fort, you--and I, to see Random. Hervey, you come also, and then you
|
||
can accuse Sir Frank to his face.”
|
||
|
||
“If he dares to do it!” said Archie, who looked and felt indignant.
|
||
|
||
“Oh, I'll accuse him right enough when the time comes,” said Hervey in
|
||
his coolest manner, “but the time isn't now. Savy! I am going to see the
|
||
Don first and make sure of this reward.”
|
||
|
||
“Faugh!” cried Hope with disgust, “Blood-money!”
|
||
|
||
“What of that? Ifs a man is a murderer he should be lynched.”
|
||
|
||
“My friend, Sir Frank Random, is no murderer.”
|
||
|
||
“He's got to prove, that, as I said before,” rejoined the Yankee in a
|
||
calm way, and strolled to the door. “So-long, gents both. I'll light out
|
||
for the Warrior Inn and play my cards. And I may tell you,” he added,
|
||
pausing at the door, which he opened, “that I haven't got that blamed
|
||
wind-jammer, so need money to hold out until another steamer comes
|
||
along. One hundred pounds English currency will just fill the bill. So
|
||
now you know the lay I'm on. So-long,” and he walked quietly out of
|
||
the house, leaving Archie and Braddock looking at one another with pale
|
||
faces. The assurance of Hervey surprised and horrified them. Still, they
|
||
could not believe that Sir Frank Random had been guilty of so brutal a
|
||
crime.
|
||
|
||
“For one thing,” said Hope after a pause, “Random did not know where the
|
||
emeralds were to be found, or even that they existed.”
|
||
|
||
“I understood that he did know,” said Braddock reluctantly. “In my
|
||
hearing, and in your own, you heard Don Pedro state that he had related
|
||
the story of the manuscript to Random.”
|
||
|
||
“You forget that I learned about the emeralds at the same time,” said
|
||
Hope quietly. “Yet this Yankee skipper does not accuse me. The knowledge
|
||
of the emeralds came to Random's ears and to mine long after the crime
|
||
was committed. To have a motive for killing Bolton and stealing the
|
||
emeralds, Random would have had to know when he arrived in England.”
|
||
|
||
“And why should he have not known?” asked the Professor, biting his lip
|
||
vexedly. “I don't want to accuse Random, or even to doubt him, as he is
|
||
a very good fellow, even though he refused to assist me with money when
|
||
I desired a reward to be offered. All the same, he met Don Pedro in
|
||
Genoa, and it is just possible that the man told him of the jewels
|
||
buried with the mummy.”
|
||
|
||
Archie shook his head.
|
||
|
||
“I doubt that,” said he thoughtfully. “Random was as astonished as the
|
||
rest of us, when Don Pedro told his Arabian Night story. However, the
|
||
point can be easily settled by sending for Random. I daresay he is at
|
||
the Fort.”
|
||
|
||
“I shall send Cockatoo for him at once,” said the Professor quickly, and
|
||
walked into the museum to instruct the Kanaka. Archie remained where he
|
||
was, and seated himself on a chair, with folded arms and knitted brows.
|
||
It was incredible that an English gentleman with a stainless name and
|
||
such a well-known soldier should commit so terrible a crime. And the
|
||
matter of Hervey's accusation was complicated by the fact--of which
|
||
Hervey was ignorant--that Don Pedro was willing that Random should
|
||
become his son-in-law. Hope wondered what the fiery, proud Peruvian
|
||
would say when he heard his friend denounced. His reflections on this
|
||
point were cut short by the return of the Professor, who appeared at
|
||
the door of the museum dismissing Cockatoo. When the Kanaka took his
|
||
departure, Braddock beckoned to the young man.
|
||
|
||
“There is no reason why we should talk in the hall, and let the whole
|
||
house know of this new difficulty,” he said in a testy manner. “Come in
|
||
here.”
|
||
|
||
Hope entered and looked with ill-concealed repugnance at the uncanny
|
||
shape of the green mummy, which was lying on a long table. He
|
||
examined the portions where the swathings had been cut with some sharp
|
||
instrument, to reveal the dry, bony hands, which formerly had held the
|
||
costly jewels. The face was invisible and covered with a mask of dull
|
||
beaten gold. Formerly the eyes had been jeweled, but these last were now
|
||
absent. He pointed out the mask to the Professor, who was hovering over
|
||
the weird dead with a large magnifying-glass.
|
||
|
||
“It is strange,” said Hope earnestly, “that the mask of gold was not
|
||
stolen also, since it is so valuable.”
|
||
|
||
“Unless melted down, the mask could be traced,” said Braddock after a
|
||
pause. “The jewels, according to Don Pedro, are of immense value, and so
|
||
could have been got rid of easily. Random was satisfied with those.”
|
||
|
||
“Don't talk of him in that way, as though his guilt was certain,” said
|
||
Hope, wincing.
|
||
|
||
“Well, you must admit that the evidence against him is strong.”
|
||
|
||
“But purely circumstantial.”
|
||
|
||
“Circumstantial evidence has hanged many an innocent man before now.
|
||
Humph!” said Braddock uneasily, “I hope it won't hang our friend.
|
||
However, we shall hear what he has to say. I have sent Cockatoo to the
|
||
Fort to bring him here at once. If Random is absent, Cockatoo is to
|
||
leave a note in his room, on the writing-table.”
|
||
|
||
“Would it not have been better to have told Cockatoo to give the note to
|
||
Random's servant?”
|
||
|
||
“I think not,” responded Braddock dryly. “Random's servant is certainly
|
||
one of the most stupid men in the entire army. He would probably forget
|
||
to give him the note, and as it is important that we should see Random
|
||
at once, it is better that he should find it placed personally on his
|
||
writing-table by Cockatoo, upon whom I can depend.”
|
||
|
||
Archie abandoned the argument, as it really mattered very little. He
|
||
took up another line of conversation.
|
||
|
||
“I expect if the criminal tries to dispose of the emeralds he will
|
||
be caught,” said he: “such large jewels are too noticeable to escape
|
||
comment.”
|
||
|
||
“Humph! It depends upon the cleverness of the thief,” said the
|
||
Professor, who was more taken up with the mummy than with the
|
||
conversation, “He might have the jewels cut into smaller stones, or he
|
||
might go to India and dispose of them to some Rajah, who would certainly
|
||
say nothing. I don't know how criminals act myself, as I have never
|
||
studied their methods. But I hope that the clue you mention will be hit
|
||
upon, if only for Random's sake.”
|
||
|
||
“I don't believe for one moment that Random is in danger,” said Archie,
|
||
“and, if he is, I shall turn detective myself.”
|
||
|
||
“I wish you joy,” replied Braddock, bending over the mummy. “Look, Hope,
|
||
at the wonderful color of this wool. There are some arts we have lost
|
||
completely--dyeing of this surprising beauty is one. Humph!” mused the
|
||
archaeologist, “I wonder why this particular mummy is dyed green, or
|
||
rather why it is wrapped in green bandages. Yellow was the royal color
|
||
of the ancient Peruvian monarchs. Vicuna wool dyed yellow. What do you
|
||
think, Hope? It is strange.”
|
||
|
||
Archie shrugged his shoulders.
|
||
|
||
“I can say nothing, because I know nothing,” he said sharply. “All I do
|
||
know is that I wish this precious mummy had never been brought here. It
|
||
has caused trouble ever since its arrival.”
|
||
|
||
“Well,” said Braddock, surveying the dead with some disfavor, “I must
|
||
say that I shall be glad to see the last of it myself. I know now all
|
||
that I wanted to know! Humph! I wonder if Don Pedro will allow me to
|
||
strip the mummy? Of course! It is mine not his. I shall unswathe it
|
||
entirely,” and Braddock was about to lay sacrilegious hands on the dead,
|
||
when Cockatoo entered breathlessly. He had been so quick that he must
|
||
have run to the Fort and back again.
|
||
|
||
“I knock at door,” said the Kanaka, delivering his message, “and I hear
|
||
no voice. I go in and find no one, so I put the letter on the table.
|
||
I come down and ask, and a soldier tells me, sir, his master is coming
|
||
back in half an hour.”
|
||
|
||
“You should have waited,” said Braddock, waving Cockatoo aside. “Come
|
||
along with me to the Fort, Hope.”
|
||
|
||
“But Random will come here as soon as he returns.”
|
||
|
||
“Very likely, but I can't wait. I am anxious to hear what he has to
|
||
say in his defense. Come, Cockatoo, my coat, my hat, my gloves. Stir
|
||
yourself, you scoundrel!”
|
||
|
||
Archie was not unwilling to go, since he was anxious also to hear what
|
||
Random would say to the absurd accusation brought against him by the
|
||
Yankee. In a few minutes the two men were walking smartly down the
|
||
road through the village, the Professor striving to keep up with Hope's
|
||
longer legs by trotting as hard as he could. Halfway down the village
|
||
they met a trap, and in it Captain Hervey being driven to the Jessum
|
||
railway station.
|
||
|
||
“Have you seen Don Pedro?” asked the Professor, stopping the vehicle.
|
||
|
||
“I reckon not,” answered Hervey stolidly. “He's gone into Pierside to
|
||
see the police. I'm off there also.”
|
||
|
||
“You had better come with us,” said Archie sternly;--“we are going to
|
||
see Sir Frank Random.”
|
||
|
||
“Give him my respects,” said the skipper cold-bloodedly, “and say that
|
||
he's worth one hundred pounds to me,” he waved his hand and the trap
|
||
moved away, but he looked back with a wry smile. “Say I'll square the
|
||
matter for double the money and command of his yacht.”
|
||
|
||
Braddock and Archie looked after the trap in disgust.
|
||
|
||
“What a scoundrel the man is!” said the Professor pettishly; “he'd sell
|
||
his father for what he could get.”
|
||
|
||
“It shows how much his word is to be depended upon. I expect this
|
||
accusation of Random is a put-up job.”
|
||
|
||
“I hope so, for Random's sake,” said Braddock, trotting briskly along.
|
||
|
||
In a short time they arrived at the Fort and were informed that Sir
|
||
Frank had not yet returned, but was expected back every moment. In the
|
||
meanwhile, as Braddock and Hope were both extremely well known, they
|
||
were shown into Random's quarters, which were on the first floor. When
|
||
the soldier-servant retired and the door was closed, Hope seated himself
|
||
near the window, while Braddock trotted round, looking into things.
|
||
|
||
“It's a dog kennel,” said the Professor. “I told Random that.”
|
||
|
||
“Perhaps we should have waited him in the mess,” suggested Archie.
|
||
|
||
“No! no! no! We couldn't talk there, with a lot of silly young fools
|
||
hanging about. I told Random that I would never enter the mess, so he
|
||
invited me to come always to his quarters. He was in love with Lucy
|
||
then,” chuckled the Professor, “and nothing was too good for me.”
|
||
|
||
“Not even the dog kennel,” said Hope dryly, for the Professor's chatter
|
||
was so rude as to be quite annoying.
|
||
|
||
“Pooh! pooh! pooh! Random doesn't mind a joke. You, Hope, have no sense
|
||
of humor. Your name is Scotch also. I believe you are a Caledonian.”
|
||
|
||
“I am nothing of the sort. I was born on this side of the border.”
|
||
|
||
“You might have been born at the North Pole for all I care,” said the
|
||
little man politely. “I don't like artists: they are usually silly. I
|
||
wish Lucy had married a man of science. Now don't talk rubbish. I know
|
||
what you are going to say.”
|
||
|
||
“Well,” said Archie, humoring him, “what am I going to say?”
|
||
|
||
This non-plussed the irritable savant.
|
||
|
||
“Hum! Hum! hum! I don't know and don't care. Pouf! How hot this room is!
|
||
What a number of books of travel Random has!” Braddock was now at the
|
||
bookcase, which consisted of shelves swung by cords against the wall.
|
||
|
||
“Random travels a great deal,” Archie reminded him.
|
||
|
||
“Quite so: quite so. Wastes his money on that silly yacht. But he hasn't
|
||
traveled in South America. I expect he's going there. Come here, Hope,
|
||
and see the many, many books about Peru and Chili and Brazil. There must
|
||
be a dozen, and all library books too.”
|
||
|
||
Archie sauntered towards the shelves.
|
||
|
||
“I expect Random is getting up the subject of South America, so as to
|
||
talk to Donna Inez.”
|
||
|
||
“Probably! probably!” snapped Braddock, pulling several of the books out
|
||
of place. “Why, there isn't a--Ah, dear me! What a catastrophe!”
|
||
|
||
He might well say so, for in his desire to examine the books, they all
|
||
tipped off the shelves and lay in a disorderly heap on the floor. Hope
|
||
began to pick them up and replace them, and so did the author of the
|
||
mischief. Among the books were several papers scribbled with notes, and
|
||
Braddock bundled these all in a heap.. Shortly, he caught sight of the
|
||
writing on one.
|
||
|
||
“Hullo! Latin,” said he, and read a line or two. “Oh!” he gasped, “Hope!
|
||
Hope! The manuscript of Don Pedro!”
|
||
|
||
“Impossible!”
|
||
|
||
Archie rose and stared at the discolored paper.
|
||
|
||
“Sorry to have kept you,” said Random, entering at this moment.
|
||
|
||
“You villain!” shouted Braddock furiously, “so you are guilty after
|
||
all?”
|
||
|
||
|
||
|
||
|
||
CHAPTER XVII. CIRCUMSTANTIAL EVIDENCE
|
||
|
||
|
||
Random was so taken aback by the fierce accusation of the Professor that
|
||
he stood suddenly still at the door, and did not advance into the room.
|
||
Yet he did not look so much afraid as puzzled. Whatever Braddock might
|
||
have thought, Hope, from the expression on the young soldier's face, was
|
||
more than ever satisfied of his innocence.
|
||
|
||
“What are you talking about, Professor?” asked Random, genuinely
|
||
surprised.
|
||
|
||
“You know well enough,” retorted the Professor.
|
||
|
||
“Upon my word I don't,” said the other, walking into the room and
|
||
unbuckling his sword. “I find you here, with the contents of my bookcase
|
||
on the floor, and you promptly accuse me of being guilty. Of what, I
|
||
should like to know? Perhaps you can tell me Hope.”
|
||
|
||
“There is no need for Hope to tell you, sir. You are perfectly well
|
||
aware of your own villainy.”
|
||
|
||
Random frowned.
|
||
|
||
“I allow a certain amount of latitude to my guests, Professor,” he said
|
||
with marked dignity, “but for a man of your age and position you go too
|
||
far. Be more explicit.”
|
||
|
||
“Allow me to speak,” intervened Archie, anticipating Braddock. “Random,
|
||
the Professor has just had a visit from Captain Hiram Hervey, who was
|
||
the skipper of The Diver. He accuses you of having murdered Bolton!”
|
||
|
||
“What?” the baronet started back, looking thunderstruck.
|
||
|
||
“Wait a moment. I have not finished yet. Hervey accuses you of this
|
||
murder, of stealing the mummy, of gaining possession of the emeralds,
|
||
and of placing the rifled corpse in Mrs. Jasher's garden, so that she
|
||
might be accused of committing the crime.”
|
||
|
||
“Exactly,” cried Braddock, seeing that his host remained silent from
|
||
sheer surprise. “Hope has stated the case very clearly. Now, sir, your
|
||
defense?”
|
||
|
||
“Defense! defense!” Random found his tongue at last and spoke
|
||
indignantly. “I have no defense to make.”
|
||
|
||
“Ah! Then you acknowledge your guilt?”
|
||
|
||
“I acknowledge nothing. The accusation is too preposterous for any
|
||
denial to be necessary. Do you believe this of me?” He looked from one
|
||
to the other.
|
||
|
||
“I don't,” said Archie quickly, “there is some mistake.”
|
||
|
||
“Thank you, Hope. And you, Professor?”
|
||
|
||
Braddock fidgeted about the room.
|
||
|
||
“I don't know what to think,” he said at length. “Hervey spoke very
|
||
decisively.”
|
||
|
||
“Oh, indeed,” returned Random dryly, and, walking to the door, he locked
|
||
it. “In that case, I must ask you for an explanation, and neither of you
|
||
shall leave this room until one is given. Your proofs?”
|
||
|
||
“Here is one of them,” snapped Braddock, throwing the manuscript on the
|
||
table. “Where did you get this?”
|
||
|
||
Random took up the discolored paper with a bewildered air.
|
||
|
||
“I never set eyes on this before,” he said, much puzzled. “What is it?”
|
||
|
||
“A copy of the manuscript mentioned by Don Pedro, which describes the
|
||
two emeralds buried with the mummy of Inca Caxas.”
|
||
|
||
“I see.” Random understood all in a moment. “So you say that I knew of
|
||
the emeralds from this, and so murdered Bolton to obtain them.”
|
||
|
||
“Pardon me,” said Braddock with elaborate politeness. “Hervey says
|
||
that you murdered my poor assistant, and although my discovery of this
|
||
manuscript proves that you must have known about the jewels, I say
|
||
nothing. I wait to hear your defense.”
|
||
|
||
“That's very good of you,” remarked Sir Frank ironically. “So it seems
|
||
that I am in the dock. Perhaps the counsel for the prosecution will
|
||
state the evidence against me,” and he looked again from one to the
|
||
other.
|
||
|
||
Archie shook the baronet by the hand very warmly.
|
||
|
||
“My dear fellow,” he declared decidedly, “I don't believe one word of
|
||
the evidence.”
|
||
|
||
“In that case there must be a flaw in it,” retorted Random, but did not
|
||
seem to be unmoved by Hope's generous action. “Sit down, Professor; it
|
||
appears that you are against me.”
|
||
|
||
“Until I hear your defense,” said the old man obstinately.
|
||
|
||
“I cannot make any until I hear your evidence. Go on. I am waiting,”
|
||
and Sir Frank flung himself into a chair, where he sat calmly, his eyes
|
||
steadily fixed on the Professor's face.
|
||
|
||
“Where did you get that manuscript?” asked Braddock sharply.
|
||
|
||
“I got it nowhere: this is the first time I have seen it.”
|
||
|
||
“Yet it was hidden amongst your books.”
|
||
|
||
“Then I can't say how it got there. Were you looking for it?”
|
||
|
||
“No! Certainly not. To pass the time while waiting, I examined your
|
||
library, and in pulling out a book, your case, being a swing one,
|
||
over-balanced and shot its contents on to the floor. Amongst the papers
|
||
which fell with the books, I caught a glimpse of the manuscript, and,
|
||
noting that it was written in Latin, I picked it up, surprised to
|
||
think that a frivolous young man, such as you are, should study a dead
|
||
language. A few words showed me that the manuscript was a copy of the
|
||
one referred to by Don Pedro.”
|
||
|
||
“One moment,” said Archie, who had been thinking. “Perhaps this is the
|
||
original manuscript, which De Gayangos has given to you, Random.”
|
||
|
||
“It is good of you to afford me a loophole of escape,” said Sir Frank,
|
||
leaning back with folded arms, “but De Gayangos gave me nothing. I
|
||
saw the manuscript in his hands, when he showed it to us all at Mrs.
|
||
Jasher's. But whether this is the original or a copy I can't say. Don
|
||
Pedro certainly did not give it to me.”
|
||
|
||
“Has Don Pedro been in your quarters?” asked Hope thoughtfully.
|
||
|
||
“No. He has only visited me in the mess. And even if Don Pedro did come
|
||
in here--for I guess what is in your mind--I really do not see why he
|
||
should slip a manuscript which he values highly amongst my books.”
|
||
|
||
“Then you really never saw this before?” said Braddock, indicating the
|
||
paper on the table, and impressed by Random's earnestness.
|
||
|
||
“How often do you want me to deny it?” retorted the young man
|
||
impatiently. “Perhaps you will state on what grounds I am accused?”
|
||
|
||
Braddock nodded and cleared his throat.
|
||
|
||
“Captain Hervey declared that your yacht arrived at Pierside almost at
|
||
the same time as his steamer.”
|
||
|
||
“Quite right. When Don Pedro received a wire from Malta stating that the
|
||
mummy had been sold to you, and that it was being shipped to London on
|
||
The Diver, I got up steam at once, and chased the tramp to that port. As
|
||
the tramp was slow, and my boat was fast, I arrived on the same day
|
||
and almost at the same hour, even though Hervey's boat had the start of
|
||
mine.”
|
||
|
||
“Why were you anxious to follow The Diver?” asked Hope.
|
||
|
||
“Don Pedro wished to get back the mummy, and asked me to follow. As I
|
||
was in love with Donna Inez, and still am, I was only too willing to
|
||
oblige him.”
|
||
|
||
Braddock nodded again.
|
||
|
||
“Hervey says that you went on board The Diver, and had an interview with
|
||
Bolton.”
|
||
|
||
“That is perfectly true, and my visit was paid for the same reason as I
|
||
followed the steamer to London--that is, I acted on behalf of Don Pedro.
|
||
I wished to ascertain for certain that the mummy was on board, and
|
||
having done so from Bolton, I urged him to induce you to give back the
|
||
same, free of charge, to De Gayangos, from whom it had been stolen. He
|
||
refused, as he declared that he intended to deliver it to you.”
|
||
|
||
“I knew I could always trust Bolton,” said the Professor
|
||
enthusiastically. “It would have been better for you to have come to me,
|
||
Random.”
|
||
|
||
“I daresay; but I wished, as I told you, to make certain that the mummy
|
||
was on board. That was the real reason for my visit; but, being in
|
||
Bolton's company, I naturally told him that Don Pedro claimed the mummy
|
||
as his property, and warned him that if you or he kept the same, that
|
||
there would be trouble.”
|
||
|
||
“Did you use threats?” asked Hope, remembering what he had overheard.
|
||
|
||
“No; certainly not.”
|
||
|
||
“Yes, you did,” cried Braddock quickly. “Hervey declares that you told
|
||
Bolton that he would repent of keeping the mummy, and that his life
|
||
would not be safe while he held it.”
|
||
|
||
To the surprise of both visitors, Random admitted using these serious
|
||
threats without a moment's hesitation.
|
||
|
||
“Don Pedro told me that many Indians, both in Lima and Cuzco, who
|
||
look upon him as the lawful descendant of the last Inca, are anxiously
|
||
expecting the return of the royal mummy. He also stated that when the
|
||
Indians knew who held the mummy they would send one of themselves to get
|
||
it back, if he--Don Pedro, that is--did not fetch it. To get back the
|
||
mummy Don Pedro declared that these Indians would not stop short of
|
||
murder. Hence my warning to Bolton.”
|
||
|
||
“Oh!” Archie jumped up with widely opened eyes. “Then perhaps this
|
||
solves the problem. Bolton was murdered by some Peruvian Indian.”
|
||
|
||
Random shook his head gravely.
|
||
|
||
“Again you offer me a loophole of escape, my dear fellow,” he said
|
||
sententiously, “but that theory will not hold water. At present the
|
||
Indians in Lima and Cuzco do not know that the mummy has been found. Don
|
||
Pedro only chanced upon the paper which announced the sale by accident
|
||
and had no time to communicate with his barbaric friends in South
|
||
America. Failing to get the mummy from you, Professor, he would have
|
||
returned to Peru and then would have told who possessed the corpse of
|
||
Inca Caxas, leaving the Indians to deal with the matter. In that case my
|
||
warning to Bolton would be necessary. But at the time I told him, it
|
||
was not necessary. However, Bolton remained true to you, Professor, and
|
||
declined to surrender the mummy. I therefore wired to Don Pedro at Genoa
|
||
that the mummy was on board The Diver and was being sent to Gartley. I
|
||
also advised him to come to me here in order to be introduced to you.
|
||
The rest you know.”
|
||
|
||
There was a moment's silence. Then Archie, to test if Random was
|
||
willing to admit everything--as an innocent man certainly would--asked
|
||
significantly,
|
||
|
||
“Did you see Bolton again after your interview on board ship?”
|
||
|
||
It was then that the baronet proved his good faith.
|
||
|
||
“Oh, yes,” he said easily and without hesitation. “I was walking
|
||
about Pierside later, and, passing along that waterside alley near
|
||
the Sailor's Rest, I saw a window on the ground floor open, and Bolton
|
||
looking out across the river. I stopped and asked him when he proposed
|
||
to take the mummy to Gartley, and if it was on shore. He admitted that
|
||
it was in the hotel, but declined to say when he would send it on to
|
||
you, Professor. When he closed the window, I afterwards went into the
|
||
hotel and had a drink in order to ask casually when Mr. Bolton intended
|
||
to leave. I gathered--not directly, of course, but in a roundabout
|
||
way--that he had arranged to go next morning and to send on his luggage.
|
||
Then I left and went to London. In the course of time I returned here
|
||
and learned of the murder and the disappearance of the corpse of Inca
|
||
Caxas. And now,” Random stood up, “having admitted all this, perhaps you
|
||
will believe me to be innocent.”
|
||
|
||
“You have no idea who murdered Bolton and placed his body in the packing
|
||
case?” asked Braddock, manifestly disappointed.
|
||
|
||
“'No. No more than I have any idea of the person who placed the mummy
|
||
case and its contents in Mrs. Jasher's garden.”
|
||
|
||
“Oh, you know that!” said Archie quickly.
|
||
|
||
“Yes. The news was all over the village this morning. I could hardly
|
||
help knowing it. And I believe that the mummy has been taken to your
|
||
house, Professor.”
|
||
|
||
“It has,” admitted Braddock dryly. “I took it myself from Mrs. Jasher's
|
||
arbor in a hand-cart, with the assistance of Cockatoo. But when I made
|
||
an examination this morning in the presence of Hope and Don Pedro, I
|
||
found that the swathings of the body had been ripped up, and that the
|
||
emeralds mentioned in that manuscript had been stolen.”
|
||
|
||
“Strange!” said Random with a frown; “and by whom?”
|
||
|
||
“No doubt by the assassin of Sidney Bolton.”
|
||
|
||
“Probably.” Random kicked a mat straight with his foot. “At any rate
|
||
the theft of the emeralds shows that it was not any Indian who killed
|
||
Bolton. None of them would rifle so sacred a corpse.”
|
||
|
||
“Besides which--as you say--the Indians in Peru do not know that the
|
||
mummy has reappeared after thirty years' seclusion,” chimed in Hope,
|
||
rising. “Well, and what is to be done now?”
|
||
|
||
For answer Sir Frank picked up the manuscript which still remained on
|
||
the table.
|
||
|
||
“I shall see Don Pedro about this,” he said quietly, “and ascertain if
|
||
it is the original or a copy.”
|
||
|
||
Braddock rose slowly and stared at the paper.
|
||
|
||
“Do you know Latin?” he asked.
|
||
|
||
“No,” rejoined Random, knowing what the savant meant. “I learned it, of
|
||
course, but I have forgotten much. I might translate a word or two,
|
||
but certainly not the hedge-priest Latin in which this is written.” He
|
||
looked carefully at the manuscript as he spoke.
|
||
|
||
“But who could have placed it in your room?” questioned Archie.
|
||
|
||
“We cannot learn that until we see Don Pedro. If this is the original
|
||
manuscript which we saw the other night, we may learn how it passed from
|
||
the possession of De Gayangos to my bookcase. If it is a copy, then we
|
||
must learn, if possible, who owned it.”
|
||
|
||
“Don Pedro said that a transcript or a translation had been made,”
|
||
mentioned Hope.
|
||
|
||
“Evidently a transcript,” said Braddock, glaring at the paper in
|
||
Random's hand. “But how could that find its way from Lima to this
|
||
place?”
|
||
|
||
“It might have been packed up with the mummy,” suggested Archie.
|
||
|
||
“No,” contradicted Random decisively, “in that event, the man in Malta
|
||
from whom the mummy was bought would have discovered the emeralds, and
|
||
would have taken them.”
|
||
|
||
“Perhaps he did. We have nothing to show that Bolton's assassin
|
||
committed the crime for the sake of the jewels.”
|
||
|
||
“He must have done so,” cried the Professor, irritably, “else there is
|
||
no motive for the commission of the crime. But I think myself that we
|
||
must start at the other end to find a clue. When we discover who placed
|
||
the mummy in Mrs. Jasher's garden--”
|
||
|
||
“That will not be easy,” murmured Hope thoughtfully, “though, of
|
||
course, the same must have been brought by river. Let us go down to the
|
||
embankment and see if there are any signs of a boat having been brought
|
||
there last night,” and he moved to the door. “Random?”
|
||
|
||
“I cannot leave the Fort, as I am on duty,” replied the officer, putting
|
||
the manuscript away in a drawer and locking the same, “but this evening
|
||
I shall see Don Pedro, and in the meanwhile I shall endeavor to learn
|
||
from my servant who visited me lately while I was absent. The manuscript
|
||
must have been brought here by someone. But I trust,” he added as he
|
||
escorted his two visitors to the door, “that you now acquit me of--”
|
||
|
||
“Yes! yes! yes!” cried Braddock, hastily cutting him short and shaking
|
||
his hand. “I apologize for my suspicions. Now I maintain that you are
|
||
innocent.”
