11867 lines
466 KiB
Plaintext
11867 lines
466 KiB
Plaintext
The Project Gutenberg eBook of The Secret of Chimneys
|
||
|
||
This eBook is for the use of anyone anywhere in the United States and
|
||
most other parts of the world at no cost and with almost no restrictions
|
||
whatsoever. You may copy it, give it away or re-use it under the terms
|
||
of the Project Gutenberg License included with this eBook or online
|
||
at www.gutenberg.org. If you are not located in the United States,
|
||
you will have to check the laws of the country where you are located
|
||
before using this eBook.
|
||
|
||
Title: The Secret of Chimneys
|
||
|
||
Author: Agatha Christie
|
||
|
||
|
||
|
||
Release date: May 3, 2021 [eBook #65238]
|
||
Most recently updated: October 18, 2024
|
||
|
||
Language: English
|
||
|
||
Other information and formats: www.gutenberg.org/ebooks/65238
|
||
|
||
Credits: Mark C. Orton, Shaun Mudd and the Online Distributed Proofreading Team at https://www.pgdp.net
|
||
|
||
|
||
*** START OF THE PROJECT GUTENBERG EBOOK THE SECRET OF CHIMNEYS ***
|
||
|
||
AGATHA
|
||
CHRISTIE
|
||
|
||
|
||
|
||
|
||
The Secret
|
||
of Chimneys
|
||
|
||
|
||
THE SECRET OF CHIMNEYS
|
||
Copyright © 1925 by Dodd, Mead & Company, Inc.
|
||
|
||
|
||
|
||
|
||
TO
|
||
PUNKIE
|
||
|
||
|
||
|
||
|
||
Contents
|
||
|
||
|
||
1 ANTHONY CADE SIGNS ON _1_
|
||
|
||
2 A LADY IN DISTRESS _11_
|
||
|
||
3 ANXIETY IN HIGH PLACES _20_
|
||
|
||
4 INTRODUCING A VERY CHARMING LADY _27_
|
||
|
||
5 FIRST NIGHT IN LONDON _33_
|
||
|
||
6 THE GENTLE ART OF BLACKMAIL _46_
|
||
|
||
7 MR. MCGRATH REFUSES AN INVITATION _57_
|
||
|
||
8 A DEAD MAN _66_
|
||
|
||
9 ANTHONY DISPOSES OF A BODY _74_
|
||
|
||
10 CHIMNEYS _83_
|
||
|
||
11 SUPERINTENDENT BATTLE ARRIVES _94_
|
||
|
||
12 ANTHONY TELLS HIS STORY _100_
|
||
|
||
13 THE AMERICAN VISITOR _110_
|
||
|
||
14 MAINLY POLITICAL AND FINANCIAL _116_
|
||
|
||
15 THE FRENCH STRANGER _125_
|
||
|
||
16 TEA IN THE SCHOOLROOM _138_
|
||
|
||
17 A MIDNIGHT ADVENTURE _150_
|
||
|
||
18 SECOND MIDNIGHT ADVENTURE _159_
|
||
|
||
19 SECRET HISTORY _170_
|
||
|
||
20 BATTLE AND ANTHONY CONFER _181_
|
||
|
||
21 MR. ISAACSTEIN’S SUIT-CASE _188_
|
||
|
||
22 THE RED SIGNAL _199_
|
||
|
||
23 ENCOUNTER IN THE ROSE GARDEN _212_
|
||
|
||
24 THE HOUSE AT DOVER _222_
|
||
|
||
25 TUESDAY NIGHT AT CHIMNEYS _230_
|
||
|
||
26 THE 13TH OF OCTOBER _238_
|
||
|
||
27 THE 13TH OF OCTOBER (_contd._) _244_
|
||
|
||
28 KING VICTOR _254_
|
||
|
||
29 FURTHER EXPLANATIONS _259_
|
||
|
||
30 ANTHONY SIGNS ON FOR A NEW JOB _264_
|
||
|
||
31 SUNDRY DETAILS _271_
|
||
|
||
|
||
|
||
|
||
1
|
||
|
||
Anthony Cade Signs on
|
||
|
||
|
||
“Gentleman Joe!”
|
||
|
||
“Why, if it isn’t old Jimmy McGrath.”
|
||
|
||
Castle’s Select Tour, represented by seven depressed-looking females
|
||
and three perspiring males, looked on with considerable interest.
|
||
Evidently their Mr. Cade had met an old friend. They all admired
|
||
Mr. Cade so much, his tall lean figure, his sun-tanned face, the
|
||
light-hearted manner with which he settled disputes and cajoled
|
||
them all into good temper. This friend of his now—surely rather a
|
||
peculiar-looking man. About the same height as Mr. Cade, but thickset
|
||
and not nearly so good-looking. The sort of man one read about in
|
||
books, who probably kept a saloon. Interesting, though. After all, that
|
||
was what one came abroad for—to see all these peculiar things one read
|
||
about in books. Up to now, they had been rather bored with Bulawayo.
|
||
The sun was unbearably hot, the hotel was uncomfortable, there seemed
|
||
to be nowhere particular to go until the moment should arrive to motor
|
||
to the Matoppos. Very fortunately, Mr. Cade had suggested picture
|
||
postcards. There was an excellent supply of picture postcards.
|
||
|
||
Anthony Cade and his friend had stepped a little apart.
|
||
|
||
“What the hell are you doing with this pack of females?” demanded
|
||
McGrath. “Starting a harem.”
|
||
|
||
“Not with this little lot,” grinned Anthony. “Have you taken a good
|
||
look at them?”
|
||
|
||
“I have that. Thought maybe you were losing your eyesight.”
|
||
|
||
“My eyesight’s as good as ever it was. No, this is a Castle’s Select
|
||
Tour. I’m Castle—the local Castle, I mean.”
|
||
|
||
“What the hell made you take on a job like that?”
|
||
|
||
“A regrettable necessity for cash. I can assure you it doesn’t suit my
|
||
temperament.”
|
||
|
||
Jimmy grinned.
|
||
|
||
“Never a hog for regular work, were you?”
|
||
|
||
Anthony ignored this aspersion.
|
||
|
||
“However, something will turn up soon, I expect,” he remarked
|
||
hopefully. “It usually does.”
|
||
|
||
Jimmy chuckled.
|
||
|
||
“If there’s any trouble brewing, Anthony Cade is sure to be in it
|
||
sooner or later, I know that,” he said. “You’ve an absolute instinct
|
||
for rows—_and_ the nine lives of a cat. When can we have a yarn
|
||
together?”
|
||
|
||
Anthony sighed.
|
||
|
||
“I’ve got to take these cackling hens to see Rhodes’s grave.”
|
||
|
||
“That’s the stuff,” said Jimmy approvingly. “They’ll come back bumped
|
||
black and blue with the ruts in the road, and clamouring for bed
|
||
to rest the bruises on. Then you and I will have a spot or two and
|
||
exchange the news.”
|
||
|
||
“Right. So long, Jimmy.”
|
||
|
||
Anthony rejoined his flock of sheep. Miss Taylor, the youngest and most
|
||
skittish of the party, instantly attacked him.
|
||
|
||
“Oh, Mr. Cade, was that an old friend of yours?”
|
||
|
||
“It was, Miss Taylor. One of the friends of my blameless youth.”
|
||
|
||
Miss Taylor giggled.
|
||
|
||
“I thought he was such an interesting-looking man.”
|
||
|
||
“I’ll tell him you said so.”
|
||
|
||
“Oh, Mr. Cade, how can you be so naughty! The very idea! What was that
|
||
name he called you?”
|
||
|
||
“Gentleman Joe?”
|
||
|
||
“Yes. Is your name Joe?”
|
||
|
||
“I thought you knew it was Anthony, Miss Taylor.”
|
||
|
||
“Oh, go on with you!” cried Miss Taylor coquettishly.
|
||
|
||
Anthony had by now well mastered his duties. In addition to making the
|
||
necessary arrangements of travel, they included soothing down irritable
|
||
old gentlemen when their dignity was ruffled, seeing that elderly
|
||
matrons had ample opportunities to buy picture postcards, and flirting
|
||
with everything under a catholic forty years of age. The last task
|
||
was rendered easier for him by the extreme readiness of the ladies in
|
||
question to read a tender meaning into his most innocent remarks.
|
||
|
||
Miss Taylor returned to the attack.
|
||
|
||
“Why does he call you Joe, then?”
|
||
|
||
“Oh, just because it isn’t my name.”
|
||
|
||
“And why Gentleman Joe?”
|
||
|
||
“The same kind of reason.”
|
||
|
||
“Oh, Mr. Cade,” protested Miss Taylor, much distressed, “I’m sure you
|
||
shouldn’t say that. Papa was only saying last night what gentlemanly
|
||
manners you had.”
|
||
|
||
“Very kind of your father, I’m sure, Miss Taylor.”
|
||
|
||
“And we are all agreed that you are quite the gentleman.”
|
||
|
||
“I’m overwhelmed.”
|
||
|
||
“No, really, I mean it.”
|
||
|
||
“Kind hearts are more than coronets,” said Anthony vaguely, without a
|
||
notion of what he meant by the remark, and wishing fervently it was
|
||
lunch time.
|
||
|
||
“That’s such a beautiful poem, I always think. Do you know much poetry,
|
||
Mr. Cade?”
|
||
|
||
“I might recite ‘The boy stood on the burning deck’ at a pinch. ‘The
|
||
boy stood on the burning deck, whence all but he had fled.’ That’s all
|
||
I know, but I can do that bit with action if you like. ‘The boy stood
|
||
on the burning deck’—whoosh—whoosh—whoosh—(the flames, you see)
|
||
‘Whence all but he had fled’—for that bit I run to and fro like a dog.”
|
||
|
||
Miss Taylor screamed with laughter.
|
||
|
||
“Oh, do look at Mr. Cade! Isn’t he funny?”
|
||
|
||
“Time for morning tea,” said Anthony briskly. “Come this way. There is
|
||
an excellent café in the next street.”
|
||
|
||
“I presume,” said Mrs. Caldicott, in her deep voice, “that the expense
|
||
is included in the Tour?”
|
||
|
||
“Morning tea, Mrs. Caldicott,” said Anthony, assuming his professional
|
||
manner, “is an extra.”
|
||
|
||
“Disgraceful.”
|
||
|
||
“Life is full of trials, isn’t it?” said Anthony cheerfully. Mrs.
|
||
Caldicott’s eyes gleamed, and she remarked with the air of one
|
||
springing a mine:
|
||
|
||
“I suspected as much, and in anticipation I poured off some tea into a
|
||
jug at breakfast this morning! I can heat that up on the spirit lamp.
|
||
Come, father.”
|
||
|
||
Mr. and Mrs. Caldicott sailed off triumphantly to the hotel, the lady’s
|
||
back complacent with successful forethought.
|
||
|
||
“Oh, Lord,” muttered Anthony, “what a lot of funny people it does take
|
||
to make a world.”
|
||
|
||
He marshalled the rest of the party in the direction of the café. Miss
|
||
Taylor kept by his side, and resumed her catechism.
|
||
|
||
“Is it a long time since you saw your friend?”
|
||
|
||
“Just over seven years.”
|
||
|
||
“Was it in Africa you knew him?”
|
||
|
||
“Yes, not this part though. The first time I ever saw Jimmy McGrath, he
|
||
was all trussed up ready for the cooking pot. Some of the tribes in the
|
||
interior are cannibals, you know. We got there just in time.”
|
||
|
||
“What happened?”
|
||
|
||
“Very nice little shindy. We potted some of the beggars, and the rest
|
||
took to their heels.”
|
||
|
||
“Oh, Mr. Cade, what an adventurous life you must have led!”
|
||
|
||
“Very peaceful, I assure you.”
|
||
|
||
But it was clear that the lady did not believe him.
|
||
|
||
* * * * *
|
||
|
||
It was about ten o’clock that night when Anthony Cade walked into the
|
||
small room where Jimmy McGrath was busy manipulating various bottles.
|
||
|
||
“Make it strong, James,” he implored. “I can tell you, I need it.”
|
||
|
||
“I should think you did, my boy. I wouldn’t take on that job of yours
|
||
for anything.”
|
||
|
||
“Show me another, and I’ll jump out of it fast enough.”
|
||
|
||
McGrath poured out his own drink, tossed it off with a practised hand
|
||
and mixed a second one. Then he said slowly:
|
||
|
||
“Are you in earnest about that, old son?”
|
||
|
||
“About what?”
|
||
|
||
“Chucking this job of yours if you could get another?”
|
||
|
||
“Why? You don’t mean to say that you’ve got a job going begging? Why
|
||
don’t you grab it yourself?”
|
||
|
||
“I have grabbed it—but I don’t much fancy it, that’s why I’m trying to
|
||
pass it on to you.”
|
||
|
||
Anthony became suspicious.
|
||
|
||
“What’s wrong with it? They haven’t engaged you to teach in a Sunday
|
||
school, have they?”
|
||
|
||
“Do you think anyone would choose me to teach in a Sunday school?”
|
||
|
||
“Not if they knew you well, certainly.”
|
||
|
||
“It’s a perfectly good job—nothing wrong with it whatsoever.”
|
||
|
||
“Not in South America by any lucky chance? I’ve rather got my eye on
|
||
South America. There’s a very tidy little revolution coming off in one
|
||
of those little republics soon.”
|
||
|
||
McGrath grinned.
|
||
|
||
“You always were keen on revolutions—anything to be mixed up in a
|
||
really good row.”
|
||
|
||
“I feel my talents might be appreciated out there. I tell you, Jimmy,
|
||
I can be jolly useful in a revolution—to one side or the other. It’s
|
||
better than making an honest living any day.”
|
||
|
||
“I think I’ve heard that sentiment from you before, my son. No, the job
|
||
isn’t in South America—it’s in England.”
|
||
|
||
“England? Return of hero to his native land after many long years. They
|
||
can’t dun you for bills after seven years, can they, Jimmy?”
|
||
|
||
“I don’t think so. Well, are you on for hearing more about it?”
|
||
|
||
“I’m on all right. The thing that worries me is why you’re not taking
|
||
it on yourself.”
|
||
|
||
“I’ll tell you. I’m after gold, Anthony—far up in the interior.”
|
||
|
||
Anthony whistled and looked at him.
|
||
|
||
“You’ve always been after gold, Jimmy, ever since I knew you. It’s your
|
||
weak spot—your own particular little hobby. You’ve followed up more
|
||
wild-cat trails than anyone I know.”
|
||
|
||
“And in the end I’ll strike it. You’ll see.”
|
||
|
||
“Well, every one his own hobby. Mine’s rows, yours is gold.”
|
||
|
||
“I’ll tell you the whole story. I suppose you know all about
|
||
Herzoslovakia?”
|
||
|
||
Anthony looked up sharply.
|
||
|
||
“Herzoslovakia?” he said, with a curious ring in his voice.
|
||
|
||
“Yes. Know anything about it?”
|
||
|
||
There was quite an appreciable pause before Anthony answered. Then he
|
||
said slowly:
|
||
|
||
“Only what every one knows. It’s one of the Balkan States, isn’t it?
|
||
Principal rivers, unknown. Principal mountains, also unknown, but
|
||
fairly numerous. Capital, Ekarest. Population, chiefly brigands. Hobby,
|
||
assassinating Kings and having Revolutions. Last King, Nicholas IV.
|
||
Assassinated about seven years ago. Since then it’s been a Republic.
|
||
Altogether a very likely spot. You might have mentioned before that
|
||
Herzoslovakia came into it.”
|
||
|
||
“It doesn’t except indirectly.”
|
||
|
||
Anthony gazed at him more in sorrow than in anger.
|
||
|
||
“You ought to do something about this, James,” he said. “Take a
|
||
correspondence course, or something. If you’d told a story like this in
|
||
the good old Eastern days, you’d have been hung up by the heels and
|
||
bastinadoed or something equally unpleasant.”
|
||
|
||
Jimmy pursued his course quite unmoved by these strictures.
|
||
|
||
“Ever heard of Count Stylptitch?”
|
||
|
||
“Now you’re talking,” said Anthony. “Many people who have never heard
|
||
of Herzoslovakia would brighten at the mention of Count Stylptitch.
|
||
The Grand Old Man of the Balkans. The Greatest Statesman of Modern
|
||
Times. The biggest Villain unhung. The point of view all depends on
|
||
which newspaper you take in. But be sure of this, Count Stylptitch will
|
||
be remembered long after you and I are dust and ashes, James. Every
|
||
move and counter move in the Near East for the last twenty years has
|
||
had Count Stylptitch at the bottom of it. He’s been a dictator and a
|
||
patriot and a statesman—and nobody knows exactly what he has been,
|
||
except that he’s been a perfect King of intrigue. Well, what about him?”
|
||
|
||
“He was Prime Minister of Herzoslovakia—that’s why I mentioned it
|
||
first.”
|
||
|
||
“You’ve no sense of proportion, Jimmy. Herzoslovakia is of no
|
||
importance at all compared to Stylptitch. It just provided him with a
|
||
birthplace and a post in public affairs. But I thought he was dead?”
|
||
|
||
“So he is. He died in Paris about two months ago. What I’m telling you
|
||
about happened some years ago.”
|
||
|
||
“The question is,” said Anthony, “what _are_ you telling me about?”
|
||
|
||
Jimmy accepted the rebuke and hastened on.
|
||
|
||
“It was like this. I was in Paris—just four years ago, to be exact. I
|
||
was walking along one night in rather a lonely part, when I saw half a
|
||
dozen French toughs beating up a respectable-looking old gentleman. I
|
||
hate a one-sided show, so I promptly butted in and proceeded to beat
|
||
up the toughs. I guess they’d never been hit really hard before. They
|
||
melted like snow!”
|
||
|
||
“Good for you, James,” said Anthony softly. “I’d like to have seen that
|
||
scrap.”
|
||
|
||
“Oh, it was nothing much,” said Jimmy modestly. “But the old boy was
|
||
no end grateful. He’d had a couple, no doubt about that, but he was
|
||
sober enough to get my name and address out of me, and he came along
|
||
and thanked me next day. Did the thing in style too. It was then that I
|
||
found out it was Count Stylptitch I’d rescued. He’d got a house up by
|
||
the Bois.”
|
||
|
||
Anthony nodded.
|
||
|
||
“Yes, Stylptitch went to live in Paris after the assassination of King
|
||
Nicholas. They wanted him to come back and be President later, but he
|
||
wasn’t taking any. He remained sound to his Monarchical principals,
|
||
though he was reported to have his finger in all the backstairs pies
|
||
that went on in the Balkans. Very deep, the late Count Stylptitch.”
|
||
|
||
“Nicholas IV was the man who had a funny taste in wives, wasn’t he?”
|
||
said Jimmy suddenly.
|
||
|
||
“Yes,” said Anthony. “And it did for him too, poor beggar. She was some
|
||
little guttersnipe of a music hall artiste in Paris—not even suitable
|
||
for a morganatic alliance. But Nicholas had a frightful crush on her,
|
||
and she was all out for being a Queen. Sounds fantastic, but they
|
||
managed it somehow. Called her the Countess Popoffsky, or something,
|
||
and pretended she had Romanoff blood in her veins. Nicholas married her
|
||
in the Cathedral at Ekarest with a couple of unwilling Arch-bishops to
|
||
do the job, and she was crowned as Queen Varaga. Nicholas squared his
|
||
Ministers, and I suppose he thought that was all that mattered—but
|
||
he forgot to reckon with the populace. They’re very aristocratic and
|
||
reactionary in Herzoslovakia. They like their Kings and Queens to be
|
||
the genuine article. There were mutterings and discontent, and the
|
||
usual ruthless suppressions, and the final uprising which stormed the
|
||
Palace, murdered the King and Queen, and proclaimed a Republic. It’s
|
||
been a Republic ever since—but things still manage to be pretty lively
|
||
there, so I’ve heard. They’ve assassinated a President or two, just to
|
||
keep their hand in. But _revenons à nos moutons_. You had got to where
|
||
Count Stylptitch was hailing you as his preserver.”
|
||
|
||
“Yes. Well, that was the end of that business. I came back to
|
||
Africa and never thought of it again until about two weeks ago I
|
||
got a queer-looking parcel which had been following me all over the
|
||
place for the Lord knows how long. I’d seen in a paper that Count
|
||
Stylptitch had recently died in Paris. Well, this parcel contained his
|
||
Memoirs—or Reminiscences, or whatever you call the things. There was
|
||
a note enclosed to the effect that if I delivered the manuscript at a
|
||
certain firm of publishers in London on or before October 13 they were
|
||
instructed to hand me a thousand pounds.”
|
||
|
||
“A thousand pounds? Did you say a thousand pounds, Jimmy?”
|
||
|
||
“I did, my son. I hope to God it’s not a hoax. Put not your trust in
|
||
Princes or Politicians, as the saying goes. Well, there it is. Owing
|
||
to the way the manuscript had been following me around, I had no time
|
||
to lose. It was a pity, all the same. I’d just fixed up this trip to
|
||
the interior, and I’d set my heart on going. I shan’t get such a good
|
||
chance again.”
|
||
|
||
“You’re incurable, Jimmy. A thousand pounds in the hand is worth a lot
|
||
of mythical gold.”
|
||
|
||
“And supposing it’s all a hoax? Anyway, here I am, passage booked and
|
||
everything, on the way to Cape Town—and then you blow along!”
|
||
|
||
Anthony got up and lit a cigarette.
|
||
|
||
“I begin to perceive your drift, James. You go gold hunting as planned,
|
||
and I collect the thousand pounds for you. How much do I get out of it?”
|
||
|
||
“What do you say to a quarter?”
|
||
|
||
“Two hundred and fifty pounds free of income tax, as the saying goes?”
|
||
|
||
“That’s it.”
|
||
|
||
“Done, and just to make you gnash your teeth I’ll tell you that I would
|
||
have gone for a hundred! Let me tell you, James McGrath, _you_ won’t
|
||
die in your bed counting up your bank balance.”
|
||
|
||
“Anyway, it’s a deal?”
|
||
|
||
“It’s a deal all right. I’m on. And confusion to Castle’s Select Tours.”
|
||
|
||
They drank the toast solemnly.
|
||
|
||
|
||
|
||
|
||
2
|
||
|
||
A Lady in Distress
|
||
|
||
|
||
“So that’s that,” said Anthony, finishing off his glass and replacing
|
||
it on the table. “What boat were you going on?”
|
||
|
||
“_Granarth Castle._”
|
||
|
||
“Passage booked in your name, I suppose, so I’d better travel as James
|
||
McGrath. We’ve outgrown the passport business, haven’t we?”
|
||
|
||
“No odds either way. You and I are totally unlike, but we’d probably
|
||
have the same description on one of those blinking things. Height 6
|
||
feet, hair brown, eyes blue, nose, ordinary, chin ordinary——”
|
||
|
||
“Not so much of this ‘ordinary’ stunt. Let me tell you that Castle’s
|
||
selected me out of several applicants solely on account of my pleasing
|
||
appearance and nice manners.”
|
||
|
||
Jimmy grinned.
|
||
|
||
“I noticed your manners this morning.”
|
||
|
||
“The devil you did.”
|
||
|
||
Anthony rose and paced up and down the room. His brow was slightly
|
||
wrinkled, and it was some minutes before he spoke.
|
||
|
||
“Jimmy,” he said at last. “Stylptitch died in Paris. What’s the point
|
||
of sending a manuscript from Paris to London via Africa?”
|
||
|
||
Jimmy shook his head helplessly.
|
||
|
||
“I don’t know.”
|
||
|
||
“Why not do it up in a nice little parcel and send it by post?”
|
||
|
||
“Sounds a damn sight more sensible, I agree.”
|
||
|
||
“Of course,” continued Anthony, “I know that Kings and Queens and
|
||
Government officials are prevented by etiquette from doing anything
|
||
in a simple, straightforward fashion. Hence King’s Messengers and all
|
||
that. In medieval days you gave a fellow a signet ring as a sort of
|
||
Open Sesame. ‘The King’s Ring! Pass, my Lord!’ And usually it was the
|
||
other fellow who had stolen it. I always wonder why some bright lad
|
||
never hit on the expedient of copying the ring—making a dozen or so,
|
||
and selling them at a hundred ducats apiece. They seem to have had no
|
||
initiative in the Middle Ages.”
|
||
|
||
Jimmy yawned.
|
||
|
||
“My remarks on the Middle Ages don’t seem to amuse you. Let us get back
|
||
to Count Stylptitch. From France to England via Africa seems a bit
|
||
thick even for a diplomatic personage. If he merely wanted to ensure
|
||
that you should get a thousand pounds he could have left it you in his
|
||
will. Thank God neither you nor I are too proud to accept a legacy!
|
||
Stylptitch must have been balmy.”
|
||
|
||
“You’d think so, wouldn’t you?”
|
||
|
||
Anthony frowned and continued his pacing.
|
||
|
||
“Have you read the thing at all?” he asked suddenly.
|
||
|
||
“Read what?”
|
||
|
||
“The manuscript.”
|
||
|
||
“Good Lord, no. What do you think I want to read a thing of that kind
|
||
for?”
|
||
|
||
Anthony smiled.
|
||
|
||
“I just wondered, that’s all. You know a lot of trouble has been
|
||
caused by Memoirs. Indiscreet revelations, that sort of thing. People
|
||
who have been closed as an oyster all their lives seem positively
|
||
to relish causing trouble when they themselves shall be comfortably
|
||
dead. It gives them a kind of malicious glee. Jimmy, what sort of a
|
||
man was Count Stylptitch? You met him and talked to him, and you’re a
|
||
pretty good judge of raw human nature. Could you imagine him being a
|
||
vindictive old devil?”
|
||
|
||
Jimmy shook his head.
|
||
|
||
“It’s difficult to tell. You see, that first night he was distinctly
|
||
canned, and the next day he was just a high-toned old boy with the most
|
||
beautiful manners overwhelming me with compliments till I didn’t know
|
||
where to look.”
|
||
|
||
“And he didn’t say anything interesting when he was drunk?”
|
||
|
||
Jimmy cast his mind back, wrinkling his brows as he did so.
|
||
|
||
“He said he knew where the Koh-i-noor was,” he volunteered doubtfully.
|
||
|
||
“Oh, well,” said Anthony, “we all know that. They keep it in the
|
||
Tower, don’t they? Behind thick plate glass and iron bars, with a lot
|
||
of gentlemen in fancy dress standing round to see you don’t pinch
|
||
anything.”
|
||
|
||
“That’s right,” agreed Jimmy.
|
||
|
||
“Did Stylptitch say anything else of the same kind? That he knew which
|
||
city the Wallace Collection was in, for instance?”
|
||
|
||
Jimmy shook his head.
|
||
|
||
“H’m!” said Anthony.
|
||
|
||
He lit another cigarette, and once more began pacing up and down the
|
||
room.
|
||
|
||
“You never read the papers, I suppose, you heathen?” he threw out
|
||
presently.
|
||
|
||
“Not very often,” said McGrath simply. “They’re not about anything that
|
||
interests me as a rule.”
|
||
|
||
“Thank Heaven I’m more civilized. There have been several mentions of
|
||
Herzoslovakia lately. Hints at a Royalist restoration.”
|
||
|
||
“Nicholas IV didn’t leave a son,” said Jimmy. “But I don’t suppose for
|
||
a minute that the Obolovitch dynasty is extinct. There are probably
|
||
shoals of young ’uns knocking about, cousins and second cousins and
|
||
third cousins once removed.”
|
||
|
||
“So that there wouldn’t be any difficulty in finding a King?”
|
||
|
||
“Not in the least, I should say,” replied Jimmy. “You know, I
|
||
don’t wonder at their getting tired of Republican institutions. A
|
||
full-blooded, virile people like that must find it awfully tame to pot
|
||
at Presidents after being used to Kings. And talking of Kings, that
|
||
reminds me of something else old Stylptitch let out that night. He said
|
||
he knew the gang that was after him. They were King Victor’s people, he
|
||
said.”
|
||
|
||
“What?” Anthony wheeled round suddenly.
|
||
|
||
A slow grin widened on McGrath’s face.
|
||
|
||
“Just a mite excited, aren’t you, Gentleman Joe?” he drawled.
|
||
|
||
“Don’t be an ass, Jimmy. You’ve just said something rather important.”
|
||
|
||
He went over to the window and stood there looking out.
|
||
|
||
“Who is this King Victor, anyway?” demanded Jimmy. “Another Balkan
|
||
Monarch?”
|
||
|
||
“No,” said Anthony slowly. “He isn’t that kind of a King.”
|
||
|
||
“What is he, then?”
|
||
|
||
There was a pause, and then Anthony spoke.
|
||
|
||
“He’s a crook, Jimmy. The most notorious jewel thief in the world. A
|
||
fantastic, daring fellow, not to be daunted by anything. King Victor
|
||
was the nickname he was known by in Paris. Paris was the headquarters
|
||
of his gang. They caught him there and put him away for seven years on
|
||
a minor charge. They couldn’t prove the more important things against
|
||
him. He’ll be out soon—or he may be out already.”
|
||
|
||
“Do you think Count Stylptitch had anything to do with putting him
|
||
away? Was that why the gang went for him? Out of revenge?”
|
||
|
||
“I don’t know,” said Anthony. “It doesn’t seem likely on the face of
|
||
it. King Victor never stole the Crown jewels of Herzoslovakia as far
|
||
as I’ve heard. But the whole thing seems rather suggestive, doesn’t
|
||
it? The death of Stylptitch, the Memoirs, and the rumours in the
|
||
papers—all vague but interesting. And there’s a further rumour to the
|
||
effect that they’ve found oil in Herzoslovakia. I’ve a feeling in my
|
||
bones, James, that people are getting ready to be interested in that
|
||
unimportant little country.”
|
||
|
||
“What sort of people?”
|
||
|
||
“Financiers in City offices.”
|
||
|
||
“What are you driving at with all this?”
|
||
|
||
“Trying to make an easy job difficult, that’s all.”
|
||
|
||
“You can’t pretend there’s going to be any difficulty in handing over a
|
||
simple manuscript at a publisher’s office?”
|
||
|
||
“No,” said Anthony regretfully. “I don’t suppose there’ll be anything
|
||
difficult about that. But shall I tell you, James, where I propose to
|
||
go with my £250?”
|
||
|
||
“South America?”
|
||
|
||
“No, my lad, Herzoslovakia. I shall stand in with the Republic, I
|
||
think. Very probably I shall end up as President.”
|
||
|
||
“Why not announce yourself as the principal Obolovitch and be a King
|
||
whilst you’re about it?”
|
||
|
||
“No, Jimmy. Kings are for life. Presidents only take on the job for
|
||
four years or so. It would quite amuse me to govern a kingdom like
|
||
Herzoslovakia for four years.”
|
||
|
||
“The average for Kings is even less, I should say,” interpolated Jimmy.
|
||
|
||
“It will probably be a serious temptation to me to embezzle your share
|
||
of the thousand pounds. You won’t want it, you know, when you get back
|
||
weighed down with nuggets. I’ll invest it for you in Herzoslovakian oil
|
||
shares. You know, James, the more I think of it, the more pleased I am
|
||
with this idea of yours. I should never have thought of Herzoslovakia
|
||
if you hadn’t mentioned it. I shall spend one day in London, collecting
|
||
the booty, and then away by the Balkan express!”
|
||
|
||
“You won’t get off quite as fast as that. I didn’t mention it before,
|
||
but I’ve got another little commission for you.”
|
||
|
||
Anthony sank into a chair and eyed him severely.
|
||
|
||
“I knew all along that you were keeping something dark. This is where
|
||
the catch comes in.”
|
||
|
||
“Not a bit. It’s just something that’s got to be done to help a lady.”
|
||
|
||
“Once and for all, James, I refuse to be mixed up in your beastly love
|
||
affairs.”
|
||
|
||
“It’s not a love affair. I’ve never seen the woman. I’ll tell you the
|
||
whole story.”
|
||
|
||
“If I’ve got to listen to more of your long, rambling stories, I shall
|
||
have to have another drink.”
|
||
|
||
His host complied hospitably with this demand, then began the tale.
|
||
|
||
“It was when I was up in Uganda. There was a Dago there whose life I
|
||
had saved——”
|
||
|
||
“If I were you, Jimmy, I should write a short book entitled ‘Lives I
|
||
have Saved.’ This is the second I’ve heard of this evening.”
|
||
|
||
“Oh, well, I didn’t really do anything this time. Just pulled the Dago
|
||
out of the river. Like all Dagos, he couldn’t swim.”
|
||
|
||
“Wait a minute, has this story anything to do with the other business?”
|
||
|
||
“Nothing whatever, though, oddly enough, now I remember it, the man was
|
||
a Herzoslovakian. We always called him Dutch Pedro though.”
|
||
|
||
Anthony nodded indifferently.
|
||
|
||
“Any name’s good enough for a Dago,” he remarked. “Get on with the good
|
||
work, James.”
|
||
|
||
“Well, the fellow was sort of grateful about it. Hung around like a
|
||
dog. About six months later he died of fever. I was with him. Last
|
||
thing, just as he was pegging out, he beckoned me and whispered some
|
||
excited jargon about a secret—a gold mine, I thought he said. Shoved
|
||
an oilskin packet into my hand which he’d always worn next his skin.
|
||
Well, I didn’t think much of it at the time. It wasn’t until a week
|
||
afterwards that I opened the packet. Then I was curious, I must
|
||
confess. I shouldn’t have thought that Dutch Pedro would have had the
|
||
sense to know a gold mine when he saw it—but there’s no accounting for
|
||
luck——”
|
||
|
||
“And at the mere thought of gold, your heart beat pitter-pat as
|
||
always,” interrupted Anthony.
|
||
|
||
“I was never so disgusted in my life. Gold mine, indeed! I daresay it
|
||
may have been a gold mine to him, the dirty dog. Do you know what it
|
||
was? A woman’s letters—yes, a woman’s letters, and an Englishwoman at
|
||
that. The skunk had been blackmailing her—and he had the impudence to
|
||
pass on his dirty bag of tricks to me.”
|
||
|
||
“I like to see your righteous heat, James, but let me point out to
|
||
you that Dagos will be Dagos. He meant well. You had saved his life,
|
||
he bequeathed to you a profitable source of raising money—your
|
||
high-minded British ideals did not enter his horizon.”
|
||
|
||
“Well, what the hell was I to do with the things? Burn ’em, that’s what
|
||
I thought at first. And then it occurred to me that there would be that
|
||
poor dame, not knowing they’d be destroyed, and always living in a
|
||
quake and a dread lest that Dago should turn up again one day.”
|
||
|
||
“You’ve more imagination than I gave you credit for, Jimmy,” observed
|
||
Anthony, lighting a cigarette. “I admit that the case presented more
|
||
difficulties than were at first apparent. What about just sending them
|
||
to her by post?”
|
||
|
||
“Like all women, she’d put no date and no address on most of the
|
||
letters. There was a kind of address on one—just one word. Chimneys.”
|
||
|
||
Anthony paused in the act of blowing out his match, and he dropped it
|
||
with a quick jerk of the wrist as it burned his finger.
|
||
|
||
“Chimneys?” he said. “That’s rather extraordinary.”
|
||
|
||
“Why, do you know it?”
|
||
|
||
“It’s one of the stately homes of England, my dear James. A place
|
||
where Kings and Queens go for weekends, and diplomatists forgather and
|
||
diplome.”
|
||
|
||
“That’s one of the reasons why I’m so glad that you’re going to England
|
||
instead of me. You know all these things,” said Jimmy simply. “A josser
|
||
like myself from the backwoods of Canada would be making all sorts of
|
||
bloomers. But some one like you who’s been to Eton and Harrow——”
|
||
|
||
“Only one of them,” said Anthony modestly.
|
||
|
||
“Will be able to carry it through. Why didn’t I send them to her, you
|
||
say? Well, it seemed to me dangerous. From what I could make out, she
|
||
seemed to have a jealous husband. Suppose he opened the letter by
|
||
mistake. Where would the poor dame be then? Or she might be dead—the
|
||
letters looked as though they’d been written some time. As I figured it
|
||
out, the only thing was for some one to take them to England and put
|
||
them into her own hands.”
|
||
|
||
Anthony threw away his cigarette, and coming across to his friend
|
||
clapped him affectionately on the back.
|
||
|
||
“You’re a real knight-errant, Jimmy,” he said. “And the backwoods of
|
||
Canada should be proud of you. I shan’t do the job half as prettily as
|
||
you would.”
|
||
|
||
“You’ll take it on then?”
|
||
|
||
“Of course.”
|
||
|
||
McGrath rose, and going across to a drawer took out a bundle of letters
|
||
and threw them on the table.
|
||
|
||
“Here you are. You’d better have a look at them.”
|
||
|
||
“Is it necessary? On the whole, I’d rather not.”
|
||
|
||
“Well, from what you say about this Chimneys place, she may have been
|
||
staying there only. We’d better look through the letters and see if
|
||
there’s any clue as to where she really hangs out.”
|
||
|
||
“I suppose you’re right.”
|
||
|
||
They went through the letters carefully, but without finding what they
|
||
had hoped to find. Anthony gathered them up again thoughtfully.
|
||
|
||
“Poor little devil,” he remarked. “She was scared stiff.”
|
||
|
||
Jimmy nodded.
|
||
|
||
“Do you think you’ll be able to find her all right?” he asked
|
||
anxiously.
|
||
|
||
“I won’t leave England till I have. You’re very concerned about this
|
||
unknown lady, James?”
|
||
|
||
Jimmy ran his finger thoughtfully over the signature.
|
||
|
||
“It’s a pretty name,” he said apologetically. “_Virginia Revel._”
|
||
|
||
|
||
|
||
|
||
3
|
||
|
||
Anxiety in High Places
|
||
|
||
|
||
“Quite so, my dear fellow, quite so,” said Lord Caterham.
|
||
|
||
He had used the same words three times already, each time in the hope
|
||
that they would end the interview and permit him to escape. He disliked
|
||
very much being forced to stand on the steps of the exclusive London
|
||
club to which he belonged and listen to the interminable eloquence of
|
||
the Hon. George Lomax.
|
||
|
||
Clement Edward Alistair Brent, ninth Marquis of Caterham, was a small
|
||
gentleman, shabbily dressed, and entirely unlike the popular conception
|
||
of a Marquis. He had faded blue eyes, a thin melancholy nose, and a
|
||
vague but courteous manner.
|
||
|
||
The principal misfortune of Lord Caterham’s life was to have succeeded
|
||
his brother, the eighth Marquis, four years ago. For the previous Lord
|
||
Caterham had been a man of mark, a household word all over England. At
|
||
one time Secretary of State for Foreign Affairs, he had always bulked
|
||
largely in the counsels of the Empire, and his country seat, Chimneys,
|
||
was famous for its hospitality. Ably seconded by his wife, a daughter
|
||
of the Duke of Perth, history had been made and unmade at informal
|
||
week-end parties at Chimneys, and there was hardly anyone of note in
|
||
England—or indeed in Europe—who had not, at one time or another,
|
||
stayed there.
|
||
|
||
That was all very well. The ninth Marquis of Caterham had the utmost
|
||
respect and esteem for the memory of his brother. Henry had done that
|
||
kind of thing magnificently. What Lord Caterham objected to was the
|
||
assumption that he was bound to follow in his brother’s footsteps,
|
||
and that Chimneys was a National possession rather than a private
|
||
country house. There was nothing that bored Lord Caterham more than
|
||
politics—unless it was politicians. Hence his impatience under the
|
||
continued eloquence of George Lomax. A robust man, George Lomax,
|
||
inclined to _embonpoint_, with a red face and protuberant eyes, and an
|
||
immense sense of his own importance.
|
||
|
||
“You see the point, Caterham? We can’t—we simply can’t afford a
|
||
scandal of any kind just now. The position is one of the utmost
|
||
delicacy.”
|
||
|
||
“It always is,” said Lord Caterham, with a flavour of irony.
|
||
|
||
“My dear fellow, I’m in a position to _know_!”
|
||
|
||
“Oh, quite so, quite so,” said Lord Caterham, falling back upon his
|
||
previous line of defence.
|
||
|
||
“One slip over this Herzoslovakian business and we’re done. It is most
|
||
important that the Oil concessions should be granted to a British
|
||
company. You must see that?”
|
||
|
||
“Of course, of course.”
|
||
|
||
“Prince Michael Obolovitch arrives the end of the week, and the whole
|
||
thing can be carried through at Chimneys under the guise of a shooting
|
||
party.”
|
||
|
||
“I was thinking of going abroad this week,” said Lord Caterham.
|
||
|
||
“Nonsense, my dear Caterham, no one goes abroad in early October.”
|
||
|
||
“My doctor seems to think I’m in rather a bad way,” said Lord Caterham,
|
||
eyeing a taxi that was crawling past with longing eyes.
|
||
|
||
He was quite unable to make a dash for liberty, however, since Lomax
|
||
had the unpleasant habit of retaining a hold upon a person with whom
|
||
he was engaged in serious conversation—doubtless the result of long
|
||
experience. In this case, he had a firm grip of the lapel of Lord
|
||
Caterham’s coat.
|
||
|
||
“My dear man, I put it to you imperially. In a moment of national
|
||
crisis, such as is fast approaching——”
|
||
|
||
Lord Caterham wriggled uneasily. He felt suddenly that he would rather
|
||
give any number of house parties than listen to George Lomax quoting
|
||
from one of his own speeches. He knew by experience that Lomax was
|
||
quite capable of going on for twenty minutes without a stop.
|
||
|
||
“All right,” he said hastily, “I’ll do it. You’ll arrange the whole
|
||
thing, I suppose.”
|
||
|
||
“My dear fellow, there’s nothing to arrange. Chimneys, quite apart
|
||
from its historic associations, is ideally situated. I shall be at the
|
||
Abbey, less than seven miles away. It wouldn’t do, of course, for me to
|
||
be actually a member of the house party.”
|
||
|
||
“Of course not,” agreed Lord Caterham, who had no idea why it would not
|
||
do, and was not interested to learn.
|
||
|
||
“Perhaps you wouldn’t mind having Bill Eversleigh, though. He’d be
|
||
useful to run messages.”
|
||
|
||
“Delighted,” said Lord Caterham, with a shade more animation. “Bill’s
|
||
quite a decent shot, and Bundle likes him.”
|
||
|
||
“The shooting, of course, is not really important. It’s only the
|
||
pretext, as it were.”
|
||
|
||
Lord Caterham looked depressed again.
|
||
|
||
“That will be all, then. The Prince, his suite, Bill Eversleigh, Herman
|
||
Isaacstein——”
|
||
|
||
“Who?”
|
||
|
||
“Herman Isaacstein. The representative of the syndicate I spoke to you
|
||
about.”
|
||
|
||
“The all British syndicate?”
|
||
|
||
“Yes. Why?”
|
||
|
||
“Nothing—nothing—I only wondered, that’s all. Curious names these
|
||
people have.”
|
||
|
||
“Then, of course, there ought to be one or two outsiders—just to
|
||
give the thing a _bona fide_ appearance. Lady Eileen could see to
|
||
that—young people, uncritical, and with no idea of politics.”
|
||
|
||
“Bundle would attend to that all right, I’m sure.”
|
||
|
||
“I wonder now.” Lomax seemed struck by an idea.
|
||
|
||
“You remember the matter I was speaking about just now?”
|
||
|
||
“You’ve been speaking about so many things.”
|
||
|
||
“No, no, I mean this unfortunate _contretemps_”—— he lowered his
|
||
voice to a mysterious whisper—“the memoirs—Count Stylptitch’s
|
||
memoirs.”
|
||
|
||
“I think you’re wrong about that,” said Lord Caterham, suppressing
|
||
a yawn. “People _like_ scandal. Damn it all, I read Reminiscences
|
||
myself—and enjoy ’em too.”
|
||
|
||
“The point is not whether people will read them or not—they’ll read
|
||
them fast enough—but their publication at this juncture might ruin
|
||
everything—everything. The people of Herzoslovakia wish to restore the
|
||
Monarchy, and are prepared to offer the Crown to Prince Michael who has
|
||
the support and encouragement of His Majesty’s Government——”
|
||
|
||
“And who is prepared to grant concessions to Mr. Ikey Hermanstein & Co.
|
||
in return for the loan of a million or so to set him on the throne——”
|
||
|
||
“Caterham, Caterham,” implored Lomax in an agonized whisper.
|
||
“Discretion, I beg of you. Above all things, discretion.”
|
||
|
||
“And the point is,” continued Lord Caterham, with some relish, though
|
||
he lowered his voice in obedience to the other’s appeal, “that some
|
||
of Stylptitch’s Reminiscences may upset the apple cart. Tyranny and
|
||
misbehaviour of the Obolovitch family generally, eh? Questions asked in
|
||
the House. Why replace the present broad-minded and democratic form of
|
||
Government by an obsolete tyranny? Policy dictated by the blood-sucking
|
||
Capitalists. Down with the Government. That kind of thing—eh?”
|
||
|
||
Lomax nodded.
|
||
|
||
“And there might be worse still,” he breathed. “Suppose—only
|
||
suppose that some reference should be made to—to that unfortunate
|
||
disappearance—you know what I mean.”
|
||
|
||
Lord Caterham stared at him.
|
||
|
||
“No, I don’t. What disappearance?”
|
||
|
||
“You must have heard of it? Why, it happened while they were at
|
||
Chimneys. Henry was terribly upset about it. It almost ruined his
|
||
career.”
|
||
|
||
“You interest me enormously,” said Lord Caterham. “Who or what
|
||
disappeared?”
|
||
|
||
Lomax leant forward and put his mouth to Lord Caterham’s ear. The
|
||
latter withdrew it hastily.
|
||
|
||
“For God’s sake, don’t hiss at me.”
|
||
|
||
“You heard what I said?”
|
||
|
||
“Yes, I did,” said Lord Caterham reluctantly. “I remember now hearing
|
||
something about it at the time. Very curious affair. I wonder who did
|
||
it. It was never recovered?”
|
||
|
||
“Never. Of course we had to go about the matter with the utmost
|
||
discretion. No hint of the loss could be allowed to leak out. But
|
||
Stylptitch was there at the time. He knew something. Not all, but
|
||
something. We were at loggerheads with him once or twice over the
|
||
Turkish question. Suppose that in sheer malice he has set the whole
|
||
thing down for the world to read. Think of the scandal—of the
|
||
far-reaching results. Every one would say—why was it hushed up?”
|
||
|
||
“Of course they would,” said Lord Caterham, with evident enjoyment.
|
||
|
||
Lomax, whose voice had risen to a high pitch, took a grip on himself.
|
||
|
||
“I must keep calm,” he murmured. “I must keep calm. But I ask you
|
||
this, my dear fellow. If he didn’t mean mischief, why did he send the
|
||
manuscript to London in this roundabout way?”
|
||
|
||
“It’s odd, certainly. You are sure of your facts?”
|
||
|
||
“Absolutely. We—er—had our agents in Paris. The Memoirs were conveyed
|
||
away secretly some weeks before his death.”
|
||
|
||
“Yes, it looks as though there’s something in it,” said Lord Caterham,
|
||
with the same relish he had displayed before.
|
||
|
||
“We have found out that they were sent to a man called Jimmy, or James,
|
||
McGrath, a Canadian at present in Africa.”
|
||
|
||
“Quite an Imperial affair, isn’t it?” said Lord Caterham cheerily.
|
||
|
||
“James McGrath is due to arrive by the _Granarth Castle_
|
||
to-morrow—Thursday.”
|
||
|
||
“What are you going to do about it?”
|
||
|
||
“We shall, of course, approach him at once, point out the possibly
|
||
serious consequences, and beg him to defer publication of the
|
||
Memoirs for at least a month, and in any case to permit them to be
|
||
judiciously—er—edited.”
|
||
|
||
“Supposing that he says ‘No, sir,’ or ‘I’ll goddarned well see you in
|
||
hell first,’ or something bright and breezy like that?” suggested Lord
|
||
Caterham.
|
||
|
||
“That’s just what I’m afraid of,” said Lomax simply. “That’s why it
|
||
suddenly occurred to me that it might be a good thing to ask him down
|
||
to Chimneys as well. He’d be flattered, naturally, at being asked to
|
||
meet Prince Michael, and it might be easier to handle him.”
|
||
|
||
“I’m not going to do it,” said Lord Caterham hastily. “I don’t get on
|
||
with Canadians, never did—especially those that have lived much in
|
||
Africa!”
|
||
|
||
“You’d probably find him a splendid fellow—a rough diamond, you know.”
|
||
|
||
“No, Lomax. I put my foot down there absolutely. Somebody else has got
|
||
to tackle him.”
|
||
|
||
“It has occurred to me,” said Lomax, “that a woman might be very useful
|
||
here. Told enough and not too much, you understand. A woman could
|
||
handle the whole thing delicately and with tact—put the position
|
||
before him, as it were, without getting his back up. Not that I approve
|
||
of women in politics—St. Stephen’s is ruined, absolutely ruined,
|
||
nowadays. But woman in her own sphere can do wonders. Look at Henry’s
|
||
wife and what she did for him. Marcia was magnificent, unique, a
|
||
perfect political hostess.”
|
||
|
||
“You don’t want me to ask Marcia down for this party, do you?” asked
|
||
Lord Caterham faintly, turning a little pale at the mention of his
|
||
redoubtable sister-in-law.
|
||
|
||
“No, no, you misunderstand me. I was speaking of the influence of women
|
||
in general. No, I suggest a young woman, a woman of charm, beauty,
|
||
intelligence?”
|
||
|
||
“Not Bundle? Bundle would be no use at all. She’s a red-hot socialist
|
||
if she’s anything at all, and she’d simply scream with laughter at the
|
||
suggestion.”
|
||
|
||
“I was not thinking of Lady Eileen. Your daughter, Caterham, is
|
||
charming, simply charming, but quite a child. We need some one with
|
||
_savoir faire_, poise, knowledge of the world—— Ah, of course, the
|
||
very person. My cousin Virginia.”
|
||
|
||
“Mrs. Revel?” Lord Caterham brightened up. He began to feel that he
|
||
might possibly enjoy the party after all. “A very good suggestion of
|
||
yours, Lomax. The most charming woman in London.”
|
||
|
||
“She is well up in Herzoslovakian affairs too. Her husband was at the
|
||
Embassy there, you remember. And, as you say, a woman of great personal
|
||
charm.”
|
||
|
||
“A delightful creature,” murmured Lord Caterham.
|
||
|
||
“That is settled, then.”
|
||
|
||
Mr. Lomax relaxed his hold on Lord Caterham’s lapel, and the latter was
|
||
quick to avail himself of the chance.
|
||
|
||
“Bye-bye, Lomax, you’ll make all the arrangements, won’t you.”