|
||
|
||
“And I never believed you to be guilty,” cried Hope heartily.
|
||
|
||
“Thank you both,” said Random simply, and, having closed the door, he
|
||
returned to a chair near the fire to smoke a pipe, and meditate over his
|
||
future movements. “An enemy hath done this,” said Random, referring
|
||
to the concealment of the manuscript, but he could think of no one who
|
||
desired to harm him in any way.
|
||
|
||
|
||
|
||
|
||
CHAPTER XVIII. RECOGNITION
|
||
|
||
|
||
Lucy and Mrs. Jasher were having a confidential conversation in the
|
||
small pink drawing-room. True to her promise, Miss Kendal had come to
|
||
readjust matters between the fiery little Professor and the widow. But
|
||
it was not an easy task, as Mrs. Jasher was righteously indignant at the
|
||
rash words used to her.
|
||
|
||
“As if I knew anything about the matter,” she repeated again and again
|
||
in angry tones. “Why, my dear, he as good as told me I had murdered--”
|
||
|
||
Lucy did not let her finish.
|
||
|
||
“There! there!” she said, speaking as she would have done to a fretful
|
||
child, “you know what my father is.”
|
||
|
||
“It seems to me that I am just beginning to learn,” said the widow
|
||
bitterly, “and knowing how ready he is to believe ill of me, I think it
|
||
is better we should part for ever.”
|
||
|
||
“But you'll never be Lady Braddock.”
|
||
|
||
“Even if I married him, I am not sure that I should be, since I learn
|
||
that his brother is singularly healthy and comes of a long-lived family.
|
||
And it will not be pleasant to live with your father when he has such a
|
||
temper.”
|
||
|
||
“That was only because he was excited. Think of your salon, and of the
|
||
position you wish to hold in, London.”
|
||
|
||
“Ah, well,” said Mrs. Jasher, visibly softening, “there is something to
|
||
be said there. After all, one can never find a man who is perfection.
|
||
And a very amiable man is usually a fool. One can't expect a rose to
|
||
be without thorns. But really, my dear,” she surveyed Lucy with mild
|
||
surprise, “you appear to be very anxious that I should marry your
|
||
father.”
|
||
|
||
“I want to see my father made comfortable before I marry Archie,”
|
||
said the girl with a blush. “Of course my father is quite a child in
|
||
household affairs and needs everything done for him. Archie--I am glad
|
||
to say--is now in a position to marry me in the spring. I want you to be
|
||
married about the same time, and then you can live in Gartley, and--”
|
||
|
||
“No, my dear,” said Mrs. Jasher firmly, “if I marry your father, he
|
||
wishes us to go at once to Egypt in search of this tomb.”
|
||
|
||
“I know that he wants you to help with the money left to you by your
|
||
late brother. But surely you will not go up the Nile yourself?”
|
||
|
||
“No, certainly not,” said the widow promptly. “I shall remain in Cairo
|
||
while the Professor goes on his excursion into Ethiopia. I know that
|
||
Cairo is a very charming place, and that I shall be able to enjoy myself
|
||
there.”
|
||
|
||
“Then you have decided to forgive my father for his rash words?”
|
||
|
||
“I must,” sighed Mrs. Jasher. “I am so tired of being an unprotected
|
||
widow without a recognized position in the world. Even with my brother's
|
||
money,--not that it is so very much--I shall still be looked upon
|
||
askance if I go into society. But as Mrs. Braddock, or Lady Braddock,
|
||
no one will dare to say a word against me. Yes, my dear, if your father
|
||
comes and, asks my pardon he shall have it. We women are so weak,” ended
|
||
the widow virtuously, as if she was not making a virtue of necessity.
|
||
|
||
Things being thus settled, the two talked on amiably for some time, and
|
||
discussed the chances of Random marrying Donna Inez. Both acknowledged
|
||
that the Peruvian lady was handsome enough, but had not a word to say
|
||
for herself.
|
||
|
||
While thus chattering, Professor Braddock trotted into the room, looking
|
||
brisk and bright from his stroll in the cold frosty air. Gifted as he
|
||
was with scientific assurance, the little man was not at all taken aback
|
||
by the cold reception of Mrs. Jasher, but rubbed his hands cheerfully.
|
||
|
||
“Ah, there you are, Selina,” said he, looking like a bright-eyed robin.
|
||
“I hope you are feeling well.”
|
||
|
||
“How can you expect me to feel well after what you said?” remarked Mrs.
|
||
Jasher reproachfully, and anxious to make a virtue of forgiveness.
|
||
|
||
“Oh, I beg pardon: I beg pardon. Surely, Selina, you are not going to
|
||
make a fuss over a trifle like that?”
|
||
|
||
“I did not give you permission to call me Selina.”
|
||
|
||
“Quite so. But as we are to be married, I may as well get used to your
|
||
Christian name, my dear.”
|
||
|
||
“I am not so sure that we will be married,” said Mrs. Jasher stiffly.
|
||
|
||
“Oh, but we must,” cried Braddock in dismay. “I am depending upon your
|
||
money to finance my expedition to Queen Tahoser's tomb.”
|
||
|
||
“I see,” observed the widow coldly, while Lucy sat quietly by and
|
||
allowed the elder woman to conduct the campaign, “you want me for my
|
||
money. There is no love in the question.”
|
||
|
||
“My dear, as soon as I have the time--say during our voyage to Cairo,
|
||
whence we start inland up the Nile for Ethiopia--I shall make love
|
||
whenever you like. And, confound it, Selina, I admire you no end--to
|
||
use a slang phrase. You are a fine woman and a sensible woman, and I
|
||
am afraid that you are throwing yourself away on a snuffy old man like
|
||
myself.”
|
||
|
||
“Oh no! no! Pray do not say that,” cried Mrs. Jasher, visibly moved
|
||
by this flattery. “You will make a very good husband if you will only
|
||
strive to govern your temper.”
|
||
|
||
“Temper! temper! Bless the woman--I mean you, Selina--I have the very
|
||
best temper in the world. However, you shall govern it and myself also
|
||
if you like. Come,” he took her hand, “let us be friends and fix the
|
||
wedding day.”
|
||
|
||
Mrs. Jasher did not withdraw her hand.
|
||
|
||
“Then you do not believe that I have anything to do with this terrible
|
||
murder?” she asked playfully.
|
||
|
||
“No! no! I was heated last night. I spoke rashly and hastily. Forgive
|
||
and forget, Selina. You are innocent--quite innocent, in spite of
|
||
the mummy being in your confounded garden. After all, the evidence is
|
||
stronger against Random than against you. Perhaps he put it there: it's
|
||
on his way to the Fort, you see. Never mind. He has exonerated himself,
|
||
and no doubt, when confronted with Hervey, will be able to silence that
|
||
blackguard. And I am quite sure that Hervey is a blackguard,” ended
|
||
Braddock, rubbing his bald head.
|
||
|
||
The two ladies looked at one another in amazement, not knowing what
|
||
to say. They were ignorant of the theft of the emeralds and of the
|
||
accusation of Sir Frank by the Yankee skipper. But, with his usual
|
||
absentmindedness, Braddock had forgotten all about that, and sat in his
|
||
chair rubbing his head quite pink and rattling on cheerfully.
|
||
|
||
“I went down with Hope to the embankment,” he continued, “but neither
|
||
of us could see any sign of a boat. There's the rude, short jetty, of
|
||
course, and if a boat came, a boat could go away without leaving any
|
||
trace. Perhaps that is so. However, we must wait until we see Don Pedro
|
||
and Hervey again, and then--”
|
||
|
||
Lucy broke in desperately.
|
||
|
||
“What are you talking about, father? Why do you bring in Sir Frank's
|
||
name in that way?”
|
||
|
||
“What do you expect me to say?” retorted the little man. “After all, the
|
||
manuscript was found in his room, and the emeralds are gone. I saw that
|
||
for myself, as did Hope and Don Pedro, in whose presence I opened the
|
||
mummy case.”
|
||
|
||
Mrs. Jasher rose in her astonishment.
|
||
|
||
“Are the emeralds gone?” she gasped.
|
||
|
||
“Yes! yes! yes!” cried Braddock irritably. “Am I not telling you so?
|
||
I almost believe in Hervey's accusation of Random, and yet the boy
|
||
exonerated himself very forcibly--very forcibly indeed.”
|
||
|
||
“Will you explain all that has happened, father?” said Lucy, who was
|
||
becoming more and more perplexed by this rambling chatter. “We are quite
|
||
in the dark.”
|
||
|
||
“So am I: so is Hope: so is every one,” chuckled Braddock. “Ah, yes: of
|
||
course, you were not present when these events took place.”
|
||
|
||
“What events?--what events?” demanded Mrs. Jasher, now quite
|
||
exasperated.
|
||
|
||
“I am about to tell you,” snapped her future husband, and related all
|
||
that had taken place since the arrival of Captain Hervey in the museum
|
||
at the Pyramids. The women listened with interest and with growing
|
||
astonishment, only interrupting the narrator with a simultaneous
|
||
exclamation of indignation when they heard that Sir Frank was accused.
|
||
|
||
“It is utterly and wholly absurd,” cried Lucy angrily. “Sir Frank is the
|
||
soul of honor.”
|
||
|
||
“So I think, my dear,” chimed in Mrs. Jasher. “And what does he say
|
||
to--?”
|
||
|
||
Braddock interrupted.
|
||
|
||
“I am about to tell you, if you will stop talking,” he cried crossly.
|
||
“That is so like a woman. She asks for an explanation and then prevents
|
||
the man from giving it. Random offers a very good defense, I am bound to
|
||
say,” and he detailed what Sir Frank had said.
|
||
|
||
When the history was finished, Lucy rose to go.
|
||
|
||
“I shall see Archie at once,” she said, moving hastily, towards the
|
||
door.
|
||
|
||
“What for?” demanded her father benignly.
|
||
|
||
Lucy turned.
|
||
|
||
“This thing can't go on,” she declared resolutely. “Mrs. Jasher was
|
||
accused by you, father--”
|
||
|
||
“Only in a heated moment,” cried the Professor, excusing himself.
|
||
|
||
“Never mind, she was accused,” retorted Lucy stubbornly, “and now
|
||
this sailor accuses Sir Frank. Who knows who will be charged next with
|
||
committing the crime? I shall ask Archie to take the matter up, and hunt
|
||
down the real criminal. Until the guilty person is found, I foresee that
|
||
we shall never have a moment's peace.”
|
||
|
||
“I quite agree with you,” said Mrs. Jasher earnestly. “For my own sake
|
||
I wish the matter of this mystery to be cleared up. Why don't you help
|
||
me?” she added, turning to Braddock, who listened placidly.
|
||
|
||
“I am helping,” said Braddock quietly. “I intend to set Cockatoo on the
|
||
trail at once. He shall take up his abode in the Sailor's Rest on some
|
||
pretext, and no doubt will be able to find a clue.”
|
||
|
||
“What?” cried the widow incredulously, “a savage like that?”
|
||
|
||
“Cockatoo is much cleverer than the average white man,” said Braddock
|
||
dryly, “especially in following a trail. He, if any one, will learn the
|
||
truth. I would much rather trust the Kanaka than young Hope.”
|
||
|
||
“Nonsense!” cried Lucy, standing up for her lover. “Archie is the one to
|
||
discover the assassin. I'll see him at once. And you, father?”
|
||
|
||
“I, my dear,” said the Professor calmly, “shall remain here and make my
|
||
peace with the future Mrs. Braddock.”
|
||
|
||
“You have made it already,” said the widow graciously, and extended her
|
||
hand, which the Professor kissed unexpectedly, and then sat back in his
|
||
chair, looking quite abashed at his outburst of gallantry.
|
||
|
||
Seeing that everything was going well, Lucy left the elderly couple
|
||
to continue their courting, and hurried to Archie's lodgings in the
|
||
village. However, he happened to be out, and his landlady did not know
|
||
when he would return. Rather annoyed by this, since she greatly desired
|
||
to unbosom herself, Miss Kendal walked disconsolately towards the
|
||
Pyramids. On the way she was stopped by Widow Anne, looking more dismal
|
||
and funereal than ever, and garrulous with copious draughts of gin. Not
|
||
that she was intoxicated, but her tongue was loose, and she wept freely
|
||
for no apparent reason. According to herself, she had stopped Lucy to
|
||
demand back from Mr. Hope through the girl certain articles of attire
|
||
which had been borrowed for artistic purposes. These, consisting of a
|
||
shawl and a skirt and a bodice, were of extraordinary value, and Mrs.
|
||
Bolton wanted them back or their equivalent in value. She mentioned that
|
||
she would prefer the sum of five pounds.
|
||
|
||
“Why do you not ask Mr. Hope yourself?” said Lucy who was too impatient
|
||
to bear with the old creature's maunderings. “If you gave him the things
|
||
he will no doubt return them.”
|
||
|
||
“If they aren't spiled with paint,” wailed Widow Anne. “He told my Sid
|
||
as he wanted them for a model to wear while being painted. Sid asked
|
||
me, and I gave 'em to Sid, and Sid, he passed 'em along to your good
|
||
gentleman. There was a skirt, as good as new, and a body of the dress
|
||
trimmest beautiful, and a tartan shawl as I got from my mother. But no,”
|
||
the old woman corrected herself, “it was a dark shawl with red spots
|
||
and--”
|
||
|
||
“Ask Mr. Hope, ask Mr. Hope,” cried Miss Kendal impatiently. “I know
|
||
nothing about the things,” and she tore her dress from Widow Anne's
|
||
detaining hand to hurry home. Mrs. Bolton wailed aloud at this
|
||
desertion, and took her way to Hope's lodgings, where she declared her
|
||
determination to remain until the artist restored her apparel.
|
||
|
||
Lucy for the moment thought little of this interview; but on reflection
|
||
she thought it strange that Archie should borrow clothes from Mrs.
|
||
Bolton through Sidney. Not that there was anything strange in Archie's
|
||
procuring such garments, since he may have wanted them to clothe a model
|
||
with. But he could easily have got such things from his landlady, or,
|
||
if from Widow Anne, could have borrowed them direct without appealing to
|
||
Sidney. Why, then, had the dead man acted as an intermediate party? This
|
||
question was hard to answer, yet Lucy greatly wished for a reply, since
|
||
she suddenly remembered how a woman in a dark dress and with a dark
|
||
shawl over her head had been seen by Eliza Flight, the housemaid of the
|
||
Sailor's Rest, talking to Bolton through the window. Were the garments
|
||
borrowed as a disguise, and did the person who had borrowed them desire
|
||
that it should be supposed that Widow Anne was talking to her son? There
|
||
was a chill hand clutching Lucy's heart as she went home, for the words
|
||
of Mrs. Bolton seemed indirectly to implicate Hope in the mystery. She
|
||
determined to ask him about the matter straight out, when he came in
|
||
that night to pay his usual visit.
|
||
|
||
At dinner the Professor was in excellent spirits, and actually became so
|
||
human as to compliment Lucy on her housekeeping. He also mentioned that
|
||
he hoped Mrs. Jasher would cater as excellently. Over coffee he informed
|
||
his step-daughter that he had entirely won the widow's heart by abasing
|
||
himself at her feet and withdrawing the accusation. They had arranged to
|
||
be married in May, one or two weeks after Lucy became Mrs. Hope. In the
|
||
autumn they would start for Egypt, and would remain abroad for a year or
|
||
more.
|
||
|
||
“In fact,” said the Professor, setting down his cup and preparing to
|
||
take his departure, “everything is now settled excellently. I marry Mrs.
|
||
Jasher: you, my dear, marry Hope, and--”
|
||
|
||
“And Sir Frank marries Donna Inez,” finished Lucy quickly.
|
||
|
||
“That,” said Braddock stiffly, “entirely depends upon what De Gayangos
|
||
says to this accusation of Hervey's.”
|
||
|
||
“Sir Frank is innocent.”
|
||
|
||
“I hope so, and I believe so. But he will have to prove his innocence.
|
||
I shall do my best, and I have sent round to Don Pedro to come here. We
|
||
can then talk it over.”
|
||
|
||
“Can Archie and I come in also?” asked Miss Kendal anxiously.
|
||
|
||
Somewhat to her surprise, the Professor yielded a ready assent.
|
||
|
||
“By all means, my dear. The more witnesses we have, the better it will
|
||
be. We must do all in our powers to bring this matter to a successful
|
||
issue.”
|
||
|
||
So things were arranged, and when Archie came up to the drawing-room,
|
||
Lucy informed him that Braddock was in the museum with Don Pedro,
|
||
telling all that had happened. Hope was glad to hear that Lucy had
|
||
secured the Professor's consent that they should be present, for the
|
||
mystery of Bolton's terrible death was piquing him, and he dearly
|
||
desired to learn the truth. As a matter of fact, although he was unaware
|
||
of it, he was suffering from an attack of detective fever, and wished
|
||
to solve the mystery. He therefore went gladly into the museum with his
|
||
sweetheart. Oddly enough--as Lucy recollected when it was too late to
|
||
speak--she quite forgot to relate what Widow Anne had said about the
|
||
borrowed clothes.
|
||
|
||
Don Pedro, looking more stiff and dignified than ever, was in the
|
||
museum with Braddock. The two men were seated in comfortable chairs, and
|
||
Cockatoo, some distance away, was polishing with a cloth the green mummy
|
||
case of the fatal object which had brought about all the trouble. Lucy
|
||
had half expected to see Donna Inez, but De Gayangos explained that
|
||
he had left her writing letters to Lima in the Warrior Inn. When
|
||
Miss Kendal and Hope were seated, the Peruvian expressed himself much
|
||
surprised at the charge which had been brought against Sir Frank.
|
||
|
||
“If I can speak of such things in the presence of a lady,” he remarked,
|
||
bowing his head to Lucy.
|
||
|
||
“Oh yes,” she answered eagerly. “I have heard all about the charge. And
|
||
I am glad that you are here, Don Pedro, for I wish to say that I do not
|
||
believe there is a word of truth in the accusation.”
|
||
|
||
“Nor do I,” asserted the Peruvian decisively.
|
||
|
||
“I agree--I agree,” cried Braddock, beaming. “And you, Hope?”
|
||
|
||
“I never believed it, even before I heard Random's defense,” said Archie
|
||
with a dry smile. “Did you not see Captain Hervey yourself, sir?” he
|
||
added, turning to Don Pedro; “he started for Pierside to look you up.”
|
||
|
||
“I have not seen him,” said De Gayangos in his stately way, “and I am
|
||
very sorry, as I desire to examine him about the accusation he had dared
|
||
to bring against my very good friend, Sir Frank Random. I wish he were
|
||
here at this very minute, so that I could tell him what I think of the
|
||
charge.”
|
||
|
||
Just as Don Pedro spoke the unexpected happened, as though some genie
|
||
had obeyed his commands. As though transported into the room by magic,
|
||
the American skipper appeared, not through the floor, but by the door. A
|
||
female domestic admitted him and announced his name, then fled to avoid
|
||
the anger of her master, seeing she had violated the sacred precincts of
|
||
the museum.
|
||
|
||
Captain Hervey, amused by the surprise visible on every face, sauntered
|
||
forward, hat on head and cheroot in mouth as usual. But when he saw Lucy
|
||
he removed both with a politeness scarcely to be expected from so rude
|
||
and ready and rough a mariner.
|
||
|
||
“I beg pardon for coming here uninvited,” said Hervey awkwardly, “but
|
||
I've been chasing the Don all over Pierside and through this village.
|
||
They told me at the police office that you”--he spoke to De Gayangos
|
||
“had doubled on your trail, so here I am for a little private
|
||
conversation.”
|
||
|
||
The Peruvian looked gravely at Hervey's face, which was clearly revealed
|
||
in the powerful light of the many lamps with which the museum was
|
||
filled, and rose to bow.
|
||
|
||
“I am glad to see you, sir,” he said politely, and with a still more
|
||
searching glance. “With the permission of our host I shall ask you to
|
||
take a chair,” and he turned to Braddock.
|
||
|
||
“Certainly! certainly!” said the Professor fussily. “Cockatoo?”
|
||
|
||
“Pardon, allow me,” said De Gayangos, and brought forward a chair,
|
||
still keeping his eyes on the skipper, who was rather confused by the
|
||
courtesy. “Will you be seated, senor: then we can talk.”
|
||
|
||
Hervey sat down quietly close to the Peruvian; who then leaned forward
|
||
to address him.
|
||
|
||
“You will have a cigarette?” he asked, offering a silver case.
|
||
|
||
“Thanks, no. I'll smoke a cheroot if the lady don't mind.”
|
||
|
||
“Not at all,” replied Lucy, who, along with Archie and the Professor,
|
||
was puzzled by Don Pedro's manner. “Please smoke!”
|
||
|
||
In taking back the case Don Pedro allowed it to drop. As he made no
|
||
motion of picking it up, Hervey, although annoyed with himself for
|
||
his politeness towards a yellow-stomach, as he called De Gayangos, was
|
||
compelled to stretch for it. As he handed it back to Don Pedro, the
|
||
Peruvian's eyes lighted up and he nodded gravely.
|
||
|
||
“Thank you, Vasa,” said De Gayangos, and Hervey, changing color, leaped
|
||
from his seat as though touched by a spear-point.
|
||
|
||
|
||
|
||
|
||
CHAPTER XIX. NEARER THE TRUTH
|
||
|
||
|
||
For a few moments there was silence. Lucy and Archie sat still, as they
|
||
were too much surprised by Don Pedro's recognition of Captain Hervey as
|
||
the Swedish sailor Vasa to move or speak. But the Professor did not seem
|
||
to be greatly astonished, and the sole sound which broke the stillness
|
||
was his sardonic chuckle. Perhaps the little man had progressed beyond
|
||
the point of being surprised at anything, or, like, Moliere's hero, was
|
||
only surprised at finding virtue in unexpected places.
|
||
|
||
As for the Peruvian and the skipper, they were both on their feet,
|
||
eyeing one another like two fighting dogs. Hervey was the first to find
|
||
his very useful tongue.
|
||
|
||
“I guess you've got the bulge on me,” said he, trying to outstare
|
||
the Peruvian, for which nationality, from long voyaging on the South
|
||
American coast, he entertained the most profound contempt.
|
||
|
||
But in De Gayangos he found a foeman worthy of his steel.
|
||
|
||
“I think not,” said Don Pedro quietly, and facing the pseudo-American
|
||
bravely. “I never forget faces, and yours is a noticeable one. When you
|
||
first spoke I fancied that I remembered your voice. All that business
|
||
with the chair was to get close to you, so that I could see the scar
|
||
on your right temple. It is still there, I notice. Also, I dropped my
|
||
cigarette case and forced you to pick it up, so that, when you stretched
|
||
your arm, I might see what mark was on your left wrist. It is a serpent
|
||
encircling the sun, which Lola Farjados induced you to have tattooed
|
||
when you were in Lima thirty years ago. Your eyes are blue and full of
|
||
light, and as you were twenty when I knew you, the lapse of years has
|
||
made you fifty--your present age.”
|
||
|
||
“Shucks!” said Hervey coolly, and sat down to smoke.
|
||
|
||
Don Pedro turned to Archie and Braddock.
|
||
|
||
“Mr. Hope! Professor!” he remarked, “if you remember the description I
|
||
gave of Gustav Vasa, I appeal to you to see if it does not exactly fit
|
||
this man?”
|
||
|
||
“It does,” said Archie unhesitatingly, “although I cannot see the
|
||
tattooed left wrist to which you refer.”
|
||
|
||
Hervey, still smoking, made no offer to show the symbol, but Braddock
|
||
unexpectedly came to the assistance of Don Pedro.
|
||
|
||
“The man is Vasa right enough,” he remarked abruptly. “Whether he is
|
||
Swedish or American I cannot say. But he is the same man I met when I
|
||
was in Lima thirty years ago, after the war.”
|
||
|
||
Hervey slowly turned his blue eyes on the scientist with a twinkle in
|
||
their depths.
|
||
|
||
“So you recognized me?” he observed, with his Yankee drawl.
|
||
|
||
“I recognized you at the moment I hired you to take The Diver to Malta
|
||
to bring back that mummy,” retorted Braddock, “but it didn't suit my
|
||
book to let on. Didn't you recognize me?”
|
||
|
||
“Wal, no,” said Hervey, his drawl more pronounced than ever. “I haven't
|
||
got the memory for faces that you and the Don here seem to possess.
|
||
Huh!” He wheeled his chair and faced Braddock squarely. “I'd have
|
||
thought you wiser not to back up the Don, sir.”
|
||
|
||
Braddock's little eyes sparkled.
|
||
|
||
“I am not afraid of you,” said he with great contempt. “I never did
|
||
anything for which you could get money out of me for, Captain Hervey or
|
||
Gustav Vasa, or whatever your name might be.”
|
||
|
||
“You were always a mighty spry man,” assented the skipper coolly, “but
|
||
spry men, I take it, make mistakes from being too almighty smart.”
|
||
|
||
Braddock shrugged his shoulders, and Don Pedro intervened.
|
||
|
||
“This is all beside the point,” he remarked angrily. “Captain Hervey, do
|
||
you deny that you are Gustav Vasa in the face of this evidence?”
|
||
|
||
Hervey drew up the left sleeve of his reefer jacket, and showed on his
|
||
bared wrist the symbol of the sun and the encircling serpent.
|
||
|
||
“Is that enough?” he drawled, “or do you want to look at this?” and he
|
||
turned his head to reveal his scarred right temple.
|
||
|
||
“Then you admit that you are Vasa?”
|
||
|
||
“Wal,” drawled the captain again, “that's one of my names, I guess,
|
||
though I haven't used it since I traded that blamed mummy in Paris,
|
||
thirty years ago. There's nothing like owning up.”
|
||
|
||
“Are you not Swedish?” asked Lucy timidly.
|
||
|
||
“I am a citizen of the world, I guess,” replied Hervey with great
|
||
politeness for him, “and America suits me for headquarters as well as
|
||
any other nation. I might be Swedish or Danish or a Dago for choice.
|
||
Vasa may be my name, or Hervey, or anything you like. But I guess I'm a
|
||
man all through.”
|
||
|
||
“And a thief!” cried Don Pedro, who had resumed his seat, but was
|
||
keeping quiet with difficulty.
|
||
|
||
“Not of those emeralds,” rejoined the skipper coolly: “Lord, to think
|
||
of the chance I missed! Thirty years ago I could have looted them,
|
||
and again the other day. But I never knew--I never knew,” cried Hervey
|
||
regretfully, with his vividly blue eyes on the mummy. “I could jes' kick
|
||
myself, gentlemen, when I think of the miss.”
|
||
|
||
“Then you didn't steal the manuscript along with the emeralds?”
|
||
|
||
“Wal, I did,” cried Hervey, turning to Archie, who had spoken, “but it
|
||
was in a furren lingo, to which I didn't catch on. If I'd known I'd have
|
||
learned about those blamed emeralds.”
|
||
|
||
“What did you do with the copy of the manuscript you stole?” asked Don
|
||
Pedro sharply. “I know there was a copy, as my father told me so. I have
|
||
the original myself, but the transcript--and not a translation, as I
|
||
fancied--appeared in Sir Frank Random's room to-day, hidden behind some
|
||
books.”
|
||
|
||
Hervey made no move, but smoked steadily, with his eyes on the carpet.
|
||
However, Archie, who was observing keenly, saw that he was more startled
|
||
than he would admit. The explanation had taken him by surprise.
|
||
|
||
“Explain!” cried the Peruvian sharply.
|
||
|
||
Hervey looked up and fixed a pair of very evil eyes on the Don.
|
||
|
||
“See here,” he remarked, “if the lady wasn't present, I'd show you that
|
||
I take no orders from any yellow--that is, from any low-down Don.”
|
||
|
||
“Lucy, my dear, leave us,” said Braddock, rising, much excited; “we must
|
||
have this matter sifted to the bottom, and if Hervey can explain better
|
||
in your absence, I think you should go.”
|
||
|
||
Although Miss Kendal was very anxious to hear all that was to be heard,
|
||
she saw the advisability of taking this advice, especially as Hope gave
|
||
her arm a meaning nudge.
|
||
|
||
“I'll go,” she said meekly, and was escorted by her lover to the door.
|
||
There she paused. “Tell me all that takes place,” she whispered, and
|
||
when Archie nodded, she vanished promptly. The young man closed the door
|
||
and returned to his seat in time to hear Don Pedro reiterate his request
|
||
for an explanation.
|
||
|
||
“And 'spose I can't oblige,” said the skipper, now more at his ease
|
||
since the lady was out of the room.
|
||
|
||
“Then I shall have you arrested,” was the quick reply.
|
||
|
||
“For what?”