|
||
|
||
He dived into a taxi. As far as it is possible for one upright
|
||
Christian gentleman to dislike another upright Christian gentleman,
|
||
Lord Caterham disliked the Hon. George Lomax. He disliked his puffy red
|
||
face, his heavy breathing, and his prominent blue eyes. He thought of
|
||
the coming week and sighed. A nuisance, an abominable nuisance. Then he
|
||
thought of Virginia Revel and cheered up a little.
|
||
|
||
“A delightful creature,” he murmured to himself. “A most delightful
|
||
creature.”
|
||
|
||
|
||
|
||
|
||
4
|
||
|
||
Introducing a Very Charming Lady
|
||
|
||
|
||
George Lomax returned straightway to Whitehall. As he entered the
|
||
sumptuous apartment in which he transacted affairs of State, there was
|
||
a scuffling sound.
|
||
|
||
Mr. Bill Eversleigh was assiduously filing letters, but a large
|
||
arm-chair near the window was still warm from contact with a human form.
|
||
|
||
A very likeable young man, Bill Eversleigh. Age at a guess,
|
||
twenty-five, big and rather ungainly in his movements, a pleasurably
|
||
ugly face, a splendid set of white teeth and a pair of honest brown
|
||
eyes.
|
||
|
||
“Richardson sent up that report yet?”
|
||
|
||
“No, sir. Shall I get on to him about it?”
|
||
|
||
“It doesn’t matter. Any telephone messages?”
|
||
|
||
“Miss Oscar is dealing with most of them. Mr. Isaacstein wants to know
|
||
if you can dine with him at the Savoy to-morrow.”
|
||
|
||
“Tell Miss Oscar to look in my engagement-book. If I’m not engaged, she
|
||
can ring up and accept.”
|
||
|
||
“Yes, sir.”
|
||
|
||
“By the way, Eversleigh, you might ring up a number for me now. Look it
|
||
up in the book. Mrs. Revel, 487, Pont Street.”
|
||
|
||
“Yes, sir.”
|
||
|
||
Bill seized the telephone-book, ran an unseeing eye down a column of
|
||
M’s, shut the book with a bang and moved to the instrument on the desk.
|
||
With his hand upon it, he paused, as though in sudden recollection.
|
||
|
||
“Oh, I say, sir, I’ve just remembered. Her line’s out of order. Mrs.
|
||
Revel’s, I mean. I was trying to ring her up just now.”
|
||
|
||
George Lomax frowned.
|
||
|
||
“Annoying,” he said, “distinctly annoying.” He tapped the table
|
||
undecidedly.
|
||
|
||
“If it’s anything important, sir, perhaps I might go round there now in
|
||
a taxi. She’s sure to be in at this time in the morning.”
|
||
|
||
George Lomax hesitated, pondering the matter. Bill waited expectantly,
|
||
poised for instant flight, should the reply be favourable.
|
||
|
||
“Perhaps that would be the best plan,” said Lomax at last. “Very well,
|
||
then, take a taxi there, and ask Mrs. Revel if she will be at home this
|
||
afternoon at four o’clock as I am very anxious to see her about an
|
||
important matter.”
|
||
|
||
“Right, sir.”
|
||
|
||
Bill seized his hat and departed.
|
||
|
||
Ten minutes later, a taxi deposited him at 487, Pont Street. He rang
|
||
the bell and executed a loud rat-tat on the knocker. The door was
|
||
opened by a grave functionary to whom Bill nodded with the ease of long
|
||
acquaintance.
|
||
|
||
“Morning, Chilvers, Mrs. Revel in?”
|
||
|
||
“I believe, sir, that she is just going out.”
|
||
|
||
“Is that you, Bill?” called a voice over the banisters. “I thought I
|
||
recognized that muscular knock. Come up and talk to me.”
|
||
|
||
Bill looked up at the face that was laughing down on him, and which
|
||
was always inclined to reduce him—and not him alone—to a state of
|
||
babbling incoherency. He took the stairs two at a time and clasped
|
||
Virginia Revel’s out-stretched hands tightly in his.
|
||
|
||
“Hullo, Virginia!”
|
||
|
||
“Hullo, Bill!”
|
||
|
||
Charm is a very peculiar thing; hundreds of young women, some of them
|
||
more beautiful than Virginia Revel, might have said “Hullo, Bill,”
|
||
with exactly the same intonation, and yet have produced no effect
|
||
whatever. But those two simple words, uttered by Virginia, had the
|
||
most intoxicating effect upon Bill.
|
||
|
||
Virginia Revel was just twenty-seven. She was tall and of an exquisite
|
||
slimness—indeed, a poem might have been written to her slimness, it
|
||
was so exquisitely proportioned. Her hair was of real bronze, with the
|
||
greenish tint in its gold; she had a determined little chin, a lovely
|
||
nose, slanting blue eyes that showed a gleam of deepest cornflower
|
||
between the half-closed lids, and a delicious and quite indescribable
|
||
mouth that tilted ever so slightly at one corner in what is known as
|
||
“the signature of Venus.” It was a wonderfully expressive face, and
|
||
there was a sort of radiant vitality about her that always challenged
|
||
attention. It would have been quite impossible ever to ignore Virginia
|
||
Revel.
|
||
|
||
She drew Bill into the small drawing-room which was all pale and mauve
|
||
and green and yellow, like crocuses surprised in a meadow.
|
||
|
||
“Bill, darling,” said Virginia, “isn’t the Foreign Office missing you?
|
||
I thought they couldn’t get on without you.”
|
||
|
||
“I’ve brought a message for you from Codders.”
|
||
|
||
Thus irreverently did Bill allude to his chief.
|
||
|
||
“And by the way, Virginia, in case he asks, remember that your
|
||
telephone was out of order this morning.”
|
||
|
||
“But it hasn’t been.”
|
||
|
||
“I know that. But I said it was.”
|
||
|
||
“Why? Enlighten me as to this Foreign Office touch.”
|
||
|
||
Bill threw her a reproachful glance.
|
||
|
||
“So that I could get here and see you, of course.”
|
||
|
||
“Oh, darling Bill, how dense of me! And how perfectly sweet of you!”
|
||
|
||
“Chilvers said you were going out.”
|
||
|
||
“So I was—to Sloane Street. There’s a place there where they’ve got a
|
||
perfectly wonderful new hip band.”
|
||
|
||
“A hip band?”
|
||
|
||
“Yes, Bill, H.I.P. hip, B.A.N.D. band. A band to confine the hips. You
|
||
wear it next the skin.”
|
||
|
||
“I blush for you, Virginia. You shouldn’t describe your underwear to a
|
||
young man to whom you are not related. It isn’t delicate.”
|
||
|
||
“But, Bill dear, there’s nothing indelicate about hips. We’ve all got
|
||
hips—although we poor women are trying awfully hard to pretend we
|
||
haven’t. This hip band is made of red rubber and comes just to above
|
||
the knee, and it’s simply impossible to walk in it.”
|
||
|
||
“How awful!” said Bill. “Why do you do it?”
|
||
|
||
“Oh, because it gives one such a noble feeling to suffer for one’s
|
||
silhouette. But don’t let’s talk about my hip band. Give me George’s
|
||
message.”
|
||
|
||
“He wants to know whether you’ll be in at four o’clock this afternoon.”
|
||
|
||
“I shan’t. I shall be at Ranelagh. Why this sort of formal call? Is he
|
||
going to propose to me, do you think?”
|
||
|
||
“I shouldn’t wonder.”
|
||
|
||
“Because, if so, you can tell him that I much prefer men who propose on
|
||
impulse.”
|
||
|
||
“Like me?”
|
||
|
||
“It’s not an impulse with you, Bill. It’s habit.”
|
||
|
||
“Virginia, won’t you ever——”
|
||
|
||
“No, no, no, Bill. I won’t have it in the morning before lunch. Do try
|
||
and think of me as a nice motherly person approaching middle age who
|
||
has your interests thoroughly at heart.”
|
||
|
||
“Virginia, I do love you so.”
|
||
|
||
“I know, Bill, I know. And I simply love being loved. Isn’t it wicked
|
||
and dreadful of me? I should like every nice man in the world to be in
|
||
love with me.”
|
||
|
||
“Most of them are, I expect,” said Bill gloomily.
|
||
|
||
“But I hope George isn’t in love with me. I don’t think he can be. He’s
|
||
so wedded to his career. What else did he say?”
|
||
|
||
“Just that it was very important.”
|
||
|
||
“Bill, I’m getting intrigued. The things that George thinks important
|
||
are so awfully limited. I think I must chuck Ranelagh. After all, I
|
||
can go to Ranelagh any day. Tell George that I shall be awaiting him
|
||
meekly at four o’clock.”
|
||
|
||
Bill looked at his wrist watch.
|
||
|
||
“It seems hardly worth while to go back before lunch. Come out and chew
|
||
something, Virginia.”
|
||
|
||
“I’m going out to lunch somewhere or other.”
|
||
|
||
“That doesn’t matter. Make a day of it, and chuck everything all round.”
|
||
|
||
“It would be rather nice,” said Virginia, smiling at him.
|
||
|
||
“Virginia, you’re a darling. Tell me, you do like me rather, don’t you?
|
||
Better than other people.”
|
||
|
||
“Bill, I adore you. If I had to marry some one—simply had to—I mean
|
||
if it was in a book and a wicked mandarin said to me ‘Marry some one or
|
||
die by slow torture,’ I should choose you at once—I should indeed. I
|
||
should say, ‘Give me little Bill.’”
|
||
|
||
“Well, then——”
|
||
|
||
“Yes, but I haven’t got to marry any one. I love being a wicked widow.”
|
||
|
||
“You could do all the same things still. Go about, and all that. You’d
|
||
hardly notice me about the house.”
|
||
|
||
“Bill, you don’t understand. I’m the kind of person who marries
|
||
enthusiastically if they marry at all.”
|
||
|
||
Bill gave a hollow groan.
|
||
|
||
“I shall shoot myself one of these days, I expect,” he murmured
|
||
gloomily.
|
||
|
||
“No, you won’t, Bill darling. You’ll take a pretty girl out to
|
||
supper—like you did the night before last.”
|
||
|
||
Mr. Eversleigh was momentarily confused.
|
||
|
||
“If you mean Dorothy Kirkpatrick, the girl who’s in _Hooks and Eyes_,
|
||
I—well, dash it all, she’s a thoroughly nice girl, straight as they
|
||
make ’em. There was no harm in it.”
|
||
|
||
“Bill, darling, of course there wasn’t. I love you to enjoy yourself.
|
||
But don’t pretend to be dying of a broken heart, that’s all.”
|
||
|
||
Mr. Eversleigh recovered his dignity.
|
||
|
||
“You don’t understand at all, Virginia,” he said severely. “Men——”
|
||
|
||
“Are polygamous! I know they are. Sometimes I have a shrewd suspicion
|
||
that I am polyandrous. If you really love me, Bill, take me out to
|
||
lunch quickly.”
|
||
|
||
|
||
|
||
|
||
5
|
||
|
||
First Night in London
|
||
|
||
|
||
There is often a flaw in the best-laid plans. George Lomax had made one
|
||
mistake—there was a weak spot in his preparations. The weak spot was
|
||
Bill.
|
||
|
||
Bill Eversleigh was an extremely nice lad. He was a good cricketer and
|
||
a scratch golfer, he had pleasant manners, and an amiable disposition,
|
||
but his position in the Foreign Office had been gained, not by brains,
|
||
but by good connections. For the work he had to do he was quite
|
||
suitable. He was more or less George’s dog. He did no responsible
|
||
or brainy work. His part was to be constantly at George’s elbow, to
|
||
interview unimportant people whom George didn’t want to see, to run
|
||
errands, and generally to make himself useful. All this Bill carried
|
||
out faithfully enough. When George was absent, Bill stretched himself
|
||
out in the biggest chair and read the sporting news, and in so doing he
|
||
was merely carrying out a time-honoured tradition.
|
||
|
||
Being accustomed to send Bill on errands, George had dispatched him to
|
||
the Union Castle offices to find out when the _Granarth Castle_ was due
|
||
in. Now, in common with most well-educated young Englishmen, Bill had
|
||
a pleasant, but quite inaudible voice. Any elocution master would have
|
||
found fault with his pronunciation of the word Granarth. It might have
|
||
been anything. The Clerk took it to be Carnfrae. The _Carnfrae Castle_
|
||
was due in on the following Thursday. He said so. Bill thanked him and
|
||
went out. George Lomax accepted the information and laid his plans
|
||
accordingly. He knew nothing about Union Castle liners, and took it
|
||
for granted that James McGrath would duly arrive on Thursday.
|
||
|
||
Therefore, at the moment he was buttonholing Lord Caterham on the steps
|
||
of the club on Wednesday morning, he would have been greatly surprised
|
||
to learn that the _Granarth Castle_ had docked at Southampton the
|
||
preceding afternoon.
|
||
|
||
At two o’clock that afternoon Anthony Cade, travelling under the name
|
||
of Jimmy McGrath, stepped out of the boat train at Waterloo, hailed a
|
||
taxi, and after a moment’s hesitation ordered the driver to proceed to
|
||
the Blitz Hotel.
|
||
|
||
“One might as well be comfortable,” said Anthony to himself, as he
|
||
looked with some interest out of the taxi windows.
|
||
|
||
It was exactly fourteen years since he had been in London.
|
||
|
||
He arrived at the hotel, booked a room, and then went for a short
|
||
stroll along the Embankment. It was rather pleasant to be back in
|
||
London again. Everything was changed of course. There had been a
|
||
little restaurant there—just past Blackfriars Bridge—where he had
|
||
dined fairly often, in company with other earnest lads. He had been a
|
||
Socialist then, and worn a flowing red tie. Young—very young.
|
||
|
||
He retraced his steps back to the Blitz. Just as he was crossing the
|
||
road, a man jostled against him, nearly making him lose his balance.
|
||
They both recovered themselves, and the man muttered an apology, his
|
||
eyes scanning Anthony’s face narrowly. He was a short, thickset man of
|
||
the working classes, with something foreign in his appearance.
|
||
|
||
Anthony went on into the hotel, wondering, as he did so, what had
|
||
inspired that searching glance. Nothing in it probably. The deep tan of
|
||
his face was somewhat unusual looking amongst these pallid Londoners
|
||
and it had attracted the fellow’s attention. He went up to his room
|
||
and, led by a sudden impulse, crossed to the looking-glass and stood
|
||
studying his face in it. Of the few friends of the old days—just a
|
||
chosen few—was it likely that any of them would recognize him now if
|
||
they were to meet him face to face? He shook his head slowly.
|
||
|
||
When he had left London he had been just eighteen—a fair, slightly
|
||
chubby boy, with a misleading seraphic expression. Small chance that
|
||
the boy would be recognized in the lean, brown-faced man with the
|
||
quizzical expression.
|
||
|
||
The telephone beside the bed rang, and Anthony crossed to the receiver.
|
||
|
||
“Hullo!”
|
||
|
||
The voice of the desk clerk answered him.
|
||
|
||
“Mr. James McGrath?”
|
||
|
||
“Speaking.”
|
||
|
||
“A gentleman has called to see you.”
|
||
|
||
Anthony was rather astonished.
|
||
|
||
“To see _me_?”
|
||
|
||
“Yes, sir, a foreign gentleman.”
|
||
|
||
“What’s his name?”
|
||
|
||
There was a slight pause, and then the clerk said:
|
||
|
||
“I will send up a page boy with his card.”
|
||
|
||
Anthony replaced the receiver and waited. In a few minutes there was
|
||
a knock on the door and a small page appeared bearing a card upon a
|
||
salver.
|
||
|
||
Anthony took it. The following was the name engraved upon it:
|
||
|
||
BARON LOLOPRETJZYL.
|
||
|
||
He now fully appreciated the desk clerk’s pause.
|
||
|
||
For a moment or two he stood studying the card, and then made up his
|
||
mind.
|
||
|
||
“Show the gentleman up.”
|
||
|
||
“Very good, sir.”
|
||
|
||
In a few minutes the Baron _Lolopretjzyl_ was ushered into the room, a
|
||
big man with an immense fan-like black beard and a high, bald forehead.
|
||
|
||
He brought his heels together with a click, and bowed.
|
||
|
||
“Mr. McGrath,” he said.
|
||
|
||
Anthony imitated his movements as nearly as possible.
|
||
|
||
“Baron,” he said. Then, drawing forward a chair. “Pray sit down. I have
|
||
not, I think, had the pleasure of meeting you before?”
|
||
|
||
“That is so,” agreed the Baron, seating himself. “It is my misfortune,”
|
||
he added politely.
|
||
|
||
“And mine also,” responded Anthony, on the same note.
|
||
|
||
“Let us now to business come,” said the Baron. “I represent in London
|
||
the Loyalist party of Herzoslovakia.”
|
||
|
||
“And represent it admirably, I am sure,” murmured Anthony.
|
||
|
||
The Baron bowed in acknowledgment of the compliment.
|
||
|
||
“You are too kind,” he said stiffly. “Mr. McGrath, I will not from
|
||
you conceal anything. The moment has come for the Restoration of the
|
||
Monarchy, in abeyance since the martyrdom of His Most Gracious Majesty
|
||
King Nicolas IV of blessed memory.”
|
||
|
||
“Amen,” murmured Anthony. “I mean Hear, Hear.”
|
||
|
||
“On the throne will be placed His Highness Prince Michael who the
|
||
support of the British Government has.”
|
||
|
||
“Splendid,” said Anthony. “It’s very kind of you to tell me all this.”
|
||
|
||
“Everything arranged is—when you come here to trouble make.”
|
||
|
||
The Baron fixed him with a stern eye.
|
||
|
||
“My dear Baron,” protested Anthony.
|
||
|
||
“Yes, yes, I know what I am talking about. You have with you the
|
||
Memoirs of the late Count Stylptitch.”
|
||
|
||
He fixed Anthony with an accusing eye.
|
||
|
||
“And if I have? What have the Memoirs of Count Stylptitch to do with
|
||
Prince Michael?”
|
||
|
||
“They will cause scandals.”
|
||
|
||
“Most memoirs do that,” said Anthony soothingly.
|
||
|
||
“Of many secrets he the knowledge had. Should he reveal but the
|
||
quarter of them, Europe into war plunged may be.”
|
||
|
||
“Come, come,” said Anthony. “It can’t be as bad as all that.”
|
||
|
||
“An unfavourable opinion of the Obolovitch will abroad be spread. So
|
||
democratic is the English spirit.”
|
||
|
||
“I can quite believe,” said Anthony, “that the Obolovitch may have been
|
||
a trifle high-handed now and again. It runs in the blood. But people in
|
||
England expect that sort of thing from the Balkans. I don’t know why
|
||
they should, but they do.”
|
||
|
||
“You do not understand,” said the Baron. “You do not understand at all.
|
||
And my lips sealed are.” He sighed.
|
||
|
||
“What exactly are you afraid of?” asked Anthony.
|
||
|
||
“Until I have read the Memoirs I do not know,” explained the Baron
|
||
simply. “But there is sure to be something. These great diplomats are
|
||
always indiscreet. The apple cart upset will be, as the saying goes.”
|
||
|
||
“Look here,” said Anthony kindly. “I’m sure you’re taking altogether
|
||
too pessimistic a view of the thing. I know all about publishers—they
|
||
sit on manuscripts and hatch ’em like eggs. It will be at least a year
|
||
before the thing is published.”
|
||
|
||
“Either a very deceitful or a very simple young man you are. All is
|
||
arranged for the Memoirs in a Sunday newspaper to come out immediately.”
|
||
|
||
“Oh!” Anthony was somewhat taken aback. “But you can always deny
|
||
everything,” he said hopefully.
|
||
|
||
The Baron shook his head sadly.
|
||
|
||
“No, no, through the hat you talk. Let us to business come. One
|
||
thousand pounds you are to have, is it not so? You see, I have the good
|
||
information got.”
|
||
|
||
“I certainly congratulate the Intelligence Department of the Loyalists.”
|
||
|
||
“Then I to you offer fifteen hundred.”
|
||
|
||
Anthony stared at him in amazement, then shook his head ruefully.
|
||
|
||
“I’m afraid it can’t be done,” he said, with regret.
|
||
|
||
“Good. I to you offer two thousand.”
|
||
|
||
“You tempt me, Baron, you tempt me. But I still say it can’t be done.”
|
||
|
||
“Your own price name, then.”
|
||
|
||
“I’m afraid you don’t understand the position. I’m perfectly willing to
|
||
believe that you are on the side of the angels, and that these Memoirs
|
||
may damage your cause. Nevertheless, I’ve undertaken the job, and I’ve
|
||
got to carry it through. See? I can’t allow myself to be bought off by
|
||
the other side. That kind of thing isn’t done.”
|
||
|
||
The Baron listened very attentively. At the end of Anthony’s speech he
|
||
nodded his head several times.
|
||
|
||
“I see. Your honour as an English gentleman it is?”
|
||
|
||
“Well, we don’t put it that way ourselves,” said Anthony. “But I dare
|
||
say, allowing for a difference in vocabulary, that we both mean much
|
||
the same thing.”
|
||
|
||
The Baron rose to his feet.
|
||
|
||
“For the English honour I much respect have,” he announced. “We must
|
||
another way try. I wish you good morning.”
|
||
|
||
He drew his heels together, clicked, bowed and marched out of the room,
|
||
holding himself stiffly erect.
|
||
|
||
“Now I wonder what he meant by that,” mused Anthony. “Was it a threat?
|
||
Not that I’m in the least afraid of old Lollipop. Rather a good name
|
||
for him, that, by the way. I shall call him Baron Lollipop.”
|
||
|
||
He took a turn or two up and down the room, undecided on his next
|
||
course of action. The date stipulated upon for delivering the
|
||
manuscript was a little over a week ahead. To-day was the 5th of
|
||
October. Anthony had no intention of handing it over before the last
|
||
moment. Truth to tell, he was by now feverishly anxious to read
|
||
these Memoirs. He had meant to do so on the boat coming over, but
|
||
had been laid low with a touch of fever, and not at all in the mood
|
||
for deciphering crabbed and illegible handwriting, for none of the
|
||
manuscript was typed. He was now more than ever determined to see what
|
||
all the fuss was about.
|
||
|
||
There was the other job too.
|
||
|
||
On an impulse, he picked up the telephone book and looked up the name
|
||
of Revel. There were six Revels in the book: Edward Henry Revel,
|
||
surgeon, of Harley Street; James Revel & Co., saddlers; Lennox Revel
|
||
of Abbotbury Mansions, Hampstead; Miss Mary Revel with an address in
|
||
Ealing; Hon. Mrs. Timothy Revel of 487, Pont Street; and Mrs. Willis
|
||
Revel of 42, Cadogan Square. Eliminating the saddlers and Miss Mary
|
||
Revel, that gave him four names to investigate—and there was no reason
|
||
to suppose that the lady lived in London at all! He shut up the book
|
||
with a short shake of the head.
|
||
|
||
“For the moment I’ll leave it to chance,” he said. “Something usually
|
||
turns up.”
|
||
|
||
The luck of the Anthony Cades of this world is perhaps in some measure
|
||
due to their own belief in it. Anthony found what he was after not half
|
||
an hour later, when he was turning over the pages of an illustrated
|
||
paper. It was a representation of some tableau organized by the Duchess
|
||
of Perth. Below the central figure, a woman in Eastern dress, was the
|
||
inscription:
|
||
|
||
“The Hon. Mrs. Timothy Revel as Cleopatra. Before her marriage, Mrs.
|
||
Revel was the Hon. Virginia Cawthron, a daughter of Lord Edgbaston.”
|
||
|
||
Anthony looked at the picture some time, slowly pursing up his lips, as
|
||
though to whistle. Then he tore out the whole page, folded it up and
|
||
put it in his pocket. He went upstairs again, unlocked his suit-case
|
||
and took out the packet of letters. He took out the folded page from
|
||
his pocket and slipped it under the string that held them together.
|
||
|
||
Then, at a sudden sound behind him, he wheeled round sharply. A
|
||
man was standing in the doorway, the kind of man whom Anthony had
|
||
fondly imagined existed only in the chorus of a Comic Opera. A
|
||
sinister-looking figure, with a squat brutal head and lips drawn back
|
||
in an evil grin.
|
||
|
||
“What the devil are you doing here?” asked Anthony. “And who let you
|
||
come up?”
|
||
|
||
“I pass where I please,” said the stranger. His voice was guttural and
|
||
foreign, though his English was idiomatic enough.
|
||
|
||
“Another Dago,” thought Anthony.
|
||
|
||
“Well, get out, do you hear?” he went on aloud.
|
||
|
||
The man’s eyes were fixed on the packet of letters which Anthony had
|
||
caught up.
|
||
|
||
“I will get out when you have given me what I have come for.”
|
||
|
||
“And what’s that, may I ask?”
|
||
|
||
The man took a step nearer.
|
||
|
||
“The Memoirs of Count Stylptitch,” he hissed.
|
||
|
||
“It’s impossible to take you seriously,” said Anthony. “You’re so
|
||
completely the stage villain. I like your get up very much. Who sent
|
||
you here? Baron Lollipop?”
|
||
|
||
“Baron——?” The man jerked out a string of harsh-sounding consonants.
|
||
|
||
“So that’s how you pronounce it, is it? A cross between gargling and
|
||
barking like a dog. I don’t think I could say it myself—my throat’s
|
||
not made that way. I shall have to go on calling him Lollipop. So he
|
||
sent you, did he?”
|
||
|
||
But he received a vehement negative. His visitor went so far as to spit
|
||
upon the suggestion in a very realistic manner. Then he drew from his
|
||
pocket a sheet of paper which he threw upon the table.
|
||
|
||
“Look,” he said. “Look and tremble, accursed Englishman.”
|
||
|
||
Anthony looked with some interest, not troubling to fulfil the latter
|
||
part of the command. On the paper was traced the crude design of a
|
||
human hand in red.
|
||
|
||
“It looks like a hand,” he remarked. “But, if you say so, I’m quite
|
||
prepared to admit that it’s a cubist picture of Sunset at the North
|
||
Pole.”
|
||
|
||
“It is the sign of the Comrades of the Red Hand. I am a Comrade of the
|
||
Red Hand.”
|
||
|
||
“You don’t say so,” said Anthony, looking at him with much interest.
|
||
“Are the others all like you? I don’t know what the Eugenic Society
|
||
would have to say about it.”
|
||
|
||
The man snarled angrily.
|
||
|
||
“Dog,” he said. “Worse than dog. Paid slave of an effete monarchy. Give
|
||
me the Memoirs, and you shall go unscathed. Such is the clemency of the
|
||
Brotherhood.”
|
||
|
||
“It’s very kind of them, I’m sure,” said Anthony, “but I’m afraid
|
||
that both they and you are labouring under a misapprehension. My
|
||
instructions are to deliver the manuscript—not to your amiable
|
||
Society, but to a certain firm of publishers.”
|
||
|
||
“Pah!” laughed the other. “Do you think you will ever be permitted to
|
||
reach that office alive? Enough of this fool’s talk. Hand over the
|
||
papers, or I shoot.”
|
||
|
||
He drew a revolver from his pocket and brandished it in the air.
|
||
|
||
But there he misjudged his Anthony Cade. He was not used to men who
|
||
could act as quickly—or quicker than they could think. Anthony did not
|
||
wait to be covered by the revolver. Almost as soon as the other got it
|
||
out of his pocket, Anthony had sprung forward and knocked it out of his
|
||
hand. The force of the blow sent the man swinging round, so that he
|
||
presented his back to his assailant.
|
||
|
||
The chance was too good to be missed. With one mighty, well-directed
|
||
kick, Anthony sent the man flying through the doorway into the
|
||
corridor, where he collapsed in a heap.
|
||
|
||
Anthony stepped out after him, but the doughty Comrade of the Red Hand
|
||
had had enough. He got nimbly to his feet and fled down the passage.
|
||
Anthony did not pursue him, but went back into his own room.
|
||
|
||
“So much for the Comrades of the Red Hand,” he remarked. “Picturesque
|
||
appearance, but easily routed by direct action. How the hell did that
|
||
fellow get in, I wonder? There’s one thing that stands out pretty
|
||
clearly—this isn’t going to be quite such a soft job as I thought.
|
||
I’ve already fallen foul of both the Loyalist and the Revolutionary
|
||
parties. Soon, I suppose, the Nationalists and the Independent Liberals
|
||
will be sending up a delegation. One thing’s fixed. I start on that
|
||
manuscript to-night.”
|
||
|
||
Looking at his watch, Anthony discovered that it was nearly nine
|
||
o’clock, and he decided to dine where he was. He did not anticipate
|
||
any more surprise visits, but he felt that it was up to him to be on
|
||
his guard. He had no intention of allowing his suit-case to be rifled
|
||
whilst he was downstairs in the Grill Room. He rang the bell and asked
|
||
for the Menu, selected a couple of dishes and ordered a bottle of
|
||
Bordeaux. The waiter took the order and withdrew.
|
||
|
||
Whilst he was waiting for the meal to arrive, he got out the package of
|
||
manuscript and put it on the table with the letters.
|
||
|
||
There was a knock at the door, and the waiter entered with a small
|
||
table and the accessories of the meal. Anthony had strolled over to the
|
||
mantelpiece. Standing there with his back to the room, he was directly
|
||
facing the mirror, and idly glancing in it he noticed a curious thing.
|
||
|
||
The waiter’s eyes were glued on the parcel of manuscript. Shooting
|
||
little glances sideways at Anthony’s immovable back, he moved softly
|
||
round the table. His hands were twitching, and he kept passing his
|
||
tongue over his dry lips. Anthony observed him more closely. He was a
|
||
tall man, supple like all waiters, with a clean-shaven, mobile face. An
|
||
Italian, Anthony thought, not a Frenchman.
|
||
|
||
At the critical moment Anthony wheeled round abruptly. The waiter
|
||
started slightly, but pretended to be doing something with the salt
|
||
cellar.
|
||
|
||
“What’s your name?” asked Anthony abruptly.
|
||
|
||
“Giuseppe, Monsieur.”
|
||
|
||
“Italian, eh?”
|
||
|
||
“Yes, Monsieur.”
|
||
|
||
Anthony spoke to him in that language, and the man answered fluently
|
||
enough. Finally Anthony dismissed him with a nod, but all the while
|
||
he was eating the excellent meal which Giuseppe served to him, he was
|
||
thinking rapidly.
|
||
|
||
Had he been mistaken? Was Giuseppe’s interest in the parcel just
|
||
ordinary curiosity? It might be so, but remembering the feverish
|
||
intensity of the man’s excitement, Anthony decided against that theory.
|
||
All the same, he was puzzled.
|
||
|
||
“Dash it all,” said Anthony to himself, “every one can’t be after the
|
||
blasted manuscript. Perhaps I’m fancying things.”
|
||
|
||
Dinner concluded and cleared away, he applied himself to the perusal of
|
||
the Memoirs. Owing to the illegibility of the late Count’s handwriting,
|
||
the business was a slow one. Anthony’s yawns succeeded one another with
|
||
suspicious rapidity. At the end of the fourth chapter, he gave it up.
|
||
|
||
So far, he had found the Memoirs insufferably dull, with no hint of
|
||
scandal of any kind.
|
||
|
||
He gathered up the letters and the wrapping of the manuscript which
|
||
were lying in a heap together on the table and locked them up in the
|
||
suit-case. Then he locked the door, and as an additional precaution put
|
||
a chair against it. On the chair he placed the water-bottle from the
|
||
bathroom.
|
||
|
||
Surveying these preparations with some pride, he undressed and got into
|
||
bed. He had one more shot at the Count’s Memoirs, but felt his eyelids
|
||
drooping, and stuffing the manuscript under his pillow, he switched out
|
||
the light and fell asleep almost immediately.
|
||
|
||
It must have been some four hours later that he awoke with a start.
|
||
What had awakened him he did not know—perhaps a sound, perhaps only
|
||
the consciousness of danger which in men who have led an adventurous
|
||
life is very fully developed.
|
||
|
||
For a moment he lay quite still, trying to focus his impressions. He
|
||
could hear a very stealthy rustle, and then he became aware of a denser
|
||
blackness somewhere between him and the window—on the floor by the
|
||
suit-case.
|
||
|
||
With a sudden spring, Anthony jumped out of bed, switching the light on
|
||
as he did so. A figure sprang up from where it had been kneeling by the
|
||
suit-case.
|
||
|
||
It was the waiter, Giuseppe. In his right hand gleamed a long thin
|
||
knife. He hurled himself straight upon Anthony, who was by now fully
|
||
conscious of his own danger. He was unarmed and Giuseppe was evidently
|
||
thoroughly at home with his own weapon.
|
||
|
||
Anthony sprang to one side, and Giuseppe missed him with the knife.
|
||
The next minute the two men were rolling on the floor together, locked
|
||
in a close embrace. The whole of Anthony’s faculties were centred on
|
||
keeping a close grip of Giuseppe’s right arm so that he would be unable
|
||
to use the knife. He bent it slowly back. At the same time he felt the
|
||
Italian’s other hand clutching at his windpipe, stifling him, choking.
|
||
And still, desperately, he bent the right arm back.
|
||
|
||
There was a sharp tinkle as the knife fell on the floor. At the same
|
||
time, the Italian extricated himself with a swift twist from Anthony’s
|
||
grasp. Anthony sprang up too, but made the mistake of moving towards
|
||
the door to cut off the other’s retreat. He saw, too late, that the
|
||
chair and the water-bottle were just as he had arranged them.
|
||
|
||
Giuseppe had entered by the window, and it was the window he made for
|
||
now. In the instant’s respite given him by Anthony’s move toward the
|
||
door, he had sprung out on the balcony, leaped over to the adjoining
|
||
balcony and had disappeared through the adjoining window.
|
||
|
||
Anthony knew well enough that it was of no use to pursue him. His
|
||
way of retreat was doubtless fully assured. Anthony would merely get
|
||
himself into trouble.
|
||
|
||
He walked over to the bed, thrusting his hand beneath the pillow and
|
||
drawing out the Memoirs. Lucky that they had been there and not in the
|
||
suit-case. He crossed over to the suit-case and looked inside, meaning
|
||
to take out the letters.
|
||
|
||
Then he swore softly under his breath.
|
||
|
||
_The letters were gone._
|
||
|
||
|
||
|
||
|
||
6
|
||
|
||
The Gentle Art of Blackmail
|
||
|
||
|
||
It was exactly five minutes to four when Virginia Revel, rendered
|
||
punctual by a healthy curiosity, returned to the house in Pont Street.
|
||
She opened the door with her latchkey, and stepped into the hall to be
|
||
immediately confronted by the impassive Chilvers.
|
||
|
||
“I beg pardon, ma’am, but a—a person has called to see you——”
|
||
|
||
For the moment, Virginia did not pay attention to the subtle
|
||
phraseology whereby Chilvers cloaked his meaning.
|
||
|
||
“Mr. Lomax? Where is he? In the drawing-room?”
|
||
|
||
“Oh, no, ma’am, not Mr. Lomax.” Chilvers’ tone was faintly reproachful.
|
||
“A person—I was reluctant to let him in, but he said his business
|
||
was most important—connected with the late Captain, I understood
|
||
him to say. Thinking therefore that you might wish to see him, I put
|
||
him—er—in the study.”
|
||
|
||
Virginia stood thinking for a minute. She had been a widow now for some
|
||
years, and the fact that she rarely spoke of her husband was taken by
|
||
some to indicate that below her careless demeanour was a still aching
|
||
wound. By others it was taken to mean the exact opposite, that Virginia
|
||
had never really cared for Tim Revel, and that she found it insincere
|
||
to profess a grief she did not feel.
|
||
|
||
“I should have mentioned, ma’am,” continued Chilvers, “that the man
|
||
appears to be some kind of foreigner.”
|
||
|
||
Virginia’s interest heightened a little. Her husband had been in the
|
||
Diplomatic Service, and they had been together in Herzoslovakia just
|
||
before the sensational murder of the King and Queen. This man might
|
||
probably be a Herzoslovakian, some old servant who had fallen on evil
|
||
days.
|
||
|
||
“You did quite right, Chilvers,” she said with a quick, approving nod.
|
||
“Where did you say you had put him? In the study?”
|
||
|
||
She crossed the hall with her light buoyant step, and opened the door
|
||
of the small room that flanked the dining-room.
|
||
|
||
The visitor was sitting in a chair by the fireplace. He rose on her
|
||
entrance and stood looking at her. Virginia had an excellent memory for
|
||
faces, and she was at once quite sure that she had never seen the man
|
||
before. He was tall and dark, supple in figure, and quite unmistakably
|
||
a foreigner; but she did not think he was of Slavonic origin. She put
|
||
him down as Italian or possibly Spanish.
|
||
|
||
“You wished to see me?” she asked. “I am Mrs. Revel.”
|
||
|
||
The man did not answer for a minute or two. He was looking her slowly
|
||
over, as though appraising her narrowly. There was a veiled insolence
|
||
in his manner which she was quick to feel.
|
||
|
||
“Will you please state your business?” she said, with a touch of
|
||
impatience.
|
||
|
||
“You are Mrs. Revel? Mrs. Timothy Revel?”
|
||
|
||
“Yes. I told you so just now.”
|
||
|
||
“Quite so. It is a good thing that you consented to see me, Mrs. Revel.
|
||
Otherwise, as I told your butler, I should have been compelled to do
|
||
business with your husband.”
|
||
|
||
Virginia looked at him in astonishment, but some impulse quelled the
|
||
retort that sprang to her lips. She contented herself by remarking
|
||
dryly:
|
||
|
||
“You might have found some difficulty in doing that.”
|
||
|
||
“I think not. I am very persistent. But I will come to the point.
|
||
Perhaps you recognize this?”
|
||
|
||
He flourished something in his hand. Virginia looked at it without much
|
||
interest.
|
||
|
||
“Can you tell me what it is, madame?”
|
||
|
||
“It appears to be a letter,” replied Virginia, who was by now convinced
|
||
that she had to do with a man who was mentally unhinged.
|
||
|
||
“And perhaps you note to whom it is addressed,” said the man
|
||
significantly, holding it out to her.
|
||
|
||
“I can read,” Virginia informed him pleasantly. “It is addressed to a
|
||
Captain O’Neill at Rue de Quenelles No. 15, Paris.”
|
||
|
||
The man seemed searching her face hungrily for something he did not
|
||
find.
|
||
|
||
“Will you read it, please?”
|
||
|
||
Virginia took the envelope from him, drew out the enclosure and glanced
|
||
at it; but almost immediately she stiffened and held it out to him
|
||
again.
|
||
|
||
“This is a private letter—certainly not meant for my eyes.”
|
||
|
||
The man laughed sardonically.
|
||
|
||
“I congratulate you, Mrs. Revel, on your admirable acting. You play
|
||
your part to perfection. Nevertheless, I think that you will hardly be
|
||
able to deny the signature!”
|
||
|
||
“The signature?”
|
||
|
||
Virginia turned the letter over—and was struck dumb with astonishment.
|
||
The signature, written in a delicate slanting hand, was Virginia Revel.
|
||
Checking the exclamation of astonishment that rose to her lips, she
|
||
turned again to the beginning of the letter and deliberately read the
|
||
whole thing through. Then she stood a minute lost in thought. The
|
||
nature of the letter made it clear enough what was in prospect.
|
||
|
||
“Well, madame?” said the man. “That is your name, is it not?”
|
||
|
||
“Oh, yes,” said Virginia. “It’s my name.” “But not my handwriting,” she
|
||
might have added.
|
||
|
||
Instead she turned a dazzling smile upon her visitor.
|
||
|
||
“Supposing,” she said sweetly, “we sit down and talk it over?”
|
||
|
||
He was puzzled. Not so had he expected her to behave. His instinct
|
||
told him that she was not afraid of him.
|
||
|
||
“First of all, I should like to know how you found me out?”
|
||
|
||
“That was easy.”
|
||
|
||
He took from his pocket a page torn from an illustrated paper, and
|
||
handed it to her. Anthony Cade would have recognized it.
|
||
|
||
She gave it back to him with a thoughtful little frown.
|
||
|
||
“I see,” she said. “It was very easy.”
|
||
|
||
“Of course you understand, Mrs. Revel, that that is not the only
|
||
letter. There are others.”
|
||
|
||
“Dear me,” said Virginia, “I seem to have been frightfully indiscreet.”
|
||
|
||
Again she could see that her light tone puzzled him. She was by now
|
||
thoroughly enjoying herself.
|
||
|
||
“At any rate,” she said, smiling sweetly at him, “it’s very kind of you
|
||
to call and give them back to me.”
|
||
|
||
There was a pause as he cleared his throat.
|
||
|
||
“I am a poor man, Mrs. Revel,” he said at last, with a good deal of
|
||
significance in his manner.
|
||
|
||
“As such you will doubtless find it easier to enter the Kingdom of
|
||
Heaven, or so I have always heard.”
|
||
|
||
“I cannot afford to let you have these letters for nothing.”
|
||
|
||
“I think you are under a misapprehension. Those letters are the
|
||
property of the person who wrote them.”
|
||
|
||
“That may be the law, madame, but in this country you have a saying
|
||
‘Possession is nine points of the law.’ And, in any case, are you
|
||
prepared to invoke the aid of the law?”
|
||
|
||
“The law is a severe one for blackmailers,” Virginia reminded him.
|
||
|
||
“Come, Mrs. Revel, I am not quite a fool. I have read these
|
||
letters—the letters of a woman to her lover, one and all breathing
|
||
dread of discovery by her husband. Do you want me to take them to your
|
||
husband?”
|
||
|
||
“You have overlooked one possibility. Those letters were written some
|
||
years ago. Supposing that since then—I have become a widow.”
|
||
|
||
He shook his head with confidence.
|
||
|
||
“In that case—if you had nothing to fear—you would not be sitting
|
||
here making terms with me.”
|
||
|
||
Virginia smiled.
|
||
|
||
“What is your price?” she asked in a business-like manner.
|
||
|
||
“For one thousand pounds I will hand the whole packet over to you. It
|
||
is very little that I am asking there; but, you see, I do not like the
|
||
business.”
|
||
|
||
“I shouldn’t dream of paying you a thousand pounds,” said Virginia with
|
||
decision.
|
||
|
||
“Madame, I never bargain. A thousand pounds, and I will place the
|
||
letters in your hands.”
|
||
|
||
Virginia reflected.
|
||
|
||
“You must give me a little time to think it over. It will not be easy
|
||
for me to get such a sum together.”
|
||
|
||
“A few pounds on account perhaps—say fifty—and I will call again.”
|
||
|
||
Virginia looked up at the clock. It was five minutes past four, and she
|
||
fancied that she had heard the bell.
|
||
|
||
“Very well,” she said hurriedly. “Come back to-morrow, but later than
|
||
this. About six.”
|
||
|
||
She crossed over to a desk that stood against the wall, unlocked one of
|
||
the drawers, and took out an untidy handful of notes.
|
||
|
||
“There is about forty pounds here. That will have to do for you.”
|
||
|
||
He snatched at it eagerly.
|
||
|
||
“And now go at once, please,” said Virginia.
|
||
|
||
He left the room obediently enough. Through the open door, Virginia
|
||
caught a glimpse of George Lomax in the hall, just being ushered
|
||
upstairs by Chilvers. As the front door closed, Virginia called to him.
|
||
|
||
“Come in here, George. Chilvers, bring us tea in here, will you please?”
|
||
|
||
She flung open both windows, and George Lomax came into the room to
|
||
find her standing erect with dancing eyes and wind-blown hair.
|
||
|
||
“I’ll shut them in a minute, George, but I felt the room ought to be
|
||
aired. Did you fall over the blackmailer in the hall?”
|
||
|
||
“The what?”
|
||
|
||
“Blackmailer, George. B.L.A.C.K.M.A.I.L.E.R? Blackmailer. One who
|
||
blackmails.”
|
||
|
||
“My dear Virginia, you can’t be serious!”
|
||
|
||
“Oh, but I am, George.”
|
||
|
||
“But who did he come here to blackmail?”
|
||
|
||
“Me, George.”
|
||
|
||
“But, my dear Virginia, what have you been doing?”
|
||
|
||
“Well, just for once, as it happens, I hadn’t been doing anything. The
|
||
good gentleman mistook me for someone else.”
|
||
|
||
“You rang up the police, I suppose?”
|
||
|
||
“No, I didn’t. I suppose you think I ought to have done so.”
|
||
|
||
“Well——” George considered weightily. “No, no, perhaps not—perhaps
|
||
you acted wisely. You might be mixed up in some unpleasant publicity in
|
||
connection with the case. You might even have had to give evidence——”
|
||
|
||
“I should have liked that,” said Virginia. “I would love to be
|
||
summoned, and I should like to see if judges really do make all the
|
||
rotten jokes you read about. It would be most exciting. I was at Vine
|
||
Street the other day to see about a diamond brooch I had lost, and
|
||
there was the most perfectly lovely inspector—the nicest man I ever
|
||
met.”
|
||
|
||
George, as was his custom, let all irrelevancies pass.
|
||
|
||
“But what did you do about this scoundrel?”
|
||
|
||
“Well, George, I’m afraid I let him do it.”
|
||
|
||
“Do what?”
|
||
|
||
“Blackmail me.”
|
||
|
||
George’s face of horror was so poignant that Virginia had to bite her
|
||
under lip.
|
||
|
||
“You mean—do I understand you to mean—that you did not correct the
|
||
misapprehension under which he was labouring?”
|
||
|
||
Virginia shook her head, shooting a sideways glance at him.
|
||
|
||
“Good heavens, Virginia, you must be mad.”
|
||
|
||
“I suppose it would seem that way to you.”
|
||
|
||
“But why? In God’s name, why?”
|
||
|
||
“Several reasons. To begin with he was doing it so
|
||
beautifully—blackmailing me, I mean—I hate to interrupt an artist
|
||
when he’s doing his job really well. And then, you see, I’d never been
|
||
blackmailed——”
|
||
|
||
“I should hope not, indeed.”
|
||
|
||
“And I wanted to see what it felt like.”
|
||
|
||
“I am quite at a loss to comprehend you, Virginia.”
|
||
|
||
“I knew you wouldn’t understand.”
|
||
|
||
“You did not give him money, I hope?”
|
||
|
||
“Just a trifle,” said Virginia apologetically.
|
||
|
||
“How much?”
|
||
|
||
“Forty pounds.”
|
||
|
||
“Virginia!”
|
||
|
||
“My dear George, it’s only what I pay for an evening dress. It’s just
|
||
as exciting to buy a new experience as it is to buy a new dress—more
|
||
so, in fact.”
|
||
|
||
George Lomax merely shook his head, and Chilvers appearing at that
|
||
moment with the tea urn, he was saved from having to express his
|
||
outraged feelings. When tea had been brought in, and Virginia’s deft
|
||
fingers were manipulating the heavy silver teapot, she spoke again on
|
||
the subject.
|
||
|
||
“I had another motive too, George—a brighter and better one. We women
|
||
are usually supposed to be cats, but at any rate I’d done another woman
|
||
a good turn this afternoon. This man isn’t likely to go off looking
|
||
for another Virginia Revel. He thinks he’s found his bird all right.
|
||
Poor little devil, she was in a blue funk when she wrote that letter.
|
||
Mr. Blackmailer would have had the easiest job of his life there.
|
||
Now, though he doesn’t know it, he’s up against a tough proposition.
|
||
Starting with the great advantage of having led a blameless life, I
|
||
shall toy with him to his undoing—as they say in books. Guile, George,
|
||
lots of guile.”
|
||
|
||
George still shook his head.
|
||
|
||
“I don’t like it,” he persisted. “I don’t like it.”
|
||
|
||
“Well, never mind, George dear. You didn’t come here to talk about
|
||
blackmailers. What did you come here for, by the way? Correct answer:
|
||
‘To see _you_!’ Accent on the you, and press her hand with significance
|
||
unless you happen to have been eating heavily buttered muffin, in which
|
||
case it must all be done with the eyes.”
|
||
|
||
“I did come to see you,” replied George seriously. “And I am glad to
|
||
find you alone.”
|
||
|
||
“Oh, George, this is so sudden,” says she, swallowing a currant.
|
||
|
||
“I wanted to ask a favour of you. I have always considered you,
|
||
Virginia, as a woman of considerable charm.”
|
||
|
||
“Oh, George!”
|
||
|
||
“And also a woman of intelligence!”
|
||
|
||
“Not really? How well the man knows me.”
|
||
|
||
“My dear Virginia, there is a young fellow arriving in England
|
||
to-morrow whom I should like you to meet.”
|
||
|
||
“All right, George, but it’s your party—let that be clearly
|
||
understood.”
|
||
|
||
“You could, I feel sure, if you chose, exercise your considerable
|
||
charm.”
|
||
|
||
Virginia cocked her head a little on one side.
|
||
|
||
“George, dear, I don’t ‘charm’ as a profession, you know. Often I like
|
||
people—and then, well, they like me. But I don’t think I could set
|
||
out in cold blood to fascinate a helpless stranger. That sort of thing
|
||
isn’t done, George, it really isn’t. There are professional sirens who
|
||
would do it much better than I should.”
|
||
|
||
“That is out of the question, Virginia. This young man, he is a
|
||
Canadian, by the way, of the name of McGrath——”
|
||
|
||
“A Canadian of Scotch descent,” says she, deducing brilliantly.
|
||
|
||
“Is probably quite unused to the higher walks of English society. I
|
||
should like him to appreciate the charm and distinction of a real
|
||
English gentlewoman.”
|
||
|
||
“Meaning me?”
|
||
|
||
“Exactly.”
|
||
|
||
“Why?”
|
||
|
||
“I beg your pardon?”
|
||
|
||
“I said why? You don’t boom the real English gentlewoman with every
|
||
stray Canadian who sets foot upon our shores. What is the deep idea,
|
||
George? To put it vulgarly, what do _you_ get out of it?”
|
||
|
||
“I cannot see that that concerns you, Virginia.”
|
||
|
||
“I couldn’t possibly go out for an evening and fascinate, unless I knew
|
||
all the whys and wherefors.”
|
||
|
||
“You have a most extraordinary way of putting things, Virginia. Anyone
|
||
would think——”
|
||
|
||
“Wouldn’t they? Come on, George, part with a little more information.”
|
||
|
||
“My dear Virginia, matters are likely to be a little strained shortly
|
||
in a certain Central European nation. It is important, for reasons
|
||
which are immaterial, that this—Mr.—er McGrath should be brought
|
||
to realize that the restoring of the Monarchy in Herzoslovakia is
|
||
imperative to the peace of Europe.”
|
||
|
||
“The part about the peace of Europe is all bosh,” said Virginia calmly,
|
||
“but I’m all for Monarchies every time, especially for a picturesque
|
||
people like the Herzoslovakians. So you’re running a King in the
|
||
Herzoslovakian States, are you? Who is he?”
|
||
|
||
George was reluctant to answer, but did not see his way to avoid the
|
||
question. The interview was not going at all as he had planned. He
|
||
had foreseen Virginia as a willing, docile tool, receiving his hints
|
||
gratefully, and asking no awkward questions. This was far from being
|
||
the case. She seemed determined to know all about it and this George,
|
||
ever doubtful of female discretion, was determined at all costs to
|
||
avoid. He had made a mistake. Virginia was not the woman for the
|
||
part. She might, indeed, cause serious trouble. Her account of her
|
||
interview with the blackmailer had caused him grave apprehension. A
|
||
most undependable creature, with no idea of treating serious matters
|
||
seriously.
|
||
|
||
“Prince Michael Obolovitch,” he replied, as Virginia was obviously
|
||
waiting for an answer to her question. “But please let that go no
|
||
further.”
|
||
|
||
“Don’t be absurd, George. There are all sort of hints in the papers
|
||
already, and articles cracking up the Obolovitch dynasty and talking
|
||
about the murdered Nicholas IV as though he were a cross between
|
||
a Saint and a hero instead of a stupid little man besotted by a
|
||
third-rate actress.”
|
||
|
||
George winced. He was more than ever convinced that he had made a
|
||
mistake in enlisting Virginia’s aid. He must stave her off quickly.
|
||
|
||
“You are right, my dear Virginia,” he said hastily, as he rose to his
|
||
feet to bid her farewell. “I should not have made the suggestion I did
|
||
to you. But we are anxious for the Dominions to see eye to eye with us
|
||
on this Herzoslovakian crisis, and McGrath has, I believe, influence in
|
||
journalistic circles. As an ardent Monarchist, and with your knowledge
|
||
of the country, I thought it a good plan for you to meet him.”
|
||
|
||
“So that’s the explanation, is it?”
|
||
|
||
“Yes, but I dare say you wouldn’t have cared for him.”
|
||
|
||
Virginia looked at him for a second and then she laughed.
|
||
|
||
“George,” she said, “you’re a rotten liar.”
|
||
|
||
“Virginia!”
|
||
|
||
“Rotten, absolutely rotten! If I had had your training, I could
|
||
have managed a better one than that—one that had a chance of being
|
||
believed. But I shall find out all about it, my poor George. Rest
|
||
assured of that. The Mystery of Mr. McGrath. I shouldn’t wonder if I
|
||
got a hint or two at Chimneys this week-end.”
|
||
|
||
“At Chimneys? You are going to Chimneys?”
|
||
|
||
George could not conceal his perturbation. He had hoped to reach Lord
|
||
Caterham in time for the invitation to remain unissued.
|
||
|
||
“Bundle rang up and asked me this morning.”
|
||
|
||
George made a last effort.
|
||
|
||
“Rather a dull party, I believe,” he said. “Hardly in your line,
|
||
Virginia.”
|
||
|
||
“My poor George, why didn’t you tell me the truth and trust me? It’s
|
||
still not too late.”
|
||
|
||
George took her hand and dropped it again limply.
|
||
|
||
“I have told you the truth,” he said coldly, and he said it without a
|
||
blush.
|
||
|
||
“That’s a better one,” said Virginia approvingly. “But it’s still
|
||
not good enough. Cheer up, George, I shall be at Chimneys all right,
|
||
exerting my considerable charm—as you put it. Life has become suddenly
|
||
very much more amusing. First a blackmailer, and then George in
|
||
diplomatic difficulties. Will he tell all to the beautiful woman who
|
||
asks for his confidence so pathetically? No, he will reveal nothing
|
||
until the last chapter. Good-bye, George. One last fond look before you
|
||
go? No? Oh, George, dear, don’t be sulky about it!”
|
||
|
||
Virginia ran to the telephone as soon as George had departed with a
|
||
heavy gait through the front door.
|
||
|
||
She obtained the number she required and asked to speak to Lady Eileen
|
||
Brent.
|
||
|
||
“Is that you, Bundle? I’m coming to Chimneys all right to-morrow. What?
|
||
Bore me? No, it won’t. Bundle, wild horses wouldn’t keep me away! So
|
||
there!”
|
||
|
||
|
||
|
||
|
||
7
|
||
|
||
Mr. McGrath Refuses an Invitation
|
||
|
||
|
||
The letters were gone!
|
||
|
||
Having once made up his mind to the fact of their disappearance, there
|
||
was nothing to do but accept it. Anthony realized very well that he
|
||
could not pursue Giuseppe through the corridors of the Blitz Hotel. To
|
||
do so was to court undesired publicity, and in all probability to fail
|
||
in his object all the same.
|
||
|
||
He came to the conclusion that Giuseppe had mistaken the packet of
|
||
letters, enclosed as they were in the other wrappings, for the Memoirs
|
||
themselves. It was likely therefore that when he discovered his mistake
|
||
he would make another attempt to get hold of the Memoirs. For this
|
||
attempt Anthony intended to be fully prepared.
|
||
|
||
Another plan that occurred to him was to advertize discreetly for the
|
||
return of the package of letters. Supposing Giuseppe to be an emissary
|
||
of the Comrades of the Red Hand, or, which seemed to Anthony more
|
||
probable, to be employed by the Loyalist party, the letters could have
|
||
no possible interest for either employer and he would probably jump at
|
||
the chance of obtaining a small sum of money for their return.
|
||
|
||
Having thought out all this, Anthony returned to bed and slept
|
||
peacefully until morning. He did not fancy that Giuseppe would be
|
||
anxious for a second encounter that night.
|
||
|
||
Anthony got up with his plan of campaign fully thought out. He had
|
||
a good breakfast, glanced at the papers which were full of the new
|
||
discoveries of oil in Herzoslovakia, and then demanded an interview
|
||
with the manager, and, being Anthony Cade, with a gift for getting his
|
||
own way by means of quiet determination, he obtained what he asked for.
|
||
|
||
The manager, a Frenchman with an exquisitely suave manner, received him
|
||
in his private office.
|
||
|
||
“You wished to see me, I understand, Mr.—er—McGrath?”
|
||
|
||
“I did. I arrived at your hotel yesterday afternoon, and I had dinner
|
||
served to me in my own rooms by a waiter whose name was Giuseppe.”
|
||
|
||
He paused.
|
||
|
||
“I dare say we have a waiter of that name,” agreed the manager
|
||
indifferently.
|
||
|
||
“I was struck by something unusual in the waiter’s manner, but thought
|
||
nothing more of it at the time. Later, in the night, I was awakened by
|
||
the sound of some one moving softly about the room. I switched on the
|
||
light, and found this same Giuseppe in the act of rifling my leather
|
||
suit-case.”
|
||
|
||
The manager’s indifference had completely disappeared now.
|
||
|
||
“But I have heard nothing of this,” he exclaimed. “Why was I not
|
||
informed sooner?”
|
||
|
||
“The man and I had a brief struggle—he was armed with a knife by the
|
||
way. In the end he succeeded in making off by way of the window.”
|
||
|
||
“What did you do then, Mr. McGrath?”
|
||
|
||
“I examined the contents of my suit-case.”
|
||
|
||
“Had anything been taken?”
|
||
|
||
“Nothing of—importance,” said Anthony slowly.
|
||
|
||
The manager leaned back with a sigh.
|
||
|
||
“I am glad of that,” he remarked. “But you will allow me to say, Mr.
|
||
McGrath, that I do not quite understand your attitude in the matter.
|
||
You made no attempt to arouse the hotel? To pursue the thief?”
|
||
|
||
Anthony shrugged his shoulders.
|
||
|
||
“Nothing of value had been taken, as I tell you. I am aware, of
|
||
course, that strictly speaking it is a case for the police——”
|
||
|
||
He paused, and the manager murmured without any particular enthusiasm:
|
||
|
||
“For the police—of course——”
|
||
|
||
“In any case, I was fairly certain that the man would manage to make
|
||
good his escape, and since nothing was taken why bother with the
|
||
police?”
|
||
|
||
The manager smiled a little.
|
||
|
||
“I see that you realize, Mr. McGrath, that I am not at all anxious
|
||
to have the police called in. From my point of view it is always
|
||
disastrous. If the newspapers can get hold of anything connected with
|
||
a big fashionable hotel such as this, they always run it for all it is
|
||
worth, no matter how insignificant the real subject matter may be.”
|
||
|
||
“Quite so,” agreed Anthony. “Now I told you that nothing of value had
|
||
been taken, and that was perfectly true in a sense. Nothing of any
|
||
value to the thief was taken, but he got hold of something which is of
|
||
considerable value to me.”
|
||
|
||
“Ah?”
|
||
|
||
“Letters, you understand.”
|
||
|
||
An expression of superhuman discretion, only to be achieved by a
|
||
Frenchman, settled down upon the manager’s face.
|
||
|
||
“I comprehend,” he murmured. “But perfectly. Naturally, it is not a
|
||
matter for the police.”
|
||
|
||
“We are quite agreed upon that point. But you will understand that
|
||
I have every intention of recovering these letters. In the part of
|
||
the world where I come from, people are used to doing things for
|
||
themselves. What I require from you therefore is the fullest possible
|
||
information you can give me about this waiter, Giuseppe.”
|
||
|
||
“I see no objection to that,” said the manager after a moment or two’s
|
||
pause. “I cannot give you the information offhand, of course, but if
|
||
you will return in half an hour’s time I will have everything ready to
|
||
lay before you.”
|
||
|
||
“Thank you very much. That will suit me admirably.”
|
||
|
||
In half an hour’s time, Anthony returned to the office again to find
|
||
that the manager had been as good as his word. Jotted down upon a piece
|
||
of paper were all the relevant facts known about Giuseppe Manelli.
|
||
|
||
“He came to us, you see, about three months ago. A skilled and
|
||
experienced waiter. Has given complete satisfaction. He has been in
|
||
England about five years.”
|
||
|
||
Together the two men ran over a list of the hotels and restaurants
|
||
where the Italian had worked. One fact struck Anthony as being possibly
|
||
of significance. At two of the hotels in question there had been
|
||
serious robberies during the time that Giuseppe was employed there,
|
||
though no suspicion of any kind had attached to him in either case.
|
||
Still, the fact was significant.
|
||
|
||
Was Giuseppe merely a clever hotel thief? Had his search of Anthony’s
|
||
suit-case been merely part of his habitual professional tactics? He
|
||
might just possibly have had the packet of letters in his hand at the
|
||
moment when Anthony switched on the light, and have shoved it into his
|
||
pocket mechanically so as to have his hands free. In that case, the
|
||
thing was mere plain or garden robbery.
|
||
|
||
Against that, there was to be put the man’s excitement of the evening
|
||
before when he had caught sight of the papers lying on the table. There
|
||
had been no money or object of value there such as would excite the
|
||
cupidity of an ordinary thief.
|
||
|
||
No, Anthony felt convinced that Giuseppe had been acting as a tool
|
||
for some outside agency. With the information supplied to him by the
|
||
manager, it might be possible to learn something about Giuseppe’s
|
||
private life, and so finally track him down. He gathered up the sheet
|
||
of paper and rose.
|
||
|
||
“Thank you very much indeed. It’s quite unnecessary to ask, I suppose,
|
||
whether Giuseppe is still in the hotel?”
|
||
|
||
The manager smiled.
|
||
|
||
“His bed was not slept in, and all his things have been left behind. He
|
||
must have rushed straight out after his attack upon you. I don’t think
|
||
there is much chance of our seeing him again.”
|
||
|
||
“I imagine not. Well, thank you very much indeed. I shall be staying on
|
||
here for the present.”
|
||
|
||
“I hope you will be successful in your task, but I confess that I am
|
||
rather doubtful.”
|
||
|
||
“I always hope for the best.”
|
||
|
||
One of Anthony’s first proceedings was to question some of the other
|
||
waiters who had been friendly with Giuseppe, but he obtained very
|
||
little to go upon. He wrote out an advertisement on the lines he had
|
||
planned, and had it sent to five of the most widely read newspapers. He
|
||
was just about to go out and visit the restaurant at which Giuseppe had
|
||
been previously employed when the telephone rang. Anthony took up the
|
||
receiver.
|
||
|
||
“Hullo, what is it?”
|
||
|
||
A toneless voice replied.
|
||
|
||
“Am I speaking to Mr. McGrath?”
|
||
|
||
“You are. Who are you?”
|
||
|
||
“This is Messrs. Balderson and Hodgkins. Just a minute, please. I will
|
||
put you through to Mr. Balderson.”
|
||
|
||
“Our worthy publishers,” thought Anthony. “So they are getting worried
|
||
too, are they? They needn’t. There’s a week to run still.”
|
||
|
||
A hearty voice struck suddenly upon his ear.
|
||
|
||
“Hullo! That Mr. McGrath?”
|
||
|
||
“Speaking.”
|
||
|
||
“I’m Mr. Balderson of Balderson and Hodgkins. What about that
|
||
manuscript, Mr. McGrath?”
|
||
|
||
“Well,” said Anthony, “what about it?”
|
||
|
||
“Everything about it. I understand, Mr. McGrath, that you have just
|
||
arrived in this country from South Africa. That being so, you can’t
|
||
possibly understand the position. There’s going to be trouble about
|
||
that manuscript, Mr. McGrath, big trouble. Sometimes I wish we’d never
|
||
said we’d handle it.”
|
||
|
||
“Indeed?”
|
||
|
||
“I assure you it’s so. At present I’m anxious to get it into my
|
||
possession as quickly as possible, so as to have a couple of copies
|
||
made. Then, if the original is destroyed—well, no harm will be done.”
|
||
|
||
“Dear me,” said Anthony.
|
||
|
||
“Yes, I expect it sounds absurd to you, Mr. McGrath. But, I assure
|
||
you, you don’t appreciate the situation. There’s a determined effort
|
||
being made to prevent its ever reaching this office. I say to you quite
|
||
frankly and without humbug that if you attempt to bring it yourself
|
||
it’s ten to one that you’ll never get here.”
|
||
|
||
“I doubt that,” said Anthony. “When I want to get anywhere, I usually
|
||
do.”
|
||
|
||
“You’re up against a very dangerous lot of people. I wouldn’t have
|
||
believed it myself a month ago. I tell you, Mr. McGrath, we’ve been
|
||
bribed and threatened and cajoled by one lot and another until we don’t
|
||
know whether we’re on our heads or our heels. My suggestion is that you
|
||
do not attempt to bring the manuscript here. One of our people will
|
||
call upon you at the hotel and take possession of it.”
|
||
|
||
“And supposing the gang does him in?” asked Anthony.
|
||
|
||
“The responsibility would then be ours—not yours. You would have
|
||
delivered it to our representative and obtained a written discharge.
|
||
The cheque for—er—a thousand pounds which we are instructed to hand
|
||
to you will not be available until Wednesday next by the terms of our
|
||
agreement with the executors of the late—er—author—you know whom I
|
||
mean, but if you insist I will send my own cheque for that amount by
|
||
the messenger.”
|
||
|
||
Anthony reflected for a minute or two. He had intended to keep the
|
||
Memoirs until the last day of grace, because he was anxious to see for
|
||
himself what all the fuss was about. Nevertheless, he realized the
|
||
force of the publisher’s arguments.
|
||
|
||
“All right,” he said, with a little sigh. “Have it your own way. Send
|
||
your man along. And if you don’t mind sending that cheque as well
|
||
I’d rather have it now, as I may be going out of England before next
|
||
Wednesday.”
|
||
|
||
“Certainly, Mr. McGrath. Our representative will call upon you first
|
||
thing to-morrow morning. It will be wiser not to send anyone direct
|
||
from the office. Our Mr. Holmes lives in South London. He will call
|
||
in on his way to us, and will give you a receipt for the package. I
|
||
suggest that to-night you should place a dummy packet in the manager’s
|
||
safe. Your enemies will get to hear of this, and it will prevent any
|
||
attack being made upon your apartments to-night.”
|
||
|
||
“Very well, I will do as you direct.”
|
||
|
||
Anthony hung up the receiver with a thoughtful face.
|
||
|
||
Then he went on with his interrupted plan of seeking news of the
|
||
slippery Giuseppe. He drew a complete blank, however. Giuseppe had
|
||
worked at the restaurant in question, but nobody seemed to know
|
||
anything of his private life or associates.
|
||
|
||
“But I’ll get you, my lad,” murmured Anthony, between his teeth. “I’ll
|
||
get you yet. It’s only a matter of time.”
|
||
|
||
His second night in London was entirely peaceful.
|
||
|
||
At nine o’clock the following morning, the card of Mr. Holmes from
|
||
Messrs. Balderson and Hodgkins was sent up, and Mr. Holmes followed
|
||
it. A small, fair man with a quiet manner. Anthony handed over the
|
||
manuscript, and received in exchange a cheque for a thousand pounds.
|
||
Mr. Holmes packed up the manuscript in the small brown bag he carried,
|
||
wished Anthony good morning, and departed. The whole thing seemed very
|
||
tame.
|
||
|
||
“But perhaps he’ll be murdered on the way there,” Anthony murmured
|
||
aloud, as he stared idly out of the window. “I wonder now—I very much
|
||
wonder.”
|
||
|
||
He put the cheque in an envelope, enclosed a few lines of writing
|
||
with it, and sealed it up carefully. Jimmy, who had been more or less
|
||
in funds at the time of his encounter with Anthony at Bulawayo, had
|
||
advanced him a substantial sum of money which was, as yet, practically
|
||
untouched.
|
||
|
||
“If one’s job’s done with, the other isn’t,” said Anthony to himself.
|
||
“Up to now, I’ve bungled it. But never say die. I think that, suitably
|
||
disguised, I shall go and have a look at 487, Pont Street.”
|
||
|
||
He packed his belongings, went down and paid his bill, and ordered his
|
||
luggage to be put on a taxi. Suitably rewarding those who stood in his
|
||
path, most of whom had done nothing whatever materially to add to his
|
||
comfort, he was on the point of being driven off, when a small boy
|
||
rushed down the steps with a letter.
|
||
|
||
“Just come for you, this very minute, sir.”
|
||
|
||
With a sigh, Anthony produced yet another shilling. The taxi groaned
|
||
heavily and jumped forward with a hideous crashing of gears, and
|
||
Anthony opened the letter.
|
||
|
||
It was rather a curious document. He had to read it four times before
|
||
he could be sure of what it was all about. Put in plain English (the
|
||
letter was not in plain English, but in the peculiar involved style
|
||
common to missives issued by Government officials) it presumed that Mr.
|
||
McGrath was arriving in England from South Africa to-day—Thursday, it
|
||
referred obliquely to the Memoirs of Count Stylptitch, and begged Mr.
|
||
McGrath to do nothing in the matter until he had had a confidential
|
||
conversation with Mr. George Lomax, and certain other parties whose
|
||
magnificence was vaguely hinted at. It also contained a definite
|
||
invitation to go down to Chimneys as the guest of Lord Caterham, on the
|
||
following day, Friday.
|
||
|
||
A mysterious and thoroughly obscure communication. Anthony enjoyed it
|
||
very much.
|
||
|
||
“Dear old England,” he murmured affectionately. “Two days behind the
|
||
times, as usual. Rather a pity. Still, I can’t go down to Chimneys
|
||
under false pretences. I wonder, though, if there’s an inn handy? Mr.
|
||
Anthony Cade might stay at the inn without anyone being the wiser.”
|
||
|
||
He leaned out of the window, and gave new directions to the taxi
|
||
driver, who acknowledged them with a snort of contempt.
|
||
|
||
The taxi drew up before one of London’s more obscure hostelries. The
|
||
fare, however, was paid on a scale befitting its point of departure.
|
||
|
||
Having booked a room in the name of Anthony Cade, Anthony passed into
|
||
a dingy writing-room, took out a sheet of notepaper stamped with the
|
||
legend Hotel Blitz, and wrote rapidly.
|
||
|
||
He explained that he had arrived on the preceding Tuesday, that he
|
||
had handed over the manuscript in question to Messrs. Balderson and
|
||
Hodgkins, and he regretfully declined the kind invitation of Lord
|
||
Caterham as he was leaving England almost immediately. He signed the
|
||
letter “Yours faithfully, James McGrath.”
|
||
|
||
“And now,” said Anthony, as he affixed the stamp to the envelope. “To
|
||
business. Exit James McGrath, and Enter Anthony Cade.”
|
||
|
||
|
||
|
||
|
||
8
|
||
|
||
A Dead Man
|
||
|
||
|
||
On that same Thursday afternoon Virginia Revel had been playing tennis
|
||
at Ranelagh. All the way back to Pont Street, as she lay back in the
|
||
long, luxurious limousine, a little smile played upon her lips, as
|
||
she rehearsed her part in the forthcoming interview. Of course it
|
||
was within the bounds of possibility that the blackmailer might not
|
||
reappear, but she felt pretty certain that he would. She had shown
|
||
herself an easy prey. Well, perhaps this time there would be a little
|
||
surprise for him!
|
||
|
||
When the car drew up at the house, she turned to speak to the chauffeur
|
||
before going up the steps.
|
||
|
||
“How’s your wife, Walton? I forgot to ask.”
|
||
|
||
“Better I think, ma’am. The doctor said he’d look in and see her about
|
||
half-past six. Will you be wanting the car again?”
|
||
|
||
Virginia reflected for a minute.
|
||
|
||
“I shall be away for the week-end. I’m going by the 6.40 from
|
||
Paddington, but I shan’t need you again—a taxi will do for that. I’d
|
||
rather you saw the doctor. If he thinks it would do your wife good to
|
||
go away for the week-end, take her somewhere, Walton. I’ll stand the
|
||
expense.”
|
||
|
||
Cutting short the man’s thanks with an impatient nod of the head,
|
||
Virginia ran up the steps, delved into her bag in search of her
|
||
latchkey, remembered she hadn’t got it with her, and hastily rang the
|
||
bell.
|
||
|
||
It was not answered at once, but as she waited there a young man came
|
||
up the steps. He was shabbily dressed, and carried in his hand a sheaf
|
||
of leaflets. He held one out to Virginia with the legend on it plainly
|
||
visible: “Why Did I Serve my Country?” In his left hand he held a
|
||
collecting-box.
|
||
|
||
“I can’t buy two of those awful poems in one day,” said Virginia
|
||
pleadingly. “I bought one this morning. I did, indeed, honour bright.”
|
||
|
||
The young man threw back his head and laughed. Virginia laughed with
|
||
him. Running her eyes carelessly over him, she thought him a more
|
||
pleasing specimen than usual of London’s unemployed. She liked his
|
||
brown face, and the lean hardness of him. She went so far as to wish
|
||
she had a job for him.
|
||
|
||
But at that moment the door opened, and immediately Virginia forgot all
|
||
about the problem of the unemployed, for to her astonishment the door
|
||
was opened by her own maid, Élise.
|
||
|
||
“Where’s Chilvers?” she demanded sharply, as she stepped into the hall.
|
||
|
||
“But he is gone, madame, with the others.”
|
||
|
||
“What others? Gone where?”
|
||
|
||
“But to Datchet, madame—to the cottage, as your telegram said.”
|
||
|
||
“My telegram?” said Virginia, utterly at sea.
|
||
|
||
“Did not madame send a telegram? Surely there can be no mistake. It
|
||
came but an hour ago.”
|
||
|
||
“I never sent any telegram. What did it say?”
|
||
|
||
“I believe it is still on the table _là-bas_.”
|
||
|
||
Élise retired, pounced upon it, and brought it to her mistress in
|
||
triumph.
|
||
|
||
“_Voilà_, madame!”
|
||
|
||
The telegram was addressed to Chilvers and ran as follows:
|
||
|
||
“Please take household down to cottage at once, and make preparations
|
||
for week-end party there. Catch 5.49 train.”
|
||
|
||
There was nothing unusual about it, it was just the sort of message she
|
||
herself had frequently sent before, when she had arranged a party at
|
||
her riverside bungalow on the spur of the moment. She always took the
|
||
whole household down, leaving an old woman as caretaker. Chilvers would
|
||
not have seen anything wrong with the message, and like a good servant
|
||
had carried out his orders faithfully enough.
|
||
|
||
“Me, I remained,” explained Élise, “knowing that madame would wish me
|
||
to pack for her.”
|
||
|
||
“It’s a silly hoax,” cried Virginia, flinging down the telegram
|
||
angrily. “You know perfectly well, Élise, that I am going to Chimneys.
|
||
I told you so this morning.”
|
||
|
||
“I thought madame had changed her mind. Sometimes that does happen,
|
||
does it not, madame?”
|
||
|
||
Virginia admitted the truth of the accusation with a half smile. She
|
||
was busy trying to find a reason for this extraordinary practical joke.
|
||
Élise cut forward a suggestion.
|
||
|
||
“_Mon Dieu!_” she cried, clasping her hands. “If it should be the
|
||
malefactors, the thieves! They send the bogus telegram and get the
|
||
_domestiques_ all out of the house, and then they rob it.”
|
||
|
||
“I suppose that might be it,” said Virginia doubtfully.
|
||
|
||
“Yes, yes, madame, that is it without a doubt. Every day you read in
|
||
the papers of such things. Madame will ring up the police at once—at
|
||
once—before they arrive and cut our throats.”
|
||
|
||
“Don’t get so excited, Élise. They won’t come and cut our throats at
|
||
six o’clock in the afternoon.”
|
||
|
||
“Madame, I implore you, let me run out and fetch a policeman now, at
|
||
once.”
|
||
|
||
“What on earth for? Don’t be silly, Élise. Go up and pack my things
|
||
for Chimneys if you haven’t already done it. The new Cailleuax evening
|
||
dress, and the white crêpe marocain, and—yes, the black velvet—black
|
||
velvet is so political, is it not?”
|
||
|
||
“Madame looks ravishing in the eau de nil satin,” suggested Élise, her
|
||
professional instincts reasserting themselves.
|
||
|
||
“No, I won’t take that. Hurry up, Élise, there’s a good girl. We’ve got
|
||
very little time. I’ll send a wire to Chilvers at Datchet, and I’ll
|
||
speak to the policeman on the beat as we go out and tell him to keep an
|
||
eye on the place. Don’t start rolling your eyes again, Élise—if you
|
||
get so frightened before anything has happened, what would you do if a
|
||
man jumped out from some dark corner and stuck a knife into you?”
|
||
|
||
Élise gave vent to a shrill squeak, and beat a speedy retreat up the
|
||
stairs, darting nervous glances over each shoulder as she went.
|
||
|
||
Virginia made a face at her retreating back, and crossed the hall to
|
||
the little study where the telephone was. Élise’s suggestion of ringing
|
||
up the police station seemed to her a good one, and she intended to act
|
||
upon it without any further delay.
|
||
|
||
She opened the study door and crossed to the telephone. Then, with
|
||
her hand on the receiver, she stopped. A man was sitting in the big
|
||
arm-chair, sitting in a curious huddled position. In the stress of the
|
||
moment, she had forgotten all about her expected visitor. Apparently he
|
||
had fallen asleep whilst waiting for her.
|
||
|
||
She came right up to the chair, a slightly mischievous smile upon her
|
||
face. And then suddenly the smile faded.
|
||
|
||
The man was not asleep. _He was dead._
|
||
|
||
She knew it at once, knew it instinctively even before her eyes had
|
||
seen and noted the small shining pistol lying on the floor, the
|
||
little-singed hole just above the heart with the dark stain round it,
|
||
and the horrible dropped jaw.
|
||
|
||
She stood quite still, her hands pressed to her sides. In the silence
|
||
she heard Élise running down the stairs.
|
||
|
||
“Madame! Madame!”
|
||
|
||
“Well, what is it?”
|
||
|
||
She moved quickly to the door. Her whole instinct was to conceal what
|
||
had happened—for the moment anyway—from Élise. Élise would promptly
|
||
go into hysterics, she knew that well enough, and she felt a great need
|
||
for calm and quiet in which to think things out.
|
||
|
||
“Madame, would it not be better if I should draw the chain across the
|
||
door? These malefactors, at any minute they may arrive.”
|
||
|
||
“Yes, if you like. Anything you like.”
|
||
|
||
She heard the rattle of the chain, and then Élise running upstairs
|
||
again, and drew a long breath of relief.
|
||
|
||
She looked at the man in the chair and then at the telephone. Her
|
||
course was quite clear, she must ring up the police at once.
|
||
|
||
But still she did not do so. She stood quite still, paralysed with
|
||
horror and with a host of conflicting ideas rushing through her brain.
|
||
The bogus telegram. Had it something to do with this? Supposing
|
||
Élise had not stayed behind? She would have let herself in—that is,
|
||
presuming she had had her latchkey with her as usual, to find herself
|
||
alone in the house with a murdered man—a man whom she had permitted to
|
||
blackmail her on a former occasion. Of course she had an explanation of
|
||
that; but thinking of that explanation she was not quite easy in her
|
||
mind. She remembered how frankly incredible George had found it. Would
|
||
other people think the same. Those letters now—of course she hadn’t
|
||
written them, but would it be so easy to prove that?
|
||
|
||
She put her hands on her forehead, squeezing them tight together.
|
||
|
||
“I must think,” said Virginia. “I simply must think.”
|
||
|
||
Who had let the man in? Surely not Élise. If she had done so, she would
|
||
have been sure to have mentioned the fact at once. The whole thing
|
||
seemed more and more mysterious as she thought about it. There was
|
||
really only one thing to be done—ring up the police.
|
||
|
||
She stretched out her hand to the telephone, and suddenly she thought
|
||
of George. A man—that was what she wanted—an ordinary level-headed,
|
||
unemotional man who would see things in their proper proportion and
|
||
point out to her the best course to take.
|
||
|
||
Then she shook her head. Not George. The first thing George would think
|
||
of would be his own position. He would hate being mixed up in this
|
||
kind of business. George wouldn’t do at all.
|
||
|
||
Then her face softened. Bill, of course! Without more ado, she rang up
|
||
Bill.
|
||
|
||
She was informed that he had left half an hour ago for Chimneys.
|
||
|
||
“Oh, damn!” cried Virginia, jamming down the receiver. It was horrible
|
||
to be shut up with a dead body and to have no one to speak to.
|
||
|
||
And at that minute the front-door bell rang.
|
||
|
||
Virginia jumped. In a few minutes it rang again. Élise, she knew, was
|
||
upstairs packing and wouldn’t hear it.
|
||
|
||
Virginia went out in the hall, drew back the chain, and undid all the
|
||
bolts that Élise had fastened in her zeal. Then, with a long breath,
|
||
she threw open the door. On the steps was the unemployed young man.
|
||
|
||
Virginia plunged headlong with a relief born of overstrung nerves.
|
||
|
||
“Come in,” she said. “I think that perhaps I’ve got a job for you.”
|
||
|
||
She took him into the dining-room, pulled toward a chair for him, sat
|
||
down herself facing him, and stared at him very attentively.
|
||
|
||
“Excuse me,” she said, “but are you—I mean——”
|
||
|
||
“Eton and Oxford,” said the young man. “That’s what you wanted to ask
|
||
me, wasn’t it?”
|
||
|
||
“Something of the kind,” admitted Virginia.
|
||
|
||
“Come down in the world entirely through my own incapacity to stick to
|
||
regular work. This isn’t regular work you’re offering me, I hope?”
|
||
|
||
A smile hovered for a moment on her lips.
|
||
|
||
“It’s very irregular.”
|
||
|
||
“Good,” said the young man in a tone of satisfaction.
|
||
|
||
Virginia noted his bronzed face and long lean body with approval.
|
||
|
||
“You see,” she explained, “I’m in rather a hole, and most of my friends
|
||
are—well, rather high up. They’ve all got something to lose.”
|
||
|
||
“I’ve nothing whatever to lose. So go ahead. What’s the trouble?”
|
||
|
||
“There’s a dead man in the next room,” said Virginia. “He’s been
|
||
murdered, and I don’t know what to do about it.”
|
||
|
||
She blurted out the words as simply as a child might have done.
|
||
The young man went up enormously in her estimation by the way he
|
||
accepted her statement. He might have been used to hearing a similar
|
||
announcement made every day of his life.
|
||
|
||
“Excellent,” he said, with a trace of enthusiasm. “I’ve always wanted
|
||
to do a bit of amateur detective work. Shall we go and view the body,
|
||
or will you give me the facts first?”
|
||
|
||
“I think I’d better give you the facts.” She paused for a moment to
|
||
consider how best to condense her story, and then began, speaking
|
||
quietly and concisely.
|
||
|
||
“This man came to the house for the first time yesterday and asked to
|
||
see me. He had certain letters with him—love letters, signed with my
|
||
name——”
|
||
|
||
“But which weren’t written by you,” put in the young man quietly.
|
||
|
||
Virginia looked at him in some astonishment
|
||
|
||
“How did you know that?”
|
||
|
||
“Oh, I deduced it. But go on.”
|
||
|
||
“He wanted to blackmail me—and I—well, I don’t know if you’ll
|
||
understand, but I—let him.”
|
||
|
||
She looked at him appealingly, and he nodded his head reassuringly.
|
||
|
||
“Of course I understand. You wanted to see what it felt like.”
|
||
|
||
“How frightfully clever of you! That’s just what I did feel.”
|
||
|
||
“I _am_ clever,” said the young man modestly. “But, mind you, very
|
||
few people would understand that point of view. Most people, you see,
|
||
haven’t got any imagination.”
|
||
|
||
“I suppose that’s so. I told this man to come back to-day—at six
|
||
o’clock. I arrived home from Ranelagh to find that a bogus telegram had
|
||
got all the servants except my maid out of the house. Then I walked
|
||
into the study and found the man shot.”
|
||
|
||
“Who let him in?”
|
||
|
||
“I don’t know. I think if my maid had done so she would have told me.”
|
||
|
||
“Does she know what has happened?”
|
||
|
||
“I have told her nothing.”
|
||
|
||
The young man nodded, and rose to his feet.
|
||
|
||
“And now to view the body,” he said briskly. “But I’ll tell you
|
||
this—on the whole it’s always best to tell the truth. One lie involves
|
||
you in such a lot of lies—and continuous lying is so monotonous.”
|
||
|
||
“Then you advise me to ring up the police?”
|
||
|
||
“Probably. But we’ll just have a look at the fellow first.”
|
||
|
||
Virginia led the way out the room. On the threshold she paused, looking
|
||
back at him.
|
||
|
||
“By the way,” she said, “you haven’t told me your name yet?”
|
||
|
||
“My name? My name’s Anthony Cade.”
|
||
|
||
|
||
|
||
|
||
9
|
||
|
||
Anthony Disposes of a Body
|
||
|
||
|
||
Anthony followed Virginia out of the room, smiling a little to himself.
|
||
Events had taken quite an unexpected turn. But as he bent over the
|
||
figure in the chair he grew grave again.
|
||
|
||
“He’s still warm,” he said sharply. “He was killed less than half an
|
||
hour ago.”
|
||
|
||
“Just before I came in?”
|
||
|
||
“Exactly.”
|
||
|
||
He stood upright, drawing his brows together in a frown. Then he asked
|
||
a question of which Virginia did not at once see the drift:
|
||
|
||
“Your maid’s not been in this room, of course?”
|
||
|
||
“No.”
|
||
|
||
“Does she know that you’ve been into it?”
|
||
|
||
“Why—yes. I came to the door to speak to her.”
|
||
|
||
“After you’d found the body.”
|
||
|
||
“Yes.”
|
||
|
||
“And you said nothing?”
|
||
|
||
“Would it have been better if I had? I thought she would go into
|
||
hysterics—she’s French, you know, and easily upset—I wanted to think
|
||
over the best thing to do.”
|
||
|
||
Anthony nodded, but did not speak.
|
||
|
||
“You think it a pity, I can see?”
|
||
|
||
“Well, it was rather unfortunate, Mrs. Revel. If you and the maid had
|
||
discovered the body together, immediately on your return, it would have
|
||
simplified matters very much. The man would then definitely have been
|
||
shot _before_ your return to the house.”
|
||
|
||
“Whilst now they might say he was shot _after_—I see—”
|
||
|
||
He watched her taking in the idea, and was confirmed in his first
|
||
impression of her formed when she had spoken to him on the steps
|
||
outside. Besides beauty, she possessed courage and brains.
|
||
|
||
Virginia was so engrossed in the puzzle presented to her that it did
|
||
not occur to her to wonder at this strange man’s ready use of her name.
|
||
|
||
“Why didn’t Élise hear the shot, I wonder?” she murmured.
|
||
|
||
Anthony pointed to the open window, as a loud backfire came from a
|
||
passing car.
|
||
|
||
“There you are. London’s not the place to notice a pistol shot.”
|
||
|
||
Virginia turned with a little shudder to the body in the chair.
|
||
|
||
“He looks like an Italian,” she remarked curiously.
|
||
|
||
“He is an Italian,” said Anthony. “I should say that his regular
|
||
profession was that of a waiter. He only did blackmailing in his spare
|
||
time. His name might very possibly be Giuseppe.”
|
||
|
||
“Good heavens!” cried Virginia. “Is this Sherlock Holmes?”
|
||
|
||
“No,” said Anthony regretfully. “I’m afraid it’s just plain or garden
|
||
cheating. I’ll tell you all about it presently. Now you say this man
|
||
showed you some letters and asked you for money. Did you give him any?”
|
||
|
||
“Yes, I did.”
|
||
|
||
“How much?”
|
||
|
||
“Forty pounds.”
|
||
|
||
“That’s bad,” said Anthony, but without manifesting any undue surprise.
|
||
“Now let’s have a look at the telegram.”
|
||
|
||
Virginia picked it up from the table and gave it to him. She saw his
|
||
face grow grave as he looked at it.
|
||
|
||
“What’s the matter?”
|
||
|
||
He held it out, pointing silently to the place of origin.
|
||
|
||
“Barnes,” he said. “And you were at Ranelagh this afternoon. What’s to
|
||
prevent you having sent it off yourself?”
|
||
|
||
Virginia felt fascinated by his words. It was as though a net was
|
||
closing tighter and tighter round her. He was forcing her to see all
|
||
the things which she had felt dimly at the back of her mind.
|
||
|
||
Anthony took out his handkerchief and wound it round his hand, then he
|
||
picked up the pistol.
|
||
|
||
“We criminals have to be so careful,” he said apologetically.
|
||
“Fingerprints, you know.”
|
||
|
||
Suddenly she saw his whole figure stiffen. His voice, when he spoke,
|
||
had altered. It was terse and curt.
|
||
|
||
“Mrs. Revel,” he said, “have you ever seen this pistol before?”
|
||
|
||
“No,” said Virginia wonderingly.
|
||
|
||
“Are you sure of that?”
|
||
|
||
“Quite sure.”
|
||
|
||
“Have you a pistol of your own?”
|
||
|
||
“No.”
|
||
|
||
“Have you ever had one?”
|
||
|
||
“No, never.”
|
||
|
||
“You are sure of that?”
|
||
|
||
“Quite sure.”
|
||
|
||
He stared at her steadily for a minute, and Virginia stared back in
|
||
complete surprise at his tone.
|
||
|
||
Then, with a sigh, he relaxed.
|
||
|
||
“That’s odd,” he said. “How do you account for this?”
|
||
|
||
He held out the pistol. It was a small, dainty article, almost a
|
||
toy—though capable of doing deadly work. Engraved on it was the name
|
||
Virginia.
|
||
|
||
“Oh, it’s impossible!” cried Virginia.
|
||
|
||
Her astonishment was so genuine that Anthony could but believe in it.
|
||
|
||
“Sit down,” he said quietly. “There’s more in this than there seemed
|
||
to be first go off. To begin with, what’s our hypothesis? There are
|
||
only two possible ones. There is, of course, the real Virginia of the
|
||
letters. She may have somehow or other tracked him down, shot him,
|
||
dropped the pistol, stolen the letters, and taken herself off. That’s
|
||
quite possible, isn’t it?”
|
||
|
||
“I suppose so,” said Virginia unwillingly.
|
||
|
||
“The other hypothesis is a good deal more interesting. Whoever wished
|
||
to kill Giuseppe, wished also to incriminate you—in fact that may have
|
||
been their main object. They could get _him_ easily enough anywhere,
|
||
but they took extraordinary pains and trouble to get him _here_, and
|
||
whoever they were they knew all about you, your cottage at Datchet,
|
||
your usual household arrangements, and the fact that you were at
|
||
Ranelagh this afternoon. It seems an absurd question, but have you any
|
||
enemies, Mrs. Revel?”
|
||
|
||
“Of course I haven’t—not that kind, anyway.”
|
||
|
||
“The question is,” said Anthony, “what are we going to do now? There
|
||
are two courses open to us. A: Ring up the police, tell the whole
|
||
story, and trust to your unassailable position in the world and
|
||
your hitherto blameless life. B: An attempt on my part to dispose
|
||
successfully of the body. Naturally my private inclinations urge me
|
||
to B. I’ve always wanted to see if I couldn’t conceal a crime with
|
||
the necessary cunning, but have had a squeamish objection to shedding
|
||
blood. On the whole, I expect A’s the soundest. Then there’s a sort of
|
||
bowdlerized A. Ring up the police, etc., but suppress the pistol and
|
||
the blackmailing letters—that is, if they are on him still.”
|
||
|
||
Anthony ran rapidly through the dead man’s pockets.
|
||
|
||
“He’s been stripped clean,” he announced. “There’s not a thing on him.
|
||
There’ll be dirty work at the crossroads over those letters yet. Hullo,
|
||
what’s this? Hole in the lining—something got caught there, torn
|
||
roughly out, and a scrap of paper left behind.”
|
||
|
||
He drew out the scrap of paper as he spoke, and brought it over to the
|
||
light. Virginia joined him.
|
||
|
||
“Pity we haven’t got the rest of it,” he muttered. “_Chimneys 11.45
|
||
Thursday_—Sounds like an appointment.”
|
||
|
||
“Chimneys?” cried Virginia. “How extraordinary!”
|
||
|
||
“Why extraordinary? Rather high toned for such a low fellow?”
|
||
|
||
“I’m going to Chimneys this evening. At least I was.”
|
||
|
||
Anthony wheeled round on her.
|
||
|
||
“What’s that? Say that again.”
|
||
|
||
“I was going to Chimneys this evening,” repeated Virginia.
|
||
|
||
Anthony stared at her.
|
||
|
||
“I begin to see. At least, I may be wrong—but it’s an idea. Suppose
|
||
some one wanted badly to prevent your going to Chimneys?”
|
||
|
||
“My cousin George Lomax does,” said Virginia with a smile. “But I can’t
|
||
seriously suspect George of murder.”
|
||
|
||
Anthony did not smile. He was lost in thought.
|
||
|
||
“If you ring up the police, it’s good-bye to any idea of getting to
|
||
Chimneys to-day—or even to-morrow. And I should like you to go to
|
||
Chimneys. I fancy it will disconcert our unknown friends. Mrs. Revel,
|
||
will you put yourself in my hands?”
|
||
|
||
“It’s to be Plan B, then?”
|
||
|
||
“It’s to be Plan B. The first thing is to get that maid of yours out of
|
||
the house. Can you manage that?”
|
||
|
||
“Easily.”
|
||
|
||
Virginia went out in the hall and called up the stairs.
|
||
|
||
“Élise. Élise.”
|
||
|
||
“Madame?”
|
||
|
||
Anthony heard a rapid colloquy, and then the front door opened and
|
||
shut. Virginia came back into the room.
|
||
|
||
“She’s gone. I sent her for some special scent—told her the shop in
|
||
question was open until eight. It won’t be, of course. She’s to follow
|
||
after me by the next train without coming back here.”
|
||
|
||
“Good,” said Anthony approvingly. “We can now proceed to the disposal
|
||
of the body. It’s a time-worn method, but I’m afraid I shall have to
|
||
ask you if there’s such a thing in the house as a trunk?”
|
||
|
||
“Of course there is. Come down to the basement and take your choice.”
|
||
|
||
There was a variety of trunks in the basement. Anthony selected a solid
|
||
affair of suitable size.
|
||
|
||
“I’ll attend to this part of it,” he said tactfully. “You go upstairs
|
||
and get ready to start.”
|
||
|
||
Virginia obeyed. She slipped out of her tennis kit, put on a soft brown
|
||
travelling dress and a delightful little orange hat, and came down to
|
||
find Anthony waiting in the hall with a neatly strapped trunk beside
|
||
him.
|
||
|
||
“I should like to tell you the story of my life,” he remarked, “but
|
||
it’s going to be rather a busy evening. Now this is what you’ve got
|
||
to do. Call a taxi, have your luggage put on it, including the trunk.
|
||
Drive to Paddington. There have the trunk put in the Left Luggage
|
||
Office. I shall be on the platform. As you pass me, drop the Cloak
|
||
Room ticket. I will pick it up and pretend to return it to you, but in
|
||
reality I shall keep it. Go on to Chimneys, and leave the rest to me.”
|
||
|
||
“It’s awfully good of you,” said Virginia. “It’s really dreadful of me
|
||
saddling a perfect stranger with a dead body like this.”
|
||
|
||
“I like it,” returned Anthony nonchalantly. “If one of my friends,
|
||
Jimmy McGrath, were here, he’d tell you that anything of this kind
|
||
suits me down to the ground.”
|
||
|
||
Virginia was staring at him.
|
||
|
||
“What name did you say? Jimmy McGrath?”
|
||
|
||
Anthony returned her glance keenly.
|
||
|
||
“Yes. Why? Have you heard of him?”
|
||
|
||
“Yes—and quite lately.” She paused irresolutely, and then went on.
|
||
“Mr. Cade, I must talk to you. Can’t you come down to Chimneys?”
|
||
|
||
“You’ll see me before very long, Mrs. Revel—I’ll tell you that. Now,
|
||
exit Conspirator A by back door slinkingly. Exit Conspirator B in
|
||
blaze of glory by front door to taxi.”
|
||
|
||
The plan went through without a hitch. Anthony, having picked up a
|
||
second taxi, was on the platform and duly retrieved the fallen ticket.
|
||
He then departed in search of a somewhat battered second-hand Morris
|
||
Cowley which he had acquired earlier in the day in case it should be
|
||
necessary to his plans.
|
||
|
||
Returning to Paddington in this, he handed the ticket to the porter,
|
||
who got the trunk out of the cloak room and wedged it securely at the
|
||
back of the car. Anthony drove off.
|
||
|
||
His objective now was out of London. Through Notting Hill, Shepherd’s
|
||
Bush, down Goldhawk Road, through Brentford and Hounslow till he came
|
||
to the long stretch of road mid-way between Hounslow and Staines.
|
||
It was a well-frequented road, with motors passing continually. No
|
||
footmarks or tyre marks were likely to show. Anthony stopped the car at
|
||
a certain spot. Getting down, he first obscured the number-plate with
|
||
mud. Then, waiting until he heard no car coming in either direction,
|
||
he opened the trunk, heaved out Giuseppe’s body, and laid it neatly
|
||
down by the side of the road, on the inside of a curve, so that the
|
||
headlights of passing motors would not strike on it.
|
||
|
||
Then he entered the car again and drove away. The whole business had
|
||
occupied exactly one minute and a half. He made a détour to the right,
|
||
returning to London by way of Burnham Beeches. There again he halted
|
||
the car, and choosing a giant of the forest he deliberately climbed the
|
||
huge tree. It was something of a feat, even for Anthony. To one of the
|
||
topmost branches, he affixed a small brown-paper parcel, concealing it
|
||
in a little niche close to the bole.
|
||
|
||
“A very clever way of disposing of the pistol,” said Anthony to himself
|
||
with some approval. “Everybody hunts about on the ground, and drags
|
||
ponds. But there are very few people in England who could climb that
|
||
tree.”
|
||
|
||
Next, back to London and Paddington Station. Here he left the trunk—at
|
||
the other cloak room this time, the one on the Arrival side. He thought
|
||
longingly of such things as good rumpsteaks, juicy chops, and large
|
||
masses of fried potatoes. But he shook his head ruefully, glancing at
|
||
his wrist watch. He fed the Morris with a fresh supply of petrol, and
|
||
then took the road once more. North this time.
|
||
|
||
It was just after half-past eleven that he brought the car to rest in
|
||
the road adjoining the park of Chimneys. Jumping out he scaled the wall
|
||
easily enough, and set out towards the house. It took him longer than
|
||
he thought, and presently he broke into a run. A great grey mass loomed
|
||
up out of the darkness—the venerable pile of Chimneys. In the distance
|
||
a stable clock chimed the three quarters.
|
||
|
||
11.45—the time mentioned on the scrap of paper. Anthony was on the
|
||
terrace now, looking up at the house. Everything seemed dark and quiet.
|
||
|
||
“They go to bed early, these politicians,” he murmured to himself.
|
||
|
||
And suddenly a sound smote upon his ears—the sound of a shot. Anthony
|
||
spun round quickly. The sound had come from within the house—he was
|
||
sure of that. He waited a minute, but everything was still as death.
|
||
Finally he went up to one of the long French windows from where he
|
||
judged the sound that had startled him had come. He tried the handle.
|
||
It was locked. He tried some of the other windows, listening intently
|
||
all the while. But the silence remained unbroken.
|
||
|
||
In the end he told himself that he must have imagined the sound, or
|
||
perhaps mistaken a stray shot coming from a poacher in the woods. He
|
||
turned and retraced his steps across the park, vaguely dissatisfied and
|
||
uneasy.
|
||
|
||
He looked back at the house, and whilst he looked a light sprang up in
|
||
one of the windows on the first floor. In another minute it went out
|
||
again, and the whole place was in darkness once more.
|
||
|
||
|
||
|
||
|
||
10
|
||
|
||
Chimneys
|
||
|
||
|
||
Inspector Badgworthy in his office. Time, 8.30 A.M. A tall portly
|
||
man, Inspector Badgworthy, with a heavy regulation tread. Inclined to
|
||
breathe hard in moments of professional strain. In attendance Constable
|
||
Johnson, very new to the Force, with a downy unfledged look about him,
|
||
like a human chicken.
|
||
|
||
The telephone on the table rang sharply, and the inspector took it up
|
||
with his usual portentous gravity of action.
|
||
|
||
“Yes. Police station Market Basing. Inspector Badgworthy speaking.
|
||
What?”
|
||
|
||
Slight alteration in the inspector’s manner. As he is greater than
|
||
Johnson, so others are greater than Inspector Badgworthy.
|
||
|
||
“Speaking, my lord. I beg your pardon, my lord? I didn’t quite hear
|
||
what you said?”
|
||
|
||
Long pause, during which the inspector listens, quite a variety of
|
||
expressions passing over his usually impassive countenance. Finally he
|
||
lays down the receiver, after a brief “At once, my lord.”
|
||
|
||
He turned to Johnson, seeming visibly swelled with importance.