|
||
|
||
“For the theft of my mummy.”
|
||
|
||
Hervey laughed raucously.
|
||
|
||
“I guess the law can't worry me about that after thirty years, and in
|
||
a low-down country like Peru. Your Government has shifted fifty times
|
||
since I looted the corpse.”
|
||
|
||
This was quite true, and there was absolutely no chance of the skipper
|
||
being brought to book. Don Pedro looked rather disconsolate, and his
|
||
gaze dropped under the glare of Hervey's eyes, which seemed unfair,
|
||
seeing that the Don was as good as the captain was evil.
|
||
|
||
“You can't expect me to condone the theft,” he muttered.
|
||
|
||
“I reckon I don't expect anything,” retorted Hervey coolly “I looted the
|
||
corpse, I don't deny, and--”
|
||
|
||
“After my father had treated you like a son,” said Don Pedro bitterly.
|
||
“You were homeless and friendless, and my father took you in, only to
|
||
find that you robbed him of his most precious possession.”
|
||
|
||
The skipper had the grace to blush, and shifted uneasily in his chair.
|
||
|
||
“You can't say truer than that,” he grumbled, averting his eyes. “I
|
||
guess I'm a bad lot all through. But a friend of mine wanted the corpse,
|
||
and offered me a heap of dollars to see the business through.”
|
||
|
||
“Do you mean to say that some one asked you to steal it?”
|
||
|
||
“No,” put in Braddock unexpectedly, “for I was the friend.”
|
||
|
||
“You!” Don Pedro swung round in great astonishment, but the Professor
|
||
faced him with all the consciousness of innocence.
|
||
|
||
“Yes,” he remarked quietly, “as I told you, I was in Peru thirty years
|
||
ago. I was then hunting for specimens of Inca mummies. Vasa--this man
|
||
now called Hervey--told me that he could obtain a splendid specimen of
|
||
a mummy, and I arranged to give him one hundred pounds to procure what
|
||
I wanted. But I swear to you, De Gayangos,” continued the little man
|
||
earnestly, “that I did not know he proposed to steal the mummy from
|
||
you.”
|
||
|
||
“You knew it was the green mummy?” asked Don Pedro sharply.
|
||
|
||
“No, I only knew that it was a mummy.”
|
||
|
||
“Did Vasa get it for you?”
|
||
|
||
“I guess not,” said the gentleman who confessed to that name. “The
|
||
Professor went to Cuzco and got into trouble--”
|
||
|
||
“I was carried off to the mountains by some Indians,” interpolated the
|
||
Professor, “and only escaped after a year's captivity. I did not mind
|
||
that, as it gave me the opportunity of studying a decaying civilization.
|
||
But when I returned a free man to Lima, I found that Vasa had left the
|
||
country with the mummy.”
|
||
|
||
“That's so,” assented Hervey, waving his hand. “I got a berth as second
|
||
mate on a wind-jammer sailing to Europe, and as the country wasn't
|
||
healthy for me since I'd looted the green mummy, I took it abroad and
|
||
yanked it to Paris, where I sold it for a couple of hundred pounds. With
|
||
that, I changed my name and had a high old time. I never heard of the
|
||
blamed thing again until the Professor here turned up with Mr. Bolton
|
||
at Pierside, asking me to bring it in The Diver from Malta. It was what
|
||
you'd call a coincidence, I reckon,” added Hervey lazily; “but I did cry
|
||
small when I heard the Professor here had paid nine hundred for a thing
|
||
I'd let slip for two hundred. Had I known of those infernal emeralds,
|
||
I'd have ripped open the case on board and would have recouped myself.
|
||
But I knew nothing, and Bolton never told me.”
|
||
|
||
“How could he,” asked Braddock quietly, “when he did not know that any
|
||
jewels were buried with the dead? I did not know either. And I have
|
||
explained why I wanted the mummy. But it never struck me until I hear
|
||
what you say now, that this mummy,” he nodded towards the green case,
|
||
“was the one which you had stolen at Lima from De Gayangos. But you
|
||
must do me the justice, Captain Hervey, to tell Don Pedro that I never
|
||
countenanced the theft.”
|
||
|
||
“No! you were square enough, I guess. The sin is on my own blessed
|
||
shoulders, and I don't ask it to be shifted.”
|
||
|
||
“What did you do with the copy of the manuscript?” asked Don Pedro.
|
||
|
||
Hervey ruminated.
|
||
|
||
“I can't think,” he mused. “I found a screed of Latin along with the
|
||
mummy, when I looted it from your Lima house, but it dropped out of my
|
||
mind as to what became of it. Maybe I passed it along to the Paris man,
|
||
and he sold it along with the corpse to the Maltese gent.”
|
||
|
||
“But I tell you this copy was found in Sir Frank's room,” insisted De
|
||
Gayangos. “How did it come to be there?”
|
||
|
||
Captain Hervey rose and took a turn up and down the room. When Cockatoo
|
||
came in his way he calmly kicked him aside.
|
||
|
||
“What do you think, Mr. Hope?” he asked, coming to a full stop before
|
||
Archie, while Cockatoo crept away with a very dark scowl.
|
||
|
||
“I don't know what to think,” replied that young gentleman promptly,
|
||
“save that Sir Frank is my very good friend, and that I take his word
|
||
that he knows nothing of how the manuscript came to be hidden in his
|
||
bookcase.”
|
||
|
||
“Huh!” said Hervey scornfully, and took another turn up and down the
|
||
room in silence. “I surmise that your friend isn't a white man.”
|
||
|
||
Hope leaped to his feet.
|
||
|
||
“That's a lie,” he said distinctly.
|
||
|
||
“I'd have shot you for that down Chili way,” snapped the skipper.
|
||
|
||
“Possibly,” retorted the artist dryly, “but I happen to be handy with my
|
||
revolver also. I say again that you lie. Random is not the man to commit
|
||
so foul a crime.”
|
||
|
||
“Then how did the manuscript get into his room?” questioned Hervey.
|
||
|
||
“He is trying to learn, and, when he does, will come here to let us all
|
||
know, Captain Hervey. But I ask you on what grounds you accuse him? Oh I
|
||
know all you said to-day,” added Hope scornfully, waving his hand; “but
|
||
you can't prove that Random got the manuscript.”
|
||
|
||
“If it's in his room, as you acknowledge, I can,” said Hervey, speaking
|
||
in a much more cultivated tone. “See here. As I said before, that copy
|
||
must have been passed along with the corpse to the Maltese man. Well,
|
||
then, the Professor here bought the corpse, and with it the manuscript.”
|
||
|
||
“No,” contradicted the little man, prodigiously excited. “Bolton
|
||
wrote to me full particulars of the mummy, but said nothing about any
|
||
manuscript.”
|
||
|
||
“Well, he wouldn't,” replied Hervey calmly, “seeing that he'd know
|
||
Latin.”
|
||
|
||
“He did know Latin,” admitted Braddock uneasily; “I taught him myself.
|
||
But do you mean to say that he got that manuscript and read it and
|
||
intended to keep the fact of the emeralds secret?”
|
||
|
||
Hervey nodded three times, and twisted his cheroot in his mouth.
|
||
|
||
“How else can you figure the business out?” he demanded quietly, and
|
||
with his eyes fixed on the excited Professor. “Bolton must have got that
|
||
manuscript, as I can't remember what I did with it, save pass it along
|
||
with the corpse. He--as you admit--doesn't tell you about it when
|
||
he writes. Well, then, I reckon he calculated getting this corpse to
|
||
England, and intended to steal the emeralds when safely ashore.”
|
||
|
||
“But he could have done that on the boat,” said Archie quickly.
|
||
|
||
“I guess not, with me about,” said Hervey coolly. “I'd have spotted his
|
||
game and would have howled for shares.”
|
||
|
||
“You dare to say that?” demanded De Gayangos fiercely.
|
||
|
||
“Keep your hair on. I dare to say anything that comes up my darned back,
|
||
you bet. I'm not going to knuckle down to a yellow-stomach--”
|
||
|
||
Out flew Don Pedro's long arm, and Hervey slammed against the wall. He
|
||
slipped his hand around to his hip pocket with an ugly smile, but before
|
||
he could use the revolver he produced, Hope dashed up his arm, and the
|
||
ball went through the ceiling. “Lucy!” cried the young man, knowing
|
||
that the drawing-room was overhead, and in a moment was out of the
|
||
door, racing up the stairs at top speed. Some sense of shame seemed to
|
||
overpower Hervey as he thought that he might have shot the girl, and he
|
||
replaced the revolver in his pocket with a shrug.
|
||
|
||
“I climb down and apologize,” he said to Don Pedro, who bowed gravely.
|
||
|
||
“Hang you, sir; you might have shot my daughter,” cried Braddock. “The
|
||
drawing-room, where she is sitting, is right overhead, and-”
|
||
|
||
As he spoke the door opened, and Lucy came in on Archie's arm. She
|
||
was pale with fright, but had sustained no damage. It seemed that the
|
||
revolver bullet had passed through the floor some distance away from
|
||
where she was sitting.
|
||
|
||
“I offer my humble apologies, miss,” said the cowed Hervey.
|
||
|
||
“I'll break your neck, you ruffian!” growled Hope, who looked, and was,
|
||
dangerous. “How dare you shoot here and--”
|
||
|
||
“It's all right,” interposed Lucy, not wishing for further trouble. “I
|
||
am all safe. But I shall remain here for the rest of your interview,
|
||
Captain Hervey, as I am sure you will not shoot again in the presence of
|
||
a lady.”
|
||
|
||
“No, miss,” muttered the captain, and when again invited by the angry
|
||
Professor to speak, resumed his discourse in low tones. “Wal, as I was
|
||
saying,” he remarked, sitting down with a dogged look, “Bolton intended
|
||
to clear with the emeralds, but I guess Sir Frank got ahead of him and
|
||
packed him in that blamed case, while he annexed the emeralds. He then
|
||
took the manuscript, which he looted from Bolton's corpse, and hid
|
||
it among his books, as you say, while he left the blamed mummy in the
|
||
garden of the old lady you talked about. I guess that's what I say.”
|
||
|
||
“It's all theory,” said Don Pedro in vexed tones.
|
||
|
||
“And there isn't a word of truth in it,” said Lucy indignantly, standing
|
||
up for Frank Random.
|
||
|
||
“It ain't for me to contradict you, miss,” said Hervey, who was still
|
||
humble, “but I ask you, if what I say ain't true, how did that copy of
|
||
the manuscript come to be in that aristocrat's room?”
|
||
|
||
There was no reply made to this, and although every one present, save
|
||
Hervey, believed in Random's innocence, no one could explain. The reply
|
||
came after some further conversation, by the appearance of the soldier
|
||
himself in mess kit. He walked unexpectedly into the room with Donna
|
||
Inez on his arm, and at once apologized to De Gayangos.
|
||
|
||
“I called to see you at the inn, sir,” he said, “and as you were not
|
||
there, I brought your daughter along with me to explain about the
|
||
manuscript.”
|
||
|
||
“Ah, yes. We talk of that now. How did it come into your room, sir?”
|
||
|
||
Random pointed to Hervey.
|
||
|
||
“That rascal placed it there,” he said firmly.
|
||
|
||
|
||
|
||
|
||
CHAPTER XX. THE LETTER
|
||
|
||
|
||
At this second insult Archie quite expected to see the skipper again
|
||
draw his revolver and shoot. He therefore jumped up rapidly to once more
|
||
avert disaster. But perhaps the fiery American was awed by the presence
|
||
of a second lady--since men of the adventurous type are often shy when
|
||
the fair sex is at hand--for he meekly sat where he was and did not even
|
||
contradict. Don Pedro shook hands with Sir Frank, and then Hervey smiled
|
||
blandly.
|
||
|
||
“I see you don't believe in my theory,” said he scoffingly.
|
||
|
||
“What theory is that?” asked Random hastily.
|
||
|
||
“Hervey declares that you murdered Bolton, stole the manuscript from
|
||
him, and concealed it in your room,” said Archie succinctly.
|
||
|
||
“I can't suggest any other reason for its presence in the room,”
|
||
observed the American with a grim smile. “If I'm wrong, perhaps this
|
||
almighty aristocrat will correct me.”
|
||
|
||
Random was about to do so, and with some pardonable heat, when he was
|
||
anticipated by Donna Inez. It has been mentioned before that this young
|
||
lady was of the silent order. Usually she simply ornamented any company
|
||
in which she found herself without troubling to entertain with her
|
||
tongue. But the accusation against the baronet, whom she apparently
|
||
loved, changed her into a voluble virago. Brushing aside the little
|
||
Professor, who stood in her way, she launched herself forward and spoke
|
||
at length. Hervey, cowering in the chair, thus met with an antagonist
|
||
against whom he had no armor. He could not use force; she dominated him
|
||
with her eye and when he ventured to open his mouth his few feeble words
|
||
were speedily drowned by the torrent of speech which flowed from the
|
||
lips of the Peruvian lady. Every one was as astonished by this outburst
|
||
as though a dog had spoken. That the hitherto silent Donna Inez de
|
||
Gayangos should speak thus freely and with such power was quite as great
|
||
a miracle.
|
||
|
||
“You--are a dog and a liar,” said Donna Inez with great distinctness,
|
||
and speaking English excellently. “What you say against Sir Frank
|
||
is madness and foolish talk. In Genoa my father did not speak of the
|
||
manuscript, nor did I, who tell you this. How, then, could Sir Frank
|
||
kill this poor man, when he had no reason to slay him--”
|
||
|
||
“For the emeralds,” faltered Hervey weakly.
|
||
|
||
“For the emeralds!” echoed the lady scornfully. “Sir Frank is rich. He
|
||
does not need to steal to have much money. He is a gentleman, who does
|
||
not murder, as you have done.”
|
||
|
||
Hervey started to his feet, dismayed but defiant, and saw that he was
|
||
ringed with unfriendly faces.
|
||
|
||
“As I have done. Why, I am--”
|
||
|
||
Donna Inez interrupted.
|
||
|
||
“You are a murderer. I truly believe that you--yes, that you” she
|
||
pointed a scornful finger at him “killed this poor man who was bringing
|
||
the mummy to the Professor. If you were in my own country, I should have
|
||
you lashed like the dog you are. Pig of a Yankee, vile scum of the--”
|
||
|
||
“That will do, Inez,” said De Gayangos imperiously. “We wish to make
|
||
this gentleman tell the truth, and this is not the way to go about the
|
||
matter.”
|
||
|
||
“Gentleman,” echoed the angry Peruvian, “he is none. Truth! There is no
|
||
truth in him, the pig of pigs!” and then, her English failing, she took
|
||
refuge in Spanish, which is a fairly comprehensive language for swearing
|
||
in a polite way. The words fairly poured from her mouth, and she looked
|
||
as fierce as Bellona, the goddess of war.
|
||
|
||
Archie, listening to her words and watching her beautiful face distorted
|
||
out of all loveliness, secretly congratulated himself upon the fact that
|
||
he was not her prospective bridegroom. He wondered how Sir Frank, who
|
||
was a mild, good-tempered man himself, could dare to make such a fiery
|
||
female Lady Random.
|
||
|
||
Perhaps the young man thought himself that she was going a trifle too
|
||
far, for he touched her nervously on the arm. At once the anger of Donna
|
||
Inez died down, and she submitted to be led to a chair, whispering as
|
||
she went, “It was for your sake, my angel, that I was angry,” she said,
|
||
and then relapsed into silence, watching all future proceedings with
|
||
flashing eyes but compressed mouth.
|
||
|
||
“Wal,” muttered Hervey with his invariable drawl, “now that the lady has
|
||
eased her mind, I should like to know why this aristocrat says I placed
|
||
that manuscript in his room.”
|
||
|
||
“You shall know, and at once,” said Random promptly. “Did you not call
|
||
to see me a day or so ago?”
|
||
|
||
“I did, sir. I wished to tell you what I had discovered, so that you
|
||
might pay me to shut my mouth if you felt so inclined. I asked where
|
||
your room was, sir, and walked right in, since your flunky was not at
|
||
the door.”
|
||
|
||
“Quite so. You were in my room for a few minutes--”
|
||
|
||
“Say five,” interpolated the American imperturbably.
|
||
|
||
“And then came down. You met my servant, who told you that I would not
|
||
be back for five or six hours.”
|
||
|
||
“That's just as you state, sir. I was sorry to miss you, but, my time
|
||
being valuable, I had to get back to Pierside. Failing you, I later came
|
||
to see the Professor here, and told him what I had discovered.”
|
||
|
||
“You merely discovered a mare's nest,” said Random contemptuously; “but
|
||
this is not the point. I believe that you, and you only, could have
|
||
hidden that manuscript among my books, intending that it should be
|
||
discovered, so that I might be implicated in this crime.”
|
||
|
||
“Did your flunky tell you that much?” inquired Hervey coolly.
|
||
|
||
“My servant told me nothing, save that you had been in my room, where
|
||
you had no right to be.”
|
||
|
||
“Then,” said the American quietly and decisively, “I can't see, sir, how
|
||
you can place the ticket on me.”
|
||
|
||
“You accuse me, so why should I not accuse you?” retorted Random.
|
||
|
||
“Because you are guilty, and I ain't,” snapped the American.
|
||
|
||
“You join issue: you join issue,” murmured Braddock, rubbing his hands.
|
||
|
||
Random took no notice of the interruption.
|
||
|
||
“I have heard from Mr. Hope and Professor Braddock of the grounds upon
|
||
which you base your accusation, and I have explained to them how I came
|
||
to be on board your ship and both in and out of the Sailor's Rest.”
|
||
|
||
“And the explanation is quite satisfactory,” said Hope smartly.
|
||
|
||
“I agree,” Donna Inez nodded with very bright eyes. “Sir Frank has
|
||
explained to me also. He knew nothing of the manuscript.”
|
||
|
||
“And you, sir,” said Don Pedro quietly to Captain Hervey, “apparently
|
||
did, since you stole it along with the mummy from Lima.”
|
||
|
||
“I confess the theft, but I didn't know what the manuscript contained,”
|
||
said the skipper dryly, “or I reckon you wouldn't have to ask who stole
|
||
the emeralds. No, sir, I should have looted them.”
|
||
|
||
“I believe you did, and murdered Bolton,” cried Random hotly.
|
||
|
||
“Shucks!” retorted Hervey, rising with a shrug, “if I had wished to get
|
||
rid of Bolton, I'd have yanked him overboard and then would have written
|
||
`accident' in my blamed log-book.”
|
||
|
||
Braddock looked at Don Pedro, and Archie at Sir Frank. What the skipper
|
||
said was plausible enough. No man would have been such a fool as to have
|
||
murdered Bolton ashore, when he could have done so without suspicion on
|
||
board the tramp. Moreover, Hervey spoke with genuine regret, since he
|
||
had missed the emeralds and assuredly would not have hesitated to
|
||
steal them even at the cost of Bolton's life, had he known of their
|
||
whereabouts. So far he had made a good defense, and, seeing the
|
||
impression produced, he strolled to the door. There he halted.
|
||
|
||
“If you gents want to lynch me,” he said leisurely, “I'll be found at
|
||
the Sailor's Rest for the next week. Then I'm going as skipper of The
|
||
Firefly steamer, Port o' London, to Algiers. You can send the sheriff
|
||
along whenever you choose. But I mean to have my picnic first, and
|
||
to-morrow I'm going to Inspector Date with my yarn. Then I guess that
|
||
almighty aristocrat wilt find himself in quod.”
|
||
|
||
“Wait a moment,” cried Braddock, running to the door. “Let me talk to
|
||
you and arrange what is best to be done. If you will--”
|
||
|
||
He proceeded no further, for without vouchsafing him a reply, Hervey,
|
||
now quite master of the situation, passed through the door, and the
|
||
Professor hastily followed him. Those who remained looked at one
|
||
another, scarcely knowing what to say, or how to act.
|
||
|
||
“They will arrest thee, my angel,” cried Donna Inez, clasping Random's
|
||
arm.
|
||
|
||
“Let them,” retorted the young man defiantly. “They can prove nothing.
|
||
With all my heart and soul I believe Hervey to be the guilty person.
|
||
Hope, what do you say?--and you, Miss Kendal?”
|
||
|
||
“Hervey has certainly made an excellent defense,” said Archie
|
||
cautiously. “He wouldn't have been such a fool as to murder Bolton
|
||
ashore when he could have done it so easily when on the narrow seas.”
|
||
|
||
“I agree with you there,” said Random quickly. “But if he is innocent;
|
||
if he did not bring the manuscript into my room, who did?”
|
||
|
||
“I wonder if Widow Anne herself is guilty?” said Lucy in a musing tone.
|
||
|
||
All present turned and looked at the girl.
|
||
|
||
“Who is Widow Anne?” asked Don Pedro with a puzzled air.
|
||
|
||
“She is the mother of Sidney Bolton, the man who was murdered,” said
|
||
Hope quickly. “My dear Lucy, why do you say that?”
|
||
|
||
Lucy paused before replying and then answered the question by asking
|
||
another one.
|
||
|
||
“Did you ask Sidney to get you some clothes from his mother to clothe a
|
||
model?”
|
||
|
||
“Never in my life,” said Hope promptly, and, as Lucy, saw, truly.
|
||
|
||
“Well, I accidentally met Mrs. Bolton to-day, and she insisted that her
|
||
son had borrowed from her a dark shawl and a dark dress for you.”
|
||
|
||
“That is not true,” said Hope hotly. “Why should the woman tell such a
|
||
lie?”
|
||
|
||
“Well,” said Lucy slowly, “it struck me that the woman who spoke with
|
||
Sidney through the Sailor's Rest window might be Widow Anne herself, and
|
||
that she has invented this story of the clothes being lent to account
|
||
for their being worn, should she be discovered.”
|
||
|
||
“It's certainly odd she should speak like this,” said Random
|
||
thoughtfully; “but you forget, Miss Kendal, that she proved an alibi.”
|
||
|
||
“What of that?” cried Don Pedro hurriedly, “alibis can be manufactured.”
|
||
|
||
“It will be best to see this woman and question her,” suggested Donna
|
||
Inez.
|
||
|
||
Archie nodded.
|
||
|
||
“I shall do so to-morrow. By the way, does she ever come to your room in
|
||
the Fort, Random?”
|
||
|
||
“Oh yes, she is my laundress, you know, and at times brings back the
|
||
clothes herself. My servant is usually in, though. I see what you mean.
|
||
That she might have received the manuscript from Bolton, and have left
|
||
it in my room.”
|
||
|
||
“Yes, I think that,” said Archie slowly. “I should not be at all
|
||
surprised to learn that a portion of Hervey's theory is correct. Bolton
|
||
may have found the manuscript packed up in the mummy, amongst the
|
||
graveclothes, in fact. If he read it--as he would and could, seeing
|
||
that he was an excellent Latin scholar, thanks to Professor Braddock's
|
||
training--he might have formed a design to steal the emeralds when he
|
||
was in the Sailor's Rest. Then someone saved him the trouble, and packed
|
||
him off to Gartley instead of the mummy.”
|
||
|
||
“But why should Widow Anne leave the manuscript in my room?” argued
|
||
Random.
|
||
|
||
“Can't you see? Bolton knew that you wanted the mummy for Don Pedro,
|
||
and was aware how you had--so to speak--used threats in the presence of
|
||
witnesses, since you spoke out aloud on the deck.”
|
||
|
||
“Only to warn Bolton against the Indians,” pleaded Random.
|
||
|
||
“Exactly; but your words were capable of being twisted as Hervey has
|
||
twisted them. Well, if Widow Anne really went to see her son--and from
|
||
the lie about the borrowed clothes it looks like it--he may have given
|
||
her the manuscript, so as to throw the blame on you.”
|
||
|
||
“The murder?”
|
||
|
||
“No, no,” said Archie testily. “Bolton did not expect to be murdered.
|
||
But I really believe that he intended to fly with the emeralds, and
|
||
hoped that when the manuscript was found in your room you would be
|
||
accused. The idea was suggested to him, I believe, by your visit to The
|
||
Diver.”
|
||
|
||
“What do you think, Miss Kendal?” asked Random nervously.
|
||
|
||
“I fancy that it is possible.”
|
||
|
||
Sir Frank turned to the Peruvian.
|
||
|
||
“Don Pedro,” he said proudly, “you have heard what Hervey says; do you
|
||
believe that I am guilty?”
|
||
|
||
For answer De Gayangos took his daughter's hand and placed it in that of
|
||
the young soldier.
|
||
|
||
“That will show you what I think,” he said gravely.
|
||
|
||
“Thank you, sir,” said Random, moved, and shook his future father-in-law
|
||
heartily by the hand, while Donna Inez, throwing all restraint to the
|
||
winds, kissed her lover exultingly on the check. In the midst of this
|
||
scene Professor Braddock returned, looking very pleased.
|
||
|
||
“I have induced Hervey to hold his tongue for a few days until we can
|
||
look into this matter,” he said, rubbing his hands “that is, if you
|
||
think it wise, all of you. Otherwise, I am quite willing to go myself
|
||
to-morrow and tell the police.”
|
||
|
||
“No,” said Archie rapidly, “let us thresh out the matter ourselves. We
|
||
will save Sir Frank's name from a police court slur at all events.”
|
||
|
||
“I do not think there is any chance of Sir Frank being arrested,” said
|
||
Don Pedro politely; “the evidence is insufficient. And at the worst he
|
||
can provide an alibi.”
|
||
|
||
“I am not so sure of that,” said Random anxiously. “I went to London
|
||
certainly, but I did not go to any place where I am known. However,” he
|
||
added cheerfully, “I daresay I'll be able to defend myself. Still, the
|
||
fact remains that we are no nearer to learning who killed Bolton than we
|
||
were.”
|
||
|
||
“I am sending Cockatoo to Pierside to-morrow to stop at the Sailor's
|
||
Rest for a time,” said Braddock quickly. “He will watch Hervey, and if
|
||
there is anything suspicious about his movements, we shall soon know.”
|
||
|
||
“And I turn amateur detective to-morrow and question Widow Anne,” said
|
||
Hope, after which remark he had to explain matters to Braddock, who
|
||
had been out of the room when Mrs. Bolton's strange request had been
|
||
discussed.
|
||
|
||
Meanwhile Donna Inez had been whispering to her lover and pointing to
|
||
the mummy. Don Pedro followed her thoughts and guessed what she was
|
||
saying. Random proved the truth of his guess by, turning to him.
|
||
|
||
“Do you really want to take back the mummy to Peru, sir?” he asked
|
||
quietly.
|
||
|
||
“Certainly. Inca Caxas was my forefather. I do not wish to leave him in
|
||
this place. His body must be restored to its tomb. All the Indians, who
|
||
look upon me as their present Inca expect me to bring the body back.
|
||
Although,” added De Gayangos gravely, “I did not come to Europe to look
|
||
for the mummy, as you know.”
|
||
|
||
“Then I shall buy the mummy,” said Random impetuously. “Professor, will
|
||
you sell it to me?”
|
||
|
||
“Now that I have examined it thoroughly I shall be delighted,” said the
|
||
little man, “say for two thousand pounds.”
|
||
|
||
“Not at all,” interposed Don Pedro; “you mean one thousand.”
|
||
|
||
“Of course he does,” said Lucy quickly; “and the check must be paid to
|
||
Archie, Sir Frank.”
|
||
|
||
“To me! to me!” cried Braddock indignantly. “I insist.”
|
||
|
||
“The money belongs to Archie,” said Lucy obstinately. “You have seen
|
||
what you desired to see, father and as Archie only lent you the money,
|
||
it is only fair that he should have it again.”
|
||
|
||
“Oh, let the Professor have it,” said Hope good-naturedly.
|
||
|
||
“No! no! no!”
|
||
|
||
Random laughed.
|
||
|
||
“I shall make the check payable to you, Miss Kendal, and you can give
|
||
it to whomsoever you choose,” he said; “and now, as everything has been
|
||
settled so far, I suggest that we should retire.”
|
||
|
||
“Come to my rooms at the inn,” said Don Pedro, opening the door. “I
|
||
have much to say to you. Good night, Professor; to-morrow let us go to
|
||
Pierside and see if we cannot get at the truth.”
|
||
|
||
“And to-morrow,” cried Random, “I shall send the check, sir.”
|
||
|
||
When the company departed, Lucy had another wrangle with her father
|
||
about the check. As Archie had gone away, she could speak freely, and
|
||
pointed out that he was enjoying her mother's income and was about to
|
||
marry Mrs. Jasher, who was rich.
|
||
|
||
“Therefore,” argued Lucy, “you certainly do not want to keep poor
|
||
Archie's money.”
|
||
|
||
“He paid me that sum on condition that I consented to the wedding.”
|
||
|
||
“He did nothing of the sort,” she cried indignantly. “I am not going
|
||
to be bought and sold in this manner. Archie lent you the money, and it
|
||
must be returned. Don't force me to think you selfish, father.”