|
||
|
||
“From his lordship—at Chimneys—Murder.”
|
||
|
||
“Murder,” echoed Johnson, suitably impressed.
|
||
|
||
“Murder it is,” said the inspector, with great satisfaction.
|
||
|
||
“Why, there’s never been a murder here—not that I’ve ever heard
|
||
of—except the time that Tom Pearse shot his sweetheart.”
|
||
|
||
“And that, in a manner of speaking, wasn’t murder at all, but drink,”
|
||
said the inspector, deprecatingly.
|
||
|
||
“He weren’t hanged for it,” agreed Johnson gloomily. “But this is the
|
||
real thing, is it, sir?”
|
||
|
||
“It is, Johnson. One of his lordship’s guests, a foreign gentleman,
|
||
discovered shot. Open window, and footprints outside.”
|
||
|
||
“I’m sorry it were a foreigner,” said Johnson, with some regret.
|
||
|
||
It made the murder seem less real. Foreigners, Johnson felt, were
|
||
liable to be shot.
|
||
|
||
“His lordship’s in a rare taking,” continued the inspector. “We’ll get
|
||
hold of Dr. Cartwright and take him up with us right away. I hope to
|
||
goodness no one will get messing with those footprints.”
|
||
|
||
Badgworthy was in a seventh heaven. A murder! At Chimneys! Inspector
|
||
Badgworthy in charge of the case. The police have a clue. Sensational
|
||
arrest. Promotion and kudos for the aforementioned inspector.
|
||
|
||
“That is,” said Inspector Badgworthy to himself, “if Scotland Yard
|
||
doesn’t come butting in.”
|
||
|
||
The thought damped him momentarily. It seemed so extremely likely to
|
||
happen under the circumstances.
|
||
|
||
They stopped at Dr. Cartwright’s, and the doctor, who was a
|
||
comparatively young man, displayed a keen interest. His attitude was
|
||
almost exactly that of Johnson.
|
||
|
||
“Why, bless my soul,” he exclaimed. “We haven’t had a murder here since
|
||
the time of Tom Pearse.”
|
||
|
||
All three of them got into the doctor’s little car, and started
|
||
off briskly for Chimneys. As they passed the local inn, _The Jolly
|
||
Cricketers_, the doctor noticed a man standing in the doorway.
|
||
|
||
“Stranger,” he remarked. “Rather a nice-looking fellow. Wonder how long
|
||
he’s been here, and what he’s doing staying at the _Cricketers_? I
|
||
haven’t seen him about at all. He must have arrived last night.”
|
||
|
||
“He didn’t come by train,” said Johnson.
|
||
|
||
Johnson’s brother was the local railway porter, and Johnson was
|
||
therefore always well up in arrivals and departures.
|
||
|
||
“Who was there for Chimneys yesterday?” asked the inspector.
|
||
|
||
“Lady Eileen, she come down by the 3.40, and two gentlemen with her,
|
||
an American gent, and a young Army chap—neither of them with valets.
|
||
His lordship come down with a foreign gentleman, the one that’s been
|
||
shot as likely as not, by the 5.40, and the foreign gentleman’s valet.
|
||
Mr. Eversleigh come by the same train. Mrs. Revel came by the 7.25, and
|
||
another foreign-looking gentleman came by it too, one with a bald head
|
||
and a hook nose. Mrs. Revel’s maid came by the 8.56.”
|
||
|
||
Johnson paused, out of breath.
|
||
|
||
“And there was no one for the _Cricketers_?”
|
||
|
||
Johnson shook his head.
|
||
|
||
“He must have come by car then,” said the inspector. “Johnson, make
|
||
a note to institute inquiries at the _Cricketers_ on your way back.
|
||
We want to know all about any strangers. He was very sunburnt, that
|
||
gentleman. Likely as not, he’s come from foreign parts too.”
|
||
|
||
The inspector nodded his head with great sagacity, as though to imply
|
||
that that was the sort of wide-awake man he was—not to be caught
|
||
napping under any consideration.
|
||
|
||
The car passed in through the Park gates of Chimneys. Descriptions of
|
||
that historic place can be found in any guide book. It is also No. 3
|
||
in _Historic Homes of England_, price 21s. On Thursdays, chars-à-bancs
|
||
come over from Middlingham and view those portions of it which are open
|
||
to the public. In view of all these facilities, to describe Chimneys
|
||
would be superfluous.
|
||
|
||
They were received at the door by a white-headed butler whose demeanour
|
||
was perfect.
|
||
|
||
“We are not accustomed,” it seemed to say, “to having murder committed
|
||
within these walls. But these are evil days. Let us meet disaster with
|
||
perfect calm, and pretend with our dying breath that nothing out of the
|
||
usual has occurred.”
|
||
|
||
“His lordship,” said the butler, “is expecting you. This way, if you
|
||
please.”
|
||
|
||
He led them to a small cosy room which was Lord Caterham’s refuge from
|
||
the magnificence elsewhere, and announced them.
|
||
|
||
“The police, my lord, and Dr. Cartwright.”
|
||
|
||
Lord Caterham was pacing up and down in a visibly agitated state.
|
||
|
||
“Ha! inspector, you’ve turned up at last. I’m thankful for that. How
|
||
are you, Cartwright? This is the very devil of a business, you know.
|
||
The very devil of a business.”
|
||
|
||
And Lord Caterham, running his hands through his hair in a frenzied
|
||
fashion until it stood upright in little tufts, looked even less like a
|
||
peer of the realm than usual.
|
||
|
||
“Where’s the body?” asked the doctor, in curt business-like fashion.
|
||
|
||
Lord Caterham turned to him as though relieved at being asked a direct
|
||
question.
|
||
|
||
“In the council chamber—just where it was found—I wouldn’t have it
|
||
touched. I believed—er—that that was the correct thing to do.”
|
||
|
||
“Quite right, my lord,” said the inspector approvingly.
|
||
|
||
He produced a notebook and pencil.
|
||
|
||
“And who discovered the body? Did you?”
|
||
|
||
“Good Lord, no,” said Lord Caterham. “You don’t think I usually get up
|
||
at this unearthly hour in the morning, do you? No, a housemaid found
|
||
it. She screamed a good deal, I believe. I didn’t hear her myself. Then
|
||
they came to me about it, and of course I got up and came down—and
|
||
there it was, you know.”
|
||
|
||
“You recognized the body as that of one of your guests?”
|
||
|
||
“That’s right, inspector.”
|
||
|
||
“By name?”
|
||
|
||
This perfectly simple question seemed to upset Lord Caterham. He
|
||
opened his mouth once or twice, and then shut it again. Finally he
|
||
asked feebly.
|
||
|
||
“Do you mean—do you mean—what was his name?”
|
||
|
||
“Yes, my lord.”
|
||
|
||
“Well,” said Lord Caterham, looking slowly round the room, as though
|
||
hoping to gain inspiration. “His name was—I should say it was—yes,
|
||
decidedly so—Count Stanislaus.”
|
||
|
||
There was something so odd about Lord Caterham’s manner, that the
|
||
inspector ceased using his pencil and stared at him instead. But at
|
||
that moment a diversion occurred which seemed highly welcome to the
|
||
embarrassed peer.
|
||
|
||
The door opened and a girl came into the room. She was tall, slim and
|
||
dark, with an attractive boyish face, and a very determined manner.
|
||
This was Lady Eileen Brent, commonly known as Bundle, Lord Caterham’s
|
||
eldest daughter. She nodded to the others, and addressed her father
|
||
directly.
|
||
|
||
“I’ve got him,” she announced.
|
||
|
||
For a moment the inspector was on the point of starting forward
|
||
under the impression that the young lady had captured the murderer
|
||
red-handed, but almost immediately he realized that her meaning was
|
||
quite different.
|
||
|
||
Lord Caterham uttered a sigh of relief.
|
||
|
||
“That’s a good job. What did he say?”
|
||
|
||
“He’s coming over at once. We are to ‘use the utmost discretion.’”
|
||
|
||
Her father made a sound of annoyance.
|
||
|
||
“That’s just the sort of idiotic thing George Lomax would say. However,
|
||
once he comes, I shall wash my hands of the whole affair.”
|
||
|
||
He appeared to cheer up a little at the prospect.
|
||
|
||
“And the name of the murdered man was Count Stanislaus?” queried the
|
||
doctor.
|
||
|
||
A lightning glance passed between father and daughter, and then the
|
||
former said with some dignity:
|
||
|
||
“Certainly. I said so just now.”
|
||
|
||
“I asked because you didn’t seem quite sure about it before,” explained
|
||
Cartwright.
|
||
|
||
There was a faint twinkle in his eye, and Lord Caterham looked at him
|
||
reproachfully.
|
||
|
||
“I’ll take you to the Council Chamber,” he said more briskly.
|
||
|
||
They followed him, the inspector bringing up the rear, and darting
|
||
sharp glances all around him as he went, much as though he expected to
|
||
find a clue in a picture frame, or behind a door.
|
||
|
||
Lord Caterham took a key from his pocket and unlocked a door, flinging
|
||
it open. They all passed into a big room panelled in oak, with three
|
||
long windows giving on the terrace. There was a long refectory table
|
||
and a good many oak chests, and some beautiful old chairs. On the walls
|
||
were various paintings of dead and gone Caterhams and others.
|
||
|
||
Near the left-hand wall, about half-way between the door and the
|
||
window, a man was lying on his back, his arms flung wide.
|
||
|
||
Dr. Cartwright went over and knelt down by the body. The inspector
|
||
strode across to the windows, and examined them in turn. The centre
|
||
one was closed, but not fastened. On the steps outside were footprints
|
||
leading up to the window, and a second set going away again.
|
||
|
||
“Clear enough,” said the inspector, with a nod. “But there ought to be
|
||
footprints on the inside as well. They’d show up plain on this parquet
|
||
floor.”
|
||
|
||
“I think I can explain that,” interposed Bundle. “The housemaid had
|
||
polished half the floor this morning before she saw the body. You
|
||
see, it was dark when she came in here. She went straight across to
|
||
the windows, drew the curtains, and began on the floor, and naturally
|
||
didn’t see the body which is hidden from that side of the room by the
|
||
table. She didn’t see it until she came right on top of it.”
|
||
|
||
The inspector nodded.
|
||
|
||
“Well,” said Lord Caterham, eager to escape. “I’ll leave you here,
|
||
inspector. You’ll be able to find me if you—er—want me. But Mr.
|
||
George Lomax is coming over from Wyverne Abbey shortly, and he’ll be
|
||
able to tell you far more than I could. It’s his business really. I
|
||
can’t explain, but he will when he comes.”
|
||
|
||
Lord Caterham beat a precipitate retreat without waiting for a reply.
|
||
|
||
“Too bad for Lomax,” he complained. “Letting me in for this. What’s the
|
||
matter, Tredwell?”
|
||
|
||
The white-haired butler was hovering deferentially at his elbow.
|
||
|
||
“I have taken the liberty, my lord, of advancing the breakfast hour as
|
||
far as you are concerned. Everything is ready in the dining-room.”
|
||
|
||
“I don’t suppose for a minute I can eat anything,” said Lord Caterham
|
||
gloomily, turning his footsteps in that direction. “Not for a moment.”
|
||
|
||
Bundle slipped her hand through his arm, and they entered the
|
||
dining-room together. On the sideboard were half a score of heavy
|
||
silver dishes, ingeniously kept hot by patent arrangements.
|
||
|
||
“Omelet,” said Lord Caterham, lifting each lid in turn. “Eggs and
|
||
bacon, kidneys, devilled bird, haddock, cold ham, cold pheasant. I
|
||
don’t like any of these things, Tredwell, ask the cook to poach me an
|
||
egg, will you?”
|
||
|
||
“Very good, my lord.”
|
||
|
||
Tredwell withdrew. Lord Caterham, in an absent-minded fashion, helped
|
||
himself plentifully to kidneys and bacon, poured himself out a cup of
|
||
coffee, and sat down at the long table. Bundle was already busy with a
|
||
plateful of eggs and bacon.
|
||
|
||
“I’m damned hungry,” said Bundle with her mouth full. “It must be the
|
||
excitement.”
|
||
|
||
“It’s all very well for you,” complained her father. “You young people
|
||
like excitement. But I’m in a very delicate state of health. Avoid all
|
||
worry, that’s what Sir Abner Willis said—avoid all worry. So easy for
|
||
a man sitting in his consulting-room in Harley Street to say that. How
|
||
can I avoid worry when that ass Lomax lands me with a thing like this?
|
||
I ought to have been firm at the time. I ought to have put my foot
|
||
down.”
|
||
|
||
With a sad shake of the head, Lord Caterham rose and carved himself a
|
||
plate of ham.
|
||
|
||
“Codders has certainly done it this time,” observed Bundle cheerfully.
|
||
“He was almost incoherent over the telephone. He’ll be here in a minute
|
||
or two, spluttering nineteen to the dozen about discretion and hushing
|
||
it up.”
|
||
|
||
Lord Caterham groaned at the prospect.
|
||
|
||
“Was he up?” he asked.
|
||
|
||
“He told me,” replied Bundle, “that he had been up and dictating
|
||
letters and memoranda ever since seven o’clock.”
|
||
|
||
“Proud of it, too,” remarked her father. “Extraordinarily selfish,
|
||
these public men. They make their wretched secretaries get up at the
|
||
most unearthly hours in order to dictate rubbish to them. If a law was
|
||
passed compelling them to stop in bed until eleven, what a benefit it
|
||
would be to the nation! I wouldn’t mind so much if they didn’t talk
|
||
such balderdash. Lomax is always talking to me of my ‘position.’ As if
|
||
I had any. Who wants to be a peer nowadays?”
|
||
|
||
“Nobody,” said Bundle. “They’d much rather keep a prosperous public
|
||
house.”
|
||
|
||
Tredwell reappeared silently with two poached eggs in a little silver
|
||
dish which he placed on the table in front of Lord Caterham.
|
||
|
||
“What’s that, Tredwell?” said the latter, looking at them with faint
|
||
distaste.
|
||
|
||
“Poached eggs, my lord.”
|
||
|
||
“I hate poached eggs,” said Lord Caterham peevishly. “They’re so
|
||
insipid. I don’t like to look at them even. Take them away, will you,
|
||
Tredwell?”
|
||
|
||
“Very good, my lord.”
|
||
|
||
Tredwell and the poached eggs withdrew as silently as they came.
|
||
|
||
“Thank God no one gets up early in this house,” remarked Lord Caterham
|
||
devoutly. “We shall have to break this to them when they do, I suppose.”
|
||
|
||
He sighed.
|
||
|
||
“I wonder who murdered him,” said Bundle. “And why?”
|
||
|
||
“That’s not our business, thank goodness,” said Lord Caterham. “That’s
|
||
for the police to find out. Not that Badgworthy will ever find out
|
||
anything. On the whole I rather hope it was Nosystein.”
|
||
|
||
“Meaning——”
|
||
|
||
“The All British Syndicate.”
|
||
|
||
“Why should Mr. Isaacstein murder him when he’d come down here on
|
||
purpose to meet him?”
|
||
|
||
“High finance,” said Lord Caterham vaguely. “And that reminds me, I
|
||
shouldn’t be at all surprised if Isaacstein wasn’t an early riser. He
|
||
may blow in upon us at any minute. It’s a habit in the city. I believe
|
||
that, however rich you are, you always catch the 9.17.”
|
||
|
||
The sound of a motor being driven at great speed was heard through the
|
||
open window.
|
||
|
||
“Codders,” cried Bundle.
|
||
|
||
Father and daughter leaned out of the window and hailed the occupant of
|
||
the car as it drew up before the entrance.
|
||
|
||
“In here, my dear fellow, in here,” cried Lord Caterham, hastily
|
||
swallowing his mouthful of ham.
|
||
|
||
George had no intention of climbing in through the window. He
|
||
disappeared through the front door, and reappeared ushered in by
|
||
Tredwell, who withdrew at once.
|
||
|
||
“Have some breakfast,” said Lord Caterham, shaking him by the hand.
|
||
“What about a kidney?”
|
||
|
||
George waved the kidney aside impatiently.
|
||
|
||
“This is a terrible calamity, terrible, terrible.”
|
||
|
||
“It is indeed. Some haddock?”
|
||
|
||
“No, no. It must be hushed up—at all costs it must be hushed up.”
|
||
|
||
As Bundle had prophesied, George began to splutter.
|
||
|
||
“I understand your feelings,” said Lord Caterham sympathetically. “Try
|
||
an egg and bacon, or some haddock.”
|
||
|
||
“A totally unforeseen contingency—national calamity—concessions
|
||
jeopardized——”
|
||
|
||
“Take time,” said Lord Caterham. “And take some food. What you need
|
||
is some food, to pull you together. Poached eggs now? There were some
|
||
poached eggs here a minute or two ago.”
|
||
|
||
“I don’t want any food,” said George. “I’ve had breakfast, and even if
|
||
I hadn’t had any I shouldn’t want it. We must think what is to be done.
|
||
You have told no one as yet?”
|
||
|
||
“Well, there’s Bundle and myself. And the local police. And Cartwright.
|
||
And all the servants of course.”
|
||
|
||
George groaned.
|
||
|
||
“Pull yourself together, my dear fellow,” said Lord Caterham kindly.
|
||
“(I wish you’d have some breakfast.) You don’t seem to realize that
|
||
you can’t hush up a dead body. It’s got be buried and all that sort of
|
||
thing. Very unfortunate, but there it is.”
|
||
|
||
George became suddenly calm.
|
||
|
||
“You are right, Caterham. You have called in the local police, you say?
|
||
That will not do. We must have Battle.”
|
||
|
||
“Battle, murder and sudden death,” inquired Lord Caterham, with a
|
||
puzzled face.
|
||
|
||
“No, no, you misunderstand me. I referred to Superintendent Battle of
|
||
Scotland Yard. A man of the utmost discretion. He worked with us in
|
||
that deplorable business of the Party Funds.”
|
||
|
||
“What was that?” asked Lord Caterham, with some interest.
|
||
|
||
But George’s eye had fallen upon Bundle, as she sat half in and half
|
||
out of the window, and he remembered discretion just in time. He rose.
|
||
|
||
“We must waste no time. I must send off some wires at once.”
|
||
|
||
“If you write them out, Bundle will send them through the telephone.”
|
||
|
||
George pulled out a fountain pen and began to write with incredible
|
||
rapidity. He handed the first one to Bundle, who read it with a great
|
||
deal of interest.
|
||
|
||
“God! what a name,” she remarked. “Baron How Much?”
|
||
|
||
“Baron Lolopretjzyl.”
|
||
|
||
Bundle blinked.
|
||
|
||
“I’ve got it, but it will take some conveying to the post office.”
|
||
|
||
George continued to write. Then he handed his labours to Bundle and
|
||
addressed the master of the house:
|
||
|
||
“The best thing that you can do, Caterham——”
|
||
|
||
“Yes,” said Lord Caterham apprehensively.
|
||
|
||
“Is to leave everything in my hands.”
|
||
|
||
“Certainly,” said Lord Caterham, with alacrity. “Just what I was
|
||
thinking myself. You’ll find the police and Dr. Cartwright in the
|
||
Council Chamber. With the—er—with the body, you know. My dear Lomax,
|
||
I place Chimneys unreservedly at your disposal. Do anything you like.”
|
||
|
||
“Thank you,” said George. “If I should want to consult you——”
|
||
|
||
But Lord Caterham had faded unobtrusively through the farther door.
|
||
Bundle had observed his retreat with a grim smile.
|
||
|
||
“I’ll send off those telegrams at once,” she said. “You know your way
|
||
to the Council Chamber?”
|
||
|
||
“Thank you, Lady Eileen.”
|
||
|
||
George hurried from the room.
|
||
|
||
|
||
|
||
|
||
11
|
||
|
||
Superintendent Battle Arrives
|
||
|
||
|
||
So apprehensive was Lord Caterham of being consulted by George that he
|
||
spent the whole morning making a tour of his estate. Only the pangs of
|
||
hunger drew him homeward. He also reflected that by now the worst would
|
||
surely be over.
|
||
|
||
He sneaked into the house quietly by a small side door. From there he
|
||
slipped neatly into his sanctum. He flattered himself that his entrance
|
||
had not been observed, but there he was mistaken. The watchful Tredwell
|
||
let nothing escape him. He presented himself at the door.
|
||
|
||
“You’ll excuse me, my lord——”
|
||
|
||
“What is it, Tredwell?”
|
||
|
||
“Mr. Lomax, my lord, is anxious to see you in the library as soon as
|
||
you return.”
|
||
|
||
By this delicate method Tredwell conveyed that Lord Caterham had not
|
||
yet returned unless he chose to say so.
|
||
|
||
Lord Caterham sighed, and then rose.
|
||
|
||
“I suppose it will have to be done sooner or later. In the library, you
|
||
say?”
|
||
|
||
“Yes, my lord.”
|
||
|
||
Sighing again, Lord Caterham crossed the wide spaces of his ancestral
|
||
home, and reached the library door. The door was locked. As he rattled
|
||
the handle, it was unlocked from inside, opened a little way, and the
|
||
face of George Lomax appeared, peering out suspiciously.
|
||
|
||
His face changed when he saw who it was.
|
||
|
||
“Ah, Caterham, come in. We were just wondering what had become of you.”
|
||
|
||
Murmuring something vague about duties on the estate, repairs for
|
||
tenants, Lord Caterham sidled in apologetically. There were two other
|
||
men in the room. One was Colonel Melrose, the Chief Constable. The
|
||
other was a squarely built middle-aged man with a face so singularly
|
||
devoid of expression as to be quite remarkable.
|
||
|
||
“Superintendent Battle arrived half an hour ago,” explained George. “He
|
||
has been round with Inspector Badgworthy, and seen Dr. Cartwright. He
|
||
now wants a few facts from us.”
|
||
|
||
They all sat down, after Lord Caterham had greeted Melrose and
|
||
acknowledged his introduction to Superintendent Battle.
|
||
|
||
“I need hardly tell you, Battle,” said George, “that this is a case in
|
||
which we must use the utmost discretion.”
|
||
|
||
The superintendent nodded in an offhand manner that rather took Lord
|
||
Caterham’s fancy.
|
||
|
||
“That will be all right, Mr. Lomax. But no concealments from us. I
|
||
understand that the dead gentleman was called Count Stanislaus—at
|
||
least, that that is the name by which the household knew him. Now was
|
||
that his real name?”
|
||
|
||
“It was not.”
|
||
|
||
“What was his real name?”
|
||
|
||
“Prince Michael of Herzoslovakia.”
|
||
|
||
Battle’s eyes opened just a trifle, otherwise he gave no sign.
|
||
|
||
“And what, if I may ask the question, was the purpose of his visit
|
||
here? Just pleasure?”
|
||
|
||
“There was a further object, Battle. All this in the strictest
|
||
confidence of course.”
|
||
|
||
“Yes, yes, Mr. Lomax.”
|
||
|
||
“Colonel Melrose?”
|
||
|
||
“Of course.”
|
||
|
||
“Well, then, Prince Michael was here for the express purpose of meeting
|
||
Mr. Herman Isaacstein. A loan was to be arranged on certain terms.”
|
||
|
||
“Which were?”
|
||
|
||
“I do not know the exact details. Indeed, they had not yet been
|
||
arranged. But in the event of coming to the throne, Prince Michael
|
||
pledged himself to grant certain oil concessions to those companies in
|
||
which Mr. Isaacstein is interested. The British Government was prepared
|
||
to support the claim of Prince Michael to the throne in view of his
|
||
pronounced British sympathies.”
|
||
|
||
“Well,” said Superintendent Battle, “I don’t suppose I need go further
|
||
into it than that. Prince Michael wanted the money, Mr. Isaacstein
|
||
wanted oil, and the British Government was ready to do the heavy
|
||
father. Just one question. Was anyone else after those concessions?”
|
||
|
||
“I believe an American group of financiers had made overtures to His
|
||
Highness.”
|
||
|
||
“And been turned down, eh?”
|
||
|
||
But George refused to be drawn.
|
||
|
||
“Prince Michael’s sympathies were entirely pro-British,” he repeated.
|
||
|
||
Superintendent Battle did not press the point.
|
||
|
||
“Lord Caterham, I understand that this is what occurred yesterday. You
|
||
met Prince Michael in town and journeyed down here in company with him.
|
||
The Prince was accompanied by his valet, a Herzoslovakian named Boris
|
||
Anchoukoff, but his equerry, Captain Andrassy, remained in town. The
|
||
Prince, on arriving, declared himself greatly fatigued, and retired to
|
||
the apartments set aside for him. Dinner was served to him there, and
|
||
he did not meet the other members of the house party. Is that correct?”
|
||
|
||
“Quite correct.”
|
||
|
||
“This morning a housemaid discovered the body at approximately 7.45
|
||
A.M. Dr. Cartwright examined the dead man and found that death was the
|
||
result of a bullet fired from a revolver. No revolver was found, and no
|
||
one in the house seems to have heard the shot. On the other hand the
|
||
dead man’s wrist watch was smashed by the fall, and marks the crime as
|
||
having been committed at exactly a quarter to twelve. Now what time
|
||
did you retire to bed last night?”
|
||
|
||
“We went early. Somehow or other the party didn’t seem to ‘go’ if you
|
||
know what I mean, superintendent. We went up about half-past ten, I
|
||
should say.”
|
||
|
||
“Thank you. Now I will ask you, Lord Caterham, to give me a description
|
||
of all the people staying in the house.”
|
||
|
||
“But, excuse me, I thought the fellow who did it came from outside?”
|
||
|
||
Superintendent Battle smiled.
|
||
|
||
“I dare say he did. I dare say he did. But all the same I’ve got to
|
||
know who was in the house. Matter of routine, you know.”
|
||
|
||
“Well, there was Prince Michael and his valet and Mr. Herman
|
||
Isaacstein. You know all about them. Then there was Mr. Eversleigh——”
|
||
|
||
“Who works in my department,” put in George condescendingly.
|
||
|
||
“And who was acquainted with the real reason of Prince Michael’s being
|
||
here?”
|
||
|
||
“No, I should not say that,” replied George weightily. “Doubtless
|
||
he realized that something was in the wind, but I did not think it
|
||
necessary to take him fully into my confidence.”
|
||
|
||
“I see. Will you go on, Lord Caterham?”
|
||
|
||
“Let me see, there was Mr. Hiram Fish.”
|
||
|
||
“Who is Mr. Hiram Fish?”
|
||
|
||
“Mr. Fish is an American. He brought over a letter of introduction from
|
||
Mr. Lucius Gott—you’ve heard of Lucius Gott?”
|
||
|
||
Superintendent Battle smiled acknowledgment. Who had not heard of
|
||
Lucius C. Gott, the multi-millionaire?
|
||
|
||
“He was specially anxious to see my first editions. Mr. Gott’s
|
||
collection is, of course, unequalled, but I’ve got several treasures
|
||
myself. This Mr. Fish was an enthusiast. Mr. Lomax had suggested that
|
||
I ask one or two extra people down here this week-end to make things
|
||
seem more natural, so I took the opportunity of asking Mr. Fish. That
|
||
finishes the men. As for the ladies, there is only Mrs. Revel—and I
|
||
expect she brought a maid or something like that. Then there was my
|
||
daughter, and of course the children and their nurses and governesses
|
||
and all the servants.”
|
||
|
||
Lord Caterham paused and took a breath.
|
||
|
||
“Thank you,” said the detective. “A mere matter of routine, but
|
||
necessary as such.”
|
||
|
||
“There is no doubt, I suppose,” asked George ponderously, “that the
|
||
murderer entered by the window?”
|
||
|
||
Battle paused for a minute before replying slowly.
|
||
|
||
“There were footsteps leading up to the window, and footsteps leading
|
||
away from it. A car stopped outside the park at 11.40 last night. At
|
||
twelve o’clock a young man arrived at the _Jolly Cricketers_ in a car,
|
||
and engaged a room. He put his boots outside to be cleaned—they were
|
||
very wet and muddy, as though he had been walking through the long
|
||
grass in the park.”
|
||
|
||
George leant forward eagerly.
|
||
|
||
“Could not the boots be compared with the footprints?”
|
||
|
||
“They were.”
|
||
|
||
“Well?”
|
||
|
||
“They exactly correspond.”
|
||
|
||
“That settles it,” cried George. “We have the murderer. The young
|
||
man—what is his name, by the way?”
|
||
|
||
“At the inn he gave the name of Anthony Cade.”
|
||
|
||
“This Anthony Cade must be pursued at once, and arrested.”
|
||
|
||
“You won’t need to pursue him,” said Superintendent Battle.
|
||
|
||
“Why?”
|
||
|
||
“Because he’s still there.”
|
||
|
||
“What?”
|
||
|
||
“Curious, isn’t it?”
|
||
|
||
Colonel Melrose eyed him keenly.
|
||
|
||
“What’s in your mind, Battle? Out with it.”
|
||
|
||
“I just say it’s curious, that’s all. Here’s a young man who ought to
|
||
cut and run, but he doesn’t cut and run. He stays here, and gives us
|
||
every facility for comparing footmarks.”
|
||
|
||
“What do you think, then?”
|
||
|
||
“I don’t know what to think. And that’s a very disturbing state of
|
||
mind.”
|
||
|
||
“Do you imagine——” began Colonel Melrose, but broke off as a discreet
|
||
knock came at the door.
|
||
|
||
George rose and went to it. Tredwell, inwardly suffering from having to
|
||
knock at doors in this low fashion, stood dignified upon the threshold,
|
||
and addressed his master.
|
||
|
||
“Excuse me, my lord, but a gentleman wishes to see you on urgent and
|
||
important business, connected, I understand, with this morning’s
|
||
tragedy.”
|
||
|
||
“What’s his name?” asked Battle suddenly.
|
||
|
||
“His name, sir, is Mr. Anthony Cade, but he said it wouldn’t convey
|
||
anything to anybody.”
|
||
|
||
It seemed to convey something to the four men present. They all sat up
|
||
in varying degrees of astonishment.
|
||
|
||
Lord Caterham began to chuckle.
|
||
|
||
“I’m really beginning to enjoy myself. Show him in, Tredwell. Show him
|
||
in at once.”
|
||
|
||
|
||
|
||
|
||
12
|
||
|
||
Anthony Tells His Story
|
||
|
||
|
||
“Mr. Anthony Cade,” announced Tredwell.
|
||
|
||
“Enter suspicious stranger from village inn,” said Anthony.
|
||
|
||
He made his way toward Lord Caterham with a kind of instinct rare in
|
||
strangers. At the same time he summed up the other three men in his
|
||
own mind thus: “1, Scotland Yard. 2, Local dignitary—probably chief
|
||
constable. 3, Harassed gentleman on the verge of apoplexy—possibly
|
||
connected with the Government.”
|
||
|
||
“I must apologize,” continued Anthony, still addressing Lord Caterham.
|
||
“For forcing my way in like this, I mean. But it was rumoured round the
|
||
_Jolly Dog_, or whatever the name of your local pub may be, that you
|
||
had had a murder up here, and as I thought I might be able to throw
|
||
some light upon it I came along.”
|
||
|
||
For a moment or two, no one spoke. Superintendent Battle because he was
|
||
a man of ripe experience who knew how infinitely better it was to let
|
||
every one else speak if they could be persuaded upon to do so, Colonel
|
||
Melrose because he was habitually taciturn, George because he was in
|
||
the habit of having notice given him of the question, Lord Caterham
|
||
because he had not the least idea of what to say. The silence of the
|
||
other three, however, and the fact that he had been directly addressed,
|
||
finally forced speech upon the last named.
|
||
|
||
“Er—quite so—quite so,” he said nervously. “Won’t—you—er—sit down?”
|
||
|
||
“Thank you,” said Anthony.
|
||
|
||
George cleared his throat portentously.
|
||
|
||
“Er—when you say you can throw light upon this matter, you mean——?”
|
||
|
||
“I mean,” said Anthony, “that I was trespassing upon Lord Caterham’s
|
||
property (for which I hope he will forgive me) last night at about
|
||
11.45, and that I actually heard the shot fired. I can at any rate fix
|
||
the time of the crime for you.”
|
||
|
||
He looked round at the three in turn, his eyes resting longest on
|
||
Superintendent Battle, the impassivity of whose face he seemed to
|
||
appreciate.
|
||
|
||
“But I hardly think that that’s news to you,” he added gently.
|
||
|
||
“Meaning by that, Mr. Cade?” asked Battle.
|
||
|
||
“Just this. I put on shoes when I got up this morning. Later, when I
|
||
asked for my boots, I couldn’t have them. Some nice young constable had
|
||
called round for them. So I naturally put two and two together, and
|
||
hurried up here to clear my character if possible.”
|
||
|
||
“A very sensible move,” said Battle non-committally.
|
||
|
||
Anthony’s eyes twinkled a little.
|
||
|
||
“I appreciate your reticence, inspector. It is inspector, isn’t it?”
|
||
|
||
Lord Caterham interposed. He was beginning to take a fancy to Anthony.
|
||
|
||
“Superintendent Battle of Scotland Yard. This is Colonel Melrose, our
|
||
Chief Constable, and Mr. Lomax.”
|
||
|
||
Anthony looked sharply at George.
|
||
|
||
“Mr. George Lomax?”
|
||
|
||
“Yes.”
|
||
|
||
“I think, Mr. Lomax,” said Anthony, “that I had the pleasure of
|
||
receiving a letter from you yesterday.”
|
||
|
||
George stared at him.
|
||
|
||
“I think not,” he said coldly.
|
||
|
||
But he wished that Miss Oscar were here. Miss Oscar wrote all his
|
||
letters for him, and remembered who they were to and what they were
|
||
about. A great man like George could not possibly remember all these
|
||
annoying details.
|
||
|
||
“I think, Mr. Cade,” he hinted, “that you were about to give us
|
||
some—er—explanation of what you were doing in the grounds last night
|
||
at 11.45?”
|
||
|
||
His tone said plainly: “And whatever it may be, we are not likely to
|
||
believe it.”
|
||
|
||
“Yes, Mr. Cade, what _were_ you doing?” said Lord Caterham, with lively
|
||
interest.
|
||
|
||
“Well,” said Anthony regretfully. “I’m afraid it’s rather a long story.”
|
||
|
||
He drew out his cigarette case.
|
||
|
||
“May I?”
|
||
|
||
Lord Caterham nodded, and Anthony lit a cigarette, and braced himself
|
||
for the ordeal.
|
||
|
||
He was aware, none better, of the peril in which he stood. In the short
|
||
space of twenty-four hours, he had become embroiled in two separate
|
||
crimes. His actions in connection with the first would not bear looking
|
||
into for a second. After deliberately disposing of one body, and so
|
||
defeating the aims of justice, he had arrived upon the scene of the
|
||
second crime at the exact moment when it was being committed. For a
|
||
young man looking for trouble, he could hardly have done better.
|
||
|
||
“South America,” thought Anthony to himself, “simply isn’t in it with
|
||
this!”
|
||
|
||
He had already decided upon his course of action. He was going to tell
|
||
the truth—with one trifling alteration, and one grave suppression.
|
||
|
||
“The story begins,” said Anthony, “about three weeks ago—in Bulawayo.
|
||
Mr. Lomax, of course, knows where that is—outpost of the Empire—‘What
|
||
do we know of England who only England know?’ all that sort of thing. I
|
||
was conversing with a friend of mine, a Mr. James McGrath—”
|
||
|
||
He brought out the name slowly, with a thoughtful eye on George. George
|
||
bounded in his seat and repressed an exclamation with difficulty.
|
||
|
||
“The upshot of our conversation was that I came to England to carry
|
||
out a little commission for Mr. McGrath, who was unable to go himself.
|
||
Since the passage was booked in his name, I travelled as James
|
||
McGrath. I don’t know what particular kind of offence that was—the
|
||
superintendent can tell me, I dare say, and run me in for so many
|
||
months’ hard if necessary.”
|
||
|
||
“We’ll get on with the story, if you please, sir,” said Battle, but his
|
||
eyes twinkled a little.
|
||
|
||
“On arrival in London I went to the Blitz Hotel, still as James
|
||
McGrath. My business in London was to deliver a certain manuscript to a
|
||
firm of publishers, but almost immediately I received deputations from
|
||
the representatives of two political parties of a foreign kingdom. The
|
||
methods of one were strictly constitutional, the methods of the other
|
||
were not. I dealt with them both accordingly. But my troubles were not
|
||
over. That night my room was broken into, and an attempt at burglary
|
||
was made by one of the waiters at the hotel.”
|
||
|
||
“That was not reported to the police, I think?” said Superintendent
|
||
Battle.
|
||
|
||
“You are right. It was not. Nothing was taken, you see. But I did
|
||
report the occurrence to the manager of the hotel, and he will confirm
|
||
my story, and tell you that the waiter in question decamped rather
|
||
abruptly in the middle of the night. The next day, the publishers
|
||
rang me up, and suggested that one of their representatives would
|
||
call upon me and receive the manuscript. I agreed to this, and the
|
||
arrangement was duly carried out on the following morning. Since I
|
||
have heard nothing further, I presume the manuscript reached them
|
||
safely. Yesterday, still as James McGrath, I received a letter from Mr.
|
||
Lomax——”
|
||
|
||
Anthony paused. He was by now beginning to enjoy himself. George
|
||
shifted uneasily.
|
||
|
||
“I remember,” he murmured. “Such a large correspondence. The name, of
|
||
course, being different, I could not be expected to know. And I may
|
||
say,” George’s voice rose a little, firm in the assurance of moral
|
||
stability, “that I consider this—this—masquerading as another man in
|
||
the highest degree improper. I have no doubt, no doubt whatever, that
|
||
you have incurred a severe legal penalty.”
|
||
|
||
“In this letter,” continued Anthony, unmoved, “Mr. Lomax made various
|
||
suggestions concerning the manuscript in my charge. He also extended an
|
||
invitation to me from Lord Caterham to join the house party here.”
|
||
|
||
“Delighted to see you, my dear fellow,” said that nobleman. “Better
|
||
late than never—eh?”
|
||
|
||
George frowned at him.
|
||
|
||
Superintendent Battle bent an unmoved eye upon Anthony.
|
||
|
||
“And is that your explanation of your presence here last night, sir?”
|
||
he asked.
|
||
|
||
“Certainly not,” said Anthony warmly. “When I am asked to stay at a
|
||
country-house, I don’t scale the wall late at night, tramp across the
|
||
park, and try the downstairs windows. I drive up to the front door,
|
||
ring the bell and wipe my feet on the mat. I will proceed. I replied to
|
||
Mr. Lomax’s letter, explaining that the manuscript had passed out of
|
||
my keeping, and therefore regretfully declining Lord Caterham’s kind
|
||
invitation. But after I had done so, I remembered something which had
|
||
up till then escaped my memory.” He paused. The moment had come for
|
||
skating over thin ice. “I must tell you that in my struggle with the
|
||
waiter Giuseppe, I had wrested from him a small bit of paper with some
|
||
words scribbled on it. They had conveyed nothing to me at the time, but
|
||
I still had them, and the mention of Chimneys recalled them to me. I
|
||
got the torn scrap out and looked at it. It was as I had thought. Here
|
||
is the piece of paper, gentlemen, you can see for yourselves. The words
|
||
on it are ‘_Chimneys 11.45 Thursday._’”
|
||
|
||
Battle examined the paper attentively.
|
||
|
||
“Of course,” continued Anthony, “the word Chimneys might have nothing
|
||
whatever to do with this house. On the other hand, it might. And
|
||
undoubtedly this Giuseppe was a thieving rascal. I made up my mind to
|
||
motor down here last night, satisfy myself that all was as it should
|
||
be, put up at the inn, and call upon Lord Caterham in the morning and
|
||
put him on his guard in case some mischief should be intended during
|
||
the week-end.”
|
||
|
||
“Quite so,” said Lord Caterham encouragingly. “Quite so.”
|
||
|
||
“I was late in getting here—had not allowed enough time. Consequently
|
||
I stopped the car, climbed over the wall and ran across the park. When
|
||
I arrived on the terrace, the whole house was dark and silent. I was
|
||
just turning away when I heard a shot. I fancied that it came from
|
||
inside the house, and I ran back, crossed the terrace, and tried the
|
||
windows. But they were fastened, and there was no sound of any kind
|
||
from inside the house. I waited a while, but the whole place was still
|
||
as the grave, so I made up my mind that I had made a mistake, and that
|
||
what I had heard was a stray poacher—quite a natural conclusion to
|
||
come to under the circumstances, I think.”
|
||
|
||
“Quite natural,” said Superintendent Battle expressionlessly.
|
||
|
||
“I went on to the inn, put up as I said—and heard the news
|
||
this morning. I realized, of course, that I was a suspicious
|
||
character—bound to be under the circumstances, and came up here to
|
||
tell my story, hoping it wasn’t going to be handcuffs for one.”
|
||
|
||
There was a pause. Colonel Melrose looked sideways at Superintendent
|
||
Battle.
|
||
|
||
“I think the story seems clear enough,” he remarked.
|
||
|
||
“Yes,” said Battle. “I don’t think we’ll be handing out any handcuffs
|
||
this morning.”
|
||
|
||
“Any questions, Battle?”
|
||
|
||
“There’s one thing I’d like to know. What was this manuscript?”
|
||
|
||
He looked across at George, and the latter replied with a trace of
|
||
unwillingness:
|
||
|
||
“The Memoirs of the late Count Stylptitch. You see——”
|
||
|
||
“You needn’t say anything more,” said Battle. “I see perfectly.”
|
||
|
||
He turned to Anthony.
|
||
|
||
“Do you know who it was that was shot, Mr. Cade?”
|
||
|
||
“At the _Jolly Dog_ it was understood to be a Count Stanislaus or some
|
||
such name.”
|
||
|
||
“Tell him,” said Battle laconically to George Lomax.
|
||
|
||
George was clearly reluctant, but he was forced to speak:
|
||
|
||
“The gentleman who was staying here incognito as Count Stanislaus was
|
||
His Highness Prince Michael of Herzoslovakia.”
|
||
|
||
Anthony whistled.
|
||
|
||
“That must be deuced awkward,” he remarked.
|
||
|
||
Superintendent Battle, who had been watching Anthony closely, gave a
|
||
short grunt as though satisfied of something, and rose abruptly to his
|
||
feet.
|
||
|
||
“There are one or two questions I’d like to ask Mr. Cade,” he
|
||
announced. “I’ll take him into the Council Chamber with me if I may.”
|
||
|
||
“Certainly, certainly,” said Lord Caterham. “Take him anywhere you
|
||
like.”
|
||
|
||
Anthony and the detective went out together.
|
||
|
||
The body had been removed from the scene of the tragedy. There was a
|
||
dark stain on the floor where it had lain, but otherwise there was
|
||
nothing to suggest that a tragedy had ever occurred. The sun poured in
|
||
through the three windows, flooding the room with light, and bringing
|
||
out the mellow tone of the old panelling. Anthony looked around him
|
||
with approval.
|
||
|
||
“Very nice,” he commented. “Nothing much to beat old England, is there?”
|
||
|
||
“Did it seem to you at first it was in this room the shot was fired?”
|
||
asked the superintendent, not replying to Anthony’s eulogium.
|
||
|
||
“Let me see.”
|
||
|
||
Anthony opened the window and went out on the terrace, looking up at
|
||
the house.
|
||
|
||
“Yes, that’s the room all right,” he said. “It’s built out, and
|
||
occupies all the corner. If the shot had been fired anywhere else, it
|
||
would have sounded from the _left_, but this was from behind me or to
|
||
the right if anything. That’s why I thought of poachers. It’s at the
|
||
extremity of the wing, you see.”
|
||
|
||
He stepped back across the threshold, and asked suddenly, as though the
|
||
idea had just struck him:
|
||
|
||
“But why do you ask? You know he was shot here, don’t you?”
|
||
|
||
“Ah!” said the superintendent. “We never know as much as we’d like to
|
||
know. But, yes, he was shot here all right. Now you said something
|
||
about trying the windows, didn’t you?”
|
||
|
||
“Yes. They were fastened from the inside.”
|
||
|
||
“How many of them did you try?”
|
||
|
||
“All three of them.”
|
||
|
||
“Sure of that, sir?”
|
||
|
||
“I’m in the habit of being sure. Why do you ask?”
|
||
|
||
“That’s a funny thing,” said the superintendent.
|
||
|
||
“What’s a funny thing?”
|
||
|
||
“When the crime was discovered this morning, the middle one was
|
||
open—not latched, that is to say.”
|
||
|
||
“Whew!” said Anthony, sinking down on the window seat, and taking
|
||
out his cigarette case. “That’s rather a blow. That opens up quite
|
||
a different aspect of the case. It leaves us two alternatives.
|
||
Either he was killed by some one in the house, and that some one
|
||
unlatched the window after I had gone to make it look like an outside
|
||
job—incidentally with me as Little Willie—or else, not to mince
|
||
matters, I’m lying. I dare say you incline to the second possibility,
|
||
but, upon my honour, you’re wrong.”
|
||
|
||
“Nobody’s going to leave this house until I’m through with them, I can
|
||
tell you that,” said Superintendent Battle grimly.
|
||
|
||
Anthony looked at him keenly.
|
||
|
||
“How long have you had the idea that it might be an inside job?” he
|
||
asked.
|
||
|
||
Battle smiled.
|
||
|
||
“I’ve had a notion that way all along. Your trail was a bit
|
||
too—flaring, if I may put it that way. As soon as your boots fitted
|
||
the footmarks, I began to have my doubts.”
|
||
|
||
“I congratulate Scotland Yard,” said Anthony lightly.
|
||
|
||
But at that moment, the moment when Battle apparently admitted
|
||
Anthony’s complete absence of complicity in the crime, Anthony felt
|
||
more than ever the need of being upon his guard. Superintendent Battle
|
||
was a very astute officer. It would not do to make any slip with
|
||
Superintendent Battle about.
|
||
|
||
“That’s where it happened, I suppose?” said Anthony, nodding towards
|
||
the dark patch upon the floor.
|
||
|
||
“Yes.”
|
||
|
||
“What was he shot with—a revolver?”
|
||
|
||
“Yes, but we shan’t know what make until they get the bullet out at the
|
||
autopsy.”
|
||
|
||
“It wasn’t found, then?”
|
||
|
||
“No, it wasn’t found.”
|
||
|
||
“No clues of any kind?”
|
||
|
||
“Well, we’ve got this.”
|
||
|
||
Rather after the manner of a conjurer, Superintendent Battle produced
|
||
a half-sheet of notepaper. And, as he did so, he again watched Anthony
|
||
closely without seeming to do so.
|
||
|
||
But Anthony recognized the design upon it without any sign of
|
||
consternation.
|
||
|
||
“Aha! Comrades of the Red Hand again. If they’re going to scatter this
|
||
sort of thing about, they ought to have it lithographed. It must be a
|
||
frightful nuisance doing every one separately. Where was this found?”
|
||
|
||
“Underneath the body. You’ve seen it before, sir?”
|
||
|
||
Anthony recounted to him in detail his short encounter with that
|
||
public-spirited association.
|
||
|
||
“The idea is, I suppose, that the Comrades did him in.”
|
||
|
||
“Do you think it likely, sir?”
|
||
|
||
“Well, it would be in keeping with their propaganda. But I’ve always
|
||
found that those who talk most about blood have never actually seen
|
||
it run. I shouldn’t have said the Comrades had the guts myself. And
|
||
they’re such picturesque people too. I don’t see one of them disguising
|
||
himself as a suitable guest for a country house. Still, one never
|
||
knows.”
|
||
|
||
“Quite right, Mr. Cade. One never knows.”
|
||
|
||
Anthony looked suddenly amused.
|
||
|
||
“I see the big idea now. Open window, trail of footprints, suspicious
|
||
stranger at village inn. But I can assure you, my dear superintendent,
|
||
that, whatever I am, I am not the local agent of the Red Hand.”
|
||
|
||
Superintendent Battle smiled a little. Then he played his last card.
|
||
|
||
“Would you have any objection to seeing the body?” he shot out suddenly.
|
||
|
||
“None whatever,” rejoined Anthony.
|
||
|
||
Battle took a key from his pocket, and preceding Anthony down the
|
||
corridor, paused at a door and unlocked it. It was one of the smaller
|
||
drawing-rooms. The body lay on a table covered with a sheet.
|
||
|
||
Superintendent Battle waited until Anthony was beside him, and then
|
||
whisked away the sheet suddenly.
|
||
|
||
An eager light sprang into his eyes at the half-uttered exclamation and
|
||
the start of surprise which the other gave.
|
||
|
||
“So you _do_ recognize him, Mr. Cade,” he said, in a voice that he
|
||
strove to render devoid of triumph.
|
||
|
||
“I’ve seen him before, yes,” said Anthony, recovering himself. “But
|
||
not as Prince Michael Obolovitch. He purported to come from Messrs.
|
||
Balderson and Hodgkins, and he called himself Mr. Holmes.”
|
||
|
||
|
||
|
||
|
||
13
|
||
|
||
The American Visitor
|
||
|
||
|
||
Superintendent Battle replaced the sheet with the slightly crest-fallen
|
||
air of a man whose best point has fallen flat. Anthony stood with his
|
||
hands in his pockets lost in thought.
|
||
|
||
“So that’s what old Lollipop meant when he talked about ‘other means,’”
|
||
he murmured at last.
|
||
|
||
“I beg your pardon, Mr. Cade?”
|
||
|
||
“Nothing, superintendent. Forgive my abstraction. You see, I—or rather
|
||
my friend, Jimmy McGrath, has been very neatly done out of a thousand
|
||
pounds.”
|
||
|
||
“A thousand pounds is a nice sum of money,” said Battle.
|
||
|
||
“It isn’t the thousand pounds so much,” said Anthony, “though I agree
|
||
with you that it’s a nice sum of money. It’s being done that maddens
|
||
me. I handed over that manuscript like a little woolly lamb. It hurts,
|
||
superintendent, indeed it hurts.”
|
||
|
||
The detective said nothing.
|
||
|
||
“Well, well,” said Anthony. “Regrets are vain, and all may not yet be
|
||
lost. I’ve only got to get hold of dear old Stylptitch’s Reminiscences
|
||
between now and next Wednesday and all will be gas and gaiters.”
|
||
|
||
“Would you mind coming back to the Council Chamber, Mr. Cade? There’s
|
||
one little thing I want to point out to you.”
|
||
|
||
Back in the Council Chamber, the detective strode over at once to the
|
||
middle window.
|
||
|
||
“I’ve been thinking, Mr. Cade. This particular window is very stiff,
|
||
very stiff indeed. You might have been mistaken in thinking that it was
|
||
fastened. It might just have stuck. I’m sure—yes, I’m almost sure,
|
||
that you _were_ mistaken.”