|
||
|
||
The upshot of the argument was that Lucy got her own way, and the
|
||
Professor rather unwillingly agreed to part with the mummy and restore
|
||
the thousand pounds. But he regretted doing so, as he wished to get all
|
||
the money he could to go towards his proposed Egyptian expedition, and
|
||
Mrs. Jasher's fortune, as he assured his step-daughter, was not so large
|
||
as might be thought. However, Lucy overruled him, and retired to bed,
|
||
congratulating herself that she would soon be able to marry Hope. She
|
||
was beginning to grow a trifle weary of the Professor's selfish nature,
|
||
and wondered how her mother had put up with it for so long.
|
||
|
||
Next day Braddock did not go with Don Pedro to Pierside, as he was
|
||
very busy in his museum. The Peruvian went alone, and Archie, after a
|
||
morning's work at his easel, sought out Widow Anne to ask questions.
|
||
Lucy and Donna Inez paid an afternoon visit to Mrs. Jasher and found
|
||
her in bed, as she had caught a mild sort of influenza. They expected to
|
||
find Sir Frank here, but it seemed that he had not called. Thinking that
|
||
he was detained by military business, the girls thought nothing more of
|
||
his absence, although Donna Inez was somewhat downcast.
|
||
|
||
But Random was detained in his quarters by a letter which had arrived by
|
||
the mid-day host, and which surprised him not a little. The postmark
|
||
was London, and the writing, evidently a disguised hand, was almost
|
||
illegible in its crudeness. The contents ran as follows, and it will be
|
||
noticed that there is neither date nor address, and that it is written
|
||
in the third person:
|
||
|
||
“If Sir Frank Random wants his character to be cleared and all suspicion
|
||
of murder to be removed from him, he can be completely exonerated by
|
||
the writer, if he will pay the same five thousand pounds. If Sir Frank
|
||
Random is willing to do this, let him appoint a meeting-place in London,
|
||
and the writer will send a messenger to receive the money and to hand
|
||
over the proofs which will clear Sir Frank Random. If Sir Frank Random
|
||
plays the writer false, or communicates with the police, proofs will be
|
||
forthcoming which will prove him to be guilty of Sidney Bolton's death,
|
||
and which will bring him to the scaffold without any chance of escape.
|
||
A couple of lines in the Agony Column of The Daily Telegraph, signed
|
||
`Artillery,' and appointing a meeting-place, will suffice; but beware of
|
||
treachery.”
|
||
|
||
|
||
|
||
|
||
CHAPTER XXI. A STORY OF THE PAST
|
||
|
||
|
||
Mrs. Jasher's influenza proved to be very mild indeed.
|
||
|
||
When Donna Inez de Gayangos and Lucy paid a visit to her on the
|
||
afternoon of the day succeeding the explanations in the museum, she
|
||
was certainly in bed, and explained that she had been there since the
|
||
Professor's visit on the previous day. Lucy was surprised at this, as
|
||
she had left Mrs. Jasher perfectly well, and Braddock had not mentioned
|
||
any ailment of the widow. But influenza, as Mrs. Jasher observed, was
|
||
very rapid in its action, and she was always susceptible to disease from
|
||
the fact that in Jamaica she had suffered from malaria. Still, she was
|
||
feeling better and intended to rise from her bed on that evening, if
|
||
only to lie on the couch in the pink drawing-room. Having thus detailed
|
||
her reasons for being ill, the widow asked for news.
|
||
|
||
As no prohibition had been placed upon Lucy with regard to Hervey's
|
||
visit and as Mrs. Jasher would be one of the family when she married the
|
||
Professor, Miss Kendal had no hesitation in reporting all that had taken
|
||
place. The narrative excited Mrs. Jasher, and she frequently interrupted
|
||
with expressions of wonder. Even Donna Inez grew eloquent, and told the
|
||
widow how she had defended Sir Frank against the American skipper.
|
||
|
||
“What a dreadfully wicked man!” said Mrs. Jasher, when in possession of
|
||
all the facts. “I really believe that he did kill poor Sidney.”
|
||
|
||
“No,” said Lucy decisively, “I don't think that. He would have murdered
|
||
him on board had he intended the crime, as he could have done so with
|
||
more safety. He is as innocent as Sir Frank.”
|
||
|
||
“And no one dare say a word against him,” cried Donna Inez with flashing
|
||
eyes.
|
||
|
||
“He has a good defender, my dear,” said the widow, patting the girl's
|
||
hand.
|
||
|
||
“I love him,” said Donna Inez, as if that explained everything, and
|
||
perhaps it did, so far as she was concerned.
|
||
|
||
Mrs. Jasher smiled indulgently, then turned for further information to
|
||
Lucy.
|
||
|
||
“Can it be possible,” she said, “that Widow Anne is guilty?”
|
||
|
||
“Oh, I don't think so. She would not murder her own son, especially when
|
||
she was so very fond of him. Archie told me, just before we came here,
|
||
that he had called to see her. She still insists that Sidney borrowed
|
||
the clothes, saying that Archie wanted them.”
|
||
|
||
“What do you make of that, my dear?”
|
||
|
||
“Well,” said Miss Kendal, pondering, “either Widow Anne herself was the
|
||
woman who talked to Sidney through the Sailor's Rest window, and has
|
||
invented this story to save herself, or Sidney did get the clothes and
|
||
intended to use them as a disguise when he fled with the emeralds.”
|
||
|
||
“In that case,” said Mrs. Jasher, “the woman who talked through the
|
||
window still remains a problem. Again, if Sidney Bolton intended to
|
||
steal the emeralds, he could have done so in Malta, or on board the
|
||
boat.”
|
||
|
||
“No,” said Lucy decisively. “The mummy was taken directly from the
|
||
seller's house to the boat, and perhaps Sidney did not find the
|
||
manuscript until he looked at the mummy. Then Captain Hervey kept an eye
|
||
on Sidney, so that he could not open the mummy to steal the emeralds.”
|
||
|
||
“Still, according to your own showing, Sidney looked at the actual
|
||
mummy--he opened the mummy case, that is, else he could not have got the
|
||
manuscript.”
|
||
|
||
Lucy nodded.
|
||
|
||
“I think so, but of course we cannot be sure. But the packing case in
|
||
which the mummy was stowed was placed in the hold of the steamer, and
|
||
if Sidney had wished to steal the emeralds, he could not have done so
|
||
without exciting Captain Hervey's suspicions.”
|
||
|
||
“Then let us say that Sidney robbed the mummy when in the Sailor's Rest,
|
||
and took the clothes he borrowed from his mother in order to fly in
|
||
disguise. But what of the woman?”
|
||
|
||
Lucy shook her head.
|
||
|
||
“I cannot tell. We may learn more later. Don Pedro has gone to Pierside
|
||
to search, and my father says that he will send Cockatoo there also to
|
||
search.”
|
||
|
||
“Well,” sighed Mrs. Jasher wearily, “I hope that all this trouble will
|
||
come to an end. That green mummy has proved most unlucky. Leave me now,
|
||
dear girls, as I feel somewhat tired.”
|
||
|
||
“Good-bye,” said Lucy, kissing her. “I hope that you will be better this
|
||
evening. Don't get up unless you feel quite able.”
|
||
|
||
“Oh, I shall take my ease in the drawing-room.”
|
||
|
||
“I thought you always called it the parlor,” laughed the girl.
|
||
|
||
“Ah,” Mrs. Jasher smiled, “you see I am practicing against the time
|
||
when I shall be mistress of the Pyramids, You can't call that large room
|
||
there a parlor,” and she laughed weakly.
|
||
|
||
Altogether, Mrs. Jasher impressed both Lucy and Donna Inez with the fact
|
||
that she was very weak and scarcely able, as she put it, to draw one leg
|
||
after the other. Both the girls would have been surprised to see what a
|
||
hearty meal Mrs. Jasher made that evening, when she was up and dressed.
|
||
Perhaps she felt that her strength needed keeping up, but she certainly
|
||
partook largely of the delicate dinner provided by Jane, who was a most
|
||
excellent cook.
|
||
|
||
After dinner, Mrs. Jasher lay on a pink couch in the pink parlor by a
|
||
splendid fire, for the night was cold and raw with a promise of rain.
|
||
The widow had a small table at her elbow, on which stood a cup of
|
||
coffee and a glass of liquor. The rose-colored curtains were drawn, the
|
||
rose-shaded lamps were lighted, and the whole interior of the cottage
|
||
looked very comfortable indeed. Mrs. Jasher, in a crocus-yellow tea-gown
|
||
trimmed with rich black lace, reclined on her couch like Cleopatra in
|
||
her barge. In the pink light she looked very well preserved, although
|
||
her face wore an anxious expression. This was due to the fact that the
|
||
mail had come in and the three letters brought by the postman had to do
|
||
with creditors. Mrs. Jasher was always trying to make both ends meet,
|
||
and had a hard struggle to keep her head above water. Certainly, since
|
||
she had inherited the money of her brother, the Pekin merchant, she need
|
||
not have looked so worried. But she did, and made no disguise of it,
|
||
seeing that she was quite alone.
|
||
|
||
After a time she went to her desk and took out a bundle of bills and
|
||
some other letters, also an account book and a bank book. Over these she
|
||
pored for quite an hour. The clock struck nine before she looked up from
|
||
this unpleasant task, and she found her financial position anything but
|
||
satisfactory. With a weary sigh she rose and stared at herself in the
|
||
mirror over the fireplace, frowning as she did so.
|
||
|
||
“Unless I can marry the Professor at once, I don't know what will happen
|
||
to me,” she mused gloomily. “I have managed very well so far, but things
|
||
are coming to a crisis. These devils,” she alluded to her creditors,
|
||
“will not keep off much longer, and then the crash will come. I shall
|
||
have to leave Gartley as poor as when I came, and there will be nothing
|
||
left but the old nightmare life of despair and horror. I am getting
|
||
older every day, and this is my last chance of getting married. I must
|
||
force the Professor to have a speedy marriage. I must! I must!” and
|
||
she began to pace the tiny room in a frenzy of terror and well-founded
|
||
alarm.
|
||
|
||
As she was trying to calm herself and succeeding very badly, Jane
|
||
entered the room with a card. It proved to be that of Sir Frank Random.
|
||
|
||
“It is rather a late hour for a visit,” said Mrs. Jasher to the servant.
|
||
“However, I feel so bored, that perhaps he will cheer me up. Ask him to
|
||
come in.”
|
||
|
||
When Jane left, she stood still for a moment or so, trying to think why
|
||
the young man had called at so untoward an hour. But when his footsteps
|
||
were heard approaching the door, she swept the books and the bills and
|
||
the letters into the desk and locked it quickly. When Random appeared at
|
||
the door, she was just leaving the desk to greet him, and no one would
|
||
have taken the smiling, plump, well-preserved woman for the creature who
|
||
lately had looked so haggard and careworn.
|
||
|
||
“I am glad to see you, Sir Frank,” said Mrs. Jasher, nodding in a
|
||
familiar manner. “Sit down in this very comfortable chair, and Jane
|
||
shall bring you some coffee and kummel.”
|
||
|
||
“No, thank you,” said Random in his usual stiff way, but very politely.
|
||
“I have just left the mess, where I had a good dinner.”
|
||
|
||
Mrs. Jasher nodded, and sank again on the couch, which was opposite the
|
||
chair which she had selected for her visitor.
|
||
|
||
“I see you are in mess kit,” she said gayly; “quite a glorified creature
|
||
to appear in my poor little parlor. Why are you not with Donna Inez? I
|
||
have heard all about your engagement from Lucy. She was here to-day with
|
||
Senorita De Gayangos.”
|
||
|
||
“So I believe,” said Random, still stiffly; “but you see I was anxious
|
||
to come and see you.”
|
||
|
||
“Ah!” said Mrs. Jasher equably, “you heard that I was ill. Yes; I have
|
||
been in bed ever since yesterday afternoon, until a couple of hours
|
||
ago. But I am now better. My dinner has done me good. Pass me that fan,
|
||
please. The fire is so hot.”
|
||
|
||
Sir Frank did as he was told, and she held the feather fan between her
|
||
face and the fire, while he stared at her, wondering what to say.
|
||
|
||
“Don't you find this atmosphere very stuffy?” he remarked at length. “It
|
||
would be a good thing to have the windows open.”
|
||
|
||
Mrs. Jasher shrieked.
|
||
|
||
“My dear boy, are you mad? I have a touch of the influenza, and an
|
||
open window would bring about my death. Why, this room is delightfully
|
||
comfortable.”
|
||
|
||
“There is such a strong perfume about it,” sniffed Random pointedly.
|
||
|
||
“I should think you knew that scent by this time, Sir Frank. I use no
|
||
other and never have done. Smell!” and she passed a flimsy handkerchief
|
||
of lace.
|
||
|
||
Random took the handkerchief and placed it to his nostrils. As he did so
|
||
a strange expression of triumph crept into his eyes.
|
||
|
||
“I think you told me once that it was a Chinese perfume,” he said,
|
||
returning the handkerchief.
|
||
|
||
Mrs. Jasher nodded, well pleased.
|
||
|
||
“I get it from a friend of my late husband who is in the British Embassy
|
||
at Pekin. No one uses it but me.”
|
||
|
||
“But surely some other person uses it?”
|
||
|
||
“Not in England; and I do not know why you should say so. It is a
|
||
specialty of mine. Why,” she added playfully, “if you met me in the dark
|
||
you should know me, by this scent.”
|
||
|
||
“Can you swear that no one else has ever used this perfume?” asked
|
||
Random.
|
||
|
||
Mrs. Jasher lifted her penciled eyebrows.
|
||
|
||
“I do not know why you should ask me to swear,” she said quietly, “but
|
||
I assure you that I keep this perfume which comes from China to myself.
|
||
Not even Lucy Kendal has it, although she greatly desired some. We women
|
||
are selfish in some things, my dear man. It's a most delicious perfume.”
|
||
|
||
“Yes,” said Sir Frank, staring at her, “and very strong.”
|
||
|
||
“What do you mean by that?”
|
||
|
||
“Nothing. Only I should think that such a perfume would be good for the
|
||
cold you contracted by going to London last night.”
|
||
|
||
Mrs. Jasher turned suddenly pale under her rouge, and her hand clenched
|
||
the fan so tightly as to break the handle.
|
||
|
||
“I have not been to London for quite a month,” she faltered. “What a
|
||
strange remark!”
|
||
|
||
“A true one,” said the baronet, fumbling in the pocket of his jacket.
|
||
“You went to London last night by the seven o'clock train to post this,”
|
||
and he held out the anonymous letter.
|
||
|
||
The widow, now quite pale, and looking years older, sat up on the couch
|
||
with a painful effort, which suggested old age.
|
||
|
||
“I don't understand,” she said, trying to speak calmly. “I was not in
|
||
London, and I did not post any letter. If you came here to insult me--”
|
||
|
||
“There can be no insult in asking a few questions,” said Random,
|
||
throwing aside his stiffness and speaking decisively. “I received
|
||
this letter, which bears a London postmark, by the mid-day post. The
|
||
handwriting is disguised, and there is neither address nor signature nor
|
||
date. You manufactured your communication very cleverly, Mrs. Jasher,
|
||
but you forgot that the Chinese perfume might betray you.”
|
||
|
||
“The perfume! the perfume!” Mrs. Jasher gasped and saw in a moment how
|
||
the late conversation had led her to fall into a trap.
|
||
|
||
“The letter retains traces of the perfume you use,” went on the baronet
|
||
relentlessly. “I have a remarkably keen sense of smell, and, as scent is
|
||
a most powerful aid to memory, I speedily recollected that you used this
|
||
especial perfume. You told me a few moments ago that no one else
|
||
used it, and so you have proved the truth of my statement that this
|
||
letter”--he tapped it--“is written by you.”
|
||
|
||
“It's a lie--a mistake,” stuttered Mrs. Jasher, now at bay and looking
|
||
dangerous. Her society veneer was stripped off, and the adventuress pure
|
||
and simple came to the surface.
|
||
|
||
Indignant at the way in which she had deceived everyone, and having much
|
||
at stake, Random did not spare her.
|
||
|
||
“It is not a mistake,” he insisted; “neither is it a lie. When I became
|
||
aware that you must have written the letter, I drove at once to Jessum
|
||
to see if you had gone to London, as you had posted it there. I learned
|
||
from the station master and from a porter that you went to town by the
|
||
seven o'clock train and returned by the midnight.”
|
||
|
||
Mrs. Jasher leaped to her feet.
|
||
|
||
“They could not recognize me. I wore--” Then she stopped, confused at
|
||
having so plainly betrayed herself.
|
||
|
||
“You wore a veil. All the same, Mrs. Jasher, you are too well known
|
||
hereabouts for anyone to fail to recognize you. Besides, your remark
|
||
just now proves that I am right. You wrote this blackmailing letter, and
|
||
I demand an explanation.”
|
||
|
||
“I have none to give,” muttered the woman fiercely, and fighting every
|
||
inch.
|
||
|
||
“If you refuse to explain to me you shall to the police,” said Sir
|
||
Frank, rising and making for the door.
|
||
|
||
Mrs. Jasher flung herself forward and clung to him.
|
||
|
||
“For God's sake, don't!”
|
||
|
||
“Then you will explain? You will tell me?”
|
||
|
||
“Tell you what?”
|
||
|
||
“Who murdered Sidney Bolton.”
|
||
|
||
“I do not know. I swear I do not know,” she cried feverishly.
|
||
|
||
“That is ridiculous,” said Random coldly. “You say in this letter that
|
||
you can hang me or save me. As you know that I am innocent, you must be
|
||
aware who is guilty.”
|
||
|
||
“It's all bluff. I know nothing,” said Mrs. Jasher, releasing his arm
|
||
and throwing herself on the couch. “I only wished to get money.”
|
||
|
||
“Five thousand pounds--eh? Rather a large order,” sneered Random,
|
||
replacing the letter in his pocket. “You would not ask that sum for
|
||
nothing: you must be aware of the truth. I suspected many people, Mrs.
|
||
Jasher, but never you.”
|
||
|
||
The woman rose and flung out her arms.
|
||
|
||
“No,” she said in a deep voice, and fighting like a rat in a corner. “I
|
||
tricked you all down here. Sir Frank, I will tell you the truth.”
|
||
|
||
“About the murder?”
|
||
|
||
“I know nothing of that. About myself.”
|
||
|
||
Random shrugged his shoulders.
|
||
|
||
“I'll hear about yourself first,” he said. “I can learn details
|
||
concerning the murder later. Go on.”
|
||
|
||
“I know nothing of the murder or of the theft of the emeralds--”
|
||
|
||
“Yet you hid the mummy in this house, and afterwards placed it in your
|
||
arbor to be found by the Professor, for some reason.”
|
||
|
||
“I know nothing about that either,” muttered Mrs. Jasher doggedly, and
|
||
with very white lips. “That letter you have traced to me is all bluff.”
|
||
|
||
“Then you admit having written it?”
|
||
|
||
“Yes,” she said sullenly. “You know too much, and it is useless for me
|
||
to deny the truth in the face of the evidence you bring against me. I
|
||
would fight though,” she added, raising her head like a snake its crest,
|
||
“if I was not sick and tired of fighting.”
|
||
|
||
“Fighting?”
|
||
|
||
“Yes, against trouble and worry and money difficulties and creditors.
|
||
Oh,” she struck her breast, “what do you know of life, you rich,
|
||
easy-going man? I have been in the depths, and not through my own fault.
|
||
I had a bad mother, a bad husband. I was dragged in the mire by those
|
||
who should have helped me to rise. I have starved for days; I have wept
|
||
for years; in all God's earth there is no more miserable a creature than
|
||
I am.”
|
||
|
||
“Kindly talk without so much melodrama,” said Random cruelly.
|
||
|
||
“Ah,” Mrs. Jasher sat down and locked her hands together, “you don't
|
||
believe me. I daresay you don't understand, for life, real life, is a
|
||
sealed book to you. It is useless for me to appeal to your sympathy,
|
||
for you are so very ignorant. Let us stick to facts. What do you wish to
|
||
know?”
|
||
|
||
“Who killed Sidney Bolton: who has the emeralds.”
|
||
|
||
“I can't tell you. Listen! With my past life you have nothing to do.
|
||
I will commence from the time I came down here. I had just lost my
|
||
husband, and I managed to scrape together a few hundred pounds--oh,
|
||
quite in a respectable way, I assure you,” she added scoffingly, on
|
||
seeing her listener wince. “I came here to try and live quietly, and,
|
||
if possible, to secure a rich husband. I knew that the Fort was here and
|
||
thought that I might marry an officer. However, the Professor's position
|
||
attracted me, and I decided to marry him. I am engaged, and but for your
|
||
cleverness in tracing that letter I should be Mrs. Braddock within a
|
||
very short time. I have exhausted all my money. I am deeply, in debt. I
|
||
cannot hold out longer.”
|
||
|
||
“But the money you inherited--”
|
||
|
||
“That is all bluff also. I never had a brother. I inherit no money. I
|
||
know nothing of Pekin, save that a friend of mine sends that scent to me
|
||
as a yearly Christmas present. I am an adventuress, but perhaps not so
|
||
bad as you think me. Lucy and Donna Inez have heard no wickedness from
|
||
my lips. I have always been a good woman in one sense--a moral woman,
|
||
that is--and I did wish to marry the Professor and live a happy life.
|
||
Seeing that I was at the end of my resources, and that Professor
|
||
Braddock expected a legacy with me before marriage, I looked round to,
|
||
see how I could get the money. I heard that you were accused by Captain
|
||
Hervey, and so last night I wrote that letter and posted it in London,
|
||
thinking that you would yield to save yourself from arrest.”
|
||
|
||
Random laughed cynically.
|
||
|
||
“You must have thought me weak,” he muttered.
|
||
|
||
“I did,” said Mrs. Jasher frankly. “To tell you the truth, I thought
|
||
that you were a fool. But by tracing that letter and withstanding my
|
||
demand, you have proved yourself to be more clever than I took you to
|
||
be. Well, that is all. I know nothing of the murder. My letter is sheer
|
||
bluff to extort from you five thousand pounds. Had you paid I should
|
||
have passed it off to the Professor as the money left to me by my
|
||
brother. But now--”
|
||
|
||
“Now,” said Random, rising to go, “I shall tell what you have told me to
|
||
the Professor, and--”
|
||
|
||
“And hand me over to the police,” said Mrs. Jasher, shrugging her plump
|
||
shoulders, “Well, I expected that. Yet I fancied for old times' sake
|
||
that you might have been more lenient.”
|
||
|
||
“We were never anything but acquaintances, Mrs. Jasher,” said Random
|
||
coldly, “so I fail to see why you should expect mercy after the way in
|
||
which you have behaved. You expect to blackmail me, and yet go free.
|
||
I must punish you somehow, so I shall tell Professor Braddock, as
|
||
you certainly cannot marry him. But I shall not hand you over to the
|
||
police.”
|
||
|
||
“You won't?” Mrs. Jasher stared, scarcely able to believe her ears.
|
||
|
||
“No. Give me a day to think over matters, and I shall arrange what to do
|
||
with you. I think there is some good in you, Mrs. Jasher, and so I shall
|
||
see if I can't assist you. In the meantime I shall have your cottage
|
||
watched, so that you may not run away.”
|
||
|
||
“In that case, you may as well hand me over to the police,” she said
|
||
bitterly.
|
||
|
||
“Not at all,” rejoined Random coolly. “I can trust my servant, who is
|
||
stupid but honest and is devoted to me. I'll see that everything is
|
||
kept quiet. But if you attempt to run away I shall have you arrested for
|
||
blackmail. You understand?”
|
||
|
||
“Yes. You are treating me very well,” she gasped. “When shall I see
|
||
you?”
|
||
|
||
“To-morrow evening. I must talk the matter over with Braddock. To-morrow
|
||
I shall arrange what to do, and probably I shall give you a chance of
|
||
leading a new life in some other part of the world. What do you say?”
|
||
|
||
“I accept. Indeed, there is nothing else left for me to do.”
|
||
|
||
“That is an ungrateful speech,” said Random severely.
|
||
|
||
“I daresay. However, we can talk of gratitude to-morrow. Meanwhile,
|
||
please leave me.”
|
||
|
||
Sir Frank went to the door and there paused.
|
||
|
||
“Remember,” he said distinctly, “that your cottage is being watched. Try
|
||
to escape and I shall have you arrested.”
|
||
|
||
Mrs. Jasher groaned and buried her face in the sofa cushion.
|
||
|
||
|
||
|
||
|
||
CHAPTER XXII. A WEDDING PRESENT
|
||
|
||
|
||
Mrs. Jasher had thought Random exceedingly clever in acting as he had
|
||
done to trap her. She would have thought him still more clever had she
|
||
known that he trusted to the power of suggestion to prevent her from
|
||
trying to escape. Sir Frank had not the slightest intention of setting
|
||
his soldier-servant to watch, as such was not the duty for which such
|
||
servants are hired. But having impressed firmly on the adventuress's
|
||
mind that he would act in this way, he departed, quite certain that the
|
||
woman would not attempt to run away. Although no one was watching the
|
||
cottage, Mrs. Jasher, believing what had been told her, would think that
|
||
sharp eyes were on her doors and windows day and night, and would firmly
|
||
believe that if she tried to get away she would be captured forthwith
|
||
by the Pierside police, or perhaps by the village constable. Like an
|
||
Eastern enchanter, the baronet had placed a spell on the cottage, and
|
||
it acted admirably. Mrs. Jasher, although longing to escape and hide
|
||
herself, remained where she was, cowed by a spy who did not exist.
|
||
|
||
The next day Random went to the Pyramids as soon as his duties permitted
|
||
and saw the Professor. To the prospective bridegroom he explained all
|
||
that had happened, and displayed the anonymous letter, with an account
|
||
of how he had proved Mrs. Jasher to be the writer. Braddock's hair could
|
||
not stand on end, as he had none, but he lost his temper completely, and
|
||
raged up and down the museum in a way which frightened Cockatoo out of
|
||
his barbaric wits. When more quiet he sat down to discuss the matter,
|
||
and promptly demanded that Mrs. Jasher should be handed over to the
|
||
police. But he might have guessed that Sir Frank would refuse to follow
|
||
this extreme advice.
|
||
|
||
“She has acted badly, I admit,” said the young man. “All the same, I
|
||
think she is a better woman than you may think, Professor.”
|
||
|
||
“Think! think! think!” shouted the fiery little man, getting up once
|
||
more to trot up and down like an infuriated poodle. “I think she is a
|
||
bad woman, a wicked woman. To deceive me into thinking her rich and--”
|
||
|
||
“But surely, Professor, you wished to marry her also for love?”
|
||
|
||
“Nothing of the sort, sir: nothing of the sort. I leave love and
|
||
such-like trash to those like yourself and Hope, who have nothing else
|
||
to think about.”
|
||
|
||
“But a marriage without love--”
|
||
|
||
“Pooh! pooh! pooh! Don't argue with me, Random. Love is all moonshine.
|
||
I did not love my first wife--Lucy's mother--and yet we were very happy.
|
||
Had I made Mrs. Jasher my second, we should have got on excellently,
|
||
provided the money was forthcoming for my Egyptian expedition. What am
|
||
I to do now, I ask you, Random? Even the thousand pounds you pay for the
|
||
mummy goes back to that infernal Hope because of Lucy's silly ideas.
|
||
I have nothing--absolutely nothing, and that tomb is amongst those
|
||
Ethiopian hills, I swear, waiting to be opened. Oh, what a chance I have
|
||
missed!--what a chance! But I shall see Mrs. Jasher myself. She knows
|
||
about this murder.”
|
||
|
||
“She declares that she does not.”
|
||
|
||
“Don't tell me! don't tell me!” vociferated the Professor. “She would
|
||
not have written that letter had she known nothing.”
|
||
|
||
“That was bluff. I explained all that.”
|
||
|
||
“Bluff be hanged!” cried Braddock, only he used a more vigorous word.
|
||
“I do not believe that she would have dared to act on such a slight
|
||
foundation. I shall see her myself this very afternoon and force her to
|
||
confess. In one way or another I shall find the assassin and make him
|
||
disgorge those emeralds under the penalty of being hanged. Then I can
|
||
sell them and finance my Egyptian expedition.”
|
||
|
||
“But you forget, Professor, that the emeralds, when found, belong to Don
|
||
Pedro.”
|
||
|
||
“They don't,” rasped the little man, turning purple with rage. “I refuse
|
||
to let him have them. I bought the mummy, and the contents of the mummy,
|
||
including those emeralds. They are mine.”
|
||
|
||
“No,” said Random sharply. “I buy the mummy, from you, so they pass into
|
||
my possession and belong to De Gayangos. I shall give them to him.”