|
||
|
||
Anthony eyed him keenly.
|
||
|
||
“And supposing I say that I’m quite sure I was not?”
|
||
|
||
“Don’t you think you could have been?” said Battle, looking at him very
|
||
steadily.
|
||
|
||
“Well, to oblige you, superintendent, yes.”
|
||
|
||
Battle smiled in a satisfied fashion.
|
||
|
||
“You’re quick in the uptake, sir. And you’ll have no objection to
|
||
saying so, careless like, at a suitable moment?”
|
||
|
||
“None whatever. I——”
|
||
|
||
He paused, as Battle gripped his arm. The superintendent was bent
|
||
forward, listening.
|
||
|
||
Enjoining silence on Anthony with a gesture, he tiptoed noiselessly to
|
||
the door, and flung it suddenly open.
|
||
|
||
On the threshold stood a tall man with black hair neatly parted in the
|
||
middle, china blue eyes with a particularly innocent expression, and a
|
||
large placid face.
|
||
|
||
“Your pardon, gentlemen,” he said in a slow drawling voice with a
|
||
pronounced transatlantic accent. “But is it permitted to inspect the
|
||
scene of the crime? I take it that you are both gentlemen from Scotland
|
||
Yard?”
|
||
|
||
“I have not that honour,” said Anthony. “But this gentleman is
|
||
Superintendent Battle of Scotland Yard.”
|
||
|
||
“Is that so?” said the American gentleman, with a great appearance of
|
||
interest. “Pleased to meet you, sir. My name is Hiram P. Fish, of New
|
||
York City.”
|
||
|
||
“What was it you wanted to see, Mr. Fish?” asked the detective.
|
||
|
||
The American walked gently into the room, and looked with much interest
|
||
at the dark patch on the floor.
|
||
|
||
“I am interested in crime, Mr. Battle. It is one of my hobbies. I have
|
||
contributed a monograph to one of our weekly periodicals on the subject
|
||
‘Degeneracy and the Criminal.’”
|
||
|
||
As he spoke, his eyes went gently round the room, seeming to note
|
||
everything in it. They rested just a shade longer on the window.
|
||
|
||
“The body,” said Superintendent Battle, stating a self-evident fact,
|
||
“has been removed.”
|
||
|
||
“Surely,” said Mr. Fish. His eyes went on to the panelled walls.
|
||
“Some remarkable pictures in this room, gentlemen. A Holbein, two
|
||
Van Dycks, and, if I am not mistaken, a Velasquez. I am interested
|
||
in pictures—and likewise in first editions. It was to see his first
|
||
editions that Lord Caterham was so kind as to invite me down here.”
|
||
|
||
He sighed gently.
|
||
|
||
“I guess that’s all off now. It would show a proper feeling I suppose,
|
||
for the guests to return to town immediately?”
|
||
|
||
“I’m afraid that can’t be done, sir,” said Superintendent Battle.
|
||
“Nobody must leave the house until after the inquest.”
|
||
|
||
“Is that so? And when is the inquest?”
|
||
|
||
“May be to-morrow, may not be until Monday. We’ve got to arrange for
|
||
the autopsy and see the Coroner.”
|
||
|
||
“I get you,” said Mr. Fish. “Under the circumstances, though, it will
|
||
be a melancholy party.”
|
||
|
||
Battle led the way to the door.
|
||
|
||
“We’d best get out of here,” he said. “We’re keeping it locked still.”
|
||
|
||
He waited for the other two to pass through, and then turned the key
|
||
and removed it.
|
||
|
||
“I opine,” said Mr. Fish, “that you are seeking for fingerprints?”
|
||
|
||
“Maybe,” said the superintendent laconically.
|
||
|
||
“I should say to that, on a night such as last night, an intruder would
|
||
have left footprints on the hardwood floor.”
|
||
|
||
“None inside, plenty outside.”
|
||
|
||
“Mine,” explained Anthony cheerfully.
|
||
|
||
The innocent eyes of Mr. Fish swept over him.
|
||
|
||
“Young man,” he said, “you surprise me.”
|
||
|
||
They turned a corner, and came out into the big wide hall, panelled like
|
||
the Council Chamber in old oak, and with a wide gallery above it. Two
|
||
other figures came into sight at the far end.
|
||
|
||
“Aha!” said Mr. Fish. “Our genial host.”
|
||
|
||
This was such a ludicrous description of Lord Caterham that Anthony had
|
||
to turn his head away to conceal a smile.
|
||
|
||
“And with him,” continued the American, “is a lady whose name I did not
|
||
catch last night. But she is bright—she is very bright.”
|
||
|
||
With Lord Caterham was Virginia Revel.
|
||
|
||
Anthony had been anticipating this meeting all along. He had no
|
||
idea how to act. He must leave it to Virginia. Although he had full
|
||
confidence in her presence of mind, he had not the slightest idea what
|
||
line she would take. He was not long left in doubt.
|
||
|
||
“Why, it’s Mr. Cade,” said Virginia. She held out both hands to him.
|
||
“So you found you could come down after all?”
|
||
|
||
“My dear Mrs. Revel, I had no idea Mr. Cade was a friend of yours,”
|
||
said Lord Caterham.
|
||
|
||
“He’s a very old friend,” said Virginia, smiling at Anthony with a
|
||
mischievous glint in her eye. “I ran across him in London unexpectedly
|
||
yesterday, and told him I was coming down here.”
|
||
|
||
Anthony was quick to give her her pointer.
|
||
|
||
“I explained to Mrs. Revel,” he said, “that I had been forced to refuse
|
||
your kind invitation—since it had really been extended to quite a
|
||
different man. And I couldn’t very well foist a perfect stranger on you
|
||
under false pretences.”
|
||
|
||
“Well, well, my dear fellow,” said Lord Caterham, “that’s all over and
|
||
done with now. I’ll send down to the _Cricketers_ for your bag.”
|
||
|
||
“It’s very kind of you, Lord Caterham, but——”
|
||
|
||
“Nonsense, of course you must come to Chimneys. Horrible place, the
|
||
_Cricketers_—to stay in, I mean.”
|
||
|
||
“Of course you must come, Mr. Cade,” said Virginia softly.
|
||
|
||
Anthony realized the altered tone of his surroundings. Already Virginia
|
||
had done much for him. He was no longer an ambiguous stranger. Her
|
||
position was so assured and unassailable that anyone for whom she
|
||
vouched was accepted as a matter of course. He thought of the pistol in
|
||
the tree at Burnham Beeches, and smiled inwardly.
|
||
|
||
“I’ll send for your traps,” said Lord Caterham to Anthony. “I suppose,
|
||
in the circumstances, we can’t have any shooting. A pity. But there it
|
||
is. And I don’t know what the devil to do with Isaacstein. It’s all
|
||
very unfortunate.”
|
||
|
||
The depressed peer sighed heavily.
|
||
|
||
“That’s settled, then,” said Virginia. “You can begin to be useful
|
||
right away, Mr. Cade, and take me out on the lake. It’s very peaceful
|
||
there and far from crime and all that sort of thing. Isn’t it awful for
|
||
poor Lord Caterham having a murder done in his house? But it’s George’s
|
||
fault really. This is George’s party, you know.”
|
||
|
||
“Ah!” said Lord Caterham. “But I should never have listened to him!”
|
||
|
||
He assumed the air of a strong man betrayed by a single weakness.
|
||
|
||
“One can’t help listening to George,” said Virginia. “He always holds
|
||
you so that you can’t get away. I’m thinking of patenting a detachable
|
||
lapel.”
|
||
|
||
“I wish you would,” chuckled her host. “I’m glad you’re coming to us,
|
||
Cade. I need support.”
|
||
|
||
“I appreciate your kindness very much, Lord Caterham,” said Anthony.
|
||
“Especially,” he added, “when I’m such a suspicious character. But my
|
||
staying here makes it easier for Battle.”
|
||
|
||
“In what way, sir?” asked the superintendent.
|
||
|
||
“It won’t be so difficult to keep an eye on me,” explained Anthony
|
||
gently.
|
||
|
||
And by the momentary flicker of the superintendent’s eyelids he knew
|
||
that his shot had gone home.
|
||
|
||
|
||
|
||
|
||
14
|
||
|
||
Mainly Political and Financial
|
||
|
||
|
||
Except for that involuntary twitch of the eyelids, Superintendent
|
||
Battle’s impassivity was unimpaired. If he had been surprised at
|
||
Virginia’s recognition of Anthony, he did not show it. He and Lord
|
||
Caterham stood together and watched those two go out through the garden
|
||
door. Mr. Fish also watched them.
|
||
|
||
“Nice young fellow, that,” said Lord Caterham.
|
||
|
||
“Vurry nice for Mrs. Revel to meet an old friend,” murmured the
|
||
American. “They have been acquainted some time, presoomably?”
|
||
|
||
“Seems so,” said Lord Caterham. “But I’ve never heard her mention him
|
||
before. Oh, by the way, Battle, Mr. Lomax has been asking for you. He’s
|
||
in the Blue morning-room.”
|
||
|
||
“Very good, Lord Caterham. I’ll go there at once.”
|
||
|
||
Battle found his way to the Blue morning-room without difficulty. He
|
||
was already familiar with the geography of the house.
|
||
|
||
“Ah, there you are, Battle,” said Lomax.
|
||
|
||
He was striding impatiently up and down the carpet. There was one other
|
||
person in the room, a big man sitting in a chair by the fireplace. He
|
||
was dressed in very correct English shooting clothes which nevertheless
|
||
sat strangely upon him. He had a fat yellow face, and black eyes, as
|
||
impenetrable as those of a cobra. There was a generous curve to the big
|
||
nose and power in the square lines of the vast jaw.
|
||
|
||
“Come in, Battle,” said Lomax irritably. “And shut the door behind
|
||
you. This is Mr. Herman Isaacstein.”
|
||
|
||
Battle inclined his head respectfully.
|
||
|
||
He knew all about Mr. Herman Isaacstein, and though the great financier
|
||
sat there silent, whilst Lomax strode up and down and talked, he knew
|
||
who was the real power in the room.
|
||
|
||
“We can speak more freely now,” said Lomax. “Before Lord Caterham and
|
||
Colonel Melrose, I was anxious not to say too much. You understand,
|
||
Battle? These things mustn’t get about.”
|
||
|
||
“Ah!” said Battle. “But they always do, more’s the pity.”
|
||
|
||
Just for a second he saw a trace of a smile on the fat yellow face. It
|
||
disappeared as suddenly as it had come.
|
||
|
||
“Now what do you really think of this young fellow—this Anthony Cade?”
|
||
continued George. “Do you still assume him to be innocent?”
|
||
|
||
Battle shrugged his shoulders very slightly.
|
||
|
||
“He tells a straight story. Part of it we shall be able to verify.
|
||
On the face of it, it accounts for his presence here last night. I
|
||
shall cable to South Africa, of course, for information about his
|
||
antecedents.”
|
||
|
||
“Then you regard him as cleared of all complicity?”
|
||
|
||
Battle raised a large square hand.
|
||
|
||
“Not so fast, sir. I never said that.”
|
||
|
||
“What is your own idea about the crime, Superintendent Battle?” asked
|
||
Isaacstein, speaking for the first time.
|
||
|
||
His voice was deep and rich, and had a certain compelling quality about
|
||
it. It had stood him in good stead at board meetings in his younger
|
||
days.
|
||
|
||
“It’s rather too soon to have ideas, Mr. Isaacstein. I’ve not got
|
||
beyond asking myself the first question.”
|
||
|
||
“What is that?”
|
||
|
||
“Oh, it’s always the same. Motive. Who benefits by the death of Prince
|
||
Michael? We’ve got to answer that before we can get anywhere.”
|
||
|
||
“The Revolutionary party of Herzoslovakia——” began George.
|
||
|
||
Superintendent Battle waved him aside with something less than his
|
||
usual respect.
|
||
|
||
“It wasn’t the Comrades of the Red Hand, sir, if you’re thinking of
|
||
them.”
|
||
|
||
“But the paper—with the scarlet hand on it?”
|
||
|
||
“Put there to suggest the obvious solution.”
|
||
|
||
George’s dignity was a little ruffled.
|
||
|
||
“Really, Battle, I don’t see how you can be so sure of that.”
|
||
|
||
“Bless you, Mr. Lomax, we know all about the Comrades of the Red Hand.
|
||
We’ve had our eye on them ever since Prince Michael landed in England.
|
||
That sort of thing is the elementary work of the department. They’d
|
||
never be allowed to get within a mile of him.”
|
||
|
||
“I agree with Superintendent Battle,” said Isaacstein. “We must look
|
||
elsewhere.”
|
||
|
||
“You see, sir,” said Battle, encouraged by his support, “we do know a
|
||
little about the case. If we don’t know who gains by his death, we do
|
||
know who loses by it.”
|
||
|
||
“Meaning?” said Isaacstein.
|
||
|
||
His black eyes were bent upon the detective. More than ever, he
|
||
reminded Battle of a hooded cobra.
|
||
|
||
“You and Mr. Lomax, not to mention the Loyalist party of Herzoslovakia.
|
||
If you’ll pardon the expression, sir, you’re in the soup.”
|
||
|
||
“Really, Battle,” interposed George, shocked to the core.
|
||
|
||
“Go on, Battle,” said Isaacstein. “In the soup describes the situation
|
||
very accurately. You’re an intelligent man.”
|
||
|
||
“You’ve got to have a King. You’ve lost your King—like that!” He
|
||
snapped his large fingers. “You’ve got to find another in a hurry, and
|
||
that’s not an easy job. No, I don’t want to know the details of your
|
||
scheme, the bare outline is enough for me, but, I take it, it’s a big
|
||
deal?”
|
||
|
||
Isaacstein bent his head slowly.
|
||
|
||
“It’s a very big deal.”
|
||
|
||
“That brings me to my second question. Who is the next heir to the
|
||
throne of Herzoslovakia?”
|
||
|
||
Isaacstein looked across at Lomax. The latter answered the question,
|
||
with a certain reluctance, and a good deal of hesitation:
|
||
|
||
“That would be—I should say—yes, in all probability Prince Nicholas
|
||
would be the next heir.”
|
||
|
||
“Ah!” said Battle. “And who is Prince Nicholas?”
|
||
|
||
“A first cousin of Prince Michael’s.”
|
||
|
||
“Ah!” said Battle. “I should like to hear all about Prince Nicholas,
|
||
especially where he is at present.”
|
||
|
||
“Nothing much is known of him,” said Lomax. “As a young man, he was
|
||
most peculiar in his ideas, consorted with Socialists and Republicans,
|
||
and acted in a way highly unbecoming to his position. He was sent down
|
||
from Oxford, I believe, for some wild escapade. There was a rumour
|
||
of his death two years later in the Congo, but it was only a rumour.
|
||
He turned up a few months ago when news of the Royalist reaction got
|
||
about.”
|
||
|
||
“Indeed?” said Battle. “Where did he turn up?”
|
||
|
||
“In America.”
|
||
|
||
“America!”
|
||
|
||
Battle turned to Isaacstein with one laconic word:
|
||
|
||
“Oil?”
|
||
|
||
The financier nodded.
|
||
|
||
“He represented that if the Herzoslovakians chose a King, they would
|
||
prefer him to Prince Michael as being more in sympathy with modern
|
||
enlightened ideas, and he drew attention to his early democratic views
|
||
and his sympathy with Republican ideals. In return for financial
|
||
support, he was prepared to grant concessions to a certain group of
|
||
American financiers.”
|
||
|
||
Superintendent Battle so far forgot his habitual impassivity as to give
|
||
vent to a prolonged whistle.
|
||
|
||
“So that is it,” he muttered. “In the meantime, the Loyalist party
|
||
supported Prince Michael, and you felt sure you’d come out on top. And
|
||
then this happens!”
|
||
|
||
“You surely don’t think——” began George.
|
||
|
||
“It was a big deal,” said Battle. “Mr. Isaacstein says so. And I
|
||
should say that what he calls a big deal _is_ a big deal.”
|
||
|
||
“There are always unscrupulous tools to be got hold of,” said
|
||
Isaacstein quietly. “For the moment, Wall Street wins. But they’ve not
|
||
done with me yet. Find out who killed Prince Michael, Superintendent
|
||
Battle, if you want to do your country a service.”
|
||
|
||
“One thing strikes me as highly suspicious,” put in George. “Why did
|
||
the equerry, Captain Andrassy, not come down with the Prince yesterday?”
|
||
|
||
“I’ve inquired into that,” said Battle. “It’s perfectly simple. He
|
||
stayed in town to make arrangements with a certain lady, on behalf of
|
||
Prince Michael, for next week-end. The Baron rather frowned on such
|
||
things, thinking them injudicious at the present stage of affairs, so
|
||
His Highness had to go about them in a hole and corner manner. He was,
|
||
if I may say so, inclined to be a rather—er—dissipated young man.”
|
||
|
||
“I’m afraid so,” said George ponderously. “Yes, I’m afraid so.”
|
||
|
||
“There’s one other point we ought to take into account, I think,” said
|
||
Battle, speaking with a certain amount of hesitation. “King Victor’s
|
||
supposed to be in England.”
|
||
|
||
“King Victor?”
|
||
|
||
Lomax frowned in an effort at recollection.
|
||
|
||
“Notorious French crook, sir. We’ve had a warning from the Sûreté in
|
||
Paris.”
|
||
|
||
“Of course,” said George. “I remember now. Jewel thief, isn’t he? Why,
|
||
that’s the man——”
|
||
|
||
He broke off abruptly. Isaacstein, who had been frowning abstractedly
|
||
at the fireplace, looked up just too late to catch the warning glance
|
||
telegraphed from Superintendent Battle to the other. But being a man
|
||
sensitive to vibrations in the atmosphere, he was conscious of a sense
|
||
of strain.
|
||
|
||
“You don’t want me any longer, do you, Lomax?” he inquired.
|
||
|
||
“No, thank you, my dear fellow.”
|
||
|
||
“Would it upset your plans if I returned to London, Superintendent
|
||
Battle?”
|
||
|
||
“I’m afraid so, sir,” said the Superintendent civilly. “You see, if you
|
||
go, there will be others who’ll want to go also. And that would never
|
||
do.”
|
||
|
||
“Quite so.”
|
||
|
||
The great financier left the room, closing the door behind him.
|
||
|
||
“Splendid fellow, Isaacstein,” murmured George Lomax perfunctorily.
|
||
|
||
“Very powerful personality,” agreed Superintendent Battle.
|
||
|
||
George began to pace up and down again.
|
||
|
||
“What you say disturbs me greatly,” he began. “King Victor! I thought
|
||
he was in prison?”
|
||
|
||
“Came out a few months ago. French police meant to keep on his heels,
|
||
but he managed to give them the slip straight away. He would too. One
|
||
of the coolest customers that ever lived. For some reason or other,
|
||
they believe he’s in England, and have notified us to that effect.”
|
||
|
||
“But what should he be doing in England?”
|
||
|
||
“That’s for you to say, sir,” said Battle significantly.
|
||
|
||
“You mean——? You think——? You know the story, of course—ah, yes,
|
||
I can see you do. I was not in office, of course, at the time, but I
|
||
heard the whole story from the late Lord Caterham. An unparalleled
|
||
catastrophe.”
|
||
|
||
“The Koh-i-noor,” said Battle reflectively.
|
||
|
||
“Hush, Battle!” George glanced suspiciously round him. “I beg of you,
|
||
mention no names. Much better not. If you must speak of it, call it the
|
||
K.”
|
||
|
||
The superintendent looked wooden again.
|
||
|
||
“You don’t connect King Victor with this crime, do you, Battle?”
|
||
|
||
“It’s just a possibility, that’s all. If you’ll cast your mind back,
|
||
sir, you’ll remember that there were four places where a—er—certain
|
||
Royal visitor might have concealed the jewel. Chimneys was one of them.
|
||
King Victor was arrested in Paris three days after the—disappearance,
|
||
if I may call it that, of the K. It was always hoped that he would some
|
||
day lead us to the jewel.”
|
||
|
||
“But Chimneys has been ransacked and overhauled a dozen times.”
|
||
|
||
“Yes,” said Battle sapiently. “But it’s never much good looking when
|
||
you don’t know where to look. Only suppose now, that this King Victor
|
||
came here to look for the thing, was surprised by Prince Michael, and
|
||
shot him.”
|
||
|
||
“It’s possible,” said George. “A most likely solution of the crime.”
|
||
|
||
“I wouldn’t go as far as that. It’s possible, but not much more.”
|
||
|
||
“Why is that?”
|
||
|
||
“Because King Victor has never been known to take a life,” said Battle
|
||
seriously.
|
||
|
||
“Oh, but a man like that—a dangerous criminal——”
|
||
|
||
But Battle shook his head in a dissatisfied manner.
|
||
|
||
“Criminals always act true to type, Mr. Lomax. It’s surprising. All the
|
||
same——”
|
||
|
||
“Yes?”
|
||
|
||
“I’d rather like to question the Prince’s servant. I’ve left him
|
||
purposely to the last. We’ll have him in here, sir, if you don’t mind.”
|
||
|
||
George signified his assent. The superintendent rang the bell. Tredwell
|
||
answered it, and departed with his instructions.
|
||
|
||
He returned shortly accompanied by a tall fair man with high
|
||
cheek-bones, and very deep-set blue eyes, and an impassivity of
|
||
countenance which almost rivalled Battle’s.
|
||
|
||
“Boris Anchoukoff?”
|
||
|
||
“Yes.”
|
||
|
||
“You were valet to Prince Michael?”
|
||
|
||
“I was His Highness’s valet, yes.”
|
||
|
||
The man spoke good English, though with a markedly harsh foreign accent.
|
||
|
||
“You know that your master was murdered last night?”
|
||
|
||
A deep snarl, like the snarl of a wild beast, was the man’s only
|
||
answer. It alarmed George, who withdrew prudently towards the window.
|
||
|
||
“When did you see your master last?”
|
||
|
||
“His Highness retired to bed at half-past ten. I slept, as always,
|
||
in the ante-room next to him. He must have gone down to the room
|
||
downstairs by the other door, the door that gave on to the corridor.
|
||
I did not hear him go. It may be that I was drugged. I have been an
|
||
unfaithful servant, I slept while my master woke. I am accursed.”
|
||
|
||
George gazed at him, fascinated.
|
||
|
||
“You loved your master, eh?” said Battle, watching the man closely.
|
||
|
||
Boris’s features contracted painfully. He swallowed twice. Then his
|
||
voice came, harsh with emotion.
|
||
|
||
“I say this to you, English Policeman, I would have died for him! And
|
||
since he is dead, and I still live, my eyes shall not know sleep, or
|
||
my heart rest, until I have avenged him. Like a dog will I nose out
|
||
his murderer and when I have discovered him—— Ah!” His eyes lit up.
|
||
Suddenly he drew an immense knife from beneath his coat and brandished
|
||
it aloft. “Not all at once will I kill him—oh, no!—first I will slit
|
||
his nose, and cut off his ears and put out his eyes, and then—then,
|
||
into his black heart I will thrust this knife.”
|
||
|
||
Swiftly he replaced the knife, and turning, left the room. George
|
||
Lomax, his eyes always protuberant, but now goggling almost out of his
|
||
head, stared at the closed door.
|
||
|
||
“Pure bred Herzoslovakian, of course,” he muttered. “Most uncivilized
|
||
people. A race of brigands.”
|
||
|
||
Superintendent Battle rose alertly to his feet.
|
||
|
||
“Either that man’s sincere,” he remarked, “or he’s the best bluffer
|
||
I’ve ever seen. And, if it’s the former, God help Prince Michael’s
|
||
murderer when that human bloodhound gets hold of him.”
|
||
|
||
|
||
|
||
|
||
15
|
||
|
||
The French Stranger
|
||
|
||
|
||
Virginia and Anthony walked side by side down the path which led to the
|
||
lake. For some minutes after leaving the house they were silent. It was
|
||
Virginia who broke the silence at last with a little laugh.
|
||
|
||
“Oh, dear,” she said, “isn’t it dreadful? Here I am so bursting with
|
||
the things I want to tell you, and the things I want to know, that
|
||
I simply don’t know where to begin. First of all”—she lowered her
|
||
voice—“_What have you done with the body?_ How awful it sounds,
|
||
doesn’t it! I never dreamt that I should be so steeped in crime.”
|
||
|
||
“I suppose it’s quite a novel sensation for you,” agreed Anthony.
|
||
|
||
“But not for you?”
|
||
|
||
“Well, I’ve never disposed of a corpse before, certainly.”
|
||
|
||
“Tell me about it.”
|
||
|
||
Briefly and succinctly, Anthony ran over the steps he had taken on the
|
||
previous night. Virginia listened attentively.
|
||
|
||
“I think you were very clever,” she said approvingly when he had
|
||
finished. “I can pick up the trunk again when I go back to Paddington.
|
||
The only difficulty that might arise is if you had to give an account
|
||
of where you were yesterday evening.”
|
||
|
||
“I can’t see that that can arise. The body can’t have been found until
|
||
late last night—or possibly this morning. Otherwise there would have
|
||
been something about it in this morning’s papers. And whatever you may
|
||
imagine from reading detective stories, doctors aren’t such magicians
|
||
that they can tell you exactly how many hours a man has been dead. The
|
||
exact time of his death will be pretty vague. An alibi for last night
|
||
would be far more to the point.”
|
||
|
||
“I know. Lord Caterham was telling me all about it. But the Scotland
|
||
Yard man is quite convinced of your innocence now, isn’t he?”
|
||
|
||
Anthony did not reply at once.
|
||
|
||
“He doesn’t look particularly astute,” continued Virginia.
|
||
|
||
“I don’t know about that,” said Anthony slowly. “I’ve an impression
|
||
that there are no flies on Superintendent Battle. He appears to be
|
||
convinced of my innocence—but I’m not so sure. He’s stumped at present
|
||
by my apparent lack of motive.”
|
||
|
||
“Apparent?” cried Virginia. “But what possible reason could you have
|
||
for murdering an unknown foreign Count?”
|
||
|
||
Anthony darted a sharp glance at her.
|
||
|
||
“You were at one time or other in Herzoslovakia, weren’t you?” he asked.
|
||
|
||
“Yes. I was there with my husband, for two years, at the Embassy.”
|
||
|
||
“That was just before the assassination of the King and Queen. Did you
|
||
ever run across Prince Michael Obolovitch?”
|
||
|
||
“Michael? Of course I did. Horrid little wretch! He suggested, I
|
||
remember, that I should marry him morganatically.”
|
||
|
||
“Did he really? And what did he suggest you should do about your
|
||
existing husband?”
|
||
|
||
“Oh, he had a sort of David and Uriah scheme all made out.”
|
||
|
||
“And how did you respond to this amiable offer?”
|
||
|
||
“Well,” said Virginia, “unfortunately one had to be diplomatic. So poor
|
||
little Michael didn’t get it as straight from the shoulder as he might
|
||
have done. But he retired hurt all the same. Why all this interest
|
||
about Michael?”
|
||
|
||
“Something I’m getting at in my own blundering fashion. I take it that
|
||
you didn’t meet the murdered man?”
|
||
|
||
“No. To put it like a book, he ‘retired to his own apartments
|
||
immediately on arrival.’”
|
||
|
||
“And of course you haven’t seen the body?”
|
||
|
||
Virginia, eyeing him with a good deal of interest, shook her head.
|
||
|
||
“Could you get to see it, do you think?”
|
||
|
||
“By means of influence in high places—meaning Lord Caterham—I dare
|
||
say I could. Why? Is it an order?”
|
||
|
||
“Good Lord, no,” said Anthony, horrified. “Have I been as dictatorial
|
||
as all that? No, it’s simply this. Count Stanislaus was the incognito
|
||
of Prince Michael of Herzoslovakia.”
|
||
|
||
Virginia’s eyes opened very wide.
|
||
|
||
“I see.” Suddenly her face broke into its fascinating one-sided smile.
|
||
“I hope you don’t suggest that Michael went to his rooms simply to
|
||
avoid seeing me?”
|
||
|
||
“Something of the kind,” admitted Anthony. “You see, if I’m right in
|
||
my idea that some one wanted to prevent your coming to Chimneys, the
|
||
reason seems to lie in your knowing Herzoslovakia. Do you realize that
|
||
you’re the only person here who knew Prince Michael by sight?”
|
||
|
||
“Do you mean that this man who was murdered was an impostor?” asked
|
||
Virginia abruptly.
|
||
|
||
“That is the possibility that crossed my mind. If you can get Lord
|
||
Caterham to show you the body, we can clear up that point at once.”
|
||
|
||
“He was shot at 11.45,” said Virginia thoughtfully. “The time mentioned
|
||
on that scrap of paper. The whole thing’s horribly mysterious.”
|
||
|
||
“That reminds me. Is that your window up there? The second from the end
|
||
over the Council Chamber?”
|
||
|
||
“No, my room is in the Elizabethan wing, the other side. Why?”
|
||
|
||
“Simply because as I walked away last night, after thinking I heard a
|
||
shot, the light went up in that room.”
|
||
|
||
“How curious! I don’t know who has that room, but I can find out by
|
||
asking Bundle. Perhaps they heard the shot?”
|
||
|
||
“If so, they haven’t come forward to say so. I understood from Battle
|
||
that nobody in the house heard the shot fired. It’s the only clue of
|
||
any kind that I’ve got, and I dare say it’s a pretty rotten one, but I
|
||
mean to follow it up for what it’s worth.”
|
||
|
||
“It’s curious, certainly,” said Virginia thoughtfully.
|
||
|
||
They had arrived at the boat-house by the lake, and had been leaning
|
||
against it as they talked.
|
||
|
||
“And now for the whole story,” said Anthony. “We’ll paddle gently about
|
||
on the lake, secure from the prying ears of Scotland Yard, American
|
||
visitors, and curious house-maids.”
|
||
|
||
“I’ve heard something from Lord Caterham,” said Virginia. “But not
|
||
nearly enough. To begin with, which are you really, Anthony Cade or
|
||
Jimmy McGrath?”
|
||
|
||
For the second time that morning, Anthony unfolded the history of the
|
||
last six weeks of his life—with this difference that the account given
|
||
to Virginia needed no editing. He finished up with his own astonished
|
||
recognition of “Mr. Holmes.”
|
||
|
||
“By the way, Mrs. Revel,” he ended, “I’ve never thanked you for
|
||
imperilling your immortal soul by saying that I was an old friend of
|
||
yours.”
|
||
|
||
“Of course you’re an old friend,” cried Virginia. “You don’t suppose
|
||
I’d cumber you with a corpse, and then pretend you were a mere
|
||
acquaintance next time I met you? No, indeed!”
|
||
|
||
She paused.
|
||
|
||
“Do you know one thing that strikes me about all this?” she went on.
|
||
“That there’s some extra mystery about those Memoirs that we haven’t
|
||
fathomed yet.”
|
||
|
||
“I think you’re right,” agreed Anthony. “There’s one thing I’d like you
|
||
to tell me,” he continued.
|
||
|
||
“What’s that?”
|
||
|
||
“Why did you seem so surprised when I mentioned the name of Jimmy
|
||
McGrath to you yesterday at Pont Street? Had you heard it before?”
|
||
|
||
“I had, Sherlock Holmes. George—my cousin, George Lomax, you
|
||
know—came to see me the other day, and suggested a lot of frightfully
|
||
silly things. His idea was that I should come down here and make
|
||
myself agreeable to this man McGrath and Delilah the Memoirs out of
|
||
him somehow. He didn’t put it like that, of course. He talked a lot of
|
||
nonsense about English gentlewomen, and things like that, but his real
|
||
meaning was never obscure for a moment. It was just the sort of rotten
|
||
thing poor old George would think of. And then I wanted to know too
|
||
much, and he tried to put me off with lies that wouldn’t have deceived
|
||
a child of two.”
|
||
|
||
“Well, his plan seems to have succeeded, anyhow,” observed Anthony.
|
||
“Here am I, the James McGrath he had in mind, and here are you being
|
||
agreeable to me.”
|
||
|
||
“But, alas, for poor old George, no Memoirs! Now I’ve got a question
|
||
for you. When I said I hadn’t written those letters, you said you knew
|
||
I hadn’t—you couldn’t know any such thing?”
|
||
|
||
“Oh, yes, I could,” said Anthony, smiling. “I’ve got a good working
|
||
knowledge of psychology.”
|
||
|
||
“You mean your belief in the sterling worth of my moral character was
|
||
such that——”
|
||
|
||
But Anthony was shaking his head vigorously.
|
||
|
||
“Not at all. I don’t know anything about your moral character. You
|
||
might have a lover, and you might write to him. But you’d never lie
|
||
down to be blackmailed. The Virginia Revel of those letters was scared
|
||
stiff. You’d have fought.”
|
||
|
||
“I wonder who the real Virginia Revel is—where she is, I mean. It
|
||
makes me feel as though I had a double somewhere.”
|
||
|
||
Anthony lit a cigarette.
|
||
|
||
“You know that one of the letters was written from Chimneys?” he asked
|
||
at last.
|
||
|
||
“What?” Virginia was clearly startled. “When was it written?”
|
||
|
||
“It wasn’t dated. But it’s odd, isn’t it?”
|
||
|
||
“I’m perfectly certain no other Virginia Revel has ever stayed at
|
||
Chimneys. Bundle or Lord Caterham would have said something about the
|
||
coincidence of the name if she had.”
|
||
|
||
“Yes. It’s rather queer. Do you know, Mrs. Revel, I am beginning to
|
||
disbelieve profoundly in this other Virginia Revel.”
|
||
|
||
“She’s very elusive,” agreed Virginia.
|
||
|
||
“Extraordinarily elusive. I am beginning to think that the person who
|
||
wrote those letters deliberately used your name.”
|
||
|
||
“But why?” cried Virginia. “Why should they do such a thing?”
|
||
|
||
“Ah, that’s just the question. There’s the devil of a lot to find out
|
||
about everything.”
|
||
|
||
“Who do you really think killed Michael?” asked Virginia suddenly. “The
|
||
Comrades of the Red Hand?”
|
||
|
||
“I suppose they might have done so,” said Anthony in a dissatisfied
|
||
voice. “Pointless killing would be rather characteristic of them.”
|
||
|
||
“Let’s get to work,” said Virginia. “I see Lord Caterham and Bundle
|
||
strolling together. The first thing to do is to find out definitely
|
||
whether the dead man is Michael or not.”
|
||
|
||
Anthony paddled to shore and a few moments later they had joined Lord
|
||
Caterham and his daughter.
|
||
|
||
“Lunch is late,” said his lordship in a depressed voice. “Battle has
|
||
insulted the cook, I expect.”
|
||
|
||
“This is a friend of mine, Bundle,” said Virginia. “Be nice to him.”
|
||
|
||
Bundle looked earnestly at Anthony for some minutes, and then addressed
|
||
a remark to Virginia as though he had not been there.
|
||
|
||
“Where do you pick up these nice-looking men, Virginia? ‘How do you do
|
||
it?’ says she enviously.”
|
||
|
||
“You can have him,” said Virginia generously. “I want Lord Caterham.”
|
||
|
||
She smiled upon the flattered peer, slipped her hand through his arm
|
||
and they moved off together.
|
||
|
||
“Do you talk?” asked Bundle. “Or are you just strong and silent?”
|
||
|
||
“Talk?” said Anthony. “I babble. I murmur. I gurgle—like the running
|
||
brook, you know. Sometimes I even ask questions.”
|
||
|
||
“As for instance?”
|
||
|
||
“Who occupies the second room on the left from the end?”
|
||
|
||
He pointed to it as he spoke.
|
||
|
||
“What an extraordinary question!” said Bundle. “You intrigue me
|
||
greatly. Let me see—yes—that’s Mademoiselle Brun’s room. The French
|
||
governess. She endeavours to keep my young sisters in order. Dulcie and
|
||
Daisy—like the song, you know. I dare say they’d have called the next
|
||
one, Dorothy May. But mother got tired of having nothing but girls and
|
||
died. Thought some one else could take on the job of providing an heir.”
|
||
|
||
“Mademoiselle Brun,” said Anthony thoughtfully. “How long has she been
|
||
with you?”
|
||
|
||
“Two months. She came to us when we were in Scotland.”
|
||
|
||
“Ha!” said Anthony. “I smell a rat.”
|
||
|
||
“I wish I could smell some lunch,” said Bundle. “Do I ask the Scotland
|
||
Yard man to have lunch with us, Mr. Cade? You’re a man of the world,
|
||
you know about the etiquette of such things. We’ve never had a murder
|
||
in the house before. Exciting, isn’t it? I’m sorry your character
|
||
was so completely cleared this morning. I’ve always wanted to meet a
|
||
murderer and see for myself if they’re as genial and charming as the
|
||
Sunday papers always say they are. God! what’s that?”
|
||
|
||
“What” seemed to be a taxi approaching the house. Its two occupants
|
||
were a tall man with a bald head and a black beard, and a smaller
|
||
and younger man with a black moustache. Anthony recognized the
|
||
former, and guessed that it was he—rather than the vehicle which
|
||
contained him—that had wrung the exclamation of astonishment from his
|
||
companion’s lips.
|
||
|
||
“Unless I much mistake,” he remarked, “that is my old friend, Baron
|
||
Lollipop.”
|
||
|
||
“Baron what?”
|
||
|
||
“I call him Lollipop for convenience. The pronouncing of his own name
|
||
tends to harden the arteries.”
|
||
|
||
“It nearly wrecked the telephone this morning,” remarked Bundle. “So
|
||
that’s the Baron, is it? I foresee he’ll be turned on to me this
|
||
afternoon—and I’ve had Isaacstein all the morning. Let George do his
|
||
own dirty work, say I, and to hell with politics. Excuse me leaving
|
||
you, Mr. Cade, but I must stand by poor old Father.”
|
||
|
||
Bundle retreated rapidly to the house.
|
||
|
||
Anthony stood looking after her for a minute or two and thoughtfully
|
||
lighted a cigarette. As he did so, his ear was caught by a stealthy
|
||
sound quite near him. He was standing by the boat-house, and the sound
|
||
seemed to come from just round the corner. The mental picture conveyed
|
||
to him was that of a man vainly trying to stifle a sudden sneeze.
|
||
|
||
“Now I wonder—I very much wonder who’s behind the boat-house,” said
|
||
Anthony to himself. “We’d better see, I think.”
|
||
|
||
Suiting the action to the word, he threw away the match he had just
|
||
blown out, and ran lightly and noiselessly round the corner of the
|
||
boat-house.
|
||
|
||
He came upon a man who had evidently been kneeling on the ground and
|
||
was just struggling to rise to his feet. He was tall, wore a light
|
||
coloured overcoat and glasses, and for the rest, had a short pointed
|
||
black beard and a slightly foppish manner. He was between thirty and
|
||
forty years of age, and altogether of a most respectable appearance.
|
||
|
||
“What are you doing here?” asked Anthony.
|
||
|
||
He was pretty certain that the man was not one of Lord Caterham’s
|
||
guests.
|
||
|
||
“I ask your pardon,” said the stranger, with a marked foreign accent
|
||
and what was meant to be an engaging smile. “It is that I wish to
|
||
return to the _Jolly Crickets_, and I have lost my way. Would Monsieur
|
||
be so good as to direct me?”
|
||
|
||
“Certainly,” said Anthony. “But you don’t go there by water, you know.”
|
||
|
||
“Eh?” said the stranger, with the air of one at a loss.
|
||
|
||
“I said,” repeated Anthony, with a meaning glance at the boat-house,
|
||
“that you won’t get there by water. There’s a right of way across the
|
||
park—some distance away, but all this is the private part. You’re
|
||
trespassing.”
|
||
|
||
“I am most sorry,” said the stranger. “I lost my direction entirely. I
|
||
thought I would come up here and inquire.”
|
||
|
||
Anthony refrained from pointing out that kneeling behind a boat-house
|
||
was a somewhat peculiar manner of prosecuting inquiries. He took the
|
||
stranger kindly by the arm.
|
||
|
||
“You go this way,” he said. “Right round the lake and straight on—you
|
||
can’t miss the path. When you get on it, turn to the left, and it will
|
||
lead you to the village. You’re staying at the _Cricketers_, I suppose?”
|
||
|
||
“I am, monsieur. Since this morning. Many thanks for your kindness in
|
||
directing me.”
|
||
|
||
“Don’t mention it,” said Anthony. “I hope you haven’t caught cold.”
|
||
|
||
“Eh?” said the stranger.
|
||
|
||
“From kneeling on the damp ground, I mean,” explained Anthony. “I
|
||
fancied I heard you sneezing.”
|
||
|
||
“I may have sneezed,” admitted the other.
|
||
|
||
“Quite so,” said Anthony. “But you shouldn’t suppress a sneeze, you
|
||
know. One of the most eminent doctors said so only the other day.
|
||
It’s frightfully dangerous. I don’t remember exactly what it does to
|
||
you—whether it’s an inhibition or whether it hardens your arteries,
|
||
but you must never do it. Good morning.”
|
||
|
||
“Good morning, and thank you, monsieur, for setting me on the right
|
||
road.”
|
||
|
||
“Second suspicious stranger from village inn,” murmured Anthony to
|
||
himself, as he watched the other’s retreating form. “And one that I
|
||
can’t quite place, either. Appearance that of a French commercial
|
||
traveller. I don’t quite see him as a Comrade of the Red Hand. Does he
|
||
represent yet a third party in the harassed state of Herzoslovakia?
|
||
The French governess has the second window from the end. A mysterious
|
||
Frenchman is found slinking round the grounds, listening to
|
||
conversations that are not meant for his ears. I’ll bet my hat there’s
|
||
something in it.”
|
||
|
||
Musing thus, Anthony retraced his steps to the house. On the terrace
|
||
he encountered Lord Caterham, looking suitably depressed, and two new
|
||
arrivals. He brightened a little at the sight of Anthony.
|
||
|
||
“Ah, there you are,” he remarked. “Let me introduce you to
|
||
Baron—er—er—and Captain Andrassy. Mr. Anthony Cade.”
|
||
|
||
The Baron stared at Anthony with growing suspicion.
|
||
|
||
“Mr. Cade?” he said stiffly. “I think not.”
|
||
|
||
“A word alone with you, Baron,” said Anthony. “I can explain
|
||
everything.”
|
||
|
||
The Baron bowed, and the two men walked down the terrace together.
|
||
|
||
“Baron,” said Anthony. “I must throw myself upon your mercy. I have so
|
||
far strained the honour of an English gentleman as to travel to this
|
||
country under an assumed name. I represented myself to you as Mr. James
|
||
McGrath—but you must see for yourself that the deception involved
|
||
was infinitesimal. You are doubtless acquainted with the works of
|
||
Shakespeare, and his remarks about the unimportance of the nomenclature
|
||
of roses? This case is the same. The man you wanted to see was the man
|
||
in possession of the Memoirs. I was that man. As you know only too
|
||
well, I am no longer in possession of them. A neat trick. Baron, a very
|
||
neat trick. Who thought of it, you or your principal?”
|
||
|
||
“His Highness’s own idea it was. And for anyone but him to carry it out
|
||
he would not permit.”
|
||
|
||
“He did it jolly well,” said Anthony, with approval. “I never took him
|
||
for anything but an Englishman.”
|
||
|
||
“The education of an English gentleman did the Prince receive,”
|
||
explained the Baron. “The custom of Herzoslovakia it is.”
|
||
|
||
“No professional could have pinched those papers better,” said Anthony.
|
||
“May I ask, without indiscretion, what has become of them?”
|
||
|
||
“Between gentlemen,” began the Baron.
|
||
|
||
“You are too kind, Baron,” murmured Anthony. “I’ve never been called a
|
||
gentleman so often as I have in the last forty-eight hours.”
|
||
|
||
“I to you say this—I believe them to be burnt.”
|
||
|
||
“You believe, but you don’t know, eh? Is that it?”
|
||
|
||
“His Highness in his own keeping retained them. His purpose it was to
|
||
read them and then by the fire to destroy them.”
|
||
|
||
“I see,” said Anthony. “All the same, they are not the kind of light
|
||
literature you’d skim through in half an hour.”
|
||
|
||
“Among the effects of my martyred master they have not discovered been.
|
||
It is clear, therefore, that burnt they are.”
|
||
|
||
“H’m!” said Anthony. “I wonder?”
|
||
|
||
He was silent for a minute or two and then went on.
|
||
|
||
“I have asked you these questions, Baron, because, as you may have
|
||
heard, I myself have been implicated in the crime. I must clear myself
|
||
absolutely, so that no suspicion attaches to me.”
|
||
|
||
“Undoubtedly,” said the Baron. “Your honour demands it.”
|
||
|
||
“Exactly,” said Anthony. “You put these things so well. I haven’t got
|
||
the knack of it. To continue, I can only clear myself by discovering
|
||
the real murderer, and to do that I must have all the facts. This
|
||
question of the Memoirs is very important. It seems to me possible that
|
||
to gain possession of them might be the motive of the crime. Tell me,
|
||
Baron, is that a very far-fetched idea?”
|
||
|
||
The Baron hesitated for a moment or two.
|
||
|
||
“You yourself the Memoirs have read?” he asked cautiously at length.
|
||
|
||
“I think I am answered,” said Anthony, smiling. “Now Baron, there’s
|
||
just one thing more. I should like to give you fair warning that it
|
||
is still my intention to deliver that manuscript to the publishers on
|
||
Wednesday next, the 13th of October.”
|
||
|
||
The Baron stared at him.
|
||
|
||
“But you have no longer got it?”
|
||
|
||
“On Wednesday next, I said. To-day is Friday. That gives me five days
|
||
to get hold of it again.”
|
||
|
||
“But if it is burnt?”
|
||
|
||
“I don’t think it is burnt. I have good reasons for not believing so.”
|
||
|
||
As he spoke they turned the corner of the terrace. A massive figure was
|
||
advancing towards them. Anthony, who had not yet seen the great Mr.
|
||
Herman Isaacstein, looked at him with considerable interest.
|
||
|
||
“Ah, Baron,” said Isaacstein, waving the big black cigar he was
|
||
smoking, “this is a bad business—a very bad business.”
|
||
|
||
“My good friend, Mr. Isaacstein, it is indeed,” cried the Baron. “All
|
||
our noble edifice in ruins is.”
|
||
|
||
Anthony tactfully left the two gentlemen to their lamentations, and
|
||
retraced his steps along the terrace.
|
||
|
||
Suddenly he came to a halt. A thin spiral of smoke was rising into the
|
||
air apparently from the very centre of the yew hedge.
|
||
|
||
“It must be hollow in the middle,” reflected Anthony. “I’ve heard of
|
||
such things before.”
|
||
|
||
He looked swiftly to right and left of him. Lord Caterham was at the
|
||
farther end of the terrace with Captain Andrassy. Their backs were
|
||
towards him. Anthony bent down and wriggled his way through the massive
|
||
yew.
|
||
|
||
He had been quite right in his supposition. The yew hedge was really
|
||
not one, but two, a narrow passage divided them. The entrance to this
|
||
was about half-way up, on the side of the house. There was no mystery
|
||
about it, but no one seeing the yew hedge from the front would have
|
||
guessed at the probability.
|
||
|
||
Anthony looked down the narrow vista. About half-way down, a man was
|
||
reclining in a basket chair. A half-smoked cigar rested on the arm of
|
||
the chair, and the gentleman himself appeared to be asleep.
|
||
|
||
“H’m!” said Anthony to himself. “Evidently Mr. Hiram Fish prefers
|
||
sitting in the shade.”
|
||
|
||
|
||
|
||
|
||
16
|
||
|
||
Tea in the Schoolroom
|
||
|
||
|
||
Anthony regained the terrace with the feeling uppermost in his mind
|
||
that the only safe place for private conversations was the middle of
|
||
the lake.
|
||
|
||
The resonant boom of a gong sounded from the house, and Tredwell
|
||
appeared in a stately fashion from a side door.
|
||
|
||
“Luncheon is served, my lord.”
|
||
|
||
“Ah!” said Lord Caterham, brisking up a little. “Lunch.”
|
||
|
||
At that moment two children burst out of the house. They were
|
||
high-spirited young women of twelve and ten, and though their names
|
||
might be Dulcie and Daisy, as Bundle had affirmed, they appeared to be
|
||
more generally known as Guggle and Winkle. They executed a kind of war
|
||
dance, interspersed with shrill whoops till Bundle emerged and quelled
|
||
them.
|
||
|
||
“Where’s Mademoiselle?” she demanded.
|
||
|
||
“She’s got the _migraine_, the _migraine_, the _migraine_!” chanted
|
||
Winkle.
|
||
|
||
“Hurrah!” said Guggle, joining in.
|
||
|
||
Lord Caterham had succeeded in shepherding most of his guests into the
|
||
house. Now he laid a restraining hand on Anthony’s arm.
|
||
|
||
“Come to my study,” he breathed. “I’ve got something rather special
|
||
there.”
|
||
|
||
Slinking down the hall, far more like a thief than like the master of
|
||
the house, Lord Caterham gained the shelter of his sanctum. Here he
|
||
unlocked a cupboard and produced various bottles.
|
||
|
||
“Talking to foreigners always makes me so thirsty,” he explained
|
||
apologetically. “I don’t know why it is.”
|
||
|
||
There was a knock on the door, and Virginia popped her head round the
|
||
corner of it.
|
||
|
||
“Got a special cocktail for me?” she demanded.
|
||
|
||
“Of course,” said Lord Caterham hospitably. “Come in.”
|
||
|
||
The next few minutes were taken up with serious rites.
|
||
|
||
“I needed that,” said Lord Caterham with a sigh, as he replaced his
|
||
glass on the table. “As I said just now, I find talking to foreigners
|
||
particularly fatiguing. I think it’s because they’re so polite. Come
|
||
along. Let’s have some lunch.”
|
||
|
||
He led the way to the dining-room. Virginia put her hand on Anthony’s
|
||
arm, and drew him back a little.
|
||
|
||
“I’ve done my good deed for the day,” she whispered. “I got Lord
|
||
Caterham to take me to see the body.”
|
||
|
||
“Well?” demanded Anthony eagerly.
|
||
|
||
One theory of his was to be proved or disproved.
|
||
|
||
Virginia was shaking her head.
|
||
|
||
“You were wrong,” she whispered. “It’s Prince Michael all right.”
|
||
|
||
“Oh!” Anthony was deeply chagrined.
|
||
|
||
“And Mademoiselle has the _migraine_,” he added aloud, in a
|
||
dissatisfied tone.
|
||
|
||
“What has that got to do with it?”
|
||
|
||
“Probably nothing, but I wanted to see her. You see, I’ve found out
|
||
that Mademoiselle has the second room from the end—the one where I saw
|
||
the light last night.”
|
||
|
||
“That’s interesting.”
|
||
|
||
“Probably there’s nothing in it. All the same, I mean to see
|
||
Mademoiselle before the day is out.”
|
||
|
||
Lunch was somewhat of an ordeal. Even the cheerful impartiality of
|
||
Bundle failed to reconcile the heterogeneous assembly. The Baron and
|
||
Andrassy were correct, formal, full of etiquette, and had the air of
|
||
attending a meal in a mausoleum. Lord Caterham was lethargic and
|
||
depressed. Bill Eversleigh stared longingly at Virginia. George, very
|
||
mindful of the trying position in which he found himself, conversed
|
||
weightily with the Baron and Mr. Isaacstein. Guggle and Winkle,
|
||
completely beside themselves with joy of having a murder in the house,
|
||
had to be continually checked and kept under, whilst Mr. Hiram Fish
|
||
slowly masticated his food, and drawled out dry remarks in his own
|
||
peculiar idiom. Superintendent Battle had considerately vanished, and
|
||
nobody knew what had become of him.
|
||
|
||
“Thank God that’s over,” murmured Bundle to Anthony, as they left the
|
||
table. “And George is taking the foreign contingent over to the Abbey
|
||
this afternoon to discuss State secrets.”
|
||
|
||
“That will possibly relieve the atmosphere,” agreed Anthony.
|
||
|
||
“I don’t mind the American so much,” continued Bundle. “He and Father
|
||
can talk first editions together quite happily in some secluded spot.
|
||
Mr. Fish”—as the object of their conversation drew near—“I’m planning
|
||
a peaceful afternoon for you.”
|
||
|
||
The American bowed.
|
||
|
||
“That’s too kind of you, Lady Eileen.”
|
||
|
||
“Mr. Fish,” said Anthony, “had quite a peaceful morning.”
|
||
|
||
Mr. Fish shot a quick glance at him.
|
||
|
||
“Ah, sir, you observed me, then, in my seclooded retreat? There are
|
||
moments, sir, when far from the madding crowd is the only motto for a
|
||
man of quiet tastes.”
|
||
|
||
Bundle had drifted on, and the American and Anthony were left together.
|
||
The former dropped his voice a little.
|
||
|
||
“I opine,” he said, “that there is considerable mystery about this
|
||
little dust up?”
|
||
|
||
“Any amount of it,” said Anthony.
|
||
|
||
“That guy with the bald head was perhaps a family connection?”
|
||
|
||
“Something of the kind.”
|
||
|
||
“These Central European nations beat the band,” declared Mr. Fish.
|
||
“It’s kind of being rumoured around that the deceased gentleman was a
|
||
Royal Highness. Is that so, do you know?”
|
||
|
||
“He was staying here as Count Stanislaus,” replied Anthony evasively.
|
||
|
||
To this Mr. Fish offered no further rejoinder than the somewhat cryptic:
|
||
|
||
“Oh! boy.”
|
||
|
||
After which he relapsed into silence for some moments.
|
||
|
||
“This police captain of yours,” he observed at last, “Battle, or
|
||
whatever his name is, is he the goods all right?”
|
||
|
||
“Scotland Yard thinks so,” replied Anthony dryly.
|
||
|
||
“He seems kind of hide-bound to me,” remarked Mr. Fish. “No hustle to
|
||
him. This big idea of his, letting no one leave the house, what is
|
||
there to it?”
|
||
|
||
He darted a very sharp look at Anthony as he spoke.
|
||
|
||
“Everyone’s got to attend the inquest to-morrow morning, you see.”
|
||
|
||
“That’s the idea, is it? No more to it than that? No question of Lord
|
||
Caterham’s guests being suspected?”
|
||
|
||
“My dear Mr. Fish!”
|
||
|
||
“I was getting a mite uneasy—being a stranger in this country. But of
|
||
course it was an outside job—I remember now. Window found unfastened,
|
||
wasn’t it?”
|
||
|
||
“It was,” said Anthony, looking straight in front of him.
|
||
|
||
Mr. Fish sighed. After a minute or two he said in a plaintive tone:
|
||
|
||
“Young man, do you know how they get the water out of a mine?”
|
||
|
||
“How?”
|
||
|
||
“By pumping—but its almighty hard work! I observe the figure of my
|
||
genial host detaching itself from the group over yonder. I must join
|
||
him.”
|
||
|
||
Mr. Fish walked gently away, and Bundle drifted back again.
|
||
|
||
“Funny Fish, isn’t he?” she remarked.
|
||
|
||
“He is.”
|
||
|
||
“It’s no good looking at Virginia,” said Bundle sharply.
|
||
|
||
“I wasn’t.”
|
||
|
||
“You were. I don’t know how she does it. It isn’t what she says, I
|
||
don’t even believe it’s what she looks. But, oh, boy! she gets there
|
||
every time. Anyway, she’s on duty elsewhere for the time. She told
|
||
me to be nice to you, and I’m going to be nice to you—by force if
|
||
necessary.”
|
||
|
||
“No force required,” Anthony assured her. “But, if it’s all the same to
|
||
you, I’d rather you were nice to me on the water, in a boat.”
|
||
|
||
“It’s not a bad idea,” said Bundle meditatively.
|
||
|
||
They strolled down to the lake together.
|
||
|
||
“There’s just one question I’d like to ask you,” said Anthony as
|
||
he paddled gently out from the shore, “before we turn to really
|
||
interesting topics. Business before pleasure.”
|
||
|
||
“Whose bedroom do you want to know about now?” asked Bundle with weary
|
||
patience.
|
||
|
||
“Nobody’s bedroom for the moment. But I would like to know where you
|
||
got your French governess from.”
|
||
|
||
“The man’s bewitched,” said Bundle. “I got her from an Agency, and I
|
||
pay her a hundred pounds a year, and her Christian name is Genevieve.
|
||
Anything more you want to know?”
|
||
|
||
“We’ll assume the Agency,” said Anthony. “What about her references?”
|
||
|
||
“Oh, glowing! She’d lived for ten years with the Countess of What Not.”
|
||
|
||
“What Not being——?”
|
||
|
||
“The Comtesses de Breteuil, Chateau de Breteuil, Dinard.”
|
||
|
||
“You didn’t actually see the Comtesse yourself? It was all done by
|
||
letter?”
|
||
|
||
“Exactly.”
|
||
|
||
“H’m!” said Anthony.
|
||
|
||
“You intrigue me,” said Bundle. “You intrigue me enormously. Is it love
|
||
or crime?”
|
||
|
||
“Probably sheer idiocy on my part. Let’s forget it.”
|
||
|
||
“‘Let’s forget it,’ said he negligently, having extracted all the
|
||
information he wants. Mr. Cade, who do you suspect? I rather suspect
|
||
Virginia as being the most unlikely person. Or possibly Bill.”
|
||
|
||
“What about you?”
|
||
|
||
“Member of the aristocracy joins in secret the Comrades of the Red
|
||
Hand. It would create a sensation all right.”
|
||
|
||
Anthony laughed. He liked Bundle, though he was a little afraid of the
|
||
shrewd penetration of her sharp grey eyes.
|
||
|
||
“You must be proud of all this,” he said suddenly, waving his hand
|
||
towards the great house in the distance.
|
||
|
||
Bundle screwed up her eyes and tilted her head on one side.
|
||
|
||
“Yes—it means something, I suppose. But one’s too used to it. Anyway,
|
||
we’re not here very much—too deadly dull. We’ve been at Cowes and
|
||
Deauville all the summer after town, and then up to Scotland. Chimneys
|
||
has been swathed in dust sheets for about five months. Once a week
|
||
they take the dust sheets off and chars-à-bancs full of tourists come
|
||
and gape, and listen to Tredwell. ‘On your right is the portrait of
|
||
the fourth Marchioness of Caterham, painted by Sir Joshua Reynolds,’
|
||
etc., and Ed or Bert, the humorist of the party, nudges his girl and
|
||
says ‘Eh! Gladys, they’ve got two pennyworth of pictures here, right
|
||
enough.’ And then they go and look at more pictures and yawn and
|
||
shuffle their feet and wish it was time to go home.”
|
||
|
||
“Yet history has been made here once or twice, by all accounts.”
|
||
|
||
“You’ve been listening to George,” said Bundle sharply. “That’s the
|
||
kind of thing he’s always saying.”
|
||
|
||
But Anthony had raised himself on his elbow, and was staring at the
|
||
shore.
|
||
|
||
“Is that a third suspicious stranger I see standing disconsolately by
|
||
the boat-house? Or is it one of the house party?”
|
||
|
||
Bundle lifted her head from the scarlet cushion.
|
||
|
||
“It’s Bill,” she said.
|
||
|
||
“He seems to be looking for something.”
|
||
|
||
“He’s probably looking for me,” said Bundle, without enthusiasm.
|
||
|
||
“Shall we row quickly in the opposite direction?”
|
||
|
||
“That’s quite the right answer, but it should be delivered with more
|
||
enthusiasm.”
|
||
|
||
“I shall row with double vigour after that rebuke.”
|
||
|
||
“Not at all,” said Bundle. “I have my pride. Row me to where that young
|
||
ass is waiting. Somebody’s got to look after him, I suppose. Virginia
|
||
must have given him the slip. One of these days, inconceivable as it
|
||
seems, I might want to marry George, so I might as well practise being
|
||
‘one of our well known political hostesses.’”
|
||
|
||
Anthony pulled obediently towards the shore.
|
||
|
||
“And what’s to become of me, I should like to know?” he complained.
|
||
“I refuse to be the unwanted third. Is that the children I see in the
|
||
distance?”
|
||
|
||
“Yes. Be careful, or they’ll rope you in.”
|
||
|
||
“I’m rather fond of children,” said Anthony. “I might teach them some
|
||
nice quiet intellectual game.”
|
||
|
||
“Well, don’t say I didn’t warn you.”
|
||
|
||
Having relinquished Bundle to the care of her gallant captain, Anthony
|
||
strolled off to where various shrill cries disturbed the peace of the
|
||
afternoon. He was received with acclamation.
|
||
|
||
“Are you any good at playing Red Indians?” asked Guggle sternly.
|
||
|
||
“Rather,” said Anthony. “You should hear the noise I make when I’m
|
||
being scalped. Like this.” He illustrated.
|
||
|
||
“Not so bad,” said Winkle grudgingly. “Now do the scalper’s yell.”
|
||
|
||
Anthony obliged with a blood-curdling noise. In another minute the game
|
||
of Red Indians was in full swing.
|
||
|
||
About an hour later, Anthony wiped his forehead, and ventured to
|
||
inquire after Mademoiselle’s _migraine_. He was pleased to hear that
|
||
that lady had entirely recovered. So popular had he become that he was
|
||
urgently invited to come and have tea in the schoolroom.
|
||
|
||
“And then you can tell us about the man you saw hung,” urged Guggle.
|
||
|
||
“Did you say you’d got a bit of the rope with you?” asked Winkle.
|
||
|
||
“It’s in my suit-case,” said Anthony solemnly. “You shall each have a
|
||
piece of it.”
|
||
|
||
Winkle immediately let out a Wild Indian yell of satisfaction.
|
||
|
||
“We’ll have to go and get washed, I suppose,” said Guggle gloomily.
|
||
“You will come to tea, won’t you? You won’t forget?”
|
||
|
||
Anthony swore solemnly that nothing should prevent his keeping the
|
||
engagement. Satisfied, the youthful pair beat a retreat towards the
|
||
house. Anthony stood for a minute looking after them, and, as he did
|
||
so, he became aware of a man leaving the other side of a little copse
|
||
of trees and hurrying away across the park. He felt almost sure that it
|
||
was the same black-bearded stranger he had encountered that morning.
|
||
Whilst he was hesitating whether to go after him or not the trees just
|
||
ahead of him were parted and Mr. Hiram Fish stepped out into the open.
|
||
He stared slightly when he saw Anthony.
|
||
|
||
“A peaceful afternoon, Mr. Fish?” inquired the latter.
|
||
|
||
“I thank you, yes.”
|
||
|
||
Mr. Fish did not look as peaceful as usual, however. His face was
|
||
flushed, and he was breathing hard as though he had been running. He
|
||
drew out his watch and consulted it.
|
||
|
||
“I guess,” he said softly, “it’s just about time for your British
|
||
institution of afternoon tea.”
|
||
|
||
Closing his watch with a snap, Mr. Fish ambled gently away in the
|
||
direction of the house.
|
||
|
||
Anthony stood in a brown study and awoke with a start to the fact that
|
||
Superintendent Battle was standing beside him. Not the faintest sound
|
||
had heralded his approach, and he seemed literally to have materialized
|
||
from space.
|
||
|
||
“Where did you spring from?” asked Anthony irritably.
|
||
|
||
With a slight jerk of his head, Battle indicated the little copse of
|
||
trees behind them.
|
||
|
||
“It seems a popular spot this afternoon,” remarked Anthony.
|
||
|
||
“You were very lost in thought, Mr. Cade?”
|
||
|
||
“I was indeed. Do you know what I was doing, Battle? I was trying to
|
||
put two and one and five and three together so as to make four. And it
|
||
can’t be done, Battle, it simply can’t be done.”
|
||
|
||
“There’s difficulties that way,” agreed the detective.
|
||
|
||
“But you’re just the man I wanted to see. Battle, I want to go away.
|
||
Can it be done?”
|
||
|
||
True to his creed, Superintendent Battle showed neither emotion nor
|
||
surprise. His reply was easy and matter of fact.
|
||
|
||
“That depends, sir, as to where you want to go.”
|
||
|
||
“I’ll tell you exactly, Battle. I’ll lay my cards upon the table.
|
||
I want to go to Dinard, to the Chateau of Madame la Comtesse de
|
||
Breteuil. Can it be done?”
|
||
|
||
“When do you want to go, Mr. Cade?”
|
||
|
||
“Say to-morrow after the inquest. I could be back here by Sunday
|
||
evening.”
|
||
|
||
“I see,” said the superintendent, with peculiar solidity.
|
||
|
||
“Well, what about it?”
|
||
|
||
“I’ve no objection, provided you go where you say you’re going, and
|
||
come straight back here.”
|
||
|
||
“You’re a man in a thousand, Battle. Either you have taken an
|
||
extraordinary fancy to me or else you’re extraordinarily deep. Which is
|
||
it?”
|
||
|
||
Superintendent Battle smiled a little, but did not answer.
|
||
|
||
“Well, well,” said Anthony, “I expect you’ll take your precautions.
|
||
Discreet minions of the law will follow my suspicious footsteps. So be
|
||
it. But I do wish I knew what it was all about.”
|
||
|
||
“I don’t get you, Mr. Cade.”
|
||
|
||
“The Memoirs—what all the fuss is about. Were they only Memoirs? Or
|
||
have you got something up your sleeve?”
|
||
|
||
Battle smiled again.
|
||
|
||
“Take it like this. I’m doing you a favour because you’ve made a
|
||
favourable impression on me, Mr. Cade. I’d like you to work in with
|
||
me over this case. The amateur and the professional, they go well
|
||
together. The one has the intimacy, so to speak, and the other the
|
||
experience.”
|
||
|
||
“Well,” said Anthony slowly, “I don’t mind admitting that I’ve always
|
||
wanted to try my hand at unravelling a murder mystery.”
|
||
|
||
“Any ideas about the case at all, Mr. Cade?”
|
||
|
||
“Plenty of them,” said Anthony. “But they’re mostly questions.”
|
||
|
||
“As, for instance?”
|
||
|
||
“Who steps into the murdered Michael’s shoes? It seems to me that that
|
||
is important?”
|
||
|
||
A rather wry smile came over Superintendent Battle’s face.
|
||
|
||
“I wondered if you’d think of that, sir. Prince Nicolas Obolovitch is
|
||
the next heir—first cousin of this gentleman.”
|
||
|
||
“And where is he at the present moment?” asked Anthony, turning away
|
||
to light a cigarette. “Don’t tell me you don’t know, Battle, because I
|
||
shan’t believe you.”
|
||
|
||
“We’ve reason to believe that he’s in the United States. He was until
|
||
quite lately, at all events. Raising money on his expectations.”
|
||
|
||
Anthony gave vent to a surprised whistle.
|
||
|
||
“I get you,” said Anthony. “Michael was backed by England, Nicholas
|
||
by America. In both countries a group of financiers are anxious to
|
||
obtain the oil concessions. The Loyalist party adopted Michael as their
|
||
candidate—now they’ll have to look elsewhere. Gnashing of teeth on the
|
||
part of Isaacstein and Co. and Mr. George Lomax. Rejoicings in Wall
|
||
Street. Am I right?”
|
||
|
||
“You’re not far off,” said Superintendent Battle.
|
||
|
||
“H’m!” said Anthony. “I almost dare swear that I know what you were
|
||
doing in that copse.”
|
||
|
||
The detective smiled, but made no reply.
|
||
|
||
“International politics are very fascinating,” said Anthony, “but I
|
||
fear I must leave you. I have an appointment in the schoolroom.”
|
||
|
||
He strode briskly away towards the house. Inquiries of the dignified
|
||
Tredwell showed him the way to the schoolroom. He tapped on the door
|
||
and entered, to be greeted by squeals of joy.
|
||
|
||
Guggle and Winkle immediately rushed at him and bore him in triumph to
|
||
be introduced to Mademoiselle.
|
||
|
||
For the first time, Anthony felt a qualm. Mademoiselle Brun was a
|
||
small, middle-aged woman with a sallow face, pepper and salt hair, and
|
||
a budding moustache!
|
||
|
||
As the notorious foreign adventuress she did not fit into the picture
|
||
at all.
|
||
|
||
“I believe,” said Anthony to himself, “I’m making the most utter fool
|
||
of myself. Never mind, I must go through with it now.”
|
||
|
||
He was extremely pleasant to Mademoiselle, and she, on her part,
|
||
was evidently delighted to have a good-looking young man invade her
|
||
schoolroom. The meal was a great success.
|
||
|
||
But that evening, alone in the charming bedchamber that had been
|
||
allotted to him, Anthony shook his head several times.
|
||
|
||
“I’m wrong,” he said to himself. “For the second time, I’m wrong.
|
||
Somehow or other, I can’t get the hang of this thing.”
|
||
|
||
He stopped in his pacing of the floor.
|
||
|
||
“What the devil——” began Anthony.
|
||
|
||
The door was being softly opened. In another minute a man had slipped
|
||
into the room, and stood deferentially by the door.
|
||
|
||
He was a big fair man, squarely built, with high Slavonic cheek-bones,
|
||
and dreamy fanatic eyes.
|
||
|
||
“Who the devil are you?” asked Anthony, staring at him.
|
||
|
||
The man replied in perfect English.
|
||
|
||
“I am Boris Anchoukoff.”
|
||
|
||
“Prince Michael’s servant, eh?”
|
||
|
||
“That is so. I served my master. He is dead. Now I serve you.”
|
||
|
||
“It’s very kind of you,” said Anthony. “But I don’t happen to want a
|
||
valet.”
|
||
|
||
“You are my master now. I will serve you faithfully.”
|
||
|
||
“Yes—but—look here—I don’t need a valet. I can’t afford one.”
|
||
|
||
Boris Anchoukoff looked at him with a touch of scorn.
|
||
|
||
“I do not ask for money. I served my master. So will I serve you—to
|
||
the death!”
|
||
|
||
Stepping quickly forward, he dropped on one knee, caught Anthony’s hand
|
||
and placed it on his forehead. Then he rose swiftly and left the room
|
||
as suddenly as he had come.
|
||
|
||
Anthony stared after him, his face a picture of astonishment.
|
||
|
||
“That’s damned odd,” he said to himself. “A faithful sort of dog.
|
||
Curious the instincts these fellows have.”
|
||
|
||
He rose and paced up and down.
|
||
|
||
“All the same,” he muttered, “it’s awkward—damned awkward—just at
|
||
present.”
|
||
|
||
|
||
|
||
|
||
17
|
||
|
||
A Midnight Adventure
|
||
|
||
|
||
The inquest took place on the following morning. It was extraordinarily
|
||
unlike the inquests as pictured in sensational fiction. It satisfied
|
||
even George Lomax in its rigid suppression of all interesting details.
|
||
Superintendent Battle and the Coroner, working together with the
|
||
support of the Chief Constable, had reduced the proceedings to the
|
||
lowest level of boredom.
|
||
|
||
Immediately after the inquest, Anthony took an unostentatious departure.
|
||
|
||
His departure was the one bright spot in the day for Bill Eversleigh.
|
||
George Lomax, obsessed with the fear that something damaging to his
|
||
Department might leak out, had been exceedingly trying. Miss Oscar and
|
||
Bill had been in constant attendance. Everything useful and interesting
|
||
had been done by Miss Oscar. Bill’s part had been to run to and fro
|
||
with countless messages, to decode telegrams, and to listen by the hour
|
||
to George repeating himself.
|
||
|
||
It was a completely exhausted young man who retired to bed on Saturday
|
||
night. He had had practically no chance to talk to Virginia all
|
||
day, owing to George’s exactions, and he felt injured and ill-used.
|
||
Thank goodness, that Colonial fellow had taken himself off. He had
|
||
monopolized far too much of Virginia’s society anyway. And of course
|
||
if George Lomax went on making an ass of himself like this—— His
|
||
mind seething with resentment, Bill fell asleep. And, in dreams, came
|
||
consolation. For he dreamt of Virginia.
|
||
|
||
It was an heroic dream, a dream of burning timbers in which he played
|
||
the part of the gallant rescuer. He brought down Virginia from the
|
||
topmost story in his arms. She was unconscious. He laid her on the
|
||
grass. Then he went off to find a packet of sandwiches. It was most
|
||
important that he should find that packet of sandwiches. George had it,
|
||
but instead of giving it up to Bill, he began to dictate telegrams.
|
||
They were now in the vestry of a church, and any minute Virginia might
|
||
arrive to be married to him. Horror! He was wearing pyjamas. He must
|
||
get home at once and find his proper clothes. He rushed out to the
|
||
car. The car would not start. No petrol in the tank! He was getting
|
||
desperate. And then a big General ’bus drew up and Virginia got out
|
||
of it on the arm of the bald headed Baron. She was deliciously cool,
|
||
and exquisitely dressed in grey. She came over to him and shook him by
|
||
the shoulders playfully. “Bill,” she said. “Oh, Bill.” She shook him
|
||
harder. “Bill,” she said. “Wake up. Oh, do wake up!”
|
||
|
||
Very dazed, Bill woke up. He was in his bedroom at Chimneys. But part
|
||
of the dream was with him still. Virginia was leaning over him, and was
|
||
repeating the same words with variations.
|
||
|
||
“Wake up, Bill. Oh, do wake up. Bill.”
|
||
|
||
“Hullo!” said Bill, sitting up in bed. “What’s the matter?”
|
||
|
||
Virginia gave a sigh of relief.
|
||
|
||
“Thank goodness. I thought you’d never wake up. I’ve been shaking you
|
||
and shaking you. Are you properly awake now?”
|
||
|
||
“I think so,” said Bill doubtfully.
|
||
|
||
“You great lump,” said Virginia. “The trouble I’ve had! My arms are
|
||
aching.”
|
||
|
||
“These insults are uncalled for,” said Bill, with dignity. “Let me say,
|
||
Virginia, that I consider your conduct most unbecoming. Not at all that
|
||
of a pure young widow.”
|
||
|
||
“Don’t be an idiot, Bill. Things are happening.”
|
||
|
||
“What kind of things?”
|
||
|
||
“Queer things. In the Council Chamber. I thought I heard a door bang
|
||
somewhere, and I came down to see. And then saw a light in the Council
|
||
Chamber. I crept along the passage, and peeped through the crack of the
|
||
door. I couldn’t see much, but what I could see was so extraordinary
|
||
that I felt I must see more. And then, all of a sudden, I felt that I
|
||
should like a nice, big, strong man with me. And you were the nicest
|
||
and biggest and strongest man I could think of, so I came in and tried
|
||
to wake you up quietly. But I’ve been ages doing it.”
|
||
|
||
“I see,” said Bill. “And what do you want me to do now? Get up and
|
||
tackle the burglars?”
|
||
|
||
Virginia wrinkled her brows.
|
||
|
||
“I’m not sure that they are burglars. Bill, it’s very queer—— But
|
||
don’t let’s waste time talking. Get up.”
|
||
|
||
Bill slipped obediently out of bed.
|
||
|
||
“Wait while I don a pair of boots—the big ones with nails in them.
|
||
However big and strong I am, I’m not going to tackle hardened criminals
|
||
with bare feet.”
|
||
|
||
“I like your pyjamas, Bill,” said Virginia dreamily. “Brightness
|
||
without vulgarity.”
|
||
|
||
“While we’re on the subject,” remarked Bill, reaching for his second
|
||
boot, “I like that thingummybob of yours. It’s a pretty shade of green.
|
||
What do you call it? It’s not just a dressing-gown, is it?”
|
||
|
||
“It’s a _négligé_” said Virginia. “I’m glad you’ve led such a pure
|
||
life, Bill.”
|
||
|
||
“I haven’t,” said Bill indignantly.
|
||
|
||
“You’ve just betrayed the fact. You’re very nice, Bill, and I like you.
|
||
I dare say that to-morrow morning—say about ten o’clock, a good safe
|
||
hour for not unduly exciting the emotions—I might even kiss you.”
|
||
|
||
“I always think these things are best carried out on the spur of the
|
||
moment,” suggested Bill.
|
||
|
||
“We’ve other fish to fry,” said Virginia. “If you don’t want to put on
|
||
a gas mask and a shirt of chain mail, shall we start?”
|
||
|
||
“I’m ready,” said Bill.
|
||
|
||
He wriggled into a lurid silk dressing-gown, and picked up a poker.
|
||
|
||
“The orthodox weapon,” he observed.
|
||
|
||
“Come on,” said Virginia, “and don’t make a noise.”
|
||
|
||
They crept out of the room and along the corridor, and then down the
|
||
wide double staircase. Virginia frowned as they reached the bottom of
|
||
it.
|
||
|
||
“Those boots of yours aren’t exactly domes of silence, are they, Bill?”
|
||
|
||
“Nails will be nails,” said Bill. “I’m doing my best.”
|
||
|
||
“You’ll have to take them off,” said Virginia firmly.
|
||
|
||
Bill groaned.
|
||
|
||
“You can carry them in your hand. I want to see if you can make out
|
||
what’s going on in the Council Chamber. Bill, it’s awfully mysterious.
|
||
Why should burglars take a man in armour to pieces?”
|
||
|
||
“Well, I suppose they can’t take him away whole very well. They
|
||
disarticulate him, and pack him neatly.”
|
||
|
||
Virginia shook her head, dissatisfied.
|
||
|
||
“What should they want to steal a mouldy old suit of armour for? Why,
|
||
Chimneys is full of treasures that are much easier to take away.”
|
||
|
||
Bill shook his head.
|
||
|
||
“How many of them are there?” he asked, taking a firmer grip of his
|
||
poker.
|
||
|
||
“I couldn’t see properly. You know what a keyhole is. And they only had
|
||
a flashlight.”
|
||
|
||
“I expect they’ve gone by now,” said Bill hopefully.
|
||
|
||
He sat down on the bottom stair and drew off his boots. Then, holding
|
||
them in his hand, he crept along the passage that led to the Council
|
||
Chamber, Virginia close behind him. They halted outside the massive oak
|
||
door. All was silent within, but suddenly Virginia pressed his arm, and
|
||
he nodded. A bright light had shown for a minute through the keyhole.
|
||
|
||
Bill went down on his knees, and applied his eye to the orifice. What
|
||
he saw was confusing in the extreme. The scene of the drama that was
|
||
being enacted inside was evidently just to the left, out of his line
|
||
of vision. A subdued chink every now and then seemed to point to the
|
||
fact that the invaders were still dealing with the figure in armour.
|
||
There were two of these, Bill remembered. They stood together by the
|
||
wall just under the Holbein portrait. The light of the electric torch
|
||
was evidently being directed upon the operations in progress. It
|
||
left the rest of the room nearly in darkness. Once a figure flitted
|
||
across Bill’s line of vision, but there was not sufficient light to
|
||
distinguish anything about it. It might have been that of a man or a
|
||
woman. In a minute or two it flitted back again and then the subdued
|
||
chinking sounded again. Presently there came a new sound, a faint
|
||
tap-tap as of knuckles on wood.
|
||
|
||
Bill sat back on his heels suddenly.
|
||
|
||
“What is it?” whispered Virginia.
|
||
|
||
“Nothing. It’s no good going on like this. We can’t see anything, and
|
||
we can’t guess what they’re up to. I must go in and tackle them.”
|
||
|
||
He drew on his boots and stood up.
|
||
|
||
“Now, Virginia, listen to me. We’ll open the door as softly as
|
||
possible. You know where the switch of the electric light is?”
|
||
|
||
“Yes, just by the door.”
|
||
|
||
“I don’t think there are more than two of them. There may be only one.
|
||
I want to get well into the room. Then, when I say ‘Go’ I want you to
|
||
switch on the lights. Do you understand?”
|
||
|
||
“Perfectly.”
|
||
|
||
“And don’t scream or faint or anything. I won’t let anyone hurt you.”
|
||
|
||
“My hero!” murmured Virginia.
|
||
|
||
Bill peered at her suspiciously through the darkness. He heard a faint
|
||
sound which might have been either a sob or a laugh. Then he grasped
|
||
the poker firmly and rose to his feet. He felt that he was fully alive
|
||
to the situation.
|
||
|
||
Very softly he turned the handle of the door. It yielded and swung
|
||
gently inwards. Bill felt Virginia close beside him. Together they
|
||
moved noiselessly into the room.
|
||
|
||
At the farther end of the room, the torch was playing upon the Holbein
|
||
picture. Silhouetted against it was the figure of a man, standing on a
|
||
chair and gently tapping on the panelling! His back, of course, was to
|
||
them, and he merely loomed up as a monstrous shadow.
|
||
|
||
What more they might have seen cannot be told, for at that moment
|
||
Bill’s nails squeaked upon the parquet floor. The man swung round,
|
||
directing the powerful torch full upon them and almost dazzling them
|
||
with the sudden glare.
|
||
|
||
Bill did not hesitate.
|
||
|
||
“Go,” he roared to Virginia, and sprang for his man, as she obediently
|
||
pressed down the switch of the electric lights.
|
||
|
||
The big chandelier should have been flooded with light; but, instead,
|
||
all that happened was the click of the switch. The room remained in
|
||
darkness.
|
||
|
||
Virginia heard Bill curse freely. The next minute the air was filled
|
||
with panting, scuffling sounds. The torch had fallen to the ground and
|
||
extinguished itself in the fall. There was the sound of a desperate
|
||
struggle going on in the darkness, but as to who was getting the better
|
||
of it, and indeed as to who was taking part in it, Virginia had no
|
||
idea. Had there been anyone else in the room besides the man who was
|
||
tapping the panelling? There might have been. Their glimpse had been
|
||
only a momentary one.
|
||
|
||
Virginia felt paralysed. She hardly knew what to do. She dared not try
|
||
and join in the struggle. To do so might hamper and not aid Bill. Her
|
||
one idea was to stay in the doorway, so that anyone trying to escape
|
||
should not leave the room that way. At the same time, she disobeyed
|
||
Bill’s express instructions and screamed loudly and repeatedly for help.
|
||
|
||
She heard doors opening upstairs, and a sudden gleam of light from the
|
||
hall and the big staircase. If only Bill could hold his man until help
|
||
came.
|
||
|
||
But at that minute there was a final terrific upheaval. They must have
|
||
crashed into one of the figures in armour, for it fell to the ground
|
||
with a deafening noise. Virginia saw dimly a figure springing for the
|
||
window, and at the same time heard Bill cursing and disengaging himself
|
||
from fragments of armour.
|
||
|
||
For the first time, she left her post, and rushed wildly for the figure
|
||
at the window. But the window was already unlatched. The intruder had
|
||
no need to stop and fumble for it. He sprang out and raced away down
|
||
the terrace and round the corner of the house. Virginia raced after
|
||
him. She was young and athletic, and she turned the corner of the
|
||
terrace not many seconds after her quarry.
|
||
|
||
But there she ran headlong into the arms of a man who was emerging from
|
||
a small side door. It was Mr. Hiram P. Fish.
|
||
|
||
“Gee! It’s a lady,” he exclaimed. “Why, I beg your pardon, Mrs. Revel.
|
||
I took you for one of the thugs fleeing from justice.”
|
||
|
||
“He’s just passed this way,” cried Virginia breathlessly. “Can’t we
|
||
catch him?”
|
||
|
||
But, even as she spoke, she knew it was too late. The man must have
|
||
gained the park by now, and it was a dark night with no moon. She
|
||
retraced her steps to the Council Chamber, Mr. Fish by her side,
|
||
discoursing in a soothing monotone upon the habits of burglars in
|
||
general, of which he seemed to have a wide experience.
|
||
|
||
Lord Caterham, Bundle, and various frightened servants were standing in
|
||
the doorway of the Council Chamber.
|
||
|
||
“What the devil’s the matter?” asked Bundle. “Is it burglars? What are
|
||
you and Mr. Fish doing, Virginia? Taking a midnight stroll?”
|
||
|
||
Virginia explained the events of the evening.
|
||
|
||
“How frightfully exciting,” commented Bundle. “You don’t usually get
|
||
a murder and a burglary crowded into one week-end. What’s the matter
|
||
with the lights in here? They’re all right everywhere else.”
|
||
|
||
That mystery was soon explained. The bulbs had simply been removed
|
||
and laid in a row against the wall. Mounted on a pair of steps, the
|
||
dignified Tredwell, dignified even in undress, restored illumination to
|
||
the stricken apartment.
|
||
|
||
“If I am not mistaken,” said Lord Caterham in his sad voice as he
|
||
looked around him, “this room has recently been the centre of somewhat
|
||
violent activity.”
|
||
|
||
There was some justice in the remark. Everything that could have
|
||
been knocked over had been knocked over. The floor was littered with
|
||
splintered chairs, broken china, and fragments of armour.
|
||
|
||
“How many of them were there?” asked Bundle. “It seems to have been a
|
||
desperate fight.”
|
||
|
||
“Only one, I think,” said Virginia. But, even as she spoke, she
|
||
hesitated a little. Certainly only one person—a man—had passed out
|
||
through the window. But as she had rushed after him, she had had a
|
||
vague impression of a rustle somewhere close at hand. If so, the second
|
||
occupant of the room could have escaped through the door. Perhaps,
|
||
though, the rustle had been an effect of her own imagination.
|
||
|
||
Bill appeared suddenly at the window. He was out of breath and panting
|
||
hard.
|
||
|
||
“Damn the fellow!” he exclaimed wrathfully. “He’s escaped. I’ve been
|
||
hunting all over the place. Not a sign of him.”
|
||
|
||
“Cheer up, Bill,” said Virginia, “better luck next time.”
|
||
|
||
“Well,” said Lord Caterham, “what do you think we’d better do now? Go
|
||
back to bed? I can’t get hold of Badgworthy at this time of night.
|
||
Tredwell, you know the sort of thing that’s necessary. Just see to it,
|
||
will you?”
|
||
|
||
“Very good, my lord.”
|
||
|
||
With a sigh of relief, Lord Caterham prepared to retreat.
|
||
|
||
“That beggar, Isaacstein, sleeps soundly,” he remarked, with a touch of
|
||
envy. “You’d have thought all this row would have brought him down.” He
|
||
looked across at Mr. Fish. “You found time to dress, I see,” he added.
|
||
|
||
“I flung on a few articles of clothing, yes,” admitted the American.
|
||
|
||
“Very sensible of you,” said Lord Caterham. “Damned chilly things,
|
||
pyjamas.”
|
||
|
||
He yawned. In a rather depressed mood, the house party retired to bed.
|
||
|
||
|
||
|
||
|
||
18
|
||
|
||
Second Midnight Adventure
|
||
|
||
|
||
The first person that Anthony saw as he alighted from his train on the
|
||
following afternoon was Superintendent Battle. His face broke into a
|
||
smile.
|
||
|
||
“I’ve returned according to contract,” he remarked. “Did you come down
|
||
here to assure yourself of the fact?”
|
||
|
||
Battle shook his head.
|
||
|
||
“I wasn’t worrying about that, Mr. Cade. I happen to be going to
|
||
London, that’s all.”
|
||
|
||
“You have such a trustful nature, Battle.”
|
||
|
||
“Do you think so, sir?”
|
||
|
||
“No. I think you’re deep—very deep. Still waters, you know, and all
|
||
that sort of thing. So you’re going to London?”
|
||
|
||
“I am, Mr. Cade.”
|
||
|
||
“I wonder why.”
|
||
|
||
The detective did not reply.
|
||
|
||
“You’re so chatty,” remarked Anthony. “That’s what I like about you.”
|
||
|
||
A far-off twinkle showed in Battle’s eyes.
|
||
|
||
“What about your own little job, Mr. Cade?” he inquired. “How did that
|
||
go off?”
|
||
|
||
“I’ve drawn blank, Battle. For the second time I’ve been proved
|
||
hopelessly wrong. Galling, isn’t it?”
|
||
|
||
“What was the idea, sir, if I may ask?”
|
||
|
||
“I suspected the French governess, Battle. A: Upon the grounds of her
|
||
being the most unlikely person, according to the canons of the best
|
||
fiction. B: Because there was a light in her room on the night of the
|
||
tragedy.”
|
||
|
||
“That wasn’t much to go upon.”
|
||
|
||
“You are quite right. It was not. But I discovered that she had only
|
||
been here a short time, and I also found a suspicious Frenchman spying
|
||
round the place. You know all about him, I suppose?”
|
||
|
||
“You mean the man who calls himself M. Chelles? Staying at the
|
||
_Cricketers_? A traveller in silk.”
|
||
|
||
“That’s it, is it? What about him? What does Scotland Yard think?”
|
||
|
||
“His actions have been suspicious,” said Superintendent Battle
|
||
expressionlessly.
|
||
|
||
“Very suspicious, I should say. Well, I put two and two together.
|
||
French governess in the house, French stranger outside. I decided that
|
||
they were in league together, and I hurried off to interview the lady
|
||
with whom Mademoiselle Brun had lived for the last ten years. I was
|
||
fully prepared to find that she had never heard of any such person as
|
||
Mademoiselle Brun, but I was wrong, Battle. Mademoiselle is the genuine
|
||
article.”
|
||
|
||
Battle nodded.
|
||
|
||
“I must admit,” said Anthony, “that as soon as I spoke to her I had an
|
||
uneasy conviction that I was barking up the wrong tree. She seemed so
|
||
absolutely the governess.”
|
||
|
||
Again Battle nodded.
|
||
|
||
“All the same, Mr. Cade, you can’t always go by that. Women especially
|
||
can do a lot with make up. I’ve seen quite a pretty girl with the color
|
||
of her hair altered, a sallow complexion stain, slightly reddened
|
||
eyelids and, most efficacious of all, dowdy clothes, who would fail to
|
||
be identified by nine people out of ten who had seen her in her former
|
||
character. Men haven’t got quite the same pull. You can do something
|
||
with the eyebrows, and of course different sets of false teeth alter
|
||
the whole expression. But there are always the ears—there’s an
|
||
extraordinary lot of character in ears, Mr. Cade.”
|
||
|
||
“Don’t look so hard at mine, Battle,” complained Anthony. “You make me
|
||
quite nervous.”
|
||
|
||
“I’m not talking of false beard and grease paint,” continued the
|
||
superintendent. “That’s only for books. No, there are very few men
|
||
who can escape identification and put it over on you. In fact there’s
|
||
only one man I know who has a positive genius for impersonation. King
|
||
Victor. Ever heard of King Victor, Mr. Cade?”
|
||
|
||
There was something so sharp and sudden about the way the detective put
|
||
the question that Anthony half checked the words that were rising to
|
||
his lips.
|
||
|
||
“King Victor?” he said reflectively instead. “Somehow, I seem to have
|
||
heard the name.”
|
||
|
||
“One of the most celebrated jewel thieves in the world. Irish father,
|
||
French mother. Can speak five languages at least. He’s been serving a
|
||
sentence, but his time was up a few months ago.”
|
||
|
||
“Really? And where is he supposed to be now?”
|
||
|
||
“Well, Mr. Cade, that’s what we’d rather like to know.”
|
||
|
||
“The plot thickens,” said Anthony lightly. “No chance of his turning up
|
||
here, is there? But I suppose he wouldn’t be interested in political
|
||
Memoirs—only in jewels.”
|
||
|
||
“There’s no saying,” said Superintendent Battle. “For all we know, he
|
||
may be here already.”
|
||
|
||
“Disguised as the second footman? Splendid. You’ll recognize him by his
|
||
ears and cover yourself with glory.”
|
||
|
||
“Quite fond of your little joke, aren’t you, Mr. Cade? By the way, what
|
||
do you think of that curious business at Staines?”
|
||
|
||
“Staines?” said Anthony. “What’s been happening at Staines?”
|
||
|
||
“It was in Saturday’s papers. I thought you might have seen about it.
|
||
Man found by the roadside shot. A foreigner. It was in the papers again
|
||
to-day, of course.”
|
||
|
||
“I did see something about it,” said Anthony carelessly. “Not suicide,
|
||
apparently.”
|
||
|
||
“No. There was no weapon. As yet the man hasn’t been identified.”
|
||
|
||
“You seem very interested,” said Anthony, smiling. “No connection with
|
||
Prince Michael’s death, is there?”
|
||
|
||
His hand was quite steady. So were his eyes. Was it his fancy that
|
||
Superintendent Battle was looking at him with peculiar intentness?
|
||
|
||
“Seems to be quite an epidemic of that sort of thing,” said Battle.
|
||
“But, well, I dare say there’s nothing in it.”
|
||
|
||
He turned away, beckoning to a porter as the London train came
|
||
thundering in. Anthony drew a faint sigh of relief.
|
||
|
||
He strolled across the park in an unusually thoughtful mood. He
|
||
purposely chose to approach the house from the same direction as that
|
||
from which he had come on the fateful Thursday night, and as he drew
|
||
near to it he looked up at the windows cudgelling his brains to make
|
||
sure of the one where he had seen the light. Was he quite sure that it
|
||
was the second from the end?
|
||
|
||
And, doing so, he made a discovery. There was an angle at the corner of
|
||
the house in which was a window set farther back. Standing on one spot,
|
||
you counted this window as the first, and the first one built out over
|
||
the Council Chamber as the second, but move a few yards to the right
|
||
and the part built out over the Council Chamber appeared to be the end
|
||
of the house. The first window was invisible, and the two windows of
|
||
the rooms over the Council Chamber would have appeared the first and
|
||
second from the end. Where exactly had he been standing when he had
|
||
seen the light flash up?
|
||
|
||
Anthony found the question very hard to determine. A matter of a yard
|
||
or so made all the difference. But one point was made abundantly clear.
|
||
It was quite possible that he had been mistaken in describing the light
|
||
as occurring in the second room from the end. It might equally well
|
||
have been the _third_.
|
||
|
||
Now who occupied the third room? Anthony was determined to find that
|
||
out as soon as possible. Fortune favoured him. In the hall Tredwell had
|
||
just set the massive silver urn in its place on the tea tray. Nobody
|
||
else was there.
|
||
|
||
“Hullo, Tredwell,” said Anthony. “I wanted to ask you something. Who
|
||
has the third room from the end on the West side? Over the Council
|
||
Chamber, I mean.”
|
||
|
||
Tredwell reflected for a minute or two.
|
||
|
||
“That would be the American gentleman’s room, sir. Mr. Fish.”
|
||
|
||
“Oh, is it? Thank you.”
|
||
|
||
“Not at all, sir.”
|
||
|
||
Tredwell prepared to depart, then paused. The desire to be the first to
|
||
impart news makes even pontifical butlers human.
|
||
|
||
“Perhaps you have heard, sir, of what occurred last night?”
|
||
|
||
“Not a word,” said Anthony. “What did occur last night?”
|
||
|
||
“An attempt at robbery, sir!”
|
||
|
||
“Not really? Was anything taken?”
|
||
|
||
“No, sir. The thieves were dismantling the suits of armour in
|
||
the Council Chamber when they were surprised and forced to flee.
|
||
Unfortunately they got clear away.”
|
||
|
||
“That’s very extraordinary,” said Anthony. “The Council Chamber again.
|
||
Did they break in that way?”
|
||
|
||
“It is supposed, sir, that they forced the window.”
|
||
|
||
Satisfied with the interest his information had aroused Tredwell
|
||
resumed his retreat, but brought up short with a dignified apology.
|
||
|
||
“I beg your pardon, sir. I didn’t hear you come in, and I didn’t know
|
||
you were standing just behind me.”
|
||
|
||
Mr. Isaacstein who had been the victim of the impact waved his hand in
|
||
a friendly fashion.
|
||
|
||
“No harm done, my good fellow. I assure you no harm done.”
|
||
|
||
Tredwell retired looking contemptuous, and Isaacstein came forward and
|
||
dropped into an easy-chair.
|
||
|
||
“Hullo, Cade, so you’re back again. Been hearing all about last night’s
|
||
little show?”
|
||
|
||
“Yes,” said Anthony. “Rather an exciting week-end, isn’t it?”
|
||
|
||
“I should imagine that last night was the work of local men,” said
|
||
Isaacstein. “It seems a clumsy, amateurish affair.”
|
||
|
||
“Is there anyone about here who collects armour?” asked Anthony. “It
|
||
seems a curious thing to select.”
|
||
|
||
“Very curious,” agreed Mr. Isaacstein. He paused a minute, and then
|
||
said slowly: “The whole position here is very unfortunate.”
|
||
|
||
There was something almost menacing in his tone.
|
||
|
||
“I don’t quite understand,” said Anthony.
|
||
|
||
“Why are we all being kept here in this way? The inquest was over
|
||
yesterday. The Prince’s body will be removed to London where it is
|
||
being given out that he died of heart failure. And still nobody is
|
||
allowed to leave the house. Mr. Lomax knows no more than I do. He
|
||
refers me to Superintendent Battle.”
|
||
|
||
“Superintendent Battle has something up his sleeve,” said Anthony
|
||
thoughtfully. “And it seems the essence of his plan that nobody should
|
||
leave.”
|
||
|
||
“But, excuse me, Mr. Cade, you have been away.”
|
||
|
||
“With a string tied to my leg. I’ve no doubt that I was shadowed the
|
||
whole time. I shouldn’t have been given a chance of disposing of the
|
||
revolver or anything of that kind.”
|
||
|
||
“Ah, the revolver,” said Isaacstein thoughtfully. “That has not yet
|
||
been found, I think?”
|
||
|
||
“Not yet.”
|
||
|
||
“Possibly thrown into the lake in passing.”
|
||
|
||
“Very possibly.”
|
||
|
||
“Where is Superintendent Battle? I have not seen him this afternoon.”
|
||
|
||
“He’s gone to London. I met him at the station.”
|
||
|
||
“Gone to London? Really? Did he say when he would be back?”
|
||
|
||
“Early to-morrow, so I understood.”
|
||
|
||
Virginia came in with Lord Caterham and Mr. Fish. She smiled a welcome
|
||
at Anthony.
|
||
|
||
“So you’re back, Mr. Cade. Have you heard all about our adventures last
|
||
night?”
|
||
|
||
“Why, trooly, Mr. Cade,” said Hiram Fish. “It was a night of strenuous
|
||
excitement. Did you hear that I mistook Mrs. Revel for one of the
|
||
thugs?”
|
||
|
||
“And in the meantime,” said Anthony, “the thug——?”
|
||
|
||
“Got clear away,” said Mr. Fish mournfully.
|
||
|
||
“Do pour out,” said Lord Caterham to Virginia. “I don’t know where
|
||
Bundle is.”
|
||
|
||
Virginia officiated. Then she came and sat down near Anthony.
|
||
|
||
“Come to the boat-house after tea,” she said in a low voice. “Bill and
|
||
I have got a lot to tell you.”
|
||
|
||
Then she joined lightly in the general conversation.
|
||
|
||
The meeting at the boat-house was duly held.
|
||
|
||
Virginia and Bill were bubbling over with their news. They agreed
|
||
that a boat in the middle of the lake was the only safe place for
|
||
confidential conversation. Having paddled out a sufficient distance,
|
||
the full story of last night’s adventure was related to Anthony. Bill
|
||
looked a little sulky. He wished Virginia would not insist on bringing
|
||
this Colonial fellow into it.
|
||
|
||
“It’s very odd,” said Anthony, when the story was finished. “What do
|
||
you make of it?” he asked Virginia.
|
||
|
||
“I think they were looking for something,” she returned promptly. “The
|
||
burglar idea is absurd.”
|
||
|
||
“They thought the something, whatever it was, might be concealed in
|
||
the suits of armour, that’s clear enough. But why tap the panelling?
|
||
That looks more as though they were looking for a secret staircase, or
|
||
something of that kind.”
|
||
|
||
“There’s a Priest’s Hole at Chimneys, I know,” said Virginia. “And I
|
||
believe there’s a secret staircase as well. Lord Caterham would tell us
|
||
all about it. What I want to know is, what can they have been looking
|
||
for?”
|
||
|
||
“It can’t be the Memoirs,” said Anthony. “They’re a great bulky
|
||
package. It must have been something small.”
|
||
|
||
“George knows, I expect,” said Virginia. “I wonder whether I could get
|
||
it out of him. All along I’ve felt there was something behind all this.”
|
||
|
||
“You say there was only one man,” pursued Anthony, “but that there
|
||
might possibly be another, as you thought you heard some one going
|
||
towards the door as you sprang to the window.”
|
||
|
||
“The sound was very slight,” said Virginia. “It might have been just my
|
||
imagination.”
|
||
|
||
“That’s quite possible, but in case it wasn’t your imagination the
|
||
second person must have been an inmate of the house. I wonder now——”
|
||
|
||
“What are you wondering at?” asked Virginia.
|
||
|
||
“The thoroughness of Mr. Hiram Fish who dresses himself completely when
|
||
he hears screams for help downstairs.”
|
||
|
||
“There’s something in that,” agreed Virginia. “And then there’s
|
||
Isaacstein who sleeps through it all. That’s suspicious too. Surely he
|
||
couldn’t?”
|
||
|
||
“There’s that fellow Boris,” suggested Bill. “He looks an unmitigated
|
||
ruffian. Michael’s servant, I mean.”
|
||
|
||
“Chimneys is full of suspicious characters,” said Virginia. “I dare
|
||
say the others are just as suspicious of us. I wish Superintendent
|
||
Battle hadn’t gone to London. I think it’s rather stupid of him. By the
|
||
way, Mr. Cade, I’ve seen that peculiar-looking Frenchman about once or
|
||
twice, spying round the park.”