|
||
|
||
“You'll have to find them first,” said Braddock savagely; “and as to the
|
||
mummy, you shan't have it. I decline to sell it. So there!”
|
||
|
||
“If you don't,” said Random very distinctly, “Don Pedro will bring an
|
||
action against you, and Captain Hervey will be called as a witness to
|
||
prove that the mummy was stolen.”
|
||
|
||
“Don Pedro hasn't the money,” said Braddock triumphantly; “he can't pay
|
||
lawyer's fees.”
|
||
|
||
“But I can,” rejoined the young man very dryly. “As I am going to marry
|
||
Donna Inez, it is only just that I should help my future father-in-law
|
||
in every way. He has a romantic feeling about this relic of poor
|
||
humanity and wishes to take it back to Peru. He shall do so.”
|
||
|
||
“And what about me?--what about me?”
|
||
|
||
“Well,” said Random, speaking slowly with the intention of still further
|
||
irritating the little man, whose selfishness annoyed him, “if I were you
|
||
I should marry Mrs. Jasher and settle down quietly in this house to live
|
||
on what income you have.”
|
||
|
||
Braddock turned purple again and spluttered.
|
||
|
||
“How dare you make a proposition like that to me, sir?” he
|
||
bellowed. “You ask me to marry this low woman, this adventuress,
|
||
this--this--this--” Words failed him.
|
||
|
||
Of course Random had no intention of advising such a marriage, although
|
||
he did not think so badly of Mrs. Jasher as did the Professor. But the
|
||
little man was so venomous that the young man took a delight in stirring
|
||
him up, using the widow's name as a red rag to this particular bull.
|
||
|
||
“I do not think Mrs. Jasher is a bad woman,” he remarked.
|
||
|
||
“What! what! what! After what she has done? Blackmail! blackmail!
|
||
blackmail!”
|
||
|
||
“That is bad, I admit, but she has failed to get what she wanted, and,
|
||
after all, you indirectly are the cause of her writing that blackmailing
|
||
letter.”
|
||
|
||
“I am?--I am? How dare you?”
|
||
|
||
“You see, she wanted to get five thousand out of me as her dowry.”
|
||
|
||
“Yes, and told me lies about her damned brother who was a Pekin
|
||
merchant, when after all he never existed.”
|
||
|
||
“Oh, I don't defend that,” said Random coolly. “Mrs. Jasher has behaved
|
||
badly on the whole. Still, Professor, I think there is good in her, as
|
||
I said before. She evidently had bad parents and a bad husband; but, so
|
||
far as I can gather, she is not an immoral woman. The poor wretch only
|
||
came here to try and drag herself out of the mire. If she had married
|
||
you I feel sure that she would have made you a most excellent wife.”
|
||
|
||
The Professor was in such a rage that he suddenly became calm.
|
||
|
||
“Of course you talk absolute rubbish,” he said caustically. “Had I my
|
||
way this woman would be whipped at a cart's tail for the shameful way in
|
||
which she has deceived us all. However, I shall see her to-day and make
|
||
her confess who murdered Bolton.”
|
||
|
||
“Don Pedro will be greatly obliged if you do. He wants those emeralds.”
|
||
|
||
“So do I, and if I get them I shall keep them,” snapped Braddock; “and
|
||
if you haven't anything more to say you can leave me. I'm busy.”
|
||
|
||
As there was nothing more to be done with the choleric little man, Sir
|
||
Frank took the hint and departed. He went forthwith to the Warrior Inn
|
||
to see Don Pedro and also Donna Inez. But it so happened that the girl
|
||
had gone to the Pyramids on a visit to Miss Kendal, and Random was sorry
|
||
that he had missed her. However, it was just as well, as he could now
|
||
talk freely to De Gayangos. To him he related the whole story of Mrs.
|
||
Jasher, and discovered that the Peruvian also, as Braddock had done,
|
||
insisted that Mrs. Jasher knew the truth.
|
||
|
||
“She would not have written that letter if she did not know it,” said
|
||
Don Pedro.
|
||
|
||
“Then you think that she should be arrested?”
|
||
|
||
“No. We can deal with this matter ourselves. At present she is quite
|
||
safe, as she certainly will not leave her cottage, seeing that she
|
||
thinks it is being watched. Let us permit Braddock to interview her,
|
||
and see what he can learn. Then we can discuss the matter and come to a
|
||
decision.”
|
||
|
||
Random nodded absently.
|
||
|
||
“I wonder if Mrs. Jasher was the woman who talked to Bolton through the
|
||
window?” he remarked.
|
||
|
||
“It is not impossible. Although that does not explain why Bolton
|
||
borrowed a female disguise from this mother.”
|
||
|
||
“Mrs. Jasher might have worn it.”
|
||
|
||
“That would argue some understanding between Bolton and Mrs. Jasher, and
|
||
a knowledge of the manuscript before Bolton left for Malta. We know that
|
||
he could only have seen the manuscript for the first time at Malta. It
|
||
was evidently stowed away in the swathings of the mummy by my father,
|
||
who forgot all about it when he gave me the original.”
|
||
|
||
“Hervey forgot also. I wonder if that is true?”
|
||
|
||
“I am certain it is,” said Don Pedro emphatically, “for, if Hervey, or
|
||
Vasa, or whatever you like to call him, had found that manuscript and
|
||
had got it translated, he certainly would have opened the mummy and have
|
||
secured the emeralds. No, Sir Frank, I believe that his theory is partly
|
||
true. Bolton intended to run away with the emeralds, and send the empty
|
||
mummy to Professor Braddock; for, if you remember, he arranged that the
|
||
landlord of the Sailor's Rest should forward the case next morning,
|
||
even if he happened to be away. Bolton intended to be away--with the
|
||
emeralds.”
|
||
|
||
“Then you do not believe that Hervey placed the manuscript in my room?”
|
||
|
||
“He declared most emphatically that he did not,” said Don Pedro, “when
|
||
at Pierside yesterday I went to the Sailor's Rest and saw him. He told
|
||
Braddock only the other day that he had lost his chance of a sailing
|
||
vessel, and, as yet, had not got another one. But when he returned
|
||
to Pierside he found a letter waiting him--so he told me--giving him
|
||
command of a four thousand ton tramp steamer called The Firefly. He is
|
||
to sail at once--to-morrow, I believe.”
|
||
|
||
“Then what is he going to do about this murder business?”
|
||
|
||
“He can do nothing at present, as, if he remains in Pierside, he will
|
||
lose his new command. To-morrow he drops down stream, but meantime he
|
||
intends to write out the whole story of the theft of the mummy. I have
|
||
promised to give him fifty pounds for doing so, as I want to get back
|
||
the mummy, free of charge, from Braddock.”
|
||
|
||
“I think Braddock will stick to the mummy in any event,” said Random
|
||
grimly.
|
||
|
||
“Not when Hervey writes out his evidence. He will not have it completed
|
||
by the time he sails, as he is very busy. But he has promised to send
|
||
off a boat to the jetty near the Fort to-morrow evening, when he is
|
||
dropping down stream. I shall be there with fifty pounds in gold.”
|
||
|
||
“Supposing he fails to stop or send the boat?”
|
||
|
||
“Then he will not get his fifty pounds,” retorted Don Pedro. “The man
|
||
is a rascal, and deserves prison rather than reward, but since the mummy
|
||
was stolen by him thirty years back, he alone can prove my ownership.”
|
||
|
||
“But why take all this trouble?” argued the baronet. “I can buy the
|
||
mummy from Braddock.”
|
||
|
||
“No,” said Don Pedro. “I have a right to my own property.”
|
||
|
||
Random lingered until late in the afternoon and until darkness fell,
|
||
as he was anxious to see Donna Inez. But she did not appear until late.
|
||
Meanwhile Archie Hope put in an appearance, having come to see Don Pedro
|
||
with an account of his interview with Widow Anne. Before coming to the
|
||
inn he had called on Professor Braddock, and from him had heard all
|
||
about the wickedness of Mrs. Jasher. His surprise was very great.
|
||
|
||
“I should not have believed it,” he declared. “Poor woman!”
|
||
|
||
“Ah,” said Random, rather pleased, “you are more merciful than the
|
||
Professor, Hope. He calls her a bad woman.”
|
||
|
||
“Humph! I don't think that Braddock is so good that he can afford to
|
||
throw a stone,” said Archie rather sourly. “Mrs. Jasher has not behaved
|
||
well, but I should like to hear her complete story before judging. There
|
||
must be a lot of good in her, or Lucy, who has been with her a great
|
||
deal, would have found her out long ago. I go by a woman's judgment of a
|
||
woman. But Mrs. Jasher must have been anxious to marry.”
|
||
|
||
“She was; as Professor Braddock knows,” said Random quickly.
|
||
|
||
“I am not thinking of that so much as of what Widow Anne told me.”
|
||
|
||
“Oh,” said Don Pedro, looking up from where he was seated, “so you have
|
||
seen that old woman? What does she say about the clothes?”
|
||
|
||
“She sticks to her story. Sidney, she declares, borrowed the clothes to
|
||
give to me for a model. Now, I never asked Bolton to do this, so I fancy
|
||
the disguise must have been intended for himself, or for Mrs. Jasher.”
|
||
|
||
“But what had Mrs. Jasher to do with him?” demanded Random sharply.
|
||
|
||
“Well, it's odd,” replied Hope slowly, “but Mrs. Bolton declares that
|
||
her son was in love with Mrs. Jasher, and when he returned from Malta
|
||
intended to marry her.”
|
||
|
||
“Impossible!” cried Sir Frank. “She engaged herself to Braddock.”
|
||
|
||
“But only after Bolton's death, remember.”
|
||
|
||
Don Pedro nodded.
|
||
|
||
“That is true. But what you say, Mr. Hope, proves the truth of Hervey's
|
||
theory.”
|
||
|
||
“In what way?”
|
||
|
||
“Mrs. Jasher, as we know from what Random told us, wanted money. She
|
||
would not marry a man who was poor. Bolton was poor, but of course the
|
||
emeralds would make him wealthy, as they are of immense value. Probably
|
||
he intended to steal them in order to marry this woman. This implicates
|
||
Mrs. Jasher in the crime.”
|
||
|
||
“Yes,” assented Sir Frank, nodding. “But as Bolton did not know that the
|
||
emeralds existed before he bought the mummy in Malta, I do not see why
|
||
he should borrow a disguise beforehand for Mrs. Jasher to meet him at
|
||
the Sailor's Rest.”
|
||
|
||
“The thing is easily settled,” said Hope impatiently. “Let us both go to
|
||
Mrs. Jasher's this evening, and insist upon the truth being told. If she
|
||
confesses about her secret engagement to Sidney Bolton, she may admit
|
||
that the clothes were borrowed for her.”
|
||
|
||
“And she may admit also that she placed the manuscript in my room,” said
|
||
Sir Frank after a pause. “Hervey did not place it there, but it is just
|
||
possible that Mrs. Jasher, having got it from Bolton when she talked to
|
||
him through the window, may have done so.”
|
||
|
||
“Nonsense!” said Hope with vigorous commonsense. “Mrs. Jasher would be
|
||
spotted in a moment if she had gone to your quarters. She had to pass
|
||
the sentry, remember. Then, again, we have not yet proved that she was
|
||
the woman in Mrs. Bolton's clothes who spoke through the window. That
|
||
can all be settled if we speak to her this evening.”
|
||
|
||
“Very good.” Random glanced at his watch. “I must get back. Don Pedro,
|
||
will you tell Inez that I shall come in this evening? We can then talk
|
||
further about these matters. Hope?”
|
||
|
||
“I shall stop here, as I wish to consult Don Pedro.”
|
||
|
||
Random nodded and took a reluctant departure. He dearly wished, as an
|
||
engaged lover should, to remain on the chance that Donna Inez might
|
||
return, but duty called him and he was forced to obey.
|
||
|
||
The night was very dark, although it was not particularly late. But
|
||
there was no rain, and Random walked rapidly through the village and
|
||
down the road to the Fort. He caught a glimpse of the lights of Mrs.
|
||
Jasher's cottage twinkling in the distance, and smiled grimly as he
|
||
thought of the invisible spell he had placed thereon. No doubt Mrs.
|
||
Jasher was shivering in her Louis Quinze shoes at the idea of being
|
||
watched. But then, she deserved that much punishment at least, as Random
|
||
truly thought.
|
||
|
||
When entering the Fort, the sentry saluted as usual, and Random was
|
||
about to pass, when the man stepped forward, holding out a brown paper
|
||
package.
|
||
|
||
“Please, sir, I found this in my sentry box,” he said, saluting.
|
||
|
||
Sir Frank took the packet.
|
||
|
||
“Who placed it there? and why do you give it to me?” he demanded in
|
||
surprise.
|
||
|
||
“Please, sir, it's directed to you, sir, and I don't know who put it in
|
||
my box, sir. I was on duty, sir, and I 'spose someone must have dropped
|
||
it on the floor of the box, sir, when I was at the other end of my beat,
|
||
sir. It was as dark as this, sir, and I saw nothing and heard nothing.
|
||
When I come back, sir, I stepped into the box out of the rain and felt
|
||
it with my feet. I struck a light, sir, and found it was for you.”
|
||
|
||
Sir Frank slipped the package into his pocket and went away after a grim
|
||
word or so to the sentry, advising him to be more on the alert. He was
|
||
puzzled to think who had left the packet in the sentry box, and curious
|
||
to know what it contained. As soon as he got to his own room, he cut
|
||
the string which bound loosely the brown paper. Then, in the lamplight,
|
||
there rolled out from the carelessly-tied parcel a glorious sea-green
|
||
emerald of great size, radiating light like a sun. A scrap of white
|
||
paper lay in the brown wrapping. On it was written, “A wedding gift for
|
||
Sir Frank Random.”
|
||
|
||
|
||
|
||
|
||
CHAPTER XXIII. JUST IN TIME
|
||
|
||
|
||
Of all the surprises in connection with the tragedy of the green
|
||
mummy, this was surely the greatest. Sidney Bolton had undoubtedly been
|
||
murdered for the sake of the emeralds, and the assassin had escaped
|
||
with the spoil, for which he had sold his soul. Yet here was one of the
|
||
jewels returned anonymously to Random, who could pass on the same to its
|
||
rightful owner. In the midst of his amazement Sir Frank could not help
|
||
chuckling when he thought how enraged Professor Braddock would be at Don
|
||
Pedro's good fortune. At the eleventh hour, as it were, the Peruvian had
|
||
got back his own, or at least a portion of his own.
|
||
|
||
Placing the emerald in his drawer, Random gave orders to his servant
|
||
that the sentry, when off duty, should be brought before him. Just as
|
||
Random finished dressing for mess--and he dressed very early, so as to
|
||
devote his entire attention to solving this new problem--the soldier who
|
||
had been on guard appeared. But he could tell nothing more than he had
|
||
already related. When doing sentry-go immediately outside the gate of
|
||
the Fort, the packet had been slipped into the box, while the man was at
|
||
the far end of his beat. It was quite dark when this was done, and the
|
||
soldier confessed that he had not heard a sound, much less had he seen
|
||
anyone. The person who had brought the glorious gem had watched his
|
||
opportunity, and, soft-footed as a cat, had stolen forward in the
|
||
darkness to drop the precious parcel on the floor of the sentry box.
|
||
There the man had found it by the feel of his feet, when he stepped in
|
||
some time later to escape a shower. But what time had elapsed from the
|
||
placing of the parcel to its discovery by the sentry it was impossible
|
||
to say. It must, however, as Random calculated, have been within the
|
||
hour, since, before then, it would not have been dark enough to hide
|
||
the approach of the person, whether male or female, who carried a king's
|
||
ransom in the brown paper parcel.
|
||
|
||
At first Random was inclined to place the sentry under arrest for having
|
||
failed so much in his duty as to allow anyone to approach so near the
|
||
Fort; but, as he had already reprimanded the man, and, moreover, wished
|
||
to keep the fact of the recovered jewel quiet, he simply dismissed him.
|
||
When alone, he sat down before the fire, wondering who could have dared
|
||
so very greatly, and for what reason the emerald had been handed to
|
||
him. If it had been sent to Don Pedro, or even to Professor Braddock, it
|
||
would have been much more reasonable.
|
||
|
||
It first occurred to him that Mrs. Jasher, out of gratitude for the way
|
||
in which he had treated her, had sent him the jewel. Remembering his
|
||
former experience, he smelt the parcel, but could detect no sign of the
|
||
famous Chinese scent which had proved a clue to the letter. Of course
|
||
the direction on the packet and the inscribed slip of paper were in
|
||
feigned handwriting, so he could gather nothing from that. Still, he
|
||
did not think that Mrs. Jasher had sent the emerald. She was desperately
|
||
hard up, and if she had become possessed of the gem by murder--presuming
|
||
her to have been the woman who talked to Bolton through the window--she
|
||
assuredly would have sold it to supply her own needs. Certainly, if
|
||
guilty, she would still possess the other emerald, of equal value; but
|
||
undoubtedly, had she risked her neck to gain a fortune, she would
|
||
have kept the entire plunder which was likely to cost her so dear. No;
|
||
whomsoever it was who had repented at the eleventh hour, Mrs. Jasher was
|
||
not the person.
|
||
|
||
Perhaps Widow Anne was the woman who had talked through the window, and
|
||
who had restored the emerald. But that was impossible, since Mrs. Bolton
|
||
habitually took more liquor than was good for her, and would not have
|
||
the nerve to deliver the jewel, much less commit the crime, the more
|
||
especially as the victim was her own son. Of course she might have
|
||
found out Sidney's scheme to run away with the jewels, and so would have
|
||
claimed her share. But if she had been in Pierside on that evening--and
|
||
her presence in Gartley had been sworn to by three or four cronies--she
|
||
would have guessed who had strangled her boy. If so, not all the jewels
|
||
in the world would have prevented her denouncing the criminal. With
|
||
all her faults--and they were many--Mrs. Bolton was a good mother, and
|
||
looked upon Sidney as the pride and joy of her somewhat dissipated life.
|
||
Mrs. Bolton was certainly as innocent as Mrs. Jasher.
|
||
|
||
There remained Hervey. Random laughed aloud when the name came into
|
||
his puzzled head. That buccaneer was the last person to surrender his
|
||
plunder or to feel compunction in committing a crime. Once the skipper
|
||
got his grip on two jewels, worth endless money, he would never let them
|
||
go--not even one of them. Arguing thus, it seemed that Hervey was out of
|
||
the running, and Random could think of no one else. In this dilemma he
|
||
remembered that two heads were better than one, and, before going into
|
||
dinner, he sent a note to Archie Hope, asking him to come to the Fort as
|
||
speedily as possible.
|
||
|
||
Sir Frank was somewhat dull at dinner on that evening, and scarcely
|
||
responded to the joking remarks of his brother officers. These jocularly
|
||
put his preoccupation down to love, for it was an open secret that the
|
||
baronet admired the fair Peruvian, although no one as yet knew that
|
||
Random was legally engaged with Don Pedro's consent. The young man
|
||
good-humoredly stood all the chaff hurled at him, but seized the
|
||
opportunity to slip away to his quarters as soon as coffee came on the
|
||
table and the smoking began. It was nine o'clock before he returned to
|
||
his room, and here he found Hope waiting for him impatiently.
|
||
|
||
“I see you have been dining at the Pyramids,” said Random, seeing that
|
||
Hope was in evening dress.
|
||
|
||
Archie nodded.
|
||
|
||
“Yes. I don't put on this kit to have my humble chop at my lodgings. But
|
||
the Professor asked me to dinner to talk over matters.”
|
||
|
||
“What does he say?” asked Random, looking for the cigarette box.
|
||
|
||
“Oh, he is very angry with Mrs. Jasher, and considers that she has
|
||
swindled him. He called to see her this afternoon, and--so he says--had
|
||
a stormy interview with her.”
|
||
|
||
“I don't wonder at that, if he speaks as he generally does,” said the
|
||
other grimly, and pushing along the cigarettes, “There you are! The
|
||
whisky and soda are on yonder table. Make yourself comfortable, and tell
|
||
me what the Professor intends to do.”
|
||
|
||
“Well,” said Archie, turning half round from the side table where he
|
||
was pouring out the whisky, “he had already started action, by sending
|
||
Cockatoo to live at the Sailor's Rest and spy on Hervey.”
|
||
|
||
“What rubbish! Hervey is, going away to-morrow in The Firefly, bound for
|
||
Algiers. Nothing is to be learned from him.”
|
||
|
||
“So I told the Professor,” said Hope, returning to the armchair near the
|
||
fire, “and I mentioned that Don Pedro had induced the skipper to write
|
||
out a full account of the theft of the mummy from Lima thirty years
|
||
ago. I also said that the signed paper would be handed in at the Gartley
|
||
jetty when The Firefly came down stream to-morrow night.”
|
||
|
||
“Humph! And what did Braddock say to that?”
|
||
|
||
“Nothing much. He merely stated that whatever Hervey said toward proving
|
||
the ownership of your future father-in-law, that he intended to stick
|
||
to the embalmed corpse of Inca Caxas, and also that he intended to claim
|
||
the emeralds when they turned up.”
|
||
|
||
Random rose and went to the drawer of his desk.
|
||
|
||
“I am afraid he has lost one emerald, at all events,” he said, unlocking
|
||
the drawer.
|
||
|
||
“What's that?” said Hope sharply. “Why did you--oh, gosh!” He jumped up
|
||
with an amazed look as Random held up the magnificent gem, from which
|
||
streamed vividly green flames in the mellow lamplight. “Oh, gosh!”
|
||
gasped the artist again. “Where the devil did you get that?”
|
||
|
||
“I sent for you to tell you,” said Sir Frank, giving the jewel into his
|
||
friend's hand and coming back to his seat. “It was found in the sentry
|
||
box.”
|
||
|
||
Hope stared at the great jewel and then at the soldier.
|
||
|
||
“What do you mean by that?” he demanded. “How the dickens could it be
|
||
found in a sentry box? You must be making a mistake.”
|
||
|
||
“Not a bit of it. It was found on the floor of the box by the sentry, as
|
||
I tell you, and I have sent to consult with you as to how the deuce it
|
||
got there.”
|
||
|
||
“Hervey,” muttered Archie, fascinated by the gem.
|
||
|
||
Random shrugged his square shoulders.
|
||
|
||
“Catch that Yankee Shylock returning anything he got his grip on, even
|
||
as a wedding present.”
|
||
|
||
“A wedding present,” said Hope, more at sea than ever. “If you don't
|
||
mind giving me details, old chap, my head would buzz less.”
|
||
|
||
“I rather think that it will buzz more,” said Random dryly, and,
|
||
producing the brown paper in which the gem had been wrapped, and the
|
||
inscribed paper found within, he related all that had happened.
|
||
|
||
Archie listened quietly and did not interrupt, but the puzzled look on
|
||
his face grew more pronounced.
|
||
|
||
“Well,” ended Random, seeing that no remark was made when he had
|
||
finished, “what do you think?”
|
||
|
||
“Lord knows! I'll go out of my mind if these sort of things come along.
|
||
I am a simple sort of chap, and have no use for mysteries which beat all
|
||
the detective stories I have ever read. That sort of thing is all very
|
||
well in fiction, but in real life--humph! What are you going to do?”
|
||
|
||
“Give back the emerald to Don Pedro.”
|
||
|
||
“Of course, though, it is given to you for a wedding present. And then?”
|
||
|
||
“Then”--Random stared into the fire--“I don't know. I asked you in to
|
||
assist me.”
|
||
|
||
“Willingly; but how?”
|
||
|
||
Random pondered for a few moments.
|
||
|
||
“Who sent that emerald to me, do you think?” he asked, looking squarely
|
||
at the artist.
|
||
|
||
Hope meditatively turned the jewel in his long fingers.
|
||
|
||
“Why not ask Mrs. Jasher?” he suggested suddenly.
|
||
|
||
“No!” Sir Frank shook his head. “I fancied it might be her, but it
|
||
cannot be. If she is guilty--as she must be, should she have sent the
|
||
emerald--she would not part with her plunder when she is so hard up.
|
||
I am beginning to believe, Hope, that what she said was true about the
|
||
letter.”
|
||
|
||
“How do you mean exactly?”
|
||
|
||
“That the letter was mere bluff and that she really knows nothing about
|
||
the crime. By the way, did Braddock learn anything?”
|
||
|
||
“Not a thing. He merely said that the two of them fought. I expect
|
||
Braddock stormed and Mrs. Jasher retorted. Both of them have too much
|
||
tongue-music to come to any understanding. By the way--to echo, your own
|
||
phrase--you had better put away this gem or I shall be strangling
|
||
you myself in order to gain possession of it. The mere sight of that
|
||
gorgeous color tempts me beyond my strength.”
|
||
|
||
Random laughed and locked the jewel in his drawer. Hope suggested that
|
||
with such a flimsy lock it was unsafe, but the baronet shook his head.
|
||
|
||
“It is safer here than in a woman's jewel case,” he asserted. “No one
|
||
looks to my drawer, and certainly no one would expect to find a crown
|
||
jewel of this description in my quarters. Well,” he came back to his
|
||
seat, slipping his keys into his trouser pocket, “the whole thing
|
||
puzzles me.”
|
||
|
||
“Why not do as I suggest and go to Mrs. Jasher? In any case you are
|
||
going there to-night, are you not?”
|
||
|
||
“Yes. I want to decide what to do about the woman. I had intended to go
|
||
alone, but as you are here you may as well come also.”
|
||
|
||
“I shall be delighted. What do you intend to do?”
|
||
|
||
“Help her,” said Random briefly.
|
||
|
||
“She doesn't deserve it,” replied Hope, lighting a fresh cigarette.
|
||
|
||
“Does anyone ever deserve anything?” asked Sir Frank cynically. “What
|
||
does Miss Kendal think of the business? I suppose Braddock told her. He
|
||
has too long a tongue to keep anything to himself.”
|
||
|
||
“He told her at dinner, when I was present. Lucy is quite on your side.
|
||
She says that she had known Mrs. Jasher for months and that there is
|
||
good in her, although I am bound to say that Lucy was a trifle shocked.”
|
||
|
||
“Does she want Mrs. Jasher to marry her father now?”
|
||
|
||
“Her step-father,” corrected Archie immediately. “No, that is out of
|
||
the question. But she would like Mrs. Jasher to be helped out of
|
||
her difficulties and have a fair start. It was only by the greatest
|
||
diplomacy that I prevented Lucy going to see the wretched woman this
|
||
evening.”
|
||
|
||
“Why did you prevent her?”
|
||
|
||
Archie colored.
|
||
|
||
“I daresay I am a trifle prudish,” he replied, “but after what has
|
||
happened I do not wish Lucy to associate with Mrs. Jasher. Do you blame
|
||
me?”
|
||
|
||
“No, I don't. All the same, I don't think that Mrs. Jasher is an immoral
|
||
woman by any means.”
|
||
|
||
“Perhaps not; but we needn't discuss her character, as we know precious
|
||
little of her past, and she no doubt told you the story that best suited
|
||
herself. I think it will be best to make her tell all she knows this
|
||
evening, and then send her away with a sum of money in her pocket to
|
||
begin a new life.”
|
||
|
||
“I shall help her certainly,” said Random, with his eyes on the fire,
|
||
“but can't say exactly how. It is my opinion that the poor wretch is
|
||
more sinned against than sinning.”
|
||
|
||
“You are a soldier with a conscience, Random.”
|
||
|
||
The other laughed.
|
||
|
||
“Why shouldn't a soldier have a conscience? Do you take your idea
|
||
of officers from the lady novelist, who makes us out to be all idle
|
||
idiots?”
|
||
|
||
“Not exactly. All the same, many a man would not take the trouble to
|
||
behave as you are doing to this unlucky woman.”
|
||
|
||
“Any man, who was a man, whether soldier or civilian, would help such a
|
||
poor creature. And I believe, Hope, that you will help her also.”
|
||
|
||
The artist leaped to his feet impulsively.
|
||
|
||
“Of course. I'm with you right along, as Hervey would say. But first,
|
||
before deciding what we shall do to set Mrs. Jasher on her legs again,
|
||
let us hear what she has to say.”
|
||
|
||
“She can say nothing more than she has said,” remonstrated Random.
|
||
|
||
“I don't believe that,” replied Hope, reaching for his overcoat. “You
|
||
may choose to believe that the letter was the outcome of bluff. But I
|
||
really and truly think that Mrs. Jasher is in the know. What is more,
|
||
I believe that Bolton got her those clothes, and that she was the
|
||
woman who talked to him--went there to see how the little scheme was
|
||
progressing.”
|
||
|
||
“If I thought that,” said Random coldly, “I would not help Mrs. Jasher.”
|
||
|
||
“Oh, yes, you would. The greater the sinner the more need she or he
|
||
has of help, you know, my dear fellow. But get your coat on, and let us
|
||
toddle. I don't suppose we need pistols.”