|
||
|
||
“It’s a mix up,” confessed Anthony. “I’ve been away on a wild-goose
|
||
chase. Made a thorough ass of myself. Look here, to me the whole
|
||
question seems to resolve itself into this: Did the men find what they
|
||
were looking for last night?”
|
||
|
||
“Supposing they didn’t?” said Virginia. “I’m pretty sure they didn’t,
|
||
as a matter of fact.”
|
||
|
||
“Just this, I believe they’ll come again. They know, or they soon will
|
||
know, that Battle’s in London. They’ll take the risk and come again
|
||
to-night.”
|
||
|
||
“Do you really think so?”
|
||
|
||
“It’s a chance. Now we three will form a little syndicate. Eversleigh
|
||
and I will conceal ourselves with due precautions in the Council
|
||
Chamber——”
|
||
|
||
“What about me?” interrupted Virginia. “Don’t think you’re going to
|
||
leave me out of it.”
|
||
|
||
“Listen to me, Virginia,” said Bill. “This is man’s work——”
|
||
|
||
“Don’t be an idiot, Bill. I’m in on this. Don’t you make any mistake
|
||
about it. The syndicate will keep watch to-night.”
|
||
|
||
It was settled thus, and the details of the plan were laid. After the
|
||
party had retired to bed, first one and then another of the syndicate
|
||
crept down. They were all armed with powerful electric torches, and in
|
||
the pocket of Anthony’s coat lay a revolver.
|
||
|
||
Anthony had said that he believed another attempt to resume the search
|
||
would be made. Nevertheless, he did not expect that the attempt would
|
||
be made from outside. He believed that Virginia had been correct in her
|
||
guess that some one had passed her in the dark the night before, and as
|
||
he stood in the shadow of an old oak dresser it was towards the door
|
||
and not the window that his eyes were directed. Virginia was crouching
|
||
behind a figure in armour on the opposite wall, and Bill was by the
|
||
window.
|
||
|
||
The minutes passed, at interminable length. One o’clock chimed, then
|
||
the half-hour, then two, then another half-hour. Anthony felt stiff and
|
||
cramped. He was coming slowly to the conclusion that he had been wrong.
|
||
No attempt would be made to-night.
|
||
|
||
And then he stiffened suddenly, all his senses on the alert. He had
|
||
heard a footstep on the terrace outside. Silence again, then a low
|
||
scratching noise at the window. Suddenly it ceased, and the window
|
||
swung open. A man stepped across the sill into the room.
|
||
|
||
He stood quite still for a moment, peering round as though listening.
|
||
After a minute or two, seemingly satisfied, he switched on a torch
|
||
he carried, and turned it rapidly round the room. Apparently he saw
|
||
nothing unusual. The three watchers held their breath.
|
||
|
||
He went over to the same bit of panelled wall he had been examining the
|
||
night before.
|
||
|
||
And then a terrible knowledge smote Bill. He was going to sneeze! The
|
||
wild race through the dew-laden park the night before had given him a
|
||
chill. All day he had sneezed intermittently. A sneeze was due now, and
|
||
nothing on earth would stop it.
|
||
|
||
He adopted all the remedies he could think of. He pressed his upper
|
||
lip, swallowed hard, threw back his head and looked at the ceiling. As
|
||
a last resort he held his nose, and pinched it violently. It was of no
|
||
avail. He sneezed.
|
||
|
||
A stifled, checked, emasculated sneeze, but a startling sound in the
|
||
deadly quiet of the room.
|
||
|
||
The stranger sprang round, and in the same minute Anthony acted. He
|
||
flashed on his torch, and jumped full for the stranger. In another
|
||
minute they were down on the floor together.
|
||
|
||
“Lights,” shouted Anthony.
|
||
|
||
Virginia was ready at the switch. The lights came on true and full
|
||
to-night. Anthony was on top of his man, Bill leant down to give him a
|
||
hand.
|
||
|
||
“And now,” said Anthony, “let’s see who you are, my fine fellow.”
|
||
|
||
He rolled his victim over. It was the neat, dark-bearded stranger from
|
||
the _Cricketers_.
|
||
|
||
“Very nice indeed,” said an approving voice.
|
||
|
||
They all looked up startled. The bulky form of Superintendent Battle
|
||
was standing in the open doorway.
|
||
|
||
“I thought you were in London, Superintendent Battle,” said Anthony.
|
||
|
||
Battle’s eyes twinkled.
|
||
|
||
“Did you, sir?” he said. “Well, I thought it would be a good thing if I
|
||
was thought to be going.”
|
||
|
||
“And it has been,” agreed Anthony, looking down at his prostrate foe.
|
||
|
||
To his surprise there was a slight smile on the stranger’s face.
|
||
|
||
“May I get up, gentlemen?” he inquired. “You are three to one.”
|
||
|
||
Anthony kindly hauled him on to his legs. The stranger settled his
|
||
coat, pulled up his collar, and directed a keen look at Battle.
|
||
|
||
“I demand pardon,” he said, “but do I understand that you are a
|
||
representative from Scotland Yard?”
|
||
|
||
“That’s right,” said Battle.
|
||
|
||
“Then I will present to you my credentials.” He smiled rather ruefully.
|
||
“I would have been wise to do so before.”
|
||
|
||
He took some papers from his pocket and handed them to the Scotland
|
||
Yard detective. At the same time, he turned back the lapel of his coat
|
||
and showed something pinned there.
|
||
|
||
Battle gave an exclamation of astonishment. He looked through the
|
||
papers and handed them back with a little bow.
|
||
|
||
“I’m sorry you’ve been man-handled, monsieur,” he said, “but you
|
||
brought it on yourself, you know.”
|
||
|
||
He smiled, noting the astonished expression on the faces of the other.
|
||
|
||
“This is a colleague we have been expecting for some time,” he said.
|
||
“M. Lemoine, of the Sûreté in Paris.”
|
||
|
||
|
||
|
||
|
||
19
|
||
|
||
Secret History
|
||
|
||
|
||
They all stared at the French detective, who smiled back at them.
|
||
|
||
“But yes,” he said, “it is true.”
|
||
|
||
There was a pause for a general readjusting of ideas. Then Virginia
|
||
turned to Battle.
|
||
|
||
“Do you know what I think, Superintendent Battle?”
|
||
|
||
“What do you think, Mrs. Revel?”
|
||
|
||
“I think the time has come to enlighten us a little.”
|
||
|
||
“To enlighten you? I don’t quite understand, Mrs. Revel.”
|
||
|
||
“Superintendent Battle, you understand perfectly. I dare say Mr. Lomax
|
||
has hedged you about with recommendations of secrecy—George would,
|
||
but surely it’s better to tell us than have us stumbling on the secret
|
||
all by ourselves, and perhaps doing untold harm. M. Lemoine, don’t you
|
||
agree with me?”
|
||
|
||
“Madame, I agree with you entirely.”
|
||
|
||
“You can’t go on keeping things dark for ever,” said Battle. “I’ve
|
||
told Mr. Lomax so. Mr. Eversleigh is Mr. Lomax’s secretary, there’s no
|
||
objection to his knowing what there is to know. As for Mr. Cade, he’s
|
||
been brought into the thing willy-nilly, and I consider he’s a right to
|
||
know where he stands. But——”
|
||
|
||
Battle paused.
|
||
|
||
“I know,” said Virginia. “Women are so indiscreet! I’ve often heard
|
||
George say so.”
|
||
|
||
Lemoine had been studying Virginia attentively. Now he turned to the
|
||
Scotland Yard man.
|
||
|
||
“Did I hear you just now address Madame by the name of Revel?”
|
||
|
||
“That is my name,” said Virginia.
|
||
|
||
“Your husband was in the Diplomatic Service, was he not? And you were
|
||
with him in Herzoslovakia just before the assassination of the late
|
||
King and Queen.”
|
||
|
||
“Yes.”
|
||
|
||
Lemoine turned again.
|
||
|
||
“I think Madame has a right to hear the story. She is indirectly
|
||
concerned. Moreover”—his eyes twinkled a little—“Madame’s reputation
|
||
for discretion stands very high in Diplomatic circles.”
|
||
|
||
“I’m glad they give me a good character,” said Virginia, laughing. “And
|
||
I’m glad I’m not going to be left out of it.”
|
||
|
||
“What about refreshments?” said Anthony. “Where does the conference
|
||
take place? Here?”
|
||
|
||
“If you please, sir,” said Battle, “I’ve a fancy for not leaving this
|
||
room until morning. You’ll see why when you’ve heard the story.”
|
||
|
||
“Then I’ll go and forage,” said Anthony.
|
||
|
||
Bill went with him and they returned with a tray of glasses, siphons
|
||
and other necessaries of life.
|
||
|
||
The augmented syndicate established itself comfortably in the corner by
|
||
the window, being grouped round a long oak table.
|
||
|
||
“It’s understood, of course,” said Battle, “that anything that’s said
|
||
here is said in strict confidence. There must be no leakage. I’ve
|
||
always felt it would come out one of these days. Gentlemen like Mr.
|
||
Lomax who want everything hushed up take bigger risks than they think.
|
||
The start of this business was just over seven years ago. There was a
|
||
lot of what they call Reconstruction going on—especially in the Near
|
||
East. There was a good deal going on in England, strictly on the Q.T.
|
||
with that old gentleman, Count Stylptitch, pulling the strings. All
|
||
the Balkan States were interested parties, and there were a lot of
|
||
Royal Personages in England just then. I’m not going into details,
|
||
but Something disappeared—disappeared in a way that seemed incredible
|
||
unless you admitted two things—that the thief was a Royal Personage
|
||
and that at the same time it was the work of a high-class professional.
|
||
M. Lemoine here will tell you how that well might be.”
|
||
|
||
The Frenchman bowed courteously and took up the tale.
|
||
|
||
“It is possible that you in England may not even have heard of our
|
||
famous and fantastic King Victor. What his real name is, no one knows,
|
||
but he is a man of singular courage and daring, one who speaks five
|
||
languages and is unequalled in the art of disguise. Though his father
|
||
is known to have been either English or Irish, he himself has worked
|
||
chiefly in Paris. It was there, nearly eight years ago, that he was
|
||
carrying out a daring series of robberies and living under the name of
|
||
Captain O’Neill.”
|
||
|
||
A faint exclamation escaped Virginia. M. Lemoine darted a keen glance
|
||
at her.
|
||
|
||
“I think I understand what agitates Madame. You will see in a minute.
|
||
Now we of the Sûreté had our suspicions that this Captain O’Neill was
|
||
none other than ‘King Victor,’ but we could not obtain the necessary
|
||
proof. There was also in Paris at the time a clever young actress,
|
||
Angèle Mory, of the Folies Bergères. For some time we had suspected
|
||
that she was associated with the operations of King Victor. But again
|
||
no proof was forthcoming.
|
||
|
||
“About that time, Paris was preparing for the visit of the young King
|
||
Nicholas IV of Herzoslovakia. At the Sûreté we were given special
|
||
instructions as to the course to be adopted to ensure the safety of His
|
||
Majesty. In particular we were warned to superintend the activities of
|
||
a certain Revolutionary organization which called itself the Comrades
|
||
of the Red Hand. It is fairly certain now that the Comrades approached
|
||
Angèle Mory and offered her a huge sum if she would aid them in their
|
||
plans. Her part was to infatuate the young King, and decoy him to
|
||
some spot agreed upon with them. Angèle Mory accepted the bribe and
|
||
promised to perform her part.
|
||
|
||
“But the young lady was cleverer and more ambitious than her employers
|
||
suspected. She succeeded in captivating the King who fell desperately
|
||
in love with her and loaded her with jewels. It was then that she
|
||
conceived the idea of being—not a King’s mistress, but a Queen! As
|
||
every one knows, she realized her ambition. She was introduced into
|
||
Herzoslovakia as the Countess Varaga Popoleffsky, an offshoot of the
|
||
Romanoffs, and became eventually Queen Varaga of Herzoslovakia. Not
|
||
bad for a little Parisian actress! I have always heard that she played
|
||
the part extremely well. But her triumph was not to be long lived. The
|
||
Comrades of the Red Hand, furious at her betrayal, twice attempted
|
||
her life. Finally they worked up the country to such a pitch that a
|
||
Revolution broke out in which both the King and Queen perished. Their
|
||
bodies, horribly mutilated and hardly recognizable, were recovered,
|
||
attesting to the fury of the populace against the low-born foreign
|
||
Queen.
|
||
|
||
“Now, in all this, it seems certain that Queen Varaga still kept in
|
||
with her confederate, King Victor. It is possible that the bold plan
|
||
was his all along. What is known is that she continued to correspond
|
||
with him, in a secret code, from the Court of Herzoslovakia. For safety
|
||
the letters were written in English, and signed with the name of an
|
||
English lady then at the Embassy. If any inquiry had been made, and
|
||
the lady in question had denied her signature, it is possible that she
|
||
would not have been believed, for the letters were those of a guilty
|
||
woman to her lover. It was your name she used, Mrs. Revel.”
|
||
|
||
“I know,” said Virginia. Her colour was coming and going unevenly. “So
|
||
that is the truth of the letters! I have wondered and wondered.”
|
||
|
||
“What a blackguardly trick,” cried Bill indignantly.
|
||
|
||
“The letters were addressed to Captain O’Neill at his rooms in Paris,
|
||
and their principal purpose may have light shed upon it by a curious
|
||
fact which came to light later. After the assassination of the King
|
||
and Queen, many of the Crown Jewels which had fallen, of course, into
|
||
the hands of the mob, found their way to Paris, and it was discovered
|
||
that in nine cases out of ten the principal stones had been replaced
|
||
by paste—and mind you, there were some very famous stones among the
|
||
jewels of Herzoslovakia. So as a Queen, Angèle Mory still practised her
|
||
former activities.
|
||
|
||
“You see now where we have arrived. Nicholas IV and Queen Varaga came
|
||
to England and were the guests of the late Marquis of Caterham, then
|
||
Secretary of State for Foreign Affairs. Herzoslovakia is a small
|
||
country, but it could not be left out. Queen Varaga was necessarily
|
||
received. And there we have a Royal Personage and at the same time an
|
||
expert thief. There is also no doubt that the—er—substitute which was
|
||
so wonderful as to deceive anyone but an expert could only have been
|
||
fashioned by King Victor, and indeed the whole plan, in its daring and
|
||
audacity, pointed to him as the author.”
|
||
|
||
“What happened?” asked Virginia.
|
||
|
||
“Hushed up,” said Superintendent Battle laconically. “Not a mention of
|
||
it’s ever been made public to this day. We did all that could be done
|
||
on the quiet—and that was a good deal more than you’d ever imagine, by
|
||
the way. We’ve got methods of our own that would surprise. That jewel
|
||
didn’t leave England with the Queen of Herzoslovakia—I can tell you
|
||
that much. No, Her Majesty hid it somewhere—but where we’ve never been
|
||
able to discover. But I shouldn’t wonder”—Superintendent Battle let
|
||
his eyes wander gently round—“if it wasn’t somewhere in this room.”
|
||
|
||
Anthony leapt to his feet.
|
||
|
||
“What? After all these years?” he cried incredulously. “Impossible.”
|
||
|
||
“You do not know the peculiar circumstances, monsieur,” said the
|
||
Frenchman quickly. “Only a fortnight later, the Revolution in
|
||
Herzoslovakia broke out, and the King and Queen were murdered. Also,
|
||
Captain O’Neill was arrested in Paris and sentenced on a minor charge.
|
||
We hoped to find the packet of code letters in his house, but it
|
||
appears that this had been stolen by some Herzoslovakian go-between.
|
||
The man turned up in Herzoslovakia just before the Revolution, and then
|
||
disappeared completely.”
|
||
|
||
“He probably went abroad,” said Anthony thoughtfully. “To Africa as
|
||
likely as not. And you bet he hung on to that packet. It was as good
|
||
as a gold mine to him. It’s odd how things come about. They probably
|
||
called him Dutch Pedro or something like that out there.”
|
||
|
||
He caught Superintendent Battle’s expressionless glance bent upon him,
|
||
and smiled.
|
||
|
||
“It’s not really clairvoyance, Battle,” he said, “though it sounds like
|
||
it. I’ll tell you presently.”
|
||
|
||
“There is one thing you have not explained,” said Virginia. “Where does
|
||
this link up with the Memoirs? There must be a link, surely?”
|
||
|
||
“Madame is very quick,” said Lemoine approvingly. “Yes, there is a
|
||
link. Count Stylptitch was also staying at Chimneys at the time.”
|
||
|
||
“So that he might have known about it?”
|
||
|
||
“_Parfaitement._”
|
||
|
||
“And, of course,” said Battle, “if he’s blurted it out in his precious
|
||
Memoirs, the fat will be in the fire. Especially after the way the
|
||
whole thing was hushed up.”
|
||
|
||
Anthony lit a cigarette.
|
||
|
||
“There’s no possibility of there being a clue in the Memoirs as to
|
||
where the stone was hidden?” he asked.
|
||
|
||
“Very unlikely,” said Battle decisively. “He was never in with the
|
||
Queen—opposed the marriage tooth and nail. She’s not likely to have
|
||
taken him into her confidence.”
|
||
|
||
“I wasn’t suggesting such a thing for a minute,” said Anthony. “But
|
||
by all accounts he was a cunning old boy. Unknown to her, he may have
|
||
discovered where she hid the jewel. In that case, what would he have
|
||
done, do you think?”
|
||
|
||
“Sat tight,” said Battle, after a moment’s reflection.
|
||
|
||
“I agree,” said the Frenchman. “It was a ticklish moment, you see. To
|
||
return the stone anonymously would have presented great difficulties.
|
||
Also, the knowledge of its whereabouts would give him great power—and
|
||
he liked power, that strange old man. Not only did he hold the Queen
|
||
in the hollow of his hand, but he had a powerful weapon to negotiate
|
||
with at any time. It was not the only secret he possessed—oh, no!—he
|
||
collected secrets like some men collect rare pieces of china. It is
|
||
said that, once or twice before his death, he boasted to people of the
|
||
things he could make public if the fancy took him. And once at least
|
||
he declared that he intended to make some startling revelations in
|
||
his Memoirs. Hence”—the Frenchman smiled rather dryly—“the general
|
||
anxiety to get hold of them. Our own secret police intended to seize
|
||
them, but the Count took the precaution to have them conveyed away
|
||
before his death.”
|
||
|
||
“Still, there’s no real reason to believe that he knew this particular
|
||
secret,” said Battle.
|
||
|
||
“I beg your pardon,” said Anthony quietly. “There are his own words.”
|
||
|
||
“What?”
|
||
|
||
Both detectives stared at him as though unable to believe their ears.
|
||
|
||
“When Mr. McGrath gave me that manuscript to bring to England, he
|
||
told me the circumstances of his one meeting with Count Stylptitch.
|
||
It was in Paris. At some considerable risk to himself, Mr. McGrath
|
||
rescued the Count from a band of Apaches. He was, I understand—shall
|
||
we say a trifle—exhilarated? Being in that condition, he made two
|
||
rather interesting remarks. One of them was to the effect that he knew
|
||
where the Koh-i-noor was—a statement to which my friend paid very
|
||
little attention. He also said that the gang in question were King
|
||
Victor’s men. Taken together, those two remarks are very significant.”
|
||
|
||
“Good Lord,” ejaculated Superintendent Battle, “I should say they were.
|
||
Even the murder of Prince Michael wears a different aspect.”
|
||
|
||
“King Victor has never taken a life,” the Frenchman reminded him.
|
||
|
||
“Supposing he were surprised when he was searching for the jewel?”
|
||
|
||
“Is he in England, then?” asked Anthony sharply. “You say that he was
|
||
released a few months ago. Didn’t you keep track of him?”
|
||
|
||
A rather rueful smile overspread the French detective’s face.
|
||
|
||
“We tried to, monsieur. But he is a devil, that man. He gave us the
|
||
slip at once—at once. We thought, of course, that he would make
|
||
straight for England. But no. He went—where do you think?”
|
||
|
||
“Where?” said Anthony.
|
||
|
||
He was staring intently at the Frenchman, and absent-mindedly his
|
||
fingers played with a box of matches.
|
||
|
||
“To America. To the United States.”
|
||
|
||
“What?”
|
||
|
||
There was sheer amazement in Anthony’s tone.
|
||
|
||
“Yes, and what do you think he called himself? What part do you think
|
||
he played over there? The part of Prince Nicholas of Herzoslovakia.”
|
||
|
||
The match-box fell from Anthony’s hand, but his amazement was fully
|
||
equalled by that of Battle.
|
||
|
||
“Impossible.”
|
||
|
||
“Not so, my friend. You, too, will get the news in the morning. It
|
||
has been the most colossal bluff. As you know, Prince Nicholas was
|
||
rumoured to have died in the Congo years ago. Our friend, King Victor,
|
||
seizes on that—difficult to prove a death of that kind. He resurrects
|
||
Prince Nicholas, and plays him to such purpose that he gets away with a
|
||
tremendous haul of American dollars—all on account of the supposed oil
|
||
concessions. But by a mere accident, he was unmasked, and had to leave
|
||
the country hurriedly. This time he did come to England. And that is
|
||
why I am here. Sooner or later he will come to Chimneys. That is, if he
|
||
is not already here!”
|
||
|
||
“You think—that?”
|
||
|
||
“I think he was here the night Prince Michael died, and again last
|
||
night.”
|
||
|
||
“It was another attempt, eh?” said Battle.
|
||
|
||
“It was another attempt.”
|
||
|
||
“What has bothered me,” continued Battle, “was wondering what had
|
||
become of M. Lemoine here. I’d had word from Paris that he was on his
|
||
way over to work with me, and I couldn’t make out why he hadn’t turned
|
||
up.”
|
||
|
||
“I must indeed apologize,” said Lemoine. “You see, I arrived on the
|
||
morning after the murder. It occurred to me at once that it would
|
||
be as well for me to study things from an unofficial standpoint
|
||
without appearing officially as your colleague. I thought that great
|
||
possibilities lay that way. I was, of course, aware that I was bound to
|
||
be an object of suspicion, but that in a way furthered my plan since it
|
||
would not put people I was after on their guard. I can assure you that
|
||
I have seen a good deal that is interesting in the last two days.”
|
||
|
||
“But look here,” said Bill, “what really did happen last night?”
|
||
|
||
“I am afraid,” said M. Lemoine, “that I gave you rather violent
|
||
exercise.”
|
||
|
||
“It was you I chased then?”
|
||
|
||
“Yes. I will recount things to you. I came up here to watch, convinced
|
||
that the secret had to do with this room since the Prince had been
|
||
killed here. I stood outside on the terrace. Presently I became aware
|
||
that some one was moving about in this room. I could see the flash of a
|
||
torch now and again. I tried the middle window and found it unlatched.
|
||
Whether the man had entered that way earlier, or whether he had left
|
||
it so as a blind in case he was disturbed, I do not know. Very gently,
|
||
I pushed it back and slipped inside the room. Step by step I felt
|
||
my way until I was in a spot where I could watch operations without
|
||
likelihood of being discovered myself. The man himself I could not see
|
||
clearly. His back was to me, of course, and he was silhouetted against
|
||
the light of the torch so that his outline only could be seen. But his
|
||
actions filled me with surprise. He took to pieces first one and then
|
||
the other of those two suits of armour, examining each one piece by
|
||
piece. When he had convinced himself that what he sought was not there,
|
||
he began tapping the panelling of the wall under that picture. What he
|
||
would have done next, I do not know. The interruption came. _You_ burst
|
||
in——” He looked at Bill.
|
||
|
||
“Our well-meant interference was really rather a pity,” said Virginia
|
||
thoughtfully.
|
||
|
||
“In a sense, madame, it was. The man switched out his torch, and I, who
|
||
had no wish as yet to be forced to reveal my identity, sprang for the
|
||
window. I collided with the other two in the dark, and fell headlong. I
|
||
sprang up and out through the window. Mr. Eversleigh, taking me for his
|
||
assailant, followed.”
|
||
|
||
“I followed you first,” said Virginia. “Bill was only second in the
|
||
race.”
|
||
|
||
“And the other fellow had the sense to stay still and sneak out through
|
||
the door. I wonder he didn’t meet the rescuing crowd.”
|
||
|
||
“That would present no difficulties,” said Lemoine. “He would be a
|
||
rescuer in advance of the rest, that was all.”
|
||
|
||
“Do you really think this Arsène Lupin fellow is actually among the
|
||
household now?” asked Bill, his eyes sparkling.
|
||
|
||
“Why not?” said Lemoine. “He could pass perfectly as a servant. For all
|
||
we may know, he may be Boris Anchoukoff, the trusted servant of the
|
||
late Prince Michael.”
|
||
|
||
“He is an odd-looking bloke,” agreed Bill.
|
||
|
||
But Anthony was smiling.
|
||
|
||
“That’s hardly worthy of you, M. Lemoine,” he said gently.
|
||
|
||
The Frenchman smiled too.
|
||
|
||
“You’ve taken him on as your valet now, haven’t you, Mr. Cade?” asked
|
||
Superintendent Battle.
|
||
|
||
“Battle, I take off my hat to you. You know everything. But just as a
|
||
matter of detail, he’s taken me on, not I him.”
|
||
|
||
“Why was that, I wonder, Mr. Cade?”
|
||
|
||
“I don’t know,” said Anthony lightly. “It’s a curious taste, but
|
||
perhaps he may have liked my face. Or he may think I murdered his
|
||
master and wish to establish himself in a handy position for executing
|
||
revenge upon me.”
|
||
|
||
He rose and went over to the windows, pulling the curtains.
|
||
|
||
“Daylight,” he said, with a slight yawn. “There won’t be any more
|
||
excitements now.”
|
||
|
||
Lemoine rose also.
|
||
|
||
“I will leave you,” he said. “We shall perhaps meet again later in the
|
||
day.”
|
||
|
||
With a graceful bow to Virginia, he stepped out of the window.
|
||
|
||
“Bed,” said Virginia, yawning. “It’s all been very exciting. Come on,
|
||
Bill, go to bed like a good little boy. The breakfast table will see us
|
||
not, I fear.”
|
||
|
||
Anthony stayed at the window looking after the retreating form of M.
|
||
Lemoine.
|
||
|
||
“You wouldn’t think it,” said Battle behind him, “but that’s supposed
|
||
to be the cleverest detective in France.”
|
||
|
||
“I don’t know that I wouldn’t,” said Anthony thoughtfully. “I rather
|
||
think I would.”
|
||
|
||
“Well,” said Battle, “he was right about the excitements of this night
|
||
being over. By the way, do you remember my telling you about that man
|
||
they’d found shot near Staines?”
|
||
|
||
“Yes. Why?”
|
||
|
||
“Nothing. They’ve identified him, that’s all. It seems he was called
|
||
Giuseppe Manelli. He was a waiter at the Blitz in London. Curious,
|
||
isn’t it?”
|
||
|
||
|
||
|
||
|
||
20
|
||
|
||
Battle and Anthony Confer
|
||
|
||
|
||
Anthony said nothing. He continued to stare out of the window.
|
||
Superintendent Battle looked for some time at his motionless back.
|
||
|
||
“Well, good night, sir,” he said at last, and moved to the door.
|
||
|
||
Anthony stirred.
|
||
|
||
“Wait a minute, Battle.”
|
||
|
||
The superintendent halted obediently. Anthony left the window. He drew
|
||
out a cigarette from his case and lighted it. Then, between two puffs
|
||
of smoke, he said:
|
||
|
||
“You seem very interested in this business at Staines?”
|
||
|
||
“I wouldn’t go as far as that, sir. It’s unusual, that’s all.”
|
||
|
||
“Do you think the man was shot where he was found, or do you think
|
||
he was killed elsewhere and the body brought to that particular spot
|
||
afterwards?”
|
||
|
||
“I think he was shot somewhere else, and the body brought there in a
|
||
car.”
|
||
|
||
“I think so too,” said Anthony.
|
||
|
||
Something in the emphasis of his tone made the detective look up
|
||
sharply.
|
||
|
||
“Any ideas of your own, sir? Do you know who brought him there?”
|
||
|
||
“Yes,” said Anthony. “I did.”
|
||
|
||
He was a little annoyed at the absolutely unruffled calm preserved by
|
||
the other.
|
||
|
||
“I must say you take these shocks very well, Battle,” he remarked.
|
||
|
||
“‘Never display emotion.’ That was a rule that was given to me once,
|
||
and I’ve found it very useful.”
|
||
|
||
“You live up to it, certainly,” said Anthony. “I can’t say I’ve ever
|
||
seen you ruffled. Well, do you want to hear the whole story?”
|
||
|
||
“If you please, Mr. Cade.”
|
||
|
||
Anthony pulled up two of the chairs, both men sat down, and Anthony
|
||
recounted the events of the preceding Thursday night.
|
||
|
||
Battle listened immovably. There was a far-off twinkle in his eyes as
|
||
Anthony finished.
|
||
|
||
“You know, sir,” he said, “You’ll get into trouble one of these days.”
|
||
|
||
“Then, for the second time, I’m not to be taken into custody?”
|
||
|
||
“We always like to give a man plenty of rope,” said Superintendent
|
||
Battle.
|
||
|
||
“Very delicately put,” said Anthony. “Without unduly stressing the end
|
||
of the proverb.”
|
||
|
||
“What I can’t quite make out, sir,” said Battle, “is why you decided to
|
||
come across with this now?”
|
||
|
||
“It’s rather difficult to explain,” said Anthony. “You see, Battle,
|
||
I’ve come to have really a very high opinion of your abilities. When
|
||
the moment comes, you’re always there. Look at to-night. And it
|
||
occurred to me that, in withholding this knowledge of mine, I was
|
||
seriously cramping your style. You deserve to have access to all the
|
||
facts. I’ve done what I could, and up to now I’ve made a mess of
|
||
things. Until to-night, I couldn’t speak for Mrs. Revel’s sake. But now
|
||
that those letters have been definitely proved to have nothing whatever
|
||
to do with her, any idea of her complicity becomes absurd. Perhaps
|
||
I advised her badly in the first place, but it struck me that her
|
||
statement of having paid this man money to suppress the letters, simply
|
||
as a whim, might take a bit of believing.”
|
||
|
||
“It might, by a jury,” agreed Battle. “Juries never have any
|
||
imagination.”
|
||
|
||
“But you accept it quite easily?” said Anthony, looking curiously at
|
||
him.
|
||
|
||
“Well, you see, Mr. Cade, most of my work has lain amongst these
|
||
people. What they call the upper classes, I mean. You see, the majority
|
||
of people are always wondering what the neighbours will think. But
|
||
tramps and aristocrats don’t—they just do the first thing that comes
|
||
into their heads, and they don’t bother to think what anyone thinks
|
||
of them. I’m not meaning just the idle rich, the people who give big
|
||
parties, and so on, I mean those that have had it born and bred in
|
||
them for generations that nobody else’s opinion counts but their own.
|
||
I’ve always found the upper classes the same—fearless, truthful and
|
||
sometimes extraordinarily foolish.”
|
||
|
||
“This is a very interesting lecture, Battle. I suppose you’ll be
|
||
writing your Reminiscences one of these days. They ought to be worth
|
||
reading too.”
|
||
|
||
The detective acknowledged the suggestion with a smile, but said
|
||
nothing.
|
||
|
||
“I’d rather like to ask you one question,” continued Anthony. “Did you
|
||
connect me at all with the Staines affair? I fancied, from your manner,
|
||
that you did.”
|
||
|
||
“Quite right. I had a hunch that way. But nothing definite to go upon.
|
||
Your manner was very good, if I may say so, Mr. Cade. You never overdid
|
||
the carelessness.”
|
||
|
||
“I’m glad of that,” said Anthony. “I’ve a feeling that ever since I met
|
||
you you’ve been laying little traps for me. On the whole I’ve managed
|
||
to avoid falling into them, but the strain has been acute.”
|
||
|
||
Battle smiled grimly.
|
||
|
||
“That’s how you get a crook in the end, sir. Keep him on the run, to
|
||
and fro, turning and twisting. Sooner or later, his nerve goes, and
|
||
you’ve got him.”
|
||
|
||
“You’re a cheerful fellow, Battle. When will you get me, I wonder?”
|
||
|
||
“Plenty of rope, sir,” quoted the superintendent, “plenty of rope.”
|
||
|
||
“In the meantime,” said Anthony, “I am still the amateur assistant?”
|
||
|
||
“That’s it, Mr. Cade.”
|
||
|
||
“Watson to your Sherlock, in fact?”
|
||
|
||
“Detective stories are mostly bunkum,” said Battle unemotionally. “But
|
||
they amuse people,” he added, as an afterthought. “And they’re useful
|
||
sometimes.”
|
||
|
||
“In what way?” asked Anthony curiously.
|
||
|
||
“They encourage the universal idea that the police are stupid. When we
|
||
get an amateur crime, such as a murder, that’s very useful indeed.”
|
||
|
||
Anthony looked at him for some minutes in silence. Battle sat quite
|
||
still, blinking now and then, with no expression whatsoever on his
|
||
square placid face. Presently he rose.
|
||
|
||
“Not much good going to bed now,” he observed. “As soon as he’s up, I
|
||
want to have a few words with his lordship. Anyone who wants to leave
|
||
the house can do so now. At the same time I should be much obliged to
|
||
his lordship if he’ll extend an informal invitation to his guests to
|
||
stay on. You’ll accept it, sir, if you please, and Mrs. Revel also.”
|
||
|
||
“Have you ever found the revolver?” asked Anthony suddenly.
|
||
|
||
“You mean the one Prince Michael was shot with? No, I haven’t. Yet
|
||
it must be in the house or grounds. I’ll take a hint from you, Mr.
|
||
Cade, and send some boys up bird’s-nesting. If I could get hold of the
|
||
revolver, we might get forward a bit. That, and the bundle of letters.
|
||
You say that a letter with the heading, Chimneys, was amongst them?
|
||
Depend upon it that was the last one written. The instructions for
|
||
finding the diamond are written in code in that letter.”
|
||
|
||
“What’s your theory of the killing of Giuseppe?” asked Anthony.
|
||
|
||
“I should say he was a regular thief, and that he was got hold of,
|
||
either by King Victor or by the Comrades of the Red Hand, and employed
|
||
by them. I shouldn’t wonder at all if the Comrades and King Victor
|
||
aren’t working together. The organization has plenty of money and
|
||
power, but it isn’t very strong in brains. Giuseppe’s task was to steal
|
||
the Memoirs—they couldn’t have known that you had the letters—it’s a
|
||
very odd coincidence that you should have, by the way.”
|
||
|
||
“I know,” said Anthony. “It’s amazing when you come to think of it.”
|
||
|
||
“Giuseppe gets hold of the letters instead. Is at first vastly
|
||
chagrined. Then sees the cutting from the paper and has the brilliant
|
||
idea of turning them to account on his own by blackmailing the lady. He
|
||
has, of course, no idea of their real significance. The Comrades find
|
||
out what he is doing, believe that he is deliberately double crossing
|
||
them, and decree his death. They’re very fond of executing traitors.
|
||
It has a picturesque element which seems to appeal to them. What I
|
||
can’t quite make out is the revolver with ‘Virginia’ engraved upon it.
|
||
There’s too much finesse about that for the Comrades. As a rule, they
|
||
enjoy plastering their Red Hand sign about—in order to strike terror
|
||
into other would-be traitors. No, it looks to me as though King Victor
|
||
had stepped in there. But what his motive was, I don’t know. It looks
|
||
like a very deliberate attempt to saddle Mrs. Revel with the murder,
|
||
and, on the surface, there doesn’t seem any particular point in that.”
|
||
|
||
“I had a theory,” said Anthony. “But it didn’t work out according to
|
||
plan.”
|
||
|
||
He told Battle of Virginia’s recognition of Michael. Battle nodded his
|
||
head.
|
||
|
||
“Oh, yes, no doubt as to his identity. By the way, that old Baron has a
|
||
very high opinion of you. He speaks of you in most enthusiastic terms.”
|
||
|
||
“That’s very kind of him,” said Anthony. “Especially as I’ve given him
|
||
full warning that I mean to do my utmost to get hold of the missing
|
||
Memoirs before Wednesday next.”
|
||
|
||
“You’ll have a job to do that,” said Battle.
|
||
|
||
“Y—es. You think so? I suppose King Victor and Co. have got the
|
||
letters.”
|
||
|
||
Battle nodded.
|
||
|
||
“Pinched them off Giuseppe that day in Pont Street. Prettily planned
|
||
piece of work, that. Yes, they’ve got ’em all right, and they’ve
|
||
decoded them, and they know where to look.”
|
||
|
||
Both men were on the point of passing out of the room.
|
||
|
||
“In here?” said Anthony, jerking his head back.
|
||
|
||
“Exactly, in here. But they haven’t found the prize yet, and they’re
|
||
going to run a pretty risk trying to get it.”
|
||
|
||
“I suppose,” said Anthony, “that you’ve got a plan in that subtle head
|
||
of yours?”
|
||
|
||
Battle returned no answer. He looked particularly stolid and
|
||
unintelligent. Then, very slowly, he winked.
|
||
|
||
“Want my help?” asked Anthony.
|
||
|
||
“I do. And I shall want some one else’s.”
|
||
|
||
“Who is that?”
|
||
|
||
“Mrs. Revel’s. You may not have noticed it, Mr. Cade, but she’s a lady
|
||
who has a particularly beguiling way with her.”
|
||
|
||
“I’ve noticed it all right,” said Anthony.
|
||
|
||
He glanced at his watch.
|
||
|
||
“I’m inclined to agree with you about bed, Battle. A dip in the lake
|
||
and a hearty breakfast will be far more to the point.”
|
||
|
||
He ran lightly upstairs to his bedroom. Whistling to himself, he
|
||
discarded his evening clothes, and picked up a dressing-gown and a bath
|
||
towel.
|
||
|
||
Then suddenly he stopped dead in front of the dressing-table, staring
|
||
at the object that reposed demurely in front of the looking-glass.
|
||
|
||
For a moment he could not believe his eyes. He took it up, examined it
|
||
closely. Yes, there was no mistake.
|
||
|
||
It was the bundle of letters signed Virginia Revel. They were intact.
|
||
Not one was missing.
|
||
|
||
Anthony dropped into a chair, the letters in his hand.
|
||
|
||
“My brain must be cracking,” he murmured. “I can’t understand a quarter
|
||
of what is going on in this house. Why should the letters reappear like
|
||
a damned conjuring trick? Who put them on my dressing-table? Why?”
|
||
|
||
And to all these very pertinent questions he could find no satisfactory
|
||
reply.
|
||
|
||
|
||
|
||
|
||
21
|
||
|
||
Mr. Isaacstein’s Suit-case
|
||
|
||
|
||
At ten o’clock that morning, Lord Caterham and his daughter were
|
||
breakfasting. Bundle was looking very thoughtful.
|
||
|
||
“Father,” she said at last.
|
||
|
||
Lord Caterham, absorbed in _The Times_, did not reply.
|
||
|
||
“Father,” said Bundle again, more sharply.
|
||
|
||
Lord Caterham, torn from his interested perusal of forthcoming sales of
|
||
rare books, looked up absent-mindedly.
|
||
|
||
“Eh?” he said. “Did you speak?”
|
||
|
||
“Yes. Who is it who’s had breakfast?”
|
||
|
||
She nodded towards a place that had evidently been occupied. The rest
|
||
were all expectant.
|
||
|
||
“Oh, what’s-his-name.”
|
||
|
||
“Fat Iky?”
|
||
|
||
Bundle and her father had enough sympathy between them to comprehend
|
||
each other’s somewhat misleading observations.
|
||
|
||
“That’s it.”
|
||
|
||
“Did I see you talking to the detective this morning before breakfast?”
|
||
|
||
Lord Caterham sighed.
|
||
|
||
“Yes, he buttonholed me in the hall. I do think the hours before
|
||
breakfast should be sacred. I shall have to go abroad. The strain on my
|
||
nerves——”
|
||
|
||
Bundle interrupted unceremoniously.
|
||
|
||
“What did he say?”
|
||
|
||
“Said every one who wanted to could clear out.”
|
||
|
||
“Well,” said Bundle, “that’s all right. That’s what you’ve been
|
||
wanting.”
|
||
|
||
“I know. But he didn’t leave it at that. He went on to say that
|
||
nevertheless he wanted me to ask every one to stay on.”
|
||
|
||
“I don’t understand,” said Bundle, wrinkling her nose.
|
||
|
||
“So confusing and contradictory,” complained Lord Caterham. “And before
|
||
breakfast too.”
|
||
|
||
“What did you say?”
|
||
|
||
“Oh, I agreed, of course. It’s never any good arguing with these
|
||
people. Especially before breakfast,” continued Lord Caterham,
|
||
reverting to his principal grievance.
|
||
|
||
“Who have you asked so far?”
|
||
|
||
“Cade. He was up very early this morning. He’s going to stop on. I
|
||
don’t mind that. I can’t quite make the fellow out; but I like him—I
|
||
like him very much.”
|
||
|
||
“So does Virginia,” said Bundle, drawing a pattern on the table with
|
||
her fork.
|
||
|
||
“Eh?”
|
||
|
||
“And so do I. But that doesn’t seem to matter.”
|
||
|
||
“And I asked Isaacstein,” continued Lord Caterham.
|
||
|
||
“Well?”
|
||
|
||
“But fortunately he’s got to go back to town. Don’t forget to order the
|
||
car for the 10.40, by the way.”
|
||
|
||
“All right.”
|
||
|
||
“Now if I can only get rid of Fish too,” continued Lord Caterham, his
|
||
spirits rising.
|
||
|
||
“I thought you liked talking to him about your mouldy old books.”
|
||
|
||
“So I do, so I do. So I did, rather. But it gets monotonous when
|
||
one finds that one is always doing all the talking. Fish is very
|
||
interested, but he never volunteers any statements of his own.”
|
||
|
||
“It’s better than doing all the listening,” said Bundle. “Like one does
|
||
with George Lomax.”
|
||
|
||
Lord Caterham shuddered at the remembrance.
|
||
|
||
“George is all very well on platforms,” said Bundle. “I’ve clapped
|
||
him myself, though of course I know all the time that he’s talking
|
||
balderdash. And anyway I’m a Socialist——”
|
||
|
||
“I know, my dear, I know,” said Lord Caterham hastily.
|
||
|
||
“It’s all right,” said Bundle. “I’m not going to bring politics into
|
||
the house. That’s what George does—public speaking in private life. It
|
||
ought to be abolished by Act of Parliament.”
|
||
|
||
“Quite so,” said Lord Caterham.
|
||
|
||
“What about Virginia?” asked Bundle. “Is she to be asked to stop on?”
|
||
|
||
“Battle said everybody.”
|
||
|
||
“Says he firmly! Have you asked her to be my stepma yet?”
|
||
|
||
“I don’t think it would be any good,” said Lord Caterham mournfully.
|
||
“Although she did call me a darling last night. But that’s the worst of
|
||
these attractive young women with affectionate dispositions. They’ll
|
||
say anything, and they mean absolutely nothing by it.”
|
||
|
||
“No,” agreed Bundle. “It would have been much more hopeful if she’d
|
||
thrown a boot at you or tried to bite you.”
|
||
|
||
“You modern young people seem to have such unpleasant ideas about
|
||
love-making,” said Lord Caterham plaintively.
|
||
|
||
“It comes from reading _The Sheik_,” said Bundle. “Desert love. Throw
|
||
her about, etc.”
|
||
|
||
“What is _The Sheik_?” asked Lord Caterham simply. “Is it a poem?”
|
||
|
||
Bundle looked at him with commiserating pity. Then she rose and kissed
|
||
the top of his head.
|
||
|
||
“Dear old Daddy,” she remarked, and sprang lightly out of the window.
|
||
|
||
Lord Caterham went back to the Sale Rooms.
|
||
|
||
He jumped when addressed suddenly by Mr. Hiram Fish, who had made his
|
||
usual noiseless entry.
|
||
|
||
“Good morning, Lord Caterham.”
|
||
|
||
“Oh, good morning,” said Lord Caterham. “Good morning. Nice day.”
|
||
|
||
“The weather is delightful,” said Mr. Fish.
|
||
|
||
He helped himself to coffee. By way of food, he took a piece of dry
|
||
toast.
|
||
|
||
“Do I hear correctly that the embargo is removed?” he asked after a
|
||
minute or two. “That we are all free to depart?”
|
||
|
||
“Yes—er—yes,” said Lord Caterham. “As a matter of fact, I hoped, I
|
||
mean that I shall be delighted”—his conscience drove him on—“only too
|
||
delighted if you will stay on for a little.”
|
||
|
||
“Why, Lord Caterham——”
|
||
|
||
“It’s been a beastly visit, I know,” Lord Caterham hurried on. “Too
|
||
bad. Shan’t blame you for wanting to run away.”
|
||
|
||
“You misjudge me, Lord Caterham. The associations have been painful,
|
||
no one could deny that point. But the English country life, as lived
|
||
in the mansions of the great, has a powerful attraction for me. I am
|
||
interested in the study of those conditions. It is a thing we lack
|
||
completely in America. I shall be only too delighted to accept your
|
||
vurry kind invitation and stay on.”
|
||
|
||
“Oh, well,” said Lord Caterham, “that’s that. Absolutely delighted, my
|
||
dear fellow, absolutely delighted.”
|
||
|
||
Spurring himself on to a false geniality of manner, Lord Caterham
|
||
murmured something about having to see his bailiff and escaped from the
|
||
room.
|
||
|
||
In the hall, he saw Virginia just descending the staircase.
|
||
|
||
“Shall I take you into breakfast?” asked Lord Caterham tenderly.
|
||
|
||
“I’ve had it in bed, thank you. I was frightfully sleepy this morning.”
|
||
|
||
She yawned.
|
||
|
||
“Had a bad night, perhaps?”
|
||
|
||
“Not exactly a bad night. From one point of view decidedly a good
|
||
night. Oh, Lord Caterham”—she slipped her hand inside his arm and
|
||
gave it a squeeze—“I _am_ enjoying myself. You were a darling to ask
|
||
me down.”
|
||
|
||
“You’ll stop on for a bit, then, won’t you? Battle is lifting the—the
|
||
embargo, but I want you to stay particularly. So does Bundle.”
|
||
|
||
“Of course I’ll stay. It’s sweet of you to ask me.”
|
||
|
||
“Ah!” said Lord Caterham.
|
||
|
||
He sighed.
|
||
|
||
“What is your secret sorrow?” asked Virginia. “Has anyone bitten you?”
|
||
|
||
“That’s just it,” said Lord Caterham mournfully.
|
||
|
||
Virginia looked puzzled.
|
||
|
||
“You don’t feel, by any chance, that you want to throw a boot at me?
|
||
No, I can see you don’t. Oh, well, it’s of no consequence.”
|
||
|
||
Lord Caterham drifted sadly away, and Virginia passed out through a
|
||
side door into the garden.
|
||
|
||
She stood there for a moment, breathing in the crisp October air which
|
||
was infinitely refreshing to one in her slightly jaded state.
|
||
|
||
She started a little to find Superintendent Battle at her elbow. The
|
||
man seemed to have an extraordinary knack of appearing out of space
|
||
without the least warning.
|
||
|
||
“Good morning, Mrs. Revel. Not too tired, I hope?”
|
||
|
||
Virginia shook her head.
|
||
|
||
“It was a most exciting night,” she said. “Well worth the loss of a
|
||
little sleep. The only thing is, to-day seems a little dull after it.”
|
||
|
||
“There’s a nice shady place down under that cedar tree,” remarked the
|
||
superintendent. “Shall I take a chair down to it for you?”
|
||
|
||
“If you think it’s the best thing for me to do,” said Virginia solemnly.
|
||
|
||
“You’re very quick, Mrs. Revel. Yes, it’s quite true, I do want a word
|
||
with you.”
|
||
|
||
He picked up a long wicker chair and carried it down the lawn. Virginia
|
||
followed him with a cushion under her arm.
|
||
|
||
“Very dangerous place, that terrace,” remarked the detective. “That is,
|
||
if you want to have a private conversation.”
|
||
|
||
“I’m getting excited again, Superintendent Battle.”
|
||
|
||
“Oh, it’s nothing important.” He took out a big watch and glanced at
|
||
it. “Half-past ten. I’m starting for Wyvvern Abbey in ten minutes to
|
||
report to Mr. Lomax. Plenty of time. I only wanted to know if you could
|
||
tell me a little more about Mr. Cade.”
|
||
|
||
“About Mr. Cade?”
|
||
|
||
Virginia was startled.
|
||
|
||
“Yes, where you first met him, and how long you’ve known him and so
|
||
forth.”
|
||
|
||
Battle’s manner was easy and pleasant enough. He even refrained from
|
||
looking at her, and the fact that he did so made her vaguely uneasy.
|
||
|
||
“It’s more difficult than you think,” she said at last. “He did me a
|
||
great service once——”
|
||
|
||
Battle interrupted her.
|
||
|
||
“Before you go any further, Mrs. Revel, I’d just like to say something.
|
||
Last night, after you and Mr. Eversleigh had gone to bed, Mr. Cade told
|
||
me all about the letters and the man who was killed in your house.”
|
||
|
||
“He did?” gasped Virginia.
|
||
|
||
“Yes, and very wisely too. It clears up a lot of misunderstanding.
|
||
There’s only one thing he didn’t tell me—how long he had known you.
|
||
Now I’ve a little idea of my own about that. You shall tell me if I’m
|
||
right or wrong. I think that the day he came to your house in Pont
|
||
Street was the first time you had ever seen him. Ah! I see I’m right.
|
||
It was so.”
|
||
|
||
Virginia said nothing. For the first time she felt afraid of this
|
||
stolid man with the expressionless face. She understood what Anthony
|
||
had meant when he said there were no flies on Superintendent Battle.
|
||
|
||
“Has he ever told you anything about his life?” the detective
|
||
continued. “Before he was in South Africa, I mean. Canada? Or before
|
||
that, the Sudan? Or about his boyhood?”
|
||
|
||
Virginia merely shook her head.
|
||
|
||
“And yet I’d bet he’s got something worth telling. You can’t mistake
|
||
the face of a man who’s led a life of daring and adventure. He could
|
||
tell you some interesting tales if he cared to.”
|
||
|
||
“If you want to know about his past life, why don’t you cable to that
|
||
friend of his, Mr. McGrath?” Virginia asked.
|
||
|
||
“Oh, we have. But it seems he’s up country somewhere. Still, there’s no
|
||
doubt Mr. Cade was in Bulawayo when he said he was. But I wondered what
|
||
he’d been doing before he came to South Africa. He’d only had that job
|
||
with Castle’s about a month.” He took out his watch again. “I must be
|
||
off. The car will be waiting.”
|
||
|
||
Virginia watched him retreat to the house. But she did not move from
|
||
her chair. She hoped that Anthony might appear and join her. Instead
|
||
came Bill Eversleigh, with a prodigious yawn.