|
||
|
||
Sir Frank laughed, as, aided by the artist, he struggled into his
|
||
military greatcoat.
|
||
|
||
“I don't suppose that Mrs. Jasher will be dangerous,” he remarked.
|
||
“We'll get what we can out of her, and then arrange what is best to be
|
||
done to recoup her fallen fortunes. Then she can go where she chooses,
|
||
and we can,--as the French say--return to our muttons.”
|
||
|
||
“I think Donna Inez and Lucy would be annoyed to hear themselves called
|
||
muttons,” laughed Archie, and the two men left the room.
|
||
|
||
The night was darker than ever, and a fine rain was falling incessantly.
|
||
When they left the dimly lighted archway of the fort through the
|
||
smaller, gate set in the larger one they stepped into midnight blackness
|
||
such as must have been spread over the land of Egypt. In accordance
|
||
with the primitive customs of Gartley inhabitants, one of them at least
|
||
should have been furnished with a lantern, as it was no easy task
|
||
to pick a clean way through the mud.---However, Archie, knowing the
|
||
surroundings better even than Random, led the way, and they walked
|
||
slowly through the iron gate on the hard high road which led to the
|
||
Fort. Immediately beyond this they turned towards the narrow cinder path
|
||
which led through the marshes to Mrs. Jasher's cottage, and toiled on
|
||
cautiously through the misty rain, which fell continuously. The fog was
|
||
drifting up from the mouth of the river and was growing so thick that
|
||
they could not see the somewhat feeble lights of the cottage. However,
|
||
Archie's instincts led him aright, and they blundered finally upon the
|
||
wooden gate. Here they paused in shocked surprise, for a woman's scream
|
||
rang out wildly and suddenly.
|
||
|
||
“What, in heaven's name, is that?” asked Hope, aghast.
|
||
|
||
“We must find out,” breathed Random, and raced through the white
|
||
cotton-wool of the fog up the path. As he reached the veranda the door
|
||
opened and a woman came running out screaming. But other screams inside
|
||
the cottage still continued.
|
||
|
||
“What is the matter?” cried Random, seizing the woman.
|
||
|
||
She proved to be Jane.
|
||
|
||
“Oh, sir, my mistress is being murdered--”
|
||
|
||
Hope plunged past her into the corridor, not waiting to hear more. The
|
||
cries had died down to a low moaning, and he dashed into the pink parlor
|
||
to find it in smoky darkness. Striking a match, he held it above his
|
||
head. It showed Mrs. Jasher prone on the floor, and a dark figure
|
||
smashing its way through the flimsy window. There was a snarl and the
|
||
figure vanished as the match went out.
|
||
|
||
|
||
|
||
|
||
CHAPTER XXIV. A CONFESSION
|
||
|
||
|
||
Jane was still being held by Sir Frank at the floor, and was still
|
||
screaming, fully convinced that her captor was a burglar, in spite of
|
||
having recognized him by his voice. Random was so exasperated by her
|
||
stupidity that he shook her.
|
||
|
||
“What is the matter, you fool?” he demanded. “Don't you know that I am a
|
||
friend?”
|
||
|
||
“Y-e-s, s-i-r,” gasped Jane, fetching her breath again after the
|
||
shaking; “but go for the police. My mistress is being murdered.”
|
||
|
||
“Mr. Hope is looking after that, and the screams have ceased. Who was
|
||
with your mistress?”
|
||
|
||
“I don't know, sir,” sobbed the servant. “I didn't know anyone had
|
||
called, and then I heard the screaming. I looked into the parlor to see
|
||
what was the matter, but the lamp had been thrown over and had gone
|
||
out, and there was a dreadful struggle going on in the darkness, so I
|
||
screamed and ran out and then I--oh--oh” Jane showed symptoms of renewed
|
||
hysteria, and clutched Random tightly, as a man came cautiously round
|
||
the corner.
|
||
|
||
“Are you there, Random?” asked Hope's voice.
|
||
|
||
“It's so infernally dark and foggy that I have missed him.”
|
||
|
||
“Missed who?”
|
||
|
||
“The man who was trying to murder Mrs. Jasher, He got her down when I
|
||
entered and struck a match. Then he dashed through the window before I
|
||
could catch him or even recognize him. He's vanished in the mist.”
|
||
|
||
“It's no use looking for him anyhow,” said Random, peering into the
|
||
dense blackness, which was thick with damp. “We had better see after
|
||
Mrs. Jasher.”
|
||
|
||
“Whom have you got there?”
|
||
|
||
“Jane--who seems to have lost her head.”
|
||
|
||
“It's a mercy I haven't lost my life, sir, with burglars and murderers
|
||
all about the place,” sobbed the girl, dropping on to the veranda.
|
||
|
||
Random promptly hauled her to her feet.
|
||
|
||
“Go and get a candle, and keep calm if you can,” he said in an abrupt
|
||
military voice. “This is no time to play the fool.”
|
||
|
||
His sharpness had great effect on the girl, and she became much more her
|
||
usual self. Hope lighted another match, and the trio proceeded through
|
||
the passage towards the kitchen, where Jane had left a lamp burning.
|
||
Seizing this from its bracket, Sir Frank retraced his way along the
|
||
passage to the pink parlor, followed closely by Hope and timorously
|
||
by Jane. A dreadful scene presented itself. The dainty little room
|
||
was literally smashed to pieces, as though a gigantic bull had been
|
||
wallowing therein. The lamp lay on the floor, surrounded by several
|
||
extinguished candles. It was a mercy that all the lights had been put
|
||
out when overturned, else the gim-crack cottage would have been long
|
||
since in a blaze. Chairs and tables and screens were also overturned,
|
||
and the one window had its rose-hued curtains torn down and its glass
|
||
broken, showing only too clearly the way in which the murderer had
|
||
escaped. And that the man who had attacked Mrs. Jasher was a murderer
|
||
could be seen from the stream of blood that ran slowly from Mrs.
|
||
Jasher's breast. Apparently she had been stabbed in the lungs, for the
|
||
wound was on the right side. There she lay, poor woman, in her tawdry
|
||
finery, crumpled up, battered and bruised, dead amongst the ruins of her
|
||
home. Jane immediately began to scream again.
|
||
|
||
“Stop her, Hope,” cried Random, who was kneeling by the body and feeling
|
||
the heart. “Mrs. Jasher is not dead. Hold your noise, woman, and go
|
||
for a doctor.” This was to Jane, who, prevented from screaming, took to
|
||
whimpering.
|
||
|
||
“I had better go,” said Hope quickly; “and I'll go to the Fort and alarm
|
||
the men. Perhaps they may catch the man.”
|
||
|
||
“Can you describe him?”
|
||
|
||
“Of course not,” said Archie indignantly. “I only caught a glimpse of
|
||
him by the feeble light of a lucifer match. Then he leaped through the
|
||
window and I after him. I made a grab at him, but lost him in the mist.
|
||
I don't know in the least what he is like.”
|
||
|
||
“Then how can anyone arrest him?” snapped Random, raising Mrs. Jasher's
|
||
head. “Give what alarm you like, but race for Robinson up the village.
|
||
We must save this poor woman's life, if only to learn who killed her.”
|
||
|
||
“But she isn't dead yet--she isn't dead yet,” wailed Jane, clapping her
|
||
hands, while Hope, knowing the value of time, promptly ran out of the
|
||
house to get further assistance.
|
||
|
||
“She soon will be,” said Sir Frank, whose temper was not of the best at
|
||
so critical a moment in dealing with a fool. “Go and bring me brandy at
|
||
once, and afterwards linen and hot water. We must do our best to staunch
|
||
this wound and revive her.”
|
||
|
||
For the next quarter of an hour the man and the woman labored hard to
|
||
save Mrs. Jasher's life. Random bound up the wound in a rough and ready
|
||
fashion, and Jane fed the pale lips of her mistress with sips of brandy.
|
||
Mrs. Jasher gradually became more alive, and a faint sigh escaped from
|
||
her lips, as her wounded bosom rose and fell with recovered breath. When
|
||
Sir Frank was in hopes that she would speak, she suddenly relapsed again
|
||
into a comatose state. Luckily at that moment Archie returned with young
|
||
Dr. Robinson at his heels, and also was followed by Painter, the village
|
||
constable, who had luckily been picked up in the fog.
|
||
|
||
Robinson whistled as he looked at the insensible woman.
|
||
|
||
“She's had a narrow squeak,” he muttered, lifting the body with the
|
||
assistance of Random.
|
||
|
||
“Will she recover?” questioned Hope anxiously.
|
||
|
||
“I can't tell you yet,” answered the doctor; and with Sir Frank he
|
||
carried the heavy body of the widow into her bedroom. “How did it
|
||
happen?”
|
||
|
||
“That is my business,” said Painter, who had followed, and who was now
|
||
filled with importance. “You look after the body, sir, and I'll question
|
||
these gentlemen and the servant.”
|
||
|
||
“Servant yourself! Such sauce!” muttered Jane, with an angry toss of her
|
||
cap at the daring young policeman. “I know nothing. I left my mistress
|
||
in the parlor writing letters, and never heard anyone come in. The bell
|
||
didn't sound anyhow. The first thing I knew that anything was wrong was
|
||
on hearing the screams. When I looked into the parlor the candles and
|
||
the lamp were out, and there was a struggle going on in the dark. Then
|
||
I cried out, very naturally, I'm sure, and ran straight into the arms of
|
||
these gentlemen, as soon as I could get the front door open.”
|
||
|
||
After delivering this address, Jane was called away to assist the doctor
|
||
in the bedroom, and along with Archie and Random the constable repaired
|
||
to the pink parlor to hear what they had to say. Of course they could
|
||
tell him even less than Jane had told, and Archie protested that he was
|
||
quite unable to describe the man who had dashed out of the window.
|
||
|
||
“Ah,” said Painter sapiently, “he got out there; but how did he enter?”
|
||
|
||
“No doubt by the door,” said Random sharply.
|
||
|
||
“We don't know that, sir. Jane says she did not hear the bell.”
|
||
|
||
“Mrs. Jasher might have let the man in, whomsoever he was, secretly.”
|
||
|
||
“Why should she, sir?”
|
||
|
||
“Ah! now you are asking more than I can tell you. Only Mrs. Jasher can
|
||
explain, and it seems to me that she will die.”
|
||
|
||
Meanwhile, in some mysterious way the news of the crime had spread
|
||
through the village, and although it was growing late--for it was past
|
||
ten o'clock--a dozen or so of villagers came along. Also there arrived
|
||
a number of soldiers under a smart sergeant, and to him Sir Frank
|
||
explained what had happened. In the fainthearted way--for the mist was
|
||
now like cotton-wool--the military and the civilians hunted through the
|
||
marshes round the cottage, hoping to come across the assassin hiding
|
||
in a ditch. Needless to say, they found no one and nothing, for it was
|
||
worse than looking for a needle in a bundle of hay. The man had come out
|
||
of the mist, and, after executing the deed, had vanished into the mist,
|
||
and there was not the very slightest chance of finding him. Gradually,
|
||
as it drew towards midnight, the soldiers went back to the Fort, and the
|
||
villagers to their homes. But, along with the doctor and the constable,
|
||
Hope and his military friend stopped on. They were determined to get at
|
||
the root of the mystery, and when Mrs. Jasher became sensible she would
|
||
be able to reveal the truth.
|
||
|
||
“It's all of a piece with the sending of the emerald,” said Random
|
||
to the artist, “and that is connected, as we know, with the death of
|
||
Bolton.”
|
||
|
||
“Do you think that this man who has struck down Mrs. Jasher is the same
|
||
one who strangled Sidney Bolton?”
|
||
|
||
“I should think so. Perhaps Mrs. Jasher sent the emerald after all, and
|
||
this man killed her out of revenge.”
|
||
|
||
“But how would he know that she had the emerald?”
|
||
|
||
“God knows! She may have been his accomplice.”
|
||
|
||
Archie knit his brows.
|
||
|
||
“Who the devil can this mysterious person be?”
|
||
|
||
“I can only reply as you have done, my friend. God knows.”
|
||
|
||
“Well, I am certain that God will not let him escape this time. This
|
||
will bring Gartley once more into notoriety,” went on Hope. “By the way,
|
||
I saw one of the servants from the Pyramids here. I hope the fool won't
|
||
go home and frighten Lucy's life out of her.”
|
||
|
||
“Go to the Pyramids and see her,” suggested Sir Frank. “Mrs. Jasher is
|
||
still unconscious, and will be for hours, the doctor tells me.”
|
||
|
||
“It is too late to go to the Pyramids, Random.”
|
||
|
||
“If they know of this new tragedy there, I'll bet they are not in bed.”
|
||
|
||
Hope nodded.
|
||
|
||
“All the same, I'll remain here until Mrs. Jasher can speak,” he said,
|
||
and sat smoking with Random in the dining-room, as the most comfortable
|
||
room in the house.
|
||
|
||
Constable Painter camped, so to speak, in the drawing-room, keeping
|
||
guard over the scene of the crime, and had placed the Chinese screen
|
||
against the broken window to keep out the cold. In the bedroom Jane and
|
||
Dr. Robinson looked after the dying woman. And dying she was, according
|
||
to the young physician, for he did not think she would live much longer.
|
||
Round the lonely cottage the sea-mist drifted white and thick, and the
|
||
darkness deepened, until--as the saying goes--it could have been cut
|
||
with a knife. Never was there so eerie and weary and sinister a vigil.
|
||
|
||
Towards four o'clock Hope fell into a doze, while resting in an
|
||
arm-chair; but he was suddenly aroused from this by an exclamation from
|
||
Sir Frank, who had remained wide awake, smoking cigar after cigar. In a
|
||
moment the artist was on his feet, alert and quick-brained.
|
||
|
||
“What is it?”
|
||
|
||
Random made for the dining-room door rapidly.
|
||
|
||
“I thought I heard Painter call out,” he declared, and hastily sought
|
||
the parlor, followed by Hope.
|
||
|
||
The room was empty, but the screen before the broken window had been
|
||
thrown down, and they could see Painter's bulky form immediately
|
||
outside.
|
||
|
||
“What the deuce is the matter?” demanded Random, entering. “Did you call
|
||
out, Painter. I fancied I heard something.”
|
||
|
||
The constable came in again.
|
||
|
||
“I did call out, sir,” he confessed. “I was half asleep in that chair,
|
||
when I suddenly became wide awake, and believed I saw a face looking at
|
||
me round the corner of the screen. I jumped up, calling for you, sir,
|
||
and upset the screen.”
|
||
|
||
“Well? well?” demanded Sir Frank impatiently, and seeing that the man
|
||
hesitated.
|
||
|
||
“I saw no one, sir. All the same, I had an idea, and I have still, that
|
||
a man came through the window and peered at me from behind the screen.”
|
||
|
||
“The man who attacked Mrs. Jasher?”
|
||
|
||
“I can't say, sir. But there was someone. At any rate he's gone again,
|
||
if he really did come, and there is no chance of finding him. It's like
|
||
pea-soup outside.”
|
||
|
||
Hope and Random simultaneously stepped through the window, but could not
|
||
see an inch before them, so thick was the sea-fog and so dense was the
|
||
darkness. Returning, they replaced the screen, and, telling Painter
|
||
to be more on the alert, went back shivering to the fire in the
|
||
dining-room. When they were seated again, Archie put a question.
|
||
|
||
“Do you think that policeman was dreaming?” he asked meditatively.
|
||
|
||
“No,” replied Random sharply. “I believe that the man who assaulted Mrs.
|
||
Jasher is hanging about, and ventured back into the room, relying on the
|
||
fog as a means of escape, should he be spotted.”
|
||
|
||
“But the man wouldn't be such a fool as to return into danger.”
|
||
|
||
“Not unless he wanted something very badly,” said Random significantly.
|
||
|
||
Hope let the cigarette he was lighting fall.
|
||
|
||
“What do you mean?”
|
||
|
||
“I may be wrong, of course. But it is my impression that there is
|
||
something in the parlor which this man wants, and for which he tried
|
||
to murder Mrs. Jasher. We interrupted him, and he was forced to flee.
|
||
Hidden in the fog, he is lurking about to see if he can't obtain what he
|
||
has risked his neck to secure.”
|
||
|
||
“What can it be?” murmured Archie, struck by the feasibility of this
|
||
theory.
|
||
|
||
“Perhaps the second emerald,” remarked Sir Frank grimly.
|
||
|
||
“What! You don't think that--”
|
||
|
||
“I don't think anything. I am too tired to think at all. However,
|
||
Painter will keep his eyes open, and in the morning we can search the
|
||
room. The man has been in the house twice to get what he wanted. He
|
||
won't risk another attempt, now that he is aware we are on the alert.
|
||
I'm going to try and get forty winks. You keep watch, as you have had
|
||
your sleep.”
|
||
|
||
Hope was quite agreeable, but just as Random composed himself to uneasy
|
||
slumber, Jane, haggard and red-eyed, came hastily into the dining-room.
|
||
|
||
“If you please, gentlemen, the doctor wants you to come and see
|
||
mistress. She is sensible, and--”
|
||
|
||
The two waited to hear no more, but went hastily but softly into the
|
||
room wherein lay the dying woman. Robinson sat by the bedside, holding
|
||
his patient's hand and feeling her pulse. He placed his finger on his
|
||
lips as the men entered gently, and at the same moment Mrs. Jasher's
|
||
voice, weak from exhaustion, sounded through the room, which was
|
||
dimly illuminated by one candle. The newcomers halted in obedience to
|
||
Robinson's signal.
|
||
|
||
“Who is there?” asked Mrs. Jasher weakly, for, in spite of the care
|
||
exercised, she had evidently heard the footsteps.
|
||
|
||
“Mr. Hope and Sir Frank Random,” whispered the doctor, speaking into the
|
||
dying woman's ear. “They came in time to save you.”
|
||
|
||
“In time to see me die,” she murmured; “and I can't die, unless I tell
|
||
the truth. I am glad Random is there; he is a kind-hearted boy, and
|
||
treated me better than he need have done. I--oh--some brandy--brandy.”
|
||
|
||
Robinson gave her some in a spoon.
|
||
|
||
“Now lie quietly and do not attempt to speak,” he commanded. “You need
|
||
all your strength.”
|
||
|
||
“I do--to tell that which I wish to tell,” gasped Mrs. Jasher, trying
|
||
to raise herself. “Sir Frank! Sir Frank!” Her voice sounded hoarse and
|
||
weak.
|
||
|
||
“Yes, Mrs. Jasher,” said the young man, coming softly to the bedside.
|
||
|
||
She thrust out a weak hand and clutched him.
|
||
|
||
“You must be my father-confessor, and hear all. You got the emerald?”
|
||
|
||
“What!” Random recoiled in astonishment, “Did you--”
|
||
|
||
“Yes, I sent it to you as a wedding present. I was sorry and I was
|
||
afraid; and I--I--” She paused again, gasping.
|
||
|
||
The doctor intervened and gave her more brandy.
|
||
|
||
“You must not talk,” he insisted severely, “or I shall turn Sir Frank
|
||
and Mr. Hope out of the room.”
|
||
|
||
“No! no! Give me more brandy--more--more.” and when the doctor placed a
|
||
tumbler to her lips, she drank so greedily that he had to take the glass
|
||
away lest she should do herself harm. But the ardent spirit put new life
|
||
into her, and with a superhuman effort she suddenly reared herself in
|
||
the bed.
|
||
|
||
“Come here, Hope--come here, Random,” she said in a much stronger voice.
|
||
“I have much to tell you. Yes, I took the emerald after dark and threw
|
||
it into the sentry box when the man wasn't looking. I escaped your spy,
|
||
Random, and I escaped the notice of the sentry. I walked like a cat, and
|
||
like a cat I can see in the dark. I am glad you have got the emerald.”
|
||
|
||
“Where did you get it?” asked Random quietly.
|
||
|
||
“That's a long story. I don't know that I have the strength to tell it.
|
||
I have written it out.”
|
||
|
||
“You have written it out?” said Hope quickly, and drawing near.
|
||
|
||
“Yes. Jane thought that I was writing letters, but I was writing out the
|
||
whole story of the murder. You were good to me, Random, you dear boy,
|
||
and on the impulse of the moment I took the emerald to you. I was sorry
|
||
when I got back, but it was too late then to repent, as I did not dare
|
||
to go near the Fort again. Your spy who watched might have discovered me
|
||
the second time. I then thought that I would write out the story of the
|
||
murder, so as to exonerate myself.”
|
||
|
||
“Then you are not guilty of Bolton's death?” asked Sir Frank, puzzled,
|
||
for her confession was somewhat incoherent.
|
||
|
||
“No. I did not strangle him. But I know who did. I have written it all
|
||
down. I was just finishing when I heard the tapping at the window. I
|
||
let him in and he tried to get the confession, for I told him what I had
|
||
done.”
|
||
|
||
“Who did you tell?” asked Hope, much excited.
|
||
|
||
Mrs. Jasher took no notice.
|
||
|
||
“The confession is lying on my desk--all the sheets of paper are loose.
|
||
I had no time to bind them together, for he came in. He wanted the
|
||
emerald, and the confession. I told him that I had given the emerald to
|
||
you, Random, and that I had confessed all in writing. Then he went mad
|
||
and flew at me with a dreadful knife. He knocked over the candles and
|
||
the lamp. Everything went out and all was darkness, and I lay crying for
|
||
help, with that devil stabbing--stabbing--ah--”
|
||
|
||
“Who, in heaven's name, is the man?” demanded Random, standing up in his
|
||
eagerness. But Mrs. Jasher had fallen back in a faint, and Robinson was
|
||
again supplying her with brandy.
|
||
|
||
“You had better leave the room, you two,” he said, “or I can't be
|
||
answerable for her life.”
|
||
|
||
“I must stay and learn the truth,” said Random determinedly, “and you,
|
||
Hope, go into the parlor and find that confession. It is on the desk, as
|
||
she said, all loose sheets. No doubt it was the confession which the man
|
||
she refers to tried to secure when he came back the second time. He may
|
||
make another attempt, or Painter may go to sleep. Hurry! hurry!”
|
||
|
||
Archie needed no second telling, as he realized what hung on the
|
||
securing of the confession. He stole swiftly out of the room, closing
|
||
the door after him. Faint as was the sound, Mrs. Jasher heard it and
|
||
opened her eyes.
|
||
|
||
“Do not go, Random,” she said faintly. “I have yet much to say, although
|
||
the confession will tell you all. I am half sorry I wrote it out--at
|
||
least I was--and perhaps should have burnt it had I not met with this
|
||
accident.”
|
||
|
||
“Accident!” echoed Sir Frank scornfully. “Murder you mean.”
|
||
|
||
The sinister word galvanized the dying woman in sudden strong life, and
|
||
she reared herself again on the bed.
|
||
|
||
“Murder! Yes, it is murder,” she cried loudly. “He killed Sidney Bolton
|
||
to get the emeralds, and he killed me to make me close my mouth.”
|
||
|
||
“Who stabbed you? Speak! speak!” cried Random anxiously.
|
||
|
||
“Cockatoo. He is guilty of my death and Bolton's,” and she fell back,
|
||
dead.
|
||
|
||
|
||
|
||
CHAPTER XXV. THE MILLS OF GOD
|
||
|
||
|
||
In the cold gray hours of the morning, Hope and his friend left the
|
||
cottage wherein such a tragedy had taken place. The dead woman was lying
|
||
stiff and white on her bed under a winding sheet, which had already been
|
||
strewn with many-hued chrysanthemums taken from the pink parlor by the
|
||
weeping Jane. The wretched woman who had led so stormy and unhappy a
|
||
life had at least one sincere mourner, for she had always been kind to
|
||
the servant, who formed her entire domestic staff, and Jane would not
|
||
hear a word said against the dead. Not that anyone did say anything; for
|
||
Random and Hope kept the contents of the confession to themselves. There
|
||
would be time enough for Mrs. Jasher's reputation to be smirched when
|
||
those same contents were made public.
|
||
|
||
When the poor woman died, Random left the doctor and the servant to look
|
||
after the corpse, and went into the parlor. Here he met Hope with the
|
||
confession in his hand. Luckily, Painter was not in the room at the
|
||
moment, else he would have prevented the artist from taking away the
|
||
same. Hope--as directed by Mrs. Jasher--had found the confession,
|
||
written on many sheets, lying on the desk. It broke off abruptly towards
|
||
the end, and was not signed. Apparently at this point Mrs. Jasher had
|
||
been interrupted--as she had said--by the tapping of Cockatoo at the
|
||
window. Probably she had admitted him at once, and on her refusal to
|
||
give him the emerald, and on her confessing what she had written, he had
|
||
overturned the lights for the purpose of murdering her. Only too well
|
||
had the Kanaka succeeded in his wickedness.
|
||
|
||
Archie slipped the confession into his pocket before the policeman
|
||
returned, and then left the cottage with Random and the doctor, since
|
||
nothing else could now be done. It was between seven and eight, and the
|
||
chilly dawn was breaking, but the sea-mist still lay heavily over the
|
||
marshes, as though it were the winding sheet of the dead. Robinson went
|
||
to his own house to get his trap and drive into Jessum, there to catch
|
||
the train and ferry to Pierside. It was necessary that Inspector Date
|
||
should be informed of this new tragedy without delay, and as Constable
|
||
Painter was engaged in watching the cottage, there was no messenger
|
||
available but Dr. Robinson. Random indeed offered to send a soldier,
|
||
or to afford Robinson the use of the Fort telephone, but the doctor
|
||
preferred to see Date personally, so as to detail exactly what had
|
||
happened. Perhaps the young medical man had an eye to becoming better
|
||
known, for the improvement of his practice; but he certainly seemed
|
||
anxious to take a prominent part in the proceedings connected with the
|
||
murder of Mrs. Jasher.
|
||
|
||
When Robinson parted from them, Random and Hope went to the lodgings of
|
||
the latter, so as to read over the confession and learn exactly to what
|
||
extent Mrs. Jasher had been mixed up in the tragedy of the green mummy.
|
||
She had declared herself innocent even on her death-bed, and so far
|
||
as the two could judge at this point, she certainly had not actually
|
||
strangled Sidney Bolton. But it might be--and it appeared to be more
|
||
than probable--that she was an accessory after the fact. But this they
|
||
could learn from the confession, and they sat in Hope's quiet little
|
||
sitting-room, in which the fire had been just lighted by the artist's
|
||
landlady, with the scattered sheets neatly ranged before them.
|
||
|
||
“Perhaps you would like a cup of coffee, or a whisky and soda,”
|
||
suggested Archie, “before starting to read?”
|
||
|
||
“I should,” assented Random, who looked weary and pale. “The events of
|
||
the night have somewhat knocked me up. Coffee for choice--nice, black,
|
||
strong, hot coffee.”
|
||
|
||
Hope nodded and went to order the same. When he returned he sat down,
|
||
after closing the door carefully, and proceeded to read. But before he
|
||
could speak Random raised his hand.
|
||
|
||
“Let us chat until the coffee comes in,” he said; “then we shall not be
|
||
interrupted when reading.”
|
||
|
||
“All right,” said Hope. “Have a cigar!”
|
||
|
||
“No, thanks. I have been smoking all the night. I shall sit here by the
|
||
fire and wait for the coffee. You look chippy yourself.”
|
||
|
||
“And small wonder,” said Archie wearily. “We little thought when we left
|
||
the Fort last night what a time we were going to have. Fancy Mrs. Jasher
|
||
having sent you the emerald after all!”
|
||
|
||
“Yes. She repented, as she said, and yet I dare say--as she also
|
||
said--she was sorry that she acted on her impulse. If she had not been
|
||
stabbed by that damned Cockatoo, she would no doubt have destroyed that
|
||
confession. I expect she wrote that also on the impulse of the moment.”
|
||
|
||
“She confessed as much,” said Hope, leaning his head on his hand and
|
||
staring into the fire. “She must have been cognizant of the truth all
|
||
along. I wonder if she was an accessory before or after the fact?”
|
||
|
||
“What I wonder,” said Random, after a moment's thought, “is, what
|
||
Braddock has to do with the matter?”
|
||
|
||
Hope raised his head in surprise.
|
||
|
||
“Why, nothing. Mrs. Jasher did not say a word against Braddock.”
|
||
|
||
“I know that. All the same, Cockatoo was completely under the thumb of
|
||
the Professor, and probably was instructed by him to strangle Bolton.”
|
||
|
||
“That is impossible,” cried the artist, much agitated. “Think of what
|
||
you are saying, Random. What a terrible thing it would be for Lucy if
|
||
the Professor were guilty in such a way as you suggest!”
|
||
|
||
“Really, I fail to see that. Miss Kendal is no relation to Braddock save
|
||
by marriage. His iniquities have nothing to do with her, or with you.”
|
||
|
||
“But it's impossible, I tell you, Random. Throughout the whole of this
|
||
case Braddock has acted in a perfectly innocent way.”
|
||
|
||
“That's just it,” said Sir Frank caustically; “he has acted. In spite
|
||
of his pretended grief for the loss of the emeralds, I should not be
|
||
surprised to learn from that,” he nodded towards the confession on the
|
||
table, “that he was in possession of the missing gem. Cockatoo had no
|
||
reason to steal the emeralds himself, setting aside the fact that he
|
||
probably would not know their value, being but a semi-civilized savage.
|
||
He acted under orders from his master, and although Cockatoo strangled
|
||
Bolton, the Professor is really the author and the gainer and the moving
|
||
spirit.”
|
||
|
||
“You would make Braddock an accessory before the fact.”
|
||
|
||
“Yes, and Mrs. Jasher an accessory after the fact. Cockatoo is the link,
|
||
as the actual criminal, who joins the two in a guilty partnership. No
|
||
wonder Braddock intended to make that woman his wife even though he
|
||
did not love her, for she knew a jolly sight too much for his peace of
|
||
mind.”
|
||
|
||
“This is horrible,” murmured Hope desperately; “but it is mere theory.
|
||
We cannot be sure until we read the confession.”
|
||
|
||
“We'll be sure soon, then, for here comes the coffee.”
|
||
|
||
This last remark Random made when a timid knock came to the door, and a
|
||
moment later the landlady entered with a tray bearing cups, saucers, and
|
||
a jug of steaming coffee. She was a meek, reticent woman who entered and
|
||
departed in dismal silence, and in a few moments the two young men were
|
||
quite alone with the door closed. They drank a cup of coffee each, and
|
||
then Hope proceeded to read the confession.
|
||
|
||
The story told by Mrs. Jasher commenced with a short account of her
|
||
early life. It appeared that her father was a ruined gentleman and a
|
||
gambler, and that her mother had been an actress. She was dragged up in
|
||
a Bohemian sort of way until she attained a marriageable age, when her
|
||
mother, who seemed to have been both wicked and hard-hearted, forced
|
||
her to marry a comparatively wealthy man called Jasher. The elderly
|
||
husband--for Jasher was not young--treated his wife very badly, and,
|
||
infected with the spirit of gambling by her father, lost all his money.
|
||
Mrs. Jasher then went with him to America and performed on the stage in
|
||
order to keep the home together. She had one child, but it died, much
|
||
to her grief, yet also much to her relief, as she was so miserable and
|
||
poor. Mrs. Jasher gave a scanty account of sordid years of trouble
|
||
and trial, of failure and sorrow. She and her husband roamed all over
|
||
America, and then went to Australia and New Zealand, where they lived
|
||
a wretched existence for many years. Finally the husband died of strong
|
||
drink at an advanced age, leaving Mrs. Jasher a somewhat elderly widow.
|
||
|
||
The poor woman again took to the stage and tried to earn her bread,
|
||
but was unsuccessful. Afterwards she lectured. Then she kept a boarding
|
||
establishment, and finally went out as a nurse. In every way, it would
|
||
seem, she tried to keep her head above water, and roamed the world like
|
||
a bird of passage, finding rest nowhere for the sole of her foot. Yet
|
||
throughout her story both the young men could see that she had always
|
||
aspired to a quiet and decent, respectable existence, and that only
|
||
force of circumstances had flung her into the whirlpool of life.
|
||
|
||
“As I said,” remarked Random at this stage, “the miserable creature was
|
||
more sinned against than sinning.”
|
||
|
||
“Her moral sense seemed to have become blunted, however,” said Archie
|
||
doubtfully.
|
||
|
||
“And small wonder, amidst such surroundings; but it seems to me that she
|
||
was much better under the circumstances than many another woman would
|
||
have been. Go on.”
|
||
|
||
In Melbourne Mrs. Jasher made a lucky speculation in mines, which
|
||
brought her one thousand pounds. With this she came to England, and
|
||
resolved to make a bid for respectability. Chance led her into the
|
||
neighborhood of Gartley, and thinking that if she set up her tent in
|
||
this locality she might manage to marry an officer from the Fort--since
|
||
amidst such dismal surroundings a young man might be the more easily
|
||
fascinated by a woman of the world--she took the cottage amidst the
|
||
marshes at a small rent. Here she hoped to eke out what money she had
|
||
left--a few hundreds--until the coveted marriage should take place.
|
||
Afterwards she met Professor Braddock and determined to marry him, as
|
||
a man more easy to manage. She was successful in enlisting Lucy on her
|
||
side, and until the green mummy brought its bad luck to the Pyramids
|
||
everything went capitally.
|
||
|
||
It was in connection with the name of Bolton that the first mention was
|
||
made of the green mummy. Sidney was a clever young man, although
|
||
very lowly born, and having been taken up by Professor Braddock as
|
||
an assistant, could hope some day to make a position. Braddock was
|
||
educating him, although he paid him very little in the way of wages.
|
||
Sidney fell in love with Mrs. Jasher, and in some way--she did not
|
||
mention how--gained her confidence. Perhaps the lonely woman was glad
|
||
to have a sympathetic friend. At all events she told her past history
|
||
to Sidney, and mentioned that she desired to marry Braddock. But Sidney
|
||
insisted that she should marry him, and promised to make enough money
|
||
to satisfy her that he was a good match, setting aside his humble birth,
|
||
for which Mrs. Jasher cared nothing.
|
||
|
||
It was then that Sidney related what he had discovered. Braddock, when
|
||
in Peru many years before, had tried to get mummies for some scientific
|
||
reason. When Hervey--then known as Vasa--promised to procure him the
|
||
mummy of the last Inca, Braddock was extremely pleased. Hervey stole the
|
||
mummy and also the copy of the manuscript which was written in Latin.
|
||
He sent this latter to Braddock--who was then at Cuzco--as an earnest of
|
||
his success in procuring the mummy, and when the Professor returned
|
||
to Lima the mummy was to be handed to him. Unfortunately, Braddock
|
||
was carried into captivity for one year, and when he escaped Vasa had
|
||
disappeared with the mummy. As the Professor had deciphered the Latin
|
||
manuscript, he knew of the emeralds, and for years had been hunting for
|
||
the mummy--sure to be recognized from its peculiar green color--in order
|
||
to get the jewels, and thus secure money for his Egyptian expedition.
|
||
All through, it seems, the Professor was actuated by purely scientific
|
||
enthusiasm, as in the abstract he cared very little for hard cash.
|
||
Bolton told Mrs. Jasher that Braddock explained how much he desired to
|
||
get the mummy, but he did not mention about the jewels. For a long time
|
||
Sidney was under the impression that his master merely wanted the
|
||
mummy to see the difference between the Egyptian and Peruvian modes of
|
||
embalming.
|
||
|
||
Then one day Sidney chanced on the Latin manuscript, and learned that
|
||
Braddock's real reason for getting the mummy was to procure the emeralds
|
||
which were held in the grip of the dead. Sidney kept this knowledge to
|
||
himself, and Braddock never guessed that his assistant knew the truth.
|
||
Then unexpectedly Braddock stumbled across the advertisement describing
|
||
the green mummy for sale in Malta. From the color he made sure that it
|
||
was that of Inca Caxas, and so moved heaven and earth to get money
|
||
to buy it. At length he did, from Archie Hope, on condition that he
|
||
consented to the marriage of his step-daughter with the young man.
|
||
Thinking that Sidney was ignorant of the jewels, he sent him to bring
|
||
the mummy home.
|
||
|
||
Sidney told Mrs. Jasher that he would try and steal the jewels in Malta
|
||
or on board the tramp steamer. Failing that, he would delay the delivery
|
||
of the mummy to Braddock on some excuse and rob it at Pierside. To make
|
||
sure of escaping, he borrowed a disguise from his mother, alleging that
|
||
Hope wanted the same to clothe a model. Sidney intended to take these
|
||
clothes with him, and, after stealing the jewels, to escape disguised as
|
||
an old woman. As he was slender and clean-shaven and a capital actor, he
|
||
could easily manage this.
|
||
|
||
Then he arranged that Mrs. Jasher should join him in Paris, and they
|
||
would sell the emeralds, and go to America, there to marry and live
|
||
happily ever afterwards, like a fairy tale.
|
||
|
||
Unfortunately for the success of this plan, Mrs. Jasher thought that the
|
||
Professor would make a more distinguished husband, so she betrayed all
|
||
that Sidney, had arranged.
|
||
|
||
“What a beastly thing to do!” interrupted Random, disgusted. “It is not
|
||
as if she wanted to help Braddock. I think less of Mrs. Jasher than ever
|
||
I did. She might have remembered that there is honor amongst thieves.”
|
||
|
||
“Well, she is dead, poor soul!” said Hope with a sigh. “God knows that
|
||
if she sinned, she has paid cruelly for her sin,” after which remark, as
|
||
Sir Frank was silent, he resumed his reading.
|
||
|
||
Braddock was furious when he learned of his assistant's projected
|
||
trickery, and he determined to circumvent him. He agreed to marry Mrs.
|
||
Jasher, as, if he had not done so, she could have warned Sidney and he
|
||
could have escaped with both the mummy and the jewels by conniving with
|
||
Hervey. The Professor could not risk that, as, remembering Hervey
|
||
as Gustav Vasa, he was aware how clever and reckless he was. Whether
|
||
Braddock ever intended to marry the widow in the end it is hard to
|
||
say, but he certainly pretended to consent to the engagement, which was
|
||
mainly brought about by Lucy. Then came the details of the murder so far
|
||
as Mrs. Jasher knew.
|
||
|
||
One evening--in fact on the evening when the crime was committed--the
|
||
woman was walking in her garden late. In the moonlight she saw Braddock
|
||
and Cockatoo go down along the cinderpath to the jetty near the Fort.
|
||
Wondering what they were doing, she waited up, and heard and saw
|
||
them--for it was still moonlight--come back long after midnight. The
|
||
next day she heard of the murder, and guessed that the Professor and his
|
||
slave--for Cockatoo was little else--had rowed up to Pierside in a boat
|
||
and there had strangled Sidney and stolen the mummy. She saw Braddock
|
||
and accused him. The Professor had then opened the case, and had
|
||
pretended astonishment when discovering the corpse of the man whom
|
||
Cockatoo had strangled, as he knew perfectly well.
|
||
|
||
Braddock at first denied having been to Pierside, but Mrs. Jasher
|
||
insisted that she would tell the police, so he was forced to make a
|
||
clean breast of it to the woman.
|
||
|
||
“Now for it,” said Random, settling himself to hear details of the
|
||
crime, for he had often wondered how it had been executed.
|
||
|
||
“Braddock,” read Archie from the confession, for Mrs. Jasher did not
|
||
trouble herself with a polite prefix--“Braddock explained that when he
|
||
received a letter from Sidney stating that he would have to remain
|
||
with the mummy for a night in Pierside, he guessed that his treacherous
|
||
assistant intended to effect the robbery. It seems that Sidney by
|
||
mistake had left behind the disguise in which he intended to escape.
|
||
Aware of this through me”--Mrs. Jasher referred to herself--“he made
|
||
Cockatoo assume the dress and row up the river to the Sailor's Rest. The
|
||
Kanaka easily could be mistaken for a woman, as he also, like Sidney,
|
||
was slender and smooth-chinned. Also, he wore the shawl over his head to
|
||
disguise his mop of frizzy hair as much as possible, and for the purpose
|
||
of concealing his tattooed face. In the darkness--it was after nine
|
||
o'clock--he spoke to Sidney through the window, as he had seen him there
|
||
earlier, when searching for him. Cockatoo said that Sidney was much
|
||
afraid when he heard that his purpose had been discovered by the
|
||
Professor. He offered a share of the plunder to the Kanaka, and Cockatoo
|
||
agreed, saying he would come back late, and that Sidney was to admit him
|
||
into the bedroom so that they could open the mummy and steal the
|
||
jewels. Sidney quite believed that Cockatoo was heart and soul with him,
|
||
especially as the cunning Kanaka swore that he was weary of his master's
|
||
tyranny. It was when Cockatoo was talking thus that he was seen by Eliza
|
||
Flight, who mistook him--very naturally--for a woman. Cockatoo then
|
||
returned by boat to the Gartley jetty and told his master. Afterwards,
|
||
the Professor, at a much later hour, went down to the jetty and was
|
||
rowed up to Pierside by the Kanaka.”
|
||
|
||
“That was when Mrs. Jasher saw them,” said Random, much interested.
|
||
|
||
“Yes,” said Archie. “And then, if you remember; she watched for the
|
||
return of the couple.”
|
||
|
||
“It was nearly midnight when the boat was brought alongside the sloping
|
||
stone bank of the alley which ran past the Sailor's Rest. No one was
|
||
about at that hour, not even a policeman, and there was no light in
|
||
Sidney Bolton's window. Braddock was much agitated as he thought that
|
||
Sidney had already escaped. He waited in the boat and sent Cockatoo to
|
||
knock at the window. Then a light appeared and the window was silently
|
||
opened. The Kanaka slipped in and remained there for some ten minutes
|
||
after closing the window. When he returned, the light was extinguished.
|
||
He whispered to his master that Sidney had opened the packing case and
|
||
the mummy coffin, and had ripped the swathings to get the jewels. When
|
||
Sidney would not hand over the jewels to the Kanaka, as the latter
|
||
wanted him to, Cockatoo, already prepared with the window cord, which he
|
||
had silently taken from the blind, sprang upon the unfortunate assistant
|
||
and strangled him. Cockatoo told this to his horrified master, and
|
||
wanted him to come back to hide the corpse in the packing case.
|
||
Braddock refused, and then Cockatoo told him that he would throw the
|
||
jewels--which he had taken from Sidney's body--into the river. The
|
||
position of master and servant was reversed, and Braddock was forced to
|
||
obey.
|
||
|
||
“The Professor slipped silently ashore and into the room. The two men
|
||
relighted the candle and pulled down the blind. They then placed the
|
||
corpse of Sidney in the packing case, and screwed the same down in
|
||
silence. When this was completed, they were about to carry the mummy in
|
||
its coffin--the lid of which they had replaced--to the boat, when they
|
||
heard distant footsteps, probably those of a policeman on his beat.
|
||
At once they extinguished the candle, and--as Braddock told Mrs.
|
||
Jasher--he, for one, sat trembling in the dark. But the policeman--if
|
||
the footsteps were those of a policeman--passed up another street, and
|
||
the two were safe. Without relighting the candle, they silently slipped
|
||
the mummy through the window, Cockatoo within and Braddock without. The
|
||
case and its contents were not heavy, and it was not difficult for
|
||
the two men to take it to the boat. When it was safely bestowed,
|
||
Cockatoo--who was as cunning as the devil, according to his master
|
||
returned to the bedroom, and unlocked the door. He afterwards passed a
|
||
string through the joining of the upper and lower windows, and managed
|
||
to shut the snib. Afterwards he came to the boat and rowed it back
|
||
to Gartley. On the way Cockatoo told his master that Sidney had left
|
||
instructions that the packing case should be taken next morning to the
|
||
Pyramids, so there was nothing to fear. The mummy was hidden in a hole
|
||
under the jetty and covered with grass.”
|
||
|
||
“Why didn't they take it up to the house?” asked Random, on hearing
|
||
this.
|
||
|
||
“That would have been dangerous,” said Hope, looking up from the
|
||
manuscript, “seeing that the mummy was supposed to have been stolen by
|
||
the murderer. It was easier to hide it amongst the grasses under
|
||
the jetty, as no one ever goes there. Well”--he turned over a few
|
||
pages--“that is practically all. The rest is after events.”
|
||
|
||
“I want to hear them,” said Random, taking another cup of coffee.
|
||
|
||
Hope ran his eyes swiftly over the remaining portion of the paper, and
|
||
gave further details rapidly to his friend.
|
||
|
||
“You know all that happened,” he said, “the Professor's pretended
|
||
surprise when he found the corpse he had himself helped to pack and--”
|
||
|
||
“Yes! yes! But why was the mummy placed in Mrs. Jasher's garden?”
|
||
|
||
“That was Braddock's idea. He fancied that the mummy might be found
|
||
under the jetty and that inconvenient inquiries might be made. Also,
|
||
he wished if possible to implicate Mrs. Jasher, so as to keep her from
|
||
telling to the police what he had told her. He and Cockatoo went down
|
||
to the river one night and removed the mummy to the arbor silently.
|
||
Afterwards he pretended to be astonished when I found it. I must say
|
||
he acted his part very well,” said Hope reflectively, “even to accusing
|
||
Mrs. Jasher. That was a bold stroke of genius.”
|
||
|
||
“A very dangerous one.”
|
||
|
||
“Not at all. He swore to Mrs. Jasher that if she said anything, he would
|
||
tell the police that she had taken the clothes provided by Sidney from
|
||
the Pyramids and had gone to speak through the window, in order to fly
|
||
with Sidney and the emeralds. As the fact of the mummy being found in
|
||
Mrs. Jasher's garden would lend color to the lie, she was obliged to
|
||
hold her tongue. And after all, as she says, she didn't mind, since
|
||
she was engaged to the Professor, and possessed at least one of the
|
||
emeralds.”
|
||
|
||
“Ah! the one she passed along to me. How did she get that?”
|
||
|
||
Hope referred again to the manuscript.
|
||
|
||
“She insisted that Braddock should give it to her as a pledge of good
|
||
faith. He had to do it, or risk her splitting. That was why he placed
|
||
the mummy in her garden, so as to bring her into the matter, and render
|
||
it more difficult for her to speak.”
|
||
|
||
“What of the other emerald?”
|
||
|
||
“Braddock took that to Amsterdam, when he went to London that time--if
|
||
you remember, when Don Pedro arrived. Braddock sold the emerald for
|
||
three thousand pounds, and it is now on its way to an Indian rajah. I
|
||
fear Don Pedro will never set eyes on that again.”
|
||
|
||
“Where is the money?”
|
||
|
||
“He banked it in a feigned name in Amsterdam, and intended to account
|
||
for it when he married Mrs. Jasher by saying it was left to her by that
|
||
mythical Pekin merchant brother of hers. Savvy!”
|
||
|
||
“Yes. What an infernal little villain! And I expect he sent Cockatoo
|
||
down last night for the other emerald.”
|
||
|
||
“That is not related in the manuscript,” said Archie, laying down the
|
||
last sheet and taking up his coffee. “The confession ends abruptly--at
|
||
the time Cockatoo tapped at the window, I expect. But she said, when
|
||
dying, that the Kanaka asked for the second emerald. If she had not sent
|
||
it to you in a fit of weakness, I expect she would have passed it along.
|
||
I can't make out,” added Archie musingly, “why Mrs. Jasher confessed
|
||
when everything was so safe.”
|
||
|
||
“Well,” said Random, nursing his chin, and staring into the fire, “she
|
||
made a mistake in trying to blackmail me, though why she did so I can't
|
||
tell, seeing she had the whiphand of Braddock. Perhaps she wanted the
|
||
five thousand to spend herself, knowing that the Professor's plunder
|
||
would be wasted on his confounded expedition. At any rate she gave
|
||
herself away by the blackmail, and I expect she grew frightened. If the
|
||
house had been searched--and it might have been searched by the police,
|
||
had I arrested her for blackmail the emerald would have been found and
|
||
she would have been incriminated. She therefore got rid of it cleverly,
|
||
by passing it along to me as a wedding gift. Then she again grew afraid
|
||
and wrote out this confession to exonerate herself.”
|
||
|
||
“But it doesn't,” insisted Hope. “She makes herself out plainly as an
|
||
accessory after the fact.”
|
||
|
||
“A woman doesn't understand these legal niceties. She wrote that out to
|
||
clear herself in case she was arrested for the blackmail, and perhaps
|
||
in case Braddock refused to help her--as he certainly did, if you
|
||
remember.”
|
||
|
||
“He was hard on her,” confessed Archie slowly.
|
||
|
||
“Being such a villain himself,” said Random grimly. “However, Cockatoo
|
||
arrived unluckily on the scene, and when he found she had parted with
|
||
the emerald, and had written out the truth, he stabbed her. If we hadn't
|
||
come just in the nick of time, he would have annexed that confession,
|
||
and the truth would never have become known. No one,” ended Random,
|
||
rising and stretching himself, “would connect Braddock or Cockatoo with
|
||
the death of Mrs. Jasher.”
|
||
|
||
“Or with the death of Sidney Bolton either,” said Hope, also rising and
|
||
putting on his cap. “What an actor the man is!”
|
||
|
||
“Where are you going?” demanded Sir Frank, yawning.
|
||
|
||
“To the Pyramids. I want to see how Lucy is.”
|
||
|
||
“Will you tell her about that confession?”
|
||
|
||
“Not until later. I shall give this to Inspector Date when he arrives.
|
||
The Professor has made his bed, so he must lie on it. When I marry Lucy,
|
||
I'll take her away from this damned place.”
|
||
|
||
“Marry her at once, then,” advised Random, “while the Professor is doing
|
||
time, and while Cockatoo is being hanged. Meanwhile, I think you had
|
||
better put on your overcoat, unless you want to walk through the village
|
||
in crumpled evening dress, like a dissipated undergraduate.”
|
||
|
||
Archie laughed in spite of his weariness, and assumed his greatcoat at
|
||
the same moment as Random slipped into his. The two young men walked
|
||
out into the village and up to the Pyramids, for Random wished to see
|
||
Braddock before returning to the Fort. They found the door of the great
|
||
house open and the servants in the hall.
|
||
|
||
“What is all this?” demanded Hope, entering. “Why are you here, and not
|
||
at work? Where is your master?”
|
||
|
||
“He's run away,” said the cook in a shrill voice. “Lord knows why, sir.”
|
||
|
||
“Archie! Archie!” Lucy came running out of the museum, pale-faced and
|
||
white, “my father has gone away with Cockatoo and the green mummy. What
|
||
does it mean? And just when poor Mrs. Jasher is murdered too.”
|
||
|
||
“Hush, darling! Come in, and I'll explain,” said Hope gently.
|
||
|
||
|
||
|
||
|
||
CHAPTER XXVI. THE APPOINTMENT
|
||
|
||
|
||
Poor Lucy Kendal was terribly grieved and shocked when the full account
|
||
of her step-father's iniquity was revealed to her. Archie tried to break
|
||
the news as delicately as possible, but no words could soften the sordid
|
||
story. Lucy, at first, could not believe it possible that a man, whom
|
||
she had known for so long, and to whom she was related, would behave
|
||
in such a base way. To convince her Hope was forced to let her read the
|
||
account in Mrs. Jasher's handwriting. When acquainted with the contents,
|
||
the poor girl's first desire was to have the matter hushed up, and she
|
||
implored her lover with tears to suppress the damning document.
|
||
|
||
“That is impossible,” said Hope firmly; “and if you think again, my
|
||
dear, you will not repeat such a request. It is absolutely necessary
|
||
that this should be placed in the hands of the police, and that the
|
||
truth should become as widely known as possible. Unless the matter is
|
||
settled once and for all, someone else may be accused of this murder.”
|
||
|
||
“But the disgrace,” wept Lucy, hiding her face on her lover's shoulder.
|
||
|
||
He slipped his arm round her waist.
|
||
|
||
“My darling, the disgrace exists whether it be public or private. After
|
||
all, the Professor is no relation.”
|
||
|
||
“No. But everyone knows that I am his step-daughter.”
|
||
|
||
“Everyone,” echoed Archie, with an assumed lightness. “My dear, everyone
|
||
in this instance only means the handful of people who live in this
|
||
out-of-the-way village. Your name will not appear in the papers. And
|
||
even if by chance it does, you will soon be changing it for mine. I
|
||
think the best thing that can be done is for you to come with me to
|
||
London next week and marry me. Then we can go to the south of France
|
||
for the rest of the winter, until you recover. When we return and set up
|
||
house in London--say in a year--the whole affair will be forgotten.”
|
||
|
||
“But how can you bear to marry me, when you know that I come of such a
|
||
bad stock?” wept Lucy, a trifle more comforted.
|
||
|
||
“My dear, must I remind you again that you are no relation to Professor
|
||
Braddock; you have not a drop of his wicked blood in your veins. And
|
||
even if you had, I should still marry you. It is you I love, and you I
|
||
marry, so there is no more to be said. Come, darling, say that you will
|
||
become my wife next week.”
|
||
|
||
“But the Professor?”
|
||
|
||
Archie smiled grimly. He found it difficult to forgive Braddock for the
|
||
disgrace he had brought on the girl.
|
||
|
||
“I don't think we'll ever be troubled again with the Professor,” he
|
||
said, after a pause. “He has bolted into the unknown with that infernal
|
||
Kanaka.”
|
||
|
||
“But why did he fly, Archie?”
|
||
|
||
“Because he knew that the game was up. Mrs. Jasher wrote out this
|
||
confession, and told Cockatoo, when he entered the room to get the
|
||
emerald, that she had written it. To save his master the Kanaka stabbed
|
||
the wretched woman, and, had Random and I not arrived, he would have
|
||
secured the confession. I really believe he came back again out of the
|
||
mist in the small hours of the morning to steal it. But when he found
|
||
that all was vain, he returned here and told the Professor that the
|
||
story of the murder had been written out. Therefore there was
|
||
nothing left to Braddock but to fly. Although,” added Hope, with an
|
||
afterthought, “I can't imagine why those two fugitives should drag that
|
||
confounded mummy with them.”
|
||
|
||
“But why should the Professor fly?” asked Lucy again. “According to what
|
||
Mrs. Jasher writes, he did not strangle poor Sidney.”
|
||
|
||
“No. And I will do him the justice to say that he had no idea of having
|
||
his assistant murdered. It was Cockatoo's savage blood which came out in
|
||
the deed, and maybe it can be explained by the Kanaka's devotion to the
|
||
Professor. It was the same way in the murder of Mrs. Jasher. By killing
|
||
Bolton, the Kanaka hoped to save the emeralds for Braddock: in stabbing
|
||
Mrs. Jasher, he hoped to save the Professor's life.”
|
||
|
||
“Oh, Archie, will they hang my father?”
|
||
|
||
Hope winced.
|
||
|
||
“Call him your step-father,” he said quickly. “No, dear, I do not think
|
||
he will be hanged; but as an accessory after the fact he will certainly
|
||
be condemned to a long term of imprisonment. Cockatoo, however,
|
||
assuredly will be hanged, and a good job too. He is only a savage, and
|
||
as such is dangerous in a civilized community. I wonder where they have
|
||
gone? Did anyone hear them going?”
|
||
|
||
“No,” said Lucy unhesitatingly. “Cook came up this morning to my room,
|
||
and said that my father--I mean my step-father--had gone away with
|
||
Cockatoo and with the green mummy. I don't know why she should have said
|
||
that, as the Professor often went away unexpectedly.”
|
||
|
||
“Perhaps she heard rumors in the village and put two and two together.
|
||
I cannot tell. Some instinct must have told her. But I daresay Braddock
|
||
and his accomplice fled under cover of the mist and in the small hours
|
||
of the morning. They must have known that the confession would bring the
|
||
officers of the law to this house.”
|
||
|
||
“I hope they will escape,” murmured Lucy.
|
||
|
||
“Well, I am not sure,” said Hope hesitatingly. “Of course, I should like
|
||
to avoid a scandal for your sake, and yet it is only right that the two
|
||
of them should be punished. Remember, Lucy dear, how Braddock has acted
|
||
all along in deceiving us. He knew all, and yet not one of us suspected
|
||
him.”
|
||
|
||
While Archie was thus comforting the poor girl, Gartley village was in
|
||
an uproar. Everyone was talking about this new crime, and everyone was
|
||
wondering who had stabbed the unlucky woman. As yet the confession of
|
||
Mrs. Jasher had not been placed in the hands of the police and everyone
|
||
was ignorant that Cockatoo was the criminal who had escaped in the fog.
|
||
Inspector Date speedily arrived with his myrmidons on the scene and made
|
||
the cottage his headquarters. Later in the day, Hope, having taken a
|
||
cold bath to freshen himself up, came with the confession. This he gave
|
||
to the officer and explained the whole story of the previous night.
|
||
|
||
Date was more than astonished: he was astounded. He read the confession
|
||
and made notes; then he sent for Sir Frank Random, and examined him
|
||
in the same strict way as he had examined the artist. Jane was also
|
||
questioned. Widow Anne was put in the witness box, so as to report
|
||
about the clothes, and in every way Date gathered material for another
|
||
inquest. At the former one he had only been able to place scanty
|
||
evidence before the jury, and the verdict had been unsatisfactory to the
|
||
public. But on this occasion, seeing that the witnesses he could bring
|
||
forward would solve the mystery of the first death as well as the
|
||
second, Inspector Date exulted greatly. He saw himself promoted and
|
||
his salary raised, and his name praised in the papers as a zealous and
|
||
clever officer. By the time the inquest came to be held, the inspector
|
||
had talked himself into believing that the whole mystery had been solved
|
||
by himself. But before that time came another event happened which
|
||
astonished everyone, and which made the final phase of the green mummy
|
||
crime even more sensational than it had been. And Heaven knows that from
|
||
beginning to end there had been no lack of melodrama of the most lurid
|
||
description.
|
||
|
||
Don Pedro de Gayangos was exceedingly amazed at the unexpected turn
|
||
which the case had taken. That he should have been trying to solve a
|
||
deep mystery for so long, and that the solution, all the time, had been
|
||
in the hands of the Professor, startled him exceedingly. He admitted
|
||
that he had never liked Braddock, but explained that he had not expected
|
||
to hear that the fiery little scientist was such a scoundrel. But, as
|
||
Don Pedro confessed, it was an ill wind which blew him some good, when
|
||
the upshot of the whole mysterious tragic business was the restoration
|
||
of at least one emerald. Sir Frank brought the gem to him on the
|
||
afternoon of the day succeeding Mrs. Jasher's death, and while the whole
|
||
village was buzzing with excitement. It was Random who gave all details
|
||
to Donna Inez and her father, leading from one revelation to another,
|
||
until he capped the whole extraordinary story by producing the splendid
|
||
gem.
|
||
|
||
“Mine! mine!” said Don Pedro, his dark eyes glittering. “Thanks be to
|
||
the Virgin and the Saints,” and he bowed his head to make the sign of
|
||
the cross devoutly on his breast.
|
||
|
||
Donna Inez clapped her hands and her eyes flashed, for, like every
|
||
woman, she had a profound love for jewels.
|
||
|
||
“Oh, how lovely, Frank! It must be worth no end of money.”
|
||
|
||
“Professor Braddock sold the other to some Indian rajah in
|
||
Amsterdam--through an agent, I presume for three thousand pounds.”
|
||
|
||
“I shall get more than that,” said Don Pedro quickly. “The Professor
|
||
sold his jewel in a hurry and had no time to bargain. But sooner or
|
||
later I shall get five thousand pounds for this.” He held the gem in the
|
||
sunlight, where it glowed like an emerald sun. “Why, it is worthy of a
|
||
king's crown.”
|
||
|
||
“I fear you will never get the other gem,” said Random regretfully. “I
|
||
believe that it is on its way to India, if Mrs. Jasher can be trusted.”
|
||
|
||
“Never mind. I shall be content with this one, senor. I have simple
|
||
tastes, and this will do much to restore the fortunes of my family. When
|
||
I go back with this and the green mummy, all those Indians who know
|
||
of my descent from the ancient Incas will be delighted and will pay me
|
||
fresh reverence.”
|
||
|
||
“But you forget,” said Random, frowning, “the green mummy has been taken
|
||
away by Professor Braddock.”
|
||
|
||
“They cannot have gone far with it,” said Donna Inez, shrugging.
|
||
|
||
“I don't know so much about that, dearest,” said Sir Frank. “Apparently,
|
||
since they handled it at the time of the murder, it is easier carried
|
||
about than one would think. And then they fled last night, or rather in
|
||
the small hours of this morning, under cover of a dense fog.”
|
||
|
||
“It is clear enough now,” said De Gayangos, peering through the window,
|
||
where a pale winter sun shone in a clear steel-hued sky. “They are bound
|
||
to be caught in the long run.”
|
||
|
||
“Do you wish them to be caught?” asked Random abruptly.
|
||
|
||
“Not the Professor. For Miss Lucy's sake I hope he will escape; but I
|
||
trust that the savage who killed these two unfortunate people will be
|
||
brought to the gallows.”
|
||
|
||
“So do I,” said Random. “Well, Don Pedro, it seems to me that your task
|
||
in Gartley is ended. All you have to do is to wait for the inquest and
|
||
see Mrs. Jasher buried, poor soul! Then you can go to London and remain
|
||
there until after Christmas.”
|
||
|
||
“But why should I remain in London?” asked the Peruvian, surprised.
|
||
|
||
Random glanced at Donna Inez, who blushed.
|
||
|
||
“You forget that you have given your consent to my marriage with--”
|
||
|
||
“Ah, yes,” Don Pedro smiled gravely. “I return with the jewel to Lima,
|
||
but I leave my other jewel behind.”
|
||
|
||
“Never mind,” said the girl, kissing her father; “when Frank and I are
|
||
married we will come to Callao in his yacht.”
|
||
|
||
“Our yacht,” said Random, smiling.
|
||
|
||
“Our yacht,” repeated Donna Inez. “And then you will see, father, that I
|
||
have become a real English lady.”
|
||
|
||
“But don't entirely forget that you are a Peruvian,” said Don Pedro
|
||
playfully.
|
||
|
||
“And a descendant of Inca Caxas,” added Donna Inez. Then she flirted her
|
||
fan, which she was rarely without, and laughed in her English lover's
|
||
face. “Don't forget, senor, that you marry a princess.”
|
||
|
||
“I marry the most charming girl in the world,” he replied, catching her
|
||
in his arms, rather to the scandal of De Gayangos, who had stiff Spanish
|
||
notions regarding the etiquette of engaged couples.
|
||
|
||
“There is one thing you must do for me, senor,” he said quietly, “before
|
||
we leave this most unhappy case of murder and theft for ever.”
|
||
|
||
“What is that?” asked Sir Frank, turning with Inez in his arms.
|
||
|
||
“To-night at eight o'clock, Captain Hervey--the sailor Gustav Vasa, if
|
||
you prefer the name--steams down the river in his new boat The Firefly.
|
||
I received a note from him”--he displayed a letter--“stating that he
|
||
will pass the jetty of Gartley at that hour, and will burn a blue light.
|
||
If I fire a pistol, he will send off a boat with a full account of the
|
||
theft of the mummy of Inca Caxas, written by himself. Then I will hand
|
||
his messenger fifty gold sovereigns, which I have here,” added Don
|
||
Pedro, pointing to a canvas bag on the table, “and we will return. I
|
||
wish you to go with me, senor, and also I wish your friend Mr. Hope to
|
||
come.”
|
||
|
||
“Do you anticipate treachery from Captain Hervey?” asked Random.
|
||
|
||
“I should not be surprised if he tried to trick me in some way, and I
|
||
wish you and your friend to stand by me. Were this man alone, I would go
|
||
alone, but he will have a boat's crew with him. It is best to be safe.”
|
||
|
||
“I agree with you,” said Random quickly. “Hope and I will come, and we
|
||
will take revolvers with us. It doesn't do to trust this blackguard. Ho!
|
||
ho! I wonder if he knows of the Professor's flight.”
|
||
|
||
“No. Considering the terms upon which the Professor stood with Hervey,
|
||
I should think he would be the last person he would trust. I wonder what
|
||
has become of the man.”
|
||
|
||
More people than Don Pedro wondered as to the whereabouts of Braddock
|
||
and his servant, for everyone was inquiring and hunting. The marshes
|
||
round the cottage were explored: the great house itself was searched, as
|
||
well as many cottages in the village, and inquiries were made at all the
|
||
local stations. But all in vain. Braddock and Cockatoo, along with the
|
||
cumbersome mummy in its case, had vanished as completely as though the
|
||
earth had swallowed them up. Inspector Date's idea was that the pair had
|
||
taken the mummy to Gartley Pier, after the search made by the soldiers,
|
||
and there had launched the boat, which Cockatoo--judging from his visit
|
||
to Pierside--apparently kept hidden in some nook. It was probable, said
|
||
Date, the two had rowed down the river, and had managed to get on board
|
||
some outward-bound tramp. They could easily furbish up some story, and
|
||
as Braddock doubtless had money, could easily buy a passage for a large
|
||
sum. The tramp being outward-bound, her captain and crew would know
|
||
nothing of the crime, and even if the fugitives were suspected, they
|
||
would be shipped out of England if the bribe was sufficiently large.
|
||
So it was apparent that Inspector Date had not much opinion of
|
||
tramp-steamer skippers.
|
||
|
||
However, as the day wore on to night, nothing was heard of Braddock or
|
||
Cockatoo or the mummy, and when night came the village was filled
|
||
with local reporters and with London journalists asking questions.
|
||
The Warrior Inn did a great trade in drink and beds and meals, and the
|
||
rustics reaped quite a harvest in answering questions about Mrs. Jasher
|
||
and the Professor and the weird-looking Kanaka. Some reporters dared
|
||
to invade the Pyramids, where Lucy was weeping in sorrow and shame, but
|
||
Archie, reinforced by two policemen, sent to his aid by Date, soon sent
|
||
them to the right about. Hope would have liked to remain with Lucy all
|
||
the evening, but at half-past seven he was forced to meet Don Pedro and
|
||
Random outside the Fort in order to go to Gartley Jetty.
|
||
|
||
|
||
|
||
|
||
CHAPTER XXVII. BY THE RIVER
|
||
|
||
|
||
As the hunt for the fugitives had continued all day, everyone, police,
|
||
villagers and soldiers, were weary and disheartened. Consequently, when
|
||
the three men met near the Fort, there seemed to be few people about.
|
||
This was just as well, as they would have been followed to the jetty,
|
||
and obviously it was best to keep the strange meeting with Captain
|
||
Hervey as secret as possible. However, Don Pedro had taken Inspector
|
||
Date into his confidence, as it was impossible to get past the cottage
|
||
of the late Mrs. Jasher, in which the officer had taken up his quarters,
|
||
without being discovered. Date was quite willing that the trio should
|
||
go, but stipulated that he should come also. He had heard all about
|
||
Captain Hervey in connection with the mummy, and thought that he would
|
||
like to ask that sailor a few leading questions.
|
||
|
||
“And if I see fit I shall detain him until the inquest is over,” said
|
||
Date, which was mere bluff, as the inspector had no warrant to stop The
|
||
Firefly or arrest her skipper.
|
||
|
||
The three men therefore were joined by Date, when they came along the
|
||
cinder path abreast of the cottage, and the quartette proceeded further
|
||
immediately, walking amongst the bents and grasses to the rude old
|
||
wooden jetty, near which Hervey intended to stop his ship. The night was
|
||
quite clear of fog, strange to say, considering the late sea-mist; but
|
||
a strong wind had been blowing all day and the fog-wreaths were entirely
|
||
dispersed. A full moon rode amongst a galaxy of stars, which twinkled
|
||
like diamonds. The air was frosty, and their feet scrunched the earth
|
||
and grasses and coarse herbage under foot, as they made rapidly for the
|
||
embankment.
|
||
|
||
When they reached the top they could see the jetty clearly almost below
|
||
their feet, and in the distance the glittering lights of Pierside. Vague
|
||
forms of vessels at anchor loomed on the water, and there was a stream
|
||
of light where the moon made a pathway of silver. After a casual glance
|
||
the three men proceeded down the slope to the jetty. Three of them at
|
||
least had revolvers, since Hervey was an ill man to tackle; but probably
|
||
Date, who was too dense to consider consequences, was unarmed. Neither
|
||
did Don Pedro think it necessary to tell the officer that he and his two
|
||
companions were prepared to shoot if necessary. Inspector Date, being a
|
||
prosy Englishman, would not have understood such lawless doings in his
|
||
own sober, law-abiding country.
|
||
|
||
When they reached the jetty Don Pedro glanced at his watch, illuminating
|
||
the dial by puffing his cigar to a ruddy glow. It was just after eight
|
||
o'clock, and even as he looked an exclamation from Date made him raise
|
||
his head. The inspector was pointing out-stream to a large vessel which
|
||
had steamed inshore as far as was safe. Probably Hervey was watching
|
||
for them through a night-glass, for a blue light suddenly flared on the
|
||
bridge. Don Pedro, according to his promise, fired a pistol, and it was
|
||
then that Date learned that his companions were armed.
|
||
|
||
“What the devil did you do that for?” he inquired angrily. “It will
|
||
bring my constables down on us.”
|
||
|
||
“I do not mind, since you can control them,” said De Gayangos coolly. “I
|
||
had to give the signal.”
|
||
|
||
“And we all have revolvers,” said Random quickly. “Hervey is not a very
|
||
safe man to tackle, inspector.”
|
||
|
||
“Do you expect a fight?” said Date, while they all watched a boat being
|
||
lowered. “If so, you might have told me, and I should have brought a
|
||
revolver also. Not that I think it is needed. The sight of my uniform
|
||
will be enough to show this man that I have the law behind me.”
|
||
|
||
“I don't think that will matter to Hervey,” said Archie dryly. “So much
|
||
as I have seen of him suggests to me that he is a singularly lawless
|
||
man.”
|
||
|
||
Date laughed good-humoredly.
|
||
|
||
“It seems to me, gentlemen, that you have brought me on a filibustering
|
||
expedition,” he said, and seemed to enjoy the novel situation. Date had
|
||
been wrapped up in the cotton-wool of civilization for a long time, but
|
||
his primitive instincts rose to the surface, now that he had to face a
|
||
probable rough-and-tumble fight. “But I don't expect there will be any
|
||
scrap,” he said regretfully. “My uniform will settle the matter.”
|
||
|
||
It certainly seemed to annoy Captain Hervey considerably, for, as the
|
||
boat approached the shore, and the moonlight revealed a distinctly
|
||
official overcoat, he gave an order. The man stopped rowing and the boat
|
||
rocked gently, some distance from the jetty.
|
||
|
||
“You've got a high old crowd with you, Don Pedro,” sang out Hervey, in
|
||
great displeasure. “Is that angel in the military togs, with the brass
|
||
buttons, the almighty aristocrat!”
|
||
|
||
“No. I am here,” cried out Random, laughing at the description, which
|
||
he recognized. “My friend Hope is with me, and Inspector Date. I suppose
|
||
you have heard what has happened?”
|
||
|
||
“Yes, I've taken it all in,” said Hervey sourly. “I guess the news is
|
||
all over Pierside. Well, it's none of my picnic, I reckon. So chuck that
|
||
gold over here, Don Pedro, and I'll send along the writing.”
|
||
|
||
“No,” said Don Pedro, prompted by Date. “You must come ashore.”
|
||
|
||
“I guess not,” said Hervey vigorously. “You want to run me in.”
|
||
|
||
“For that theft of thirty years ago,” laughed De Gayangos. “Nonsense!
|
||
Come along. You are quite safe.”
|
||
|
||
“Shan't take your damned word for it,” growled Hervey. “But if those two
|
||
gents can swear that there's no trickery, I'll come. I can depend on the
|
||
word of an English aristocrat, anyhow.”
|
||
|
||
“Come along. You are quite safe,” said Sir Frank, and Hope echoed his
|
||
words.
|
||
|
||
Thus being made certain, Hervey gave an order and the boat was rowed
|
||
right up to the beach, immediately below the jetty. The four men
|
||
were about to descend, but Hervey seemed anxious to avoid giving them
|
||
trouble.
|
||
|
||
“Hold on, gents,” said he, leaping ashore. “I'll come up 'longside.”
|
||
|
||
Date, ever suspicious, thought it queer that the skipper should
|
||
behave so politely, as he had gathered that Hervey was not usually a
|
||
considerate man. Also, he saw that when the captain was climbing the
|
||
bank, the boat, in charge of a mate--as the inspector judged from his
|
||
brass-bound uniform--backed water to the end of the jetty, where it
|
||
swung against one of the shell-encrusted piles. Hervey finally reached
|
||
the jetty level, but refused to come on to the same. He beckoned to Don
|
||
Pedro and his companions to walk forward to the ground upon which he
|
||
was standing. Also, he seemed exceedingly anxious to take time over the
|
||
transaction, as even after he had handed the scroll of writing to
|
||
the Peruvian, and had received the gold in exchange, he engaged in
|
||
quarrelsome conversation. Pretending that he doubted if De Gayangos had
|
||
brought the exact sum, he opened the canvas bag and insisted on counting
|
||
the money. Don Pedro naturally lost his temper at this insult, and swore
|
||
in Spanish, upon which Hervey responded with such volubility that
|
||
anyone could see he was a pastmaster in Castilian swearing. The row
|
||
was considerable, especially as Random and Hope were laughing at
|
||
the quarrel. They thought that Hervey was the worse for drink, but
|
||
Date--clever for once in his life--did not think so. It appeared to him
|
||
that the boat had gone to the end of the jetty for some reason connected
|
||
with the same reason which induced the skipper to spin out the time of
|
||
the meeting by indulging in an unnecessary quarrel.
|
||
|
||
The skipper also kept his eyes about him, and insisted that the four men
|
||
should keep together at the head of the pier.
|
||
|
||
“I daresay you're trying to play low down on me,” he said with a scowl,
|
||
after satisfying himself that the money was correct, “but I've got my
|
||
shooter.”
|
||
|
||
“So have I,” cried Don Pedro indignantly, and slipped his hand round to
|
||
his hip pocket, “and if you talk any further so insulting I shall--”
|
||
|
||
“Oh, you bet, two can play at that game,” cried Hervey, and ripped out
|
||
his own weapon before the Spaniard could produce his Derringer. “Hands
|
||
up or I shoot.”
|
||
|
||
But he had reckoned without his host. While covering De Gayangos, he
|
||
overlooked the fact that Random and Hope were close at hand. The next
|
||
moment, and while Don Pedro flung up his hands, the ruffian was covered
|
||
by two revolvers in the hands of two very capable men.
|
||
|
||
“Great Scott!” cried Hervey, lowering his weapon. “Only my fun, gents.
|
||
Here, you get back!”
|
||
|
||
This was to Inspector Date, who had been keeping his ears and eyes
|
||
open, and who was now racing for the end of the jetty. Peering over, he
|
||
uttered a loud cry.
|
||
|
||
“I thought so--I thought so. Here's the nigger and the mummy!”
|
||
|
||
Hervey uttered a curse, and, plunging past the trio, careless of the
|
||
leveled weapons, ran down to the end of the jetty, and, throwing his
|
||
arms round Date, leaped with him into the sea. They fell just beside
|
||
the boat, as Random saw when he reached the spot. A confused volley of
|
||
curses arose, as the boat pushed out from the encrusted pile, the mate
|
||
thrusting with a boat-hook. Hervey and Date were in the water, but as
|
||
the boat shot into the moonlight, Random--and now Hope and De Gayangos,
|
||
who had come up--saw a long green form in amongst the sailors; also,
|
||
very plainly, Cockatoo with his great mop of yellow hair.
|
||
|
||
“Shoot! shoot!” yelled Date, who was struggling with the skipper in the
|
||
shallow water near shore. “Don't let them escape.”
|
||
|
||
Hope ran up the jetty and fired three shots in the air, certain that
|
||
the firing would attract the attention of the four or five constables on
|
||
guard at the cottage, which was no very great distance away. Random sent
|
||
a bullet into the midst of the boatload, and immediately the mate fired
|
||
also. The bullet whistled past his head, and, crazy with rage, he felt
|
||
inclined to jump in amongst the ruffians and have a hand-to-hand fight.
|
||
But De Gayangos stopped him in a voice shrill with anger. Already the
|
||
shouts and noise of the approaching policemen could be heard. Cockatoo
|
||
gripped the green mummy case desperately, while the sailors tried to row
|
||
towards the ship.
|
||
|
||
Then De Gayangos gave a shout, and leaped, as the boat swung past the
|
||
jetty. He landed right on Cockatoo, and although a cloud drifted across
|
||
the moon, Random heard the shots coming rapidly from his revolver.
|
||
Meanwhile Hervey got away from Date, as the constables came pounding
|
||
down the jetty and on to the beach.
|
||
|
||
“Chuck the mummy and nigger overboard and make for the ship,” he yelled,
|
||
swimming with long strokes towards the boat.
|
||
|
||
This order was quite to the sailors' minds, as they had not reckoned on
|
||
such a fight. Half a dozen willing hands clutched both Cockatoo and the
|
||
case, and, in spite of the Kanaka's cries, both were hurled overboard.
|
||
As the case swung overside, De Gayangos, balancing himself at the end of
|
||
the boat, fired at Cockatoo. The shot missed the Kanaka, and pierced the
|
||
mummy case. Then from it came a piercing yell of agony and rage.
|
||
|
||
“Great God!” shouted Hope, who was watching the battle, “I believe
|
||
Braddock is in that damned thing.”
|
||
|
||
The next moment De Gayangos was swung overboard also, and the sailors
|
||
were lifting Hervey into the boat. It nearly upset, but he managed to
|
||
get in, and the craft rowed for the vessel, which was again showing a
|
||
flaring blue light. Random sent a shot after the boat, and then with the
|
||
policemen ran down to help De Gayangos, who was struggling in the water.
|
||
He managed to pull him out, and when he had him safe and breathless on
|
||
shore, he saw that the boat was nearing the ship, and that Date, torn
|
||
and wet and disheveled, with three policemen, was up to his waist in
|
||
water, struggling to bring ashore Cockatoo and the mummy case, to which
|
||
he clung like a limpet. Hope ran down to give a hand, and in a few
|
||
minutes they had the Kanaka ashore, fighting like the demon he was.
|
||
Random and De Gayangos joined the breathless group, and Cockatoo was
|
||
held in the grasp of two strong men--who required all their strength to
|
||
hold him--while Date, warned by Hope's cry of what was in the case, tore
|
||
at the lid. It was but lightly fastened and soon came off. Then those
|
||
present saw in the moonlight the dead face of Professor Braddock, who
|
||
had been shot through the heart. As they looked at the sight, Cockatoo
|
||
broke from those who held him, and, throwing himself on his master,
|
||
howled and wept as though his heart would break. At the same moment
|
||
there came a derisive whistle from The Firefly, and they saw the great
|
||
tramp steamer slowly moving down stream, increasing her speed with
|
||
almost every revolution of the screw. Braddock had been captured, but
|
||
Hervey had escaped.
|
||
|
||
At the inquest on the Professor and on the body of Mrs. Jasher, it was
|
||
proved that Cockatoo had warned his master that the game was up, and had
|
||
suggested that Braddock should escape by hiding in the mummy case. The
|
||
corpse of Inca Caxas was placed in an empty Egyptian sarcophagus--in
|
||
which it was afterwards found--and Braddock, assisted by his faithful
|
||
Kanaka, wheeled the case down to the old jetty. Here, in a nook where
|
||
Cockatoo had formerly kept the boat, the Professor concealed himself all
|
||
that night and all next day. Cockatoo, having got rid of his boat long
|
||
since (lest it might be used in evidence against him and his master),
|
||
ran through the dense mist and the long night up to Pierside, where he
|
||
saw Captain Hervey and bribed him with a promise of one thousand pounds
|
||
to save his master. Hervey, having assured himself that the money was
|
||
safe, since it was banked in a feigned name in Amsterdam, agreed, and
|
||
arranged to ship the Professor in the mummy case.
|
||
|
||
Thus it was that Hervey kept the four men talking up the jetty, as he
|
||
knew that Cockatoo with his own sailors was shipping the Professor in
|
||
the mummy case underneath, and well out of sight. Cockatoo had come
|
||
down stream with The Firefly, and in this way had not been discovered.
|
||
Throughout that long day the miserable Braddock had crouched like a toad
|
||
in its hole, trembling at every sound of pursuit, as he knew that the
|
||
whole of the village was looking for him. But Cockatoo had hidden him
|
||
well in the case, in the lid of which holes had been bored. He had
|
||
brandy to drink and food to eat, and he knew that he could depend upon
|
||
the Kanaka. Had Date not been suspicious, the ruse might have been
|
||
successful, but to save himself Hervey had to sacrifice the wretched
|
||
Professor, which he did without the slightest hesitation. Then came
|
||
the unlucky shot from the revolver of De Gayangos, which had ended
|
||
Braddock's wicked life. It was Fate.
|
||
|
||
At the inquest a verdict of “wilful murder” was brought against the
|
||
Kanaka, but a verdict of “justifiable homicide” was given in favor of
|
||
the Peruvian. Thus Cockatoo was hanged for the double murder and Don
|
||
Pedro went free. He remained long enough in London to see his daughter
|
||
married to the man of her choice, and then returned to Lima.
|
||
|
||
Of course the affair caused more than a nine days' wonder, and the
|
||
newspapers were filled with accounts of the murder and the projected
|
||
escape. But Lucy was saved from all this publicity, as, in the first
|
||
place, her name was kept out of print as much as possible, and, in
|
||
the second, Archie promptly married her, and within a fortnight of her
|
||
step-father's death took her to the south of France, and afterwards
|
||
to Italy. What with his own money and the money she inherited from her
|
||
mother--in which Braddock had a life interest--the young couple had
|
||
nearly a thousand a year.
|
||
|
||
Six months later Sir Frank came into the small San Remo where Mr. and
|
||
Mrs. Hope lived, with his wife on his arm. Lady Random looked singularly
|
||
charming and was assuredly more conversational. This was the first time
|
||
the two sets of lovers had met since the tragedy, and now each girl had
|
||
married the man she loved. Therefore there was great joy.
|
||
|
||
“My yacht is over at Monte Carlo,” said Random, “and I am, going with
|
||
Inez to South America. She wants to see her father.”
|
||
|
||
“Yes, I do,” said Lady Random; “and we want you to come also, Lucy--you
|
||
and your dear husband.”
|
||
|
||
Archie and his wife looked at one another, but declined unanimously.
|
||
|
||
“We would rather stay here in San Remo,” said Mrs. Hope, becoming
|
||
slightly pale. “Don't think me unkind, Inez, but I could not bear to
|
||
go to Peru. It is associated too much in my own mind with that terrible
|
||
green mummy.”
|
||
|
||
“Oh, Don Pedro has taken that back to the Andes,” explained Sir Frank,
|
||
“and it is now reposing in the sepulchre in which it was placed,
|
||
hundreds of years ago, by the Indians, faithful to Inca Caxas. Inez and
|
||
I are going up to a kind of forbidden city, where Don Pedro reigns as
|
||
Inca, and I expect we shall have a jolly time. I hear there is some big
|
||
game shooting there.”
|
||
|
||
“What about your soldiering?” asked Hope, rather, surprised at this
|
||
extended tour being arranged.
|
||
|
||
“Oh, my husband has left the army,” pouted Inez. “His duties kept him
|
||
away from me nearly all the day, and I grew weary of being left alone.”
|
||
|
||
“So you see, Mrs. Hope,” laughed Random gayly, “that I have had to
|
||
succumb to my fireside tyrant. We shall go and see this fairy city and
|
||
then return to my home in Oxfordshire. There Inez will settle down as
|
||
a real English wife and I'll turn a country squire. So, after all our
|
||
troubles, peace will come.”
|
||
|
||
“And as you will not come to my country,” said Lady Random to her
|
||
hostess, “you cannot refuse to visit Frank and myself at the Grange.
|
||
We have had so much trouble together that we cannot lose sight of each
|
||
other.”
|
||
|
||
“No,” said Lucy, kissing her. “We will come to Oxfordshire.”
|
||
|
||
So it was arranged, and the next day Mr. and Mrs. Hope went over to
|
||
Monte Carlo to see the last of Sir Frank and his wife. They stood on
|
||
the heights watching the pretty little steamer making for South America.
|
||
Archie noticed that his wife's face was somewhat sad.
|
||
|
||
“Are you sorry we did not go, sweetheart?”
|
||
|
||
“No,” she replied, placing her arm within his own. “I only want to be
|
||
with you.”
|
||
|
||
“That is all right.” He patted her hand. “Now that we have sold all the
|
||
furniture in the Pyramids, and have got rid of the lease, there will be
|
||
nothing to remind you of the green mummy.”
|
||
|
||
“Yet I can't help thinking of my unfortunate step-father, and of poor
|
||
Mrs. Jasher, and of Sidney Bolton. Oh, Archie, little as we can afford
|
||
it, I am glad that we allow Mrs. Bolton a small sum a year. After all,
|
||
it was through my step-father that her son met with his death.”
|
||
|
||
“I don't quite agree with you, dear. Cockatoo's innate savagery was the
|
||
cause, as Professor Braddock did not intend or desire murder. But there,
|
||
dear, do not think any more about these dismal things. Dream of the time
|
||
when I shall be the president of the Royal Academy, and you my lady.”
|
||
|
||
“I am your lady now. But,” added Lucy, perhaps from an association of
|
||
ideas of color and the Academy, “I shall hate green for the rest of my
|
||
life.”
|
||
|
||
“That's unlucky, considering it is Nature's color. My dear, in a year or
|
||
two this tragedy, or rather the three tragedies, will seem like a dream.
|
||
I won't listen to another word now. The green mummy has passed out of
|
||
our lives and has taken its bad luck with it.”
|
||
|
||
“Amen, so be it,” said Lucy Hope, and the happy couple went home,
|
||
leaving all their sorrows behind them, while the smoke of the steamer
|
||
faded on the horizon.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
*** END OF THE PROJECT GUTENBERG EBOOK THE GREEN MUMMY ***
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