|
||
|
||
“Thank God, I’ve got a chance to speak to you at last, Virginia,” he
|
||
complained.
|
||
|
||
“Well, speak to me very gently, Bill darling, or I shall burst into
|
||
tears.”
|
||
|
||
“Has some one been bullying you?”
|
||
|
||
“Not exactly bullying me. Getting inside my mind and turning it inside
|
||
out. I feel as though I’d been jumped on by an elephant.”
|
||
|
||
“Not Battle?”
|
||
|
||
“Yes, Battle. He’s a terrible man really.”
|
||
|
||
“Well, never mind Battle. I say, Virginia, I do love you so awfully——”
|
||
|
||
“Not this morning, Bill. I’m not strong enough. Anyway, I’ve always
|
||
told you the best people don’t propose before lunch.”
|
||
|
||
“Good Lord,” said Bill. “I could propose to you before breakfast.”
|
||
|
||
Virginia shuddered.
|
||
|
||
“Bill, be sensible and intelligent for a minute. I want to ask your
|
||
advice.”
|
||
|
||
“If you’d once make up your mind to it, and say you’d marry me, you’d
|
||
feel miles better, I’m sure. Happier, you know, and more settled down.”
|
||
|
||
“Listen to me, Bill. Proposing to me is your _idée fixe_. All men
|
||
propose when they’re bored and can’t think of anything to say. Remember
|
||
my age and my widowed state, and go and make love to a pure young girl.”
|
||
|
||
“My darling Virginia—Oh, blast! here’s that French idiot bearing down
|
||
on us.”
|
||
|
||
It was indeed M. Lemoine, black-bearded and correct of demeanour as
|
||
ever.
|
||
|
||
“Good morning, madame. You are not fatigued, I trust?”
|
||
|
||
“Not in the least.”
|
||
|
||
“That is excellent. Good morning, Mr. Eversleigh.”
|
||
|
||
“How would it be if we promenaded ourselves a little, the three of us?”
|
||
suggested the Frenchman.
|
||
|
||
“How about it, Bill?” said Virginia.
|
||
|
||
“Oh, all right,” said the unwilling young gentleman by her side.
|
||
|
||
He heaved himself up from the grass, and the three of them walked
|
||
slowly along. Virginia between the two men. She was sensible at once of
|
||
a strange undercurrent of excitement in the Frenchman, though she had
|
||
no clue as to what caused it.
|
||
|
||
Soon, with her usual skill, she was putting him at his ease, asking him
|
||
questions, listening to his answers, and gradually drawing him out.
|
||
Presently he was telling them anecdotes of the famous King Victor. He
|
||
talked well, albeit with a certain bitterness, as he described the
|
||
various ways in which the detective bureau had been outwitted.
|
||
|
||
But all the time, despite the real absorption of Lemoine in his own
|
||
narrative, Virginia had a feeling that he had some other object in
|
||
view. Moreover, she judged that Lemoine, under cover of his story, was
|
||
deliberately striking out his own course across the park. They were
|
||
not just strolling idly. He was deliberately guiding them in a certain
|
||
direction.
|
||
|
||
Suddenly, he broke off his story and looked round. They were
|
||
standing just where the drive intersected the park before turning an
|
||
abrupt corner by a clump of trees. Lemoine was staring at a vehicle
|
||
approaching them from the direction of the house.
|
||
|
||
Virginia’s eyes followed his.
|
||
|
||
“It’s the luggage cart,” she said, “taking Isaacstein’s luggage and his
|
||
valet to the station.”
|
||
|
||
“Is that so?” said Lemoine. He glanced down at his own watch and
|
||
started. “A thousand pardons. I have been longer here than I
|
||
meant—such charming company. Is it possible, do you think, that I
|
||
might have a lift to the village?”
|
||
|
||
He stepped out on to the drive, and signalled with his arm. The luggage
|
||
cart stopped, and after a word or two of explanation Lemoine climbed in
|
||
behind. He raised his hat politely to Virginia, and drove off.
|
||
|
||
The other two stood and watched the cart disappearing with puzzled
|
||
expressions. Just as the cart swung round the bend, a suit-case fell
|
||
off into the drive. The cart went on.
|
||
|
||
“Come on,” said Virginia to Bill. “We’re going to see something
|
||
interesting. That suit-case was thrown out.”
|
||
|
||
“Nobody’s noticed it,” said Bill.
|
||
|
||
They ran down the drive towards the fallen piece of luggage. Just as
|
||
they reached it, Lemoine came round the corner of the bend on foot. He
|
||
was hot from walking fast.
|
||
|
||
“I was obliged to descend,” he said pleasantly. “I found that I had
|
||
left something behind.”
|
||
|
||
“This?” said Bill, indicating the suit-case.
|
||
|
||
It was a handsome case of heavy pigskin, with the initials H. I. on it.
|
||
|
||
“What a pity!” said Lemoine gently. “It must have fallen out. Shall we
|
||
lift it from the road?”
|
||
|
||
Without waiting for a reply, he picked up the suit-case, and carried it
|
||
over to the belt of trees. He stooped over it, something flashed in his
|
||
hand, and the lock slipped back.
|
||
|
||
He spoke, and his voice was totally different, quick and commanding.
|
||
|
||
“The car will be here in a minute,” he said. “Is it in sight?”
|
||
|
||
Virginia looked back towards the house.
|
||
|
||
“No.”
|
||
|
||
“Good.”
|
||
|
||
With deft fingers he tossed the things out of the suit-case.
|
||
Gold-topped bottle, silk pyjamas, a variety of socks. Suddenly his
|
||
whole figure stiffened. He caught up what appeared to be a bundle of
|
||
silk underwear, and unrolled it rapidly.
|
||
|
||
A slight exclamation broke from Bill. In the centre of the bundle was a
|
||
heavy revolver.
|
||
|
||
“I hear the horn,” said Virginia.
|
||
|
||
Like lightning, Lemoine repacked the suit-case. The revolver he wrapped
|
||
in a silk handkerchief of his own, and slipped into his pocket. He
|
||
snapped the locks of the suit-case, and turned quickly to Bill.
|
||
|
||
“Take it. Madame will be with you. Stop the car, and explain that it
|
||
fell off the luggage cart. Do not mention me.”
|
||
|
||
Bill stepped quickly down to the drive just as the big Lanchester
|
||
limousine with Isaacstein inside it came round the corner. The
|
||
chauffeur slowed down, and Bill swung the suit-case up to him.
|
||
|
||
“Fell off the luggage cart,” he explained. “We happened to see it.”
|
||
|
||
He caught a momentary glimpse of a startled yellow face as the
|
||
financier stared at him, and then the car swept on again.
|
||
|
||
They went back to Lemoine. He was standing with the revolver in his
|
||
hand, and a look of gloating satisfaction in his face.
|
||
|
||
“A long shot,” he said. “A very long shot. But it came off.”
|
||
|
||
|
||
|
||
|
||
22
|
||
|
||
The Red Signal
|
||
|
||
|
||
Superintendent Battle was standing in the library at Wyvvern Abbey.
|
||
|
||
George Lomax, seated before a desk overflowing with papers, was
|
||
frowning portentously.
|
||
|
||
Superintendent Battle had opened proceedings by making a brief and
|
||
business-like report. Since then, the conversation had lain almost
|
||
entirely with George, and Battle had contented himself with making
|
||
brief and usually monosyllabic replies to the other’s questions.
|
||
|
||
On the desk, in front of George, was the packet of letters Anthony had
|
||
found on his dressing-table.
|
||
|
||
“I can’t understand it at all,” said George irritably, as he picked up
|
||
the packet. “They’re in code, you say?”
|
||
|
||
“Just so, Mr. Lomax.”
|
||
|
||
“And where does he say he found them—on his dressing-table?”
|
||
|
||
Battle repeated, word for word, Anthony Cade’s account of how he had
|
||
come to regain possession of the letters.
|
||
|
||
“And he brought them at once to you? That was quite proper—quite
|
||
proper. But who could have placed them in his room?”
|
||
|
||
Battle shook his head.
|
||
|
||
“That’s the sort of thing you ought to know,” complained George. “It
|
||
sounds to me very fishy—very fishy indeed. What do we know about this
|
||
man Cade anyway? He appears in a most mysterious manner—under highly
|
||
suspicious circumstances—and we know nothing whatever about him. I
|
||
may say that I, personally, don’t care for his manner at all. You’ve
|
||
made inquiries about him, I suppose?”
|
||
|
||
Superintendent Battle permitted himself a patient smile.
|
||
|
||
“We wired at once to South Africa, and his story has been confirmed on
|
||
all points. He was in Bulawayo with Mr. McGrath at the time he stated.
|
||
Previous to their meeting, he was employed by Messrs. Castle, the
|
||
Tourist Agents.”
|
||
|
||
“Just what I should have expected,” said George. “He has the kind of
|
||
cheap assurance that succeeds in a certain type of employment. But
|
||
about these letters—steps must be taken at once—at once——”
|
||
|
||
The great man puffed himself out and swelled importantly.
|
||
|
||
Superintendent Battle opened his mouth, but George forestalled him.
|
||
|
||
“There must be no delay. These letters must be decoded without any loss
|
||
of time. Let me see, who is the man? There is a man—connected with
|
||
the British Museum. Knows all there is to know about ciphers. Ran the
|
||
department for us during the War. Where is Miss Oscar? She will know.
|
||
Name something like Win—Win——”
|
||
|
||
“Professor Wynward,” said Battle.
|
||
|
||
“Exactly. I remember perfectly now. He must be wired to, immediately.”
|
||
|
||
“I have done so, Mr. Lomax, an hour ago. He will arrive by the 12.10.”
|
||
|
||
“Oh, very good, very good. Thank Heaven, something is off my mind.
|
||
I shall have to be in town to-day. You can get along without me, I
|
||
suppose?”
|
||
|
||
“I think so, sir.”
|
||
|
||
“Well, do your best, Battle, do your best. I am terribly rushed just at
|
||
present.”
|
||
|
||
“Just so, sir.”
|
||
|
||
“By the way, why did not Mr. Eversleigh come over with you?”
|
||
|
||
“He was still asleep, sir. We’ve been up all night, as I told you.”
|
||
|
||
“Oh, quite so. I am frequently up nearly the whole night myself. To do
|
||
the work of thirty-six hours in twenty-four, that is my constant task!
|
||
Send Mr. Eversleigh over at once when you get back, will you, Battle?”
|
||
|
||
“I will give him your message, sir.”
|
||
|
||
“Thank you, Battle. I realize perfectly that you had to repose a
|
||
certain amount of confidence in him. But do you think it was strictly
|
||
necessary to take my cousin, Mrs. Revel, into your confidence also?”
|
||
|
||
“In view of the name signed to those letters, I do, Mr. Lomax.”
|
||
|
||
“An amazing piece of effrontery,” murmured George, his brow darkened
|
||
as he looked at the bundle of letters. “I remember the late King of
|
||
Herzoslovakia. A charming fellow, but weak—deplorably weak. A tool in
|
||
the hands of an unscrupulous woman. Have you any theory as to how these
|
||
letters came to be restored to Mr. Cade?”
|
||
|
||
“It’s my opinion,” said Battle, “that if people can’t get a thing one
|
||
way—they try another.”
|
||
|
||
“I don’t quite follow you,” said George.
|
||
|
||
“This crook, this King Victor, he’s well aware by now that the Council
|
||
Chamber is watched. So he’ll let us have the letters, and let us do
|
||
the decoding, and let us find the hiding-place. And then—trouble! But
|
||
Lemoine and I between us will attend to that.”
|
||
|
||
“You’ve got a plan, eh?”
|
||
|
||
“I wouldn’t go so far as to say I’ve got a plan. But I’ve got an idea.
|
||
It’s a very useful thing sometimes, an idea.”
|
||
|
||
Thereupon Superintendent Battle took his departure.
|
||
|
||
He had no intention of taking George any further into his confidence.
|
||
|
||
On the way back, he passed Anthony on the road and stopped.
|
||
|
||
“Going to give me a lift back to the house?” asked Anthony. “That’s
|
||
good.”
|
||
|
||
“Where have you been, Mr. Cade?”
|
||
|
||
“Down to the station to inquire about trains.”
|
||
|
||
Battle raised his eyebrows.
|
||
|
||
“Thinking of leaving us again?” he inquired.
|
||
|
||
“Not just at present,” laughed Anthony. “By the way what’s upset
|
||
Isaacstein? He arrived in the car just as I left, and he looked as
|
||
though something had given him a nasty jolt.”
|
||
|
||
“Mr. Isaacstein?”
|
||
|
||
“Yes.”
|
||
|
||
“I can’t say, I’m sure. I fancy it would take a good deal to jolt him.”
|
||
|
||
“So do I,” agreed Anthony. “He’s quite one of the strong silent yellow
|
||
men of finance.”
|
||
|
||
Suddenly Battle leant forward and touched the chauffeur on the shoulder.
|
||
|
||
“Stop, will you? And wait for me here.”
|
||
|
||
He jumped out of the car, much to Anthony’s surprise. But in a minute
|
||
or two, the latter perceived M. Lemoine advancing to meet the English
|
||
detective, and gathered that it was a signal from him which had
|
||
attracted Battle’s attention.
|
||
|
||
There was a rapid colloquy between them, and then the superintendent
|
||
returned to the car and jumped in again, biding the chauffeur drive on.
|
||
|
||
His expression had completely changed.
|
||
|
||
“They’ve found the revolver,” he said suddenly and curtly.
|
||
|
||
“What?”
|
||
|
||
Anthony gazed at him in great surprise.
|
||
|
||
“Where?”
|
||
|
||
“In Isaacstein’s suit-case.”
|
||
|
||
“Oh, impossible!”
|
||
|
||
“Nothing’s impossible,” said Battle. “I ought to have remembered that.”
|
||
|
||
He sat perfectly still, tapping his knee with his hand.
|
||
|
||
“Who found it?”
|
||
|
||
Battle jerked his head over his shoulder.
|
||
|
||
“Lemoine. Clever chap. They think no end of him at the Sûreté.”
|
||
|
||
“But doesn’t this upset all your ideas?”
|
||
|
||
“No,” said Superintendent Battle very slowly. “I can’t say it does. It
|
||
was a bit of a surprise, I admit, at first. But it fits in very well
|
||
with one idea of mine.”
|
||
|
||
“Which is?”
|
||
|
||
But the superintendent branched off on to a totally different subject.
|
||
|
||
“I wonder if you’d mind finding Mr. Eversleigh for me, sir? There’s a
|
||
message for him from Mr. Lomax. He’s to go over to the Abbey at once.”
|
||
|
||
“All right,” said Anthony. The car had just drawn up at the great door.
|
||
“He’s probably in bed still.”
|
||
|
||
“I think not,” said the detective. “If you’ll look, you’ll see him
|
||
walking under the trees with Mrs. Revel.”
|
||
|
||
“Wonderful eyes you have, haven’t you, Battle?” said Anthony as he
|
||
departed on his errand.
|
||
|
||
He delivered the message to Bill, who was duly disgusted.
|
||
|
||
“Damn it all,” grumbled Bill to himself, as he strode off to the house,
|
||
“why can’t Codders sometimes leave me alone? And why can’t these
|
||
blasted Colonials stay in their Colonies? What do they want to come
|
||
over here for, and pick out all the best girls? I’m fed to the teeth
|
||
with everything.”
|
||
|
||
“Have you heard about the revolver?” asked Virginia breathlessly, as
|
||
Bill left them.
|
||
|
||
“Battle told me. Rather staggering, isn’t it? Isaacstein was in a
|
||
frightful state yesterday to get away, but I thought it was just
|
||
nerves. He’s about the one person I’d have pitched upon as being above
|
||
suspicion. Can you see any motive for his wanting Prince Michael out of
|
||
the way?”
|
||
|
||
“It certainly doesn’t fit in,” agreed Virginia thoughtfully.
|
||
|
||
“Nothing fits in anywhere,” said Anthony discontentedly. “I rather
|
||
fancied myself as an amateur detective to begin with, and so far all
|
||
I’ve done is to clear the character of the French governess at vast
|
||
trouble and some little expense.”
|
||
|
||
“Is that what you went to France for?” inquired Virginia.
|
||
|
||
“Yes, I went to Dinard and had an interview with the Comtesse de
|
||
Breteuil, awfully pleased with my own cleverness, and fully expecting
|
||
to be told that no such person as Mademoiselle Brun had ever been
|
||
heard of. Instead of which I was given to understand that the lady in
|
||
question had been the mainstay of the household for the last seven
|
||
years. So, unless the Comtesse is also a crook, that ingenious theory
|
||
of mine falls to the ground.”
|
||
|
||
Virginia shook her head.
|
||
|
||
“Madame de Breteuil is quite above suspicion. I know her quite well,
|
||
and I fancy I must have come across Mademoiselle at the chateau. I
|
||
certainly know her face quite well—in that vague way one does know
|
||
governesses and companions and people one sits opposite to in trains.
|
||
It’s awful, but I never really look at them properly. Do you?”
|
||
|
||
“Only if they’re exceptionally beautiful,” admitted Anthony.
|
||
|
||
“Well, in this case——” she broke off. “What’s the matter?”
|
||
|
||
Anthony was staring at a figure which detached itself from the clump of
|
||
trees and stood there rigidly at attention. It was the Herzoslovakian,
|
||
Boris.
|
||
|
||
“Excuse me,” said Anthony to Virginia, “I must just speak to my dog a
|
||
minute.”
|
||
|
||
He went across to where Boris was standing.
|
||
|
||
“What’s the matter? What do you want?”
|
||
|
||
“Master,” said Boris, bowing.
|
||
|
||
“Yes, that’s all very well, but you mustn’t keep following me about
|
||
like this. It looks odd.”
|
||
|
||
Without a word, Boris produced a soiled scrap of paper, evidently torn
|
||
from a letter, and handed it to Anthony.
|
||
|
||
“What’s this?” said Anthony.
|
||
|
||
There was an address scrawled on the paper, nothing else.
|
||
|
||
“He dropped it,” said Boris. “I bring it to the Master.”
|
||
|
||
“Who dropped it?”
|
||
|
||
“The foreign gentleman.”
|
||
|
||
“But why bring it to me?”
|
||
|
||
Boris looked at him reproachfully.
|
||
|
||
“Well, anyway, go away now,” said Anthony. “I’m busy.”
|
||
|
||
Boris saluted, turned sharply on his heel, and marched away. Anthony
|
||
rejoined Virginia, thrusting the piece of paper into his pocket.
|
||
|
||
“What did he want?” she asked curiously. “And why do you call him your
|
||
dog?”
|
||
|
||
“Because he acts like one,” said Anthony, answering the last question
|
||
first. “He must have been a retriever in his last incarnation, I think.
|
||
He’s just brought me a piece of a letter which he says the foreign
|
||
gentleman dropped. I suppose he means Lemoine.”
|
||
|
||
“I suppose so,” acquiesced Virginia.
|
||
|
||
“He’s always following me round,” continued Anthony. “Just like a dog.
|
||
Says next to nothing. Just looks at me with his big round eyes. I can’t
|
||
make him out.”
|
||
|
||
“Perhaps he meant Isaacstein,” suggested Virginia. “Isaacstein looks
|
||
foreign enough, Heaven knows.”
|
||
|
||
“Isaacstein,” muttered Anthony impatiently. “Where the devil does he
|
||
come in?”
|
||
|
||
“Are you ever sorry that you’ve mixed yourself up in all this?” asked
|
||
Virginia suddenly.
|
||
|
||
“Sorry? Good Lord, no. I love it. I’ve spent most of my life looking
|
||
for trouble, you know. Perhaps, this time, I’ve got a little more than
|
||
I bargained for.”
|
||
|
||
“But you’re well out of the wood now,” said Virginia, a little
|
||
surprised by the unusual gravity of his tone.
|
||
|
||
“Not quite.”
|
||
|
||
They strolled on for a minute or two in silence.
|
||
|
||
“There are some people,” said Anthony, breaking the silence, “who
|
||
don’t conform to the signals. An ordinary well-regulated locomotive
|
||
slows down or pulls up when it sees the red light hoisted against it.
|
||
Perhaps I was born colour blind. When I see the red signal—I can’t
|
||
help forging ahead. And in the end, you know, that spells disaster.
|
||
Bound to. And quite right really. That sort of thing is bad for traffic
|
||
generally.”
|
||
|
||
He still spoke very seriously.
|
||
|
||
“I suppose,” said Virginia, “that you have taken a good many risks in
|
||
your life?”
|
||
|
||
“Pretty nearly every one there is—except marriage.”
|
||
|
||
“That’s rather cynical.”
|
||
|
||
“It wasn’t meant to be. Marriage, the kind of marriage I mean, would be
|
||
the biggest adventure of the lot.”
|
||
|
||
“I like that,” said Virginia, flushing eagerly.
|
||
|
||
“There’s only one kind of woman I’d want to marry—the kind who is
|
||
worlds removed from my type of life. What would we do about it? Is she
|
||
to lead my life, or am I to lead hers?”
|
||
|
||
“If she loved you——”
|
||
|
||
“Sentimentality, Mrs. Revel. You know it is. Love isn’t a drug that
|
||
you take to blind you to your surroundings—you can make it that, yes,
|
||
but it’s a pity—love can be a lot more than that. What do you think
|
||
the King and his beggar maid thought of married life after they’d been
|
||
married a year or two? Didn’t she regret her rags and her bare feet
|
||
and her care-free life? You bet she did. Would it have been any good
|
||
renouncing his Crown for her sake? Not a bit of good, either. He’d have
|
||
made a damned bad beggar, I’m sure. And no woman respects a man when
|
||
he’s doing a thing thoroughly badly.”
|
||
|
||
“Have you fallen in love with a beggar maid, Mr. Cade?” inquired
|
||
Virginia softly.
|
||
|
||
“It’s the other way about with me, but the principle’s the same.”
|
||
|
||
“And there’s no way out?” asked Virginia.
|
||
|
||
“There’s always a way out,” said Anthony gloomily. “I’ve a theory that
|
||
one can always get anything one wants if one will pay the price. And
|
||
do you know what the price is, nine times out of ten? Compromise. A
|
||
beastly thing, compromise, but it steals upon you as you near middle
|
||
age. It’s stealing upon me now. To get the woman I want I’d—I’d even
|
||
take up regular work.”
|
||
|
||
Virginia laughed.
|
||
|
||
“I was brought up to a trade, you know,” continued Anthony.
|
||
|
||
“And you abandoned it?”
|
||
|
||
“Yes.”
|
||
|
||
“Why?”
|
||
|
||
“A matter of principle.”
|
||
|
||
“Oh!”
|
||
|
||
“You’re a very unusual woman,” said Anthony suddenly, turning and
|
||
looking at her.
|
||
|
||
“Why?”
|
||
|
||
“You can refrain from asking questions.”
|
||
|
||
“You mean that I haven’t asked you what your trade was?”
|
||
|
||
“Just that.”
|
||
|
||
Again they walked on in silence. They were nearing the house now,
|
||
passing close by the scented sweetness of the rose garden.
|
||
|
||
“You understand well enough, I dare say,” said Anthony, breaking the
|
||
silence. “You know when a man’s in love with you. I don’t suppose you
|
||
care a hang for me—or for anyone else—but, by God, I’d like to make
|
||
you care.”
|
||
|
||
“Do you think you could?” asked Virginia, in a low voice.
|
||
|
||
“Probably not, but I’d have a damned good try.”
|
||
|
||
“Are you sorry you ever met me?” she said suddenly.
|
||
|
||
“Lord no. It’s the red signal again. When I first saw you—that day
|
||
in Pont Street, I knew I was up against something that was going to
|
||
hurt like fun. Your face did that to me—just your face. There’s magic
|
||
in you from head to foot—some women are like that, but I’ve never
|
||
known a woman who had so much of it as you have. You’ll marry some
|
||
one respectable and prosperous, I suppose, and I shall return to my
|
||
disreputable life, but I’ll kiss you once before I go—I swear I will.”
|
||
|
||
“You can’t do it now,” said Virginia softly. “Superintendent Battle is
|
||
watching us out of the library window.”
|
||
|
||
Anthony looked at her.
|
||
|
||
“You’re rather a devil, Virginia,” he said dispassionately. “But rather
|
||
a dear too.”
|
||
|
||
Then he waved his hand airily to Superintendent Battle.
|
||
|
||
“Caught any criminals this morning, Battle?”
|
||
|
||
“Not as yet, Mr. Cade.”
|
||
|
||
“That sounds hopeful.”
|
||
|
||
Battle, with an agility surprising in so stolid a man, vaulted out of
|
||
the library window and joined them on the terrace.
|
||
|
||
“I’ve got Professor Wynward down here,” he announced in a whisper.
|
||
“Just this minute arrived. He’s decoding the letters now. Would you
|
||
like to see him at work?”
|
||
|
||
His tone suggested that of the showman speaking of some pet exhibit.
|
||
Receiving a reply in the affirmative, he led them up to the window and
|
||
invited them to peep inside.
|
||
|
||
Seated at a table, the letters spread out in front of him and writing
|
||
busily on a big sheet of paper was a small red-haired man of middle
|
||
age. He grunted irritably to himself as he wrote, and every now and
|
||
then rubbed his nose violently until its hue almost rivalled that of
|
||
his hair.
|
||
|
||
Presently he looked up.
|
||
|
||
“That you, Battle? What you want me down here to unravel this
|
||
tomfoolery for? A child in arms could do it. A baby of two could do it
|
||
on its head. Call this thing a cipher? It leaps to the eye, man.”
|
||
|
||
“I’m glad of that, Professor,” said Battle mildly. “But we’re not all
|
||
so clever as you are, you know.”
|
||
|
||
“It doesn’t need cleverness,” snapped the Professor. “It’s routine
|
||
work. Do you want the whole bundle done? It’s a long business, you
|
||
know—requires diligent application and close attention, and absolutely
|
||
no intelligence. I’ve done the one dated ‘Chimneys’ which you said was
|
||
important. I might as well take the rest back to London and hand ’em
|
||
over to one of my assistants. I really can’t afford the time myself.
|
||
I’ve come away now from a real teaser, and I want to get back to it.”
|
||
|
||
His eyes glistened a little.
|
||
|
||
“Very well, Professor,” assented Battle. “I’m sorry we’re such small
|
||
fry. I’ll explain to Mr. Lomax. It’s just this one letter that all the
|
||
hurry is about. Lord Caterham is expecting you to stay for lunch, I
|
||
believe.”
|
||
|
||
“Never have lunch,” said the Professor. “Bad habit, lunch. A banana
|
||
and a water biscuit is all any sane and healthy man should need in the
|
||
middle of the day.”
|
||
|
||
He seized his overcoat, which lay across the back of a chair. Battle
|
||
went round to the front of the house, and a few minutes later Anthony
|
||
and Virginia heard the sound of a car driving away.
|
||
|
||
Battle rejoined them, carrying in his hand the half-sheet of paper
|
||
which the Professor had given him.
|
||
|
||
“He’s always like that,” said Battle, referring to the departed
|
||
Professor. “In the very deuce of a hurry. Clever man, though. Well,
|
||
here’s the kernel of Her Majesty’s letter. Care to have a look at it?”
|
||
|
||
Virginia stretched out a hand, and Anthony read it over her shoulder.
|
||
It had been, he remembered, a long epistle, breathing mingled passion
|
||
and despair. The genius of Professor Wynward had transformed it into an
|
||
essentially business-like communication.
|
||
|
||
_Operations carried out successfully, but S. double crossed us. Has
|
||
removed stone from hiding-place. Not in his room. I have searched.
|
||
Found following memorandum which I think refers to it_: “RICHMOND SEVEN
|
||
STRAIGHT EIGHT LEFT THREE RIGHT.”
|
||
|
||
“S.?” said Anthony. “Stylptitch, of course. Cunning old dog. He changed
|
||
the hiding-place.”
|
||
|
||
“Richmond,” said Virginia thoughtfully. “Is the diamond concealed
|
||
somewhere at Richmond, I wonder?”
|
||
|
||
“It’s a favourite spot for Royalties,” agreed Anthony.
|
||
|
||
Battle shook his head.
|
||
|
||
“I still think it’s a reference to something in this house.”
|
||
|
||
“I know,” cried Virginia suddenly.
|
||
|
||
Both men turned to look at her.
|
||
|
||
“The Holbein portrait in the Council Chamber. They were tapping on the
|
||
wall just below it. And it’s a portrait of the Earl of Richmond!”
|
||
|
||
“You’ve got it,” said Battle, and slapped his leg.
|
||
|
||
He spoke with an animation quite unwonted.
|
||
|
||
“That’s the starting-point, the picture, and the crooks know no more
|
||
than we do what the figures refer to. Those two men in armour stand
|
||
directly underneath the picture, and their first idea was that the
|
||
diamond was hidden in one of them. The measurements might have been
|
||
inches. That failed, and their next idea was a secret passage or
|
||
stairway, or a sliding panel. Do you know of any such thing, Mrs.
|
||
Revel?”
|
||
|
||
Virginia shook her head.
|
||
|
||
“There’s a Priest’s Hole, and at least one secret passage, I know,” she
|
||
said. “I believe I’ve been shown them once, but I can’t remember much
|
||
about them now. Here’s Bundle, she’ll know.”
|
||
|
||
Bundle was coming quickly along the terrace towards them.
|
||
|
||
“I’m taking the Panhard up to town after lunch,” she remarked. “Anyone
|
||
want a lift? Wouldn’t you like to come, Mr. Cade? We’ll be back by
|
||
dinner-time.”
|
||
|
||
“No, thanks,” said Anthony. “I’m quite happy and busy down here.”
|
||
|
||
“The man fears me,” said Bundle. “Either my driving or my fatal
|
||
fascination! Which is it?”
|
||
|
||
“The latter,” said Anthony. “Every time.”
|
||
|
||
“Bundle, dear,” said Virginia, “is there any secret passage leading out
|
||
of the Council Chamber?”
|
||
|
||
“Rather. But it’s only a mouldy one. Supposed to lead from Chimneys to
|
||
Wyvvern Abbey. So it did in the old, old days, but it’s all blocked up
|
||
now. You can only get along it for about a hundred yards from this end.
|
||
The one upstairs in the White Gallery is ever so much more amusing, and
|
||
the Priest’s Hole isn’t half bad.”
|
||
|
||
“We’re not regarding them from an artistic standpoint,” explained
|
||
Virginia. “It’s business. How do you get into the Council Chamber one?”
|
||
|
||
“Hinged panel. I’ll show you after lunch if you like.”
|
||
|
||
“Thank you,” said Superintendent Battle. “Shall we say at 2.30?”
|
||
|
||
Bundle looked at him with lifted eyebrows.
|
||
|
||
“Crook stuff?” she inquired.
|
||
|
||
Tredwell appeared on the terrace.
|
||
|
||
“Luncheon is served, my lady,” he announced.
|
||
|
||
|
||
|
||
|
||
23
|
||
|
||
Encounter in the Rose Garden
|
||
|
||
|
||
At 2.30 a little party met together in the Council Chamber: Bundle,
|
||
Virginia, Superintendent Battle, M. Lemoine and Anthony Cade.
|
||
|
||
“No good waiting until we can get hold of Mr. Lomax,” said Battle.
|
||
“This is the kind of business one wants to get on with quickly.”
|
||
|
||
“If you’ve got any idea that Prince Michael was murdered by some one
|
||
who got in this way, you’re wrong,” said Bundle. “It can’t be done. The
|
||
other end’s blocked completely.”
|
||
|
||
“There is no question of that, milady,” said Lemoine quickly. “It is
|
||
quite a different search that we make.”
|
||
|
||
“Looking for something, are you?” asked Bundle quickly. “Not the
|
||
historic what-not, by any chance?”
|
||
|
||
Lemoine looked puzzled.
|
||
|
||
“Explain yourself, Bundle,” said Virginia encouragingly. “You can when
|
||
you try.”
|
||
|
||
“The thingummybob,” said Bundle. “The historic diamond of purple
|
||
princes that was pinched in the dark ages before I grew to years of
|
||
discretion.”
|
||
|
||
“Who told you this, Lady Eileen?” asked Battle.
|
||
|
||
“I’ve always known. One of the footmen told me when I was twelve years
|
||
old.”
|
||
|
||
“A footman,” said Battle. “Lord! I’d like Mr. Lomax to have heard that!”
|
||
|
||
“Is it one of George’s closely guarded secrets?” asked Bundle. “How
|
||
perfectly screaming! I never really thought it was true. George always
|
||
was an ass—he must know that servants always know everything.”
|
||
|
||
She went across to the Holbein portrait, touched a spring concealed
|
||
somewhere at the side of it, and immediately, with a creaking noise, a
|
||
section of the panelling swung inward, revealing a dark opening.
|
||
|
||
“Entrez, Messieurs et Mesdames,” said Bundle dramatically. “Walk up,
|
||
walk up, dearies. Best show of the season, and only a tanner.”
|
||
|
||
Both Lemoine and Battle were provided with torches. They entered the
|
||
dark aperture first, the others close on their heels.
|
||
|
||
“Air’s nice and fresh,” remarked Battle. “Must be ventilated somehow.”
|
||
|
||
He walked on ahead. The floor was of rough uneven stone, but the
|
||
walls were bricked. As Bundle had said, the passage extended for a
|
||
bare hundred yards. Then it came to an abrupt end with a fallen heap
|
||
of masonry. Battle satisfied himself that there was no way of egress
|
||
beyond, and then spoke over his shoulder.
|
||
|
||
“We’ll go back, if you please. I wanted just to spy out the land, so to
|
||
speak.”
|
||
|
||
In a few minutes they were back again at the panelled entrance.
|
||
|
||
“We’ll start from here,” said Battle. “Seven straight, eight left,
|
||
three right. Take the first as paces.”
|
||
|
||
He paced seven steps carefully, and bending down examined the ground.
|
||
|
||
“About right, I should fancy. At one time or another, there’s been
|
||
a chalk mark made here. Now then, eight left. That’s not paces, the
|
||
passage is only wide enough to go Indian file anyway.”
|
||
|
||
“Say it in bricks,” suggested Anthony.
|
||
|
||
“Quite right, Mr. Cade. Eight bricks from the bottom or the top on the
|
||
left-hand side. Try from the bottom first—it’s easier.”
|
||
|
||
He counted up eight bricks.
|
||
|
||
“Now three to the right of that. One, two, three—Hullo—— Hullo,
|
||
what’s this?”
|
||
|
||
“I shall scream in a minute,” said Bundle, “I know I shall. _What_ is
|
||
it?”
|
||
|
||
Superintendent Battle was working at the brick with the point of his
|
||
knife. His practised eye had quickly seen that this particular brick
|
||
was different from the rest. A minute or two’s work, and he was able to
|
||
pull it right out. Behind was a small dark cavity. Battle thrust in his
|
||
hand.
|
||
|
||
Every one waited in breathless expectancy.
|
||
|
||
Battle drew out his hand again.
|
||
|
||
He uttered an exclamation of surprise and anger.
|
||
|
||
The others crowded round and stared uncomprehendingly at the three
|
||
articles he held. For a moment it seemed as though their eyes must have
|
||
deceived them.
|
||
|
||
A card of small pearl buttons, a square of coarse knitting and a piece
|
||
of paper on which were inscribed a row of capital E’s!
|
||
|
||
“Well,” said Battle. “I’m—I’m danged! What’s the meaning of this?”
|
||
|
||
“_Mon Dieu_,” muttered the Frenchman. “_Ça, c’est un peu trop fort!_”
|
||
|
||
“But what does it mean?” cried Virginia, bewildered.
|
||
|
||
“Mean?” said Anthony. “There’s only one thing it can mean. The late
|
||
Count Stylptitch must have had a sense of humour! This is an example
|
||
of that humour. I may say that I don’t consider it particularly funny
|
||
myself.”
|
||
|
||
“Do you mind explaining your meaning a little more clearly, sir?” said
|
||
Superintendent Battle.
|
||
|
||
“Certainly. This was the Count’s little joke. He must have suspected
|
||
that his memorandum had been read. When the crooks came to recover the
|
||
jewel, they were to find instead this extremely clever conundrum. It’s
|
||
the sort of thing you pin on to yourself at Book Teas, when people have
|
||
to guess what you are.”
|
||
|
||
“It has a meaning, then?”
|
||
|
||
“I should say, undoubtedly. If the Count had meant to be merely
|
||
offensive, he would have put a placard with ‘Sold’ on it, or a picture
|
||
of a donkey or something crude like that.”
|
||
|
||
“A bit of knitting, some capital E’s, and a lot of buttons,” muttered
|
||
Battle discontentedly.
|
||
|
||
“_C’est inoui_,” said Lemoine angrily.
|
||
|
||
“Cipher No. 2,” said Anthony. “I wonder whether Professor Wynward would
|
||
be any good at this one?”
|
||
|
||
“When was this passage last used, milady?” asked the Frenchman of
|
||
Bundle.
|
||
|
||
Bundle reflected.
|
||
|
||
“I don’t believe anyone’s been into it for over two years. The Priest’s
|
||
Hole is the show exhibit for Americans and tourists generally.”
|
||
|
||
“Curious,” murmured the Frenchman.
|
||
|
||
“Why curious?”
|
||
|
||
Lemoine stooped and picked up a small object from the floor.
|
||
|
||
“Because of this,” he said. “This match has not lain here for two
|
||
years—not even for two days.”
|
||
|
||
Battle looked at the match curiously. It was of pink wood, with a
|
||
yellow head.
|
||
|
||
“Any of you ladies or gentlemen drop this, by any chance?” he asked.
|
||
|
||
He received a negative all round.
|
||
|
||
“Well, then,” said Superintendent Battle, “we’ve seen all there is to
|
||
see. We might as well get out of here.”
|
||
|
||
The proposal was assented to by all. The panel had swung to, but Bundle
|
||
showed them how it was fastened from the inside. She unlatched it,
|
||
swung it noiselessly open, and sprang through the opening, alighting in
|
||
the Council Chamber with a resounding thud.
|
||
|
||
“Damn!” said Lord Caterham, springing up from an arm-chair in which he
|
||
appeared to have been taking forty winks.
|
||
|
||
“Poor old father,” said Bundle. “Did I startle you?”
|
||
|
||
“I can’t think,” said Lord Caterham, “why nobody nowadays ever sits
|
||
still after a meal. It’s a lost art. God knows Chimneys is big enough,
|
||
but even here there doesn’t seem to be a single room where I can be
|
||
sure of a little peace. Good Lord, how many of you are there? Reminds
|
||
me of the Pantomimes I used to go to as a boy when hordes of demons
|
||
used to pop up out of trapdoors.”
|
||
|
||
“Demon No. 7,” said Virginia, approaching him, and patting him on the
|
||
head. “Don’t be cross. We’re just exploring secret passages, that’s
|
||
all.”
|
||
|
||
“There seems to be a positive boom in secret passages to-day,” grumbled
|
||
Lord Caterham, not yet completely mollified. “I’ve had to show that
|
||
fellow Fish round them all this morning.”
|
||
|
||
“When was that?” asked Battle quickly.
|
||
|
||
“Just before lunch. It seems he’d heard of the one in here. I showed
|
||
him that, and then took him up to the White Gallery, and we finished
|
||
up with the Priest’s Hole. But his enthusiasm was waning by that time.
|
||
He looked bored to death. But I made him go through with it.” Lord
|
||
Caterham chuckled at the remembrance.
|
||
|
||
Anthony put a hand on Lemoine’s arm.
|
||
|
||
“Come outside,” he said softly. “I want to speak to you.”
|
||
|
||
The two men went out together through the window. When they had gone a
|
||
sufficient distance from the house, Anthony drew from his pocket the
|
||
scrap of paper that Boris had given him that morning.
|
||
|
||
“Look here,” he said. “Did you drop this?”
|
||
|
||
Lemoine took it and examined it with some interest.
|
||
|
||
“No,” he said. “I have never seen it before. Why?”
|
||
|
||
“Quite sure?”
|
||
|
||
“Absolutely sure, Monsieur.”
|
||
|
||
“That’s very odd.”
|
||
|
||
He repeated to Lemoine what Boris had said. The other listened with
|
||
close attention.
|
||
|
||
“No, I did not drop it. You say he found it in that clump of trees?”
|
||
|
||
“Well, I assumed so, but he did not actually say so.”
|
||
|
||
“It is just possible that it might have fluttered out of M.
|
||
Isaacstein’s suit-case. Question Boris again.” He handed the paper back
|
||
to Anthony. After a minute or two he said: “What exactly do you know of
|
||
this man Boris?”
|
||
|
||
Anthony shrugged his shoulders.
|
||
|
||
“I understood he was the late Prince Michael’s trusted servant.”
|
||
|
||
“It may be so, but make it your business to find out. Ask some one who
|
||
knows, such as the Baron Lolopretjzyl. Perhaps this man was engaged but
|
||
a few weeks ago. For myself, I have believed him honest. But who knows?
|
||
King Victor is quite capable of making himself into a trusted servant
|
||
at a moment’s notice.”
|
||
|
||
“Do you really think——”
|
||
|
||
Lemoine interrupted him.
|
||
|
||
“I will be quite frank. With me, King Victor is an obsession. I see him
|
||
everywhere. At this moment even I ask myself—this man who is talking
|
||
to me, this M. Cade, is he, perhaps, King Victor?”
|
||
|
||
“Good Lord,” said Anthony, “you have got it badly.”
|
||
|
||
“What do I care for the diamond? For the discovery of the murderer of
|
||
Prince Michael? I leave those affairs to my colleague of Scotland Yard
|
||
whose business it is. Me, I am in England for one purpose, and one
|
||
purpose only, to capture King Victor and to capture him red-handed.
|
||
Nothing else matters.”
|
||
|
||
“Think you’ll do it?” asked Anthony, lighting a cigarette.
|
||
|
||
“How should I know?” said Lemoine, with sudden despondency.
|
||
|
||
“H’m!” said Anthony.
|
||
|
||
They had regained the terrace. Superintendent Battle was standing near
|
||
the French window in a wooden attitude.
|
||
|
||
“Look at poor old Battle,” said Anthony. “Let’s go and cheer him up.”
|
||
He paused a minute, and said, “You know, you’re an odd fish in some
|
||
ways, M. Lemoine.”
|
||
|
||
“In what ways, M. Cade?”
|
||
|
||
“Well,” said Anthony, “in your place, I should have been inclined
|
||
to note down that address that I showed you. It may be of no
|
||
importance—quite conceivably. On the other hand, it might be very
|
||
important indeed.”
|
||
|
||
Lemoine looked at him for a minute or two steadily. Then, with a slight
|
||
smile, he drew back the cuff of his left coat sleeve. Pencilled on the
|
||
white shirt-cuff beneath were the words “Hurstmere, Langly Road, Dover.”
|
||
|
||
“I apologize,” said Anthony. “And I retire worsted.”
|
||
|
||
He joined Superintendent Battle.
|
||
|
||
“You look very pensive, Battle,” he remarked.
|
||
|
||
“I’ve got a lot to think about, Mr. Cade.”
|
||
|
||
“Yes, I expect you have.”
|
||
|
||
“Things aren’t dovetailing. They’re not dovetailing at all.”
|
||
|
||
“Very trying,” sympathized Anthony. “Never mind, Battle, if the worst
|
||
comes to the worst, you can always arrest me. You’ve got my guilty
|
||
footprints to fall back upon, remember.”
|
||
|
||
But the superintendent did not smile.
|
||
|
||
“Got any enemies here that you know of, Mr. Cade?” he asked.
|
||
|
||
“I’ve an idea that the third footman doesn’t like me,” replied
|
||
Anthony lightly. “He does his best to forget to hand me the choicest
|
||
vegetables. Why?”
|
||
|
||
“I’ve been getting anonymous letters,” said Superintendent Battle. “Or
|
||
rather an anonymous letter, I should say.”
|
||
|
||
“About me?”
|
||
|
||
Without answering Battle took a folded sheet of cheap notepaper from
|
||
his pocket, and handed it to Anthony. Scrawled on it in an illiterate
|
||
handwriting were the words:
|
||
|
||
“Look out for Mr. Cade. He isn’t wot he seems.”
|
||
|
||
Anthony handed it back with a light laugh.
|
||
|
||
“That’s all? Cheer up, Battle. I’m really a King in disguise, you know.”
|
||
|
||
He went into the house, whistling lightly as he walked along. But as
|
||
he entered his bedroom and shut the door behind him, his face changed.
|
||
It grew set and stern. He sat down on the edge of the bed and stared
|
||
moodily at the floor.
|
||
|
||
“Things are getting serious,” said Anthony to himself. “Something must
|
||
be done about it. It’s all damned awkward....”
|
||
|
||
He sat there for a minute or two, then strolled to the window. For a
|
||
moment or two he stood looking out aimlessly, and then his eyes became
|
||
suddenly focused on a certain spot, and his face lightened.
|
||
|
||
“Of course,” he said. “The Rose Garden! That’s it! The Rose Garden.”
|
||
|
||
He hurried downstairs again and out into the garden by a side door. He
|
||
approached the Rose Garden by a circuitous route. It had a little gate
|
||
at either end. He entered by the far one, and walked up to the sundial
|
||
which was on a raised hillock in the exact centre of the garden.
|
||
|
||
Just as Anthony reached it, he stopped dead and stared at another
|
||
occupant of the Rose Garden who seemed equally surprised to see him.
|
||
|
||
“I didn’t know that you were interested in roses, Mr. Fish,” said
|
||
Anthony gently.
|
||
|
||
“Sir,” said Mr. Fish, “I am considerably interested in roses.”
|
||
|
||
They looked at each other warily, as antagonists seek to measure their
|
||
opponents’ strength.
|
||
|
||
“So am I,” said Anthony.
|
||
|
||
“Is that so?”
|
||
|
||
“In fact, I dote upon roses,” said Anthony airily.
|
||
|
||
A very slight smile hovered upon Mr. Fish’s lips and at the same time
|
||
Anthony also smiled. The tension seemed to relax.
|
||
|
||
“Look at this beauty now,” said Mr. Fish, stooping to point out a
|
||
particularly fine bloom. “Madame Abel Chatenay, I pressoom it to be.
|
||
Yes, I am right. This white rose, before the war, was known as Frau
|
||
Carl Drusky. They have, I believe, renamed it. Over sensitive, perhaps
|
||
but truly patriotic. The La France is always popular. Do you care for
|
||
red roses at all, Mr. Cade? A bright scarlet rose now——”
|
||
|
||
Mr. Fish’s slow, drawling voice was interrupted. Bundle was leaning out
|
||
of a first-floor window.
|
||
|
||
“Care for a spin to town, Mr. Fish? I’m just off.”
|
||
|
||
“Thank you, Lady Eileen, but I am vurry happy here.”
|
||
|
||
“Sure you won’t change your mind, Mr. Cade?”
|
||
|
||
Anthony laughed and shook his head. Bundle disappeared.
|
||
|
||
“Sleep is more in my line,” said Anthony, with a wide yawn. “A good
|
||
after luncheon nap!” He took out a cigarette. “You haven’t got a match,
|
||
have you?”
|
||
|
||
Mr. Fish handed him a match-box. Anthony helped himself, and handed
|
||
back the box with a word of thanks.
|
||
|
||
“Roses,” said Anthony, “are all very well. But I don’t feel
|
||
particularly horticultural this afternoon.”
|
||
|
||
With a disarming smile, he nodded cheerfully.
|
||
|
||
A thundering noise sounded from just outside the house.
|
||
|
||
“Pretty powerful engine she’s got in that car of hers,” remarked
|
||
Anthony. “There, off she goes.”
|
||
|
||
They had a view of the car speeding down the long drive.
|
||
|
||
Anthony yawned again, and strolled towards the house.
|
||
|
||
He passed in through the door. Once inside, he seemed as though changed
|
||
to quicksilver. He raced across the hall, out through one of the
|
||
windows on the farther side, and across the park. Bundle, he knew, had
|
||
to make a big détour by the lodge gates, and through the village.
|
||
|
||
He ran desperately. It was a race against time. He reached the park
|
||
wall just as he heard the car outside. He swung himself up and dropped
|
||
into the road.
|
||
|
||
“Hi!” cried Anthony.
|
||
|
||
In her astonishment, Bundle swerved half across the road. She managed
|
||
to pull up without accident. Anthony ran after the car, opened the
|
||
door, and jumped in beside Bundle.
|
||
|
||
“I’m coming to London with you,” he said. “I meant to all along.”
|
||
|
||
“Extraordinary person,” said Bundle. “What’s that you’ve got in your
|
||
hand?”
|
||
|
||
“Only a match,” said Anthony.
|
||
|
||
He regarded it thoughtfully. It was pink, with a yellow head. He threw
|
||
away his unlighted cigarette, and put the match carefully into his
|
||
pocket.
|
||
|
||
|
||
|
||
|
||
24
|
||
|
||
The House at Dover
|
||
|
||
|
||
“You don’t mind, I suppose,” said Bundle after a minute or two, “if I
|
||
drive rather fast? I started later than I meant to do.”
|
||
|
||
It had seemed to Anthony that they were proceeding at a terrific speed
|
||
already, but he soon saw that that was nothing compared to what Bundle
|
||
could get out of the Panhard if she tried.
|
||
|
||
“Some people,” said Bundle, as she slowed down momentarily to pass
|
||
through a village, “are terrified of my driving. Poor old father, for
|
||
instance. Nothing would induce him to come up with me in this old bus.”
|
||
|
||
Privately, Anthony thought Lord Caterham was entirely justified.
|
||
Driving with Bundle was not a sport to be indulged in by nervous,
|
||
middle-aged gentlemen.
|
||
|
||
“But you don’t seem nervous a bit,” continued Bundle approvingly, as
|
||
she swept round a corner on two wheels.
|
||
|
||
“I’m in pretty good training, you see,” explained Anthony gravely.
|
||
“Also,” he added, as an afterthought, “I’m rather in a hurry myself.”
|
||
|
||
“Shall I speed her up a bit more?” asked Bundle kindly.
|
||
|
||
“Good Lord, no,” said Anthony hastily. “We’re averaging about fifty as
|
||
it is.”
|
||
|
||
“I’m burning with curiosity to know the reason of this sudden
|
||
departure,” said Bundle, after executing a fanfare upon the Klaxon
|
||
which must temporarily have deafened the neighbourhood. “But I suppose
|
||
I mustn’t ask? You’re not escaping from justice, are you?”
|
||
|
||
“I’m not quite sure,” said Anthony. “I shall know soon.”
|
||
|
||
“That Scotland Yard man isn’t as much of a rabbit as I thought,” said
|
||
Bundle thoughtfully.
|
||
|
||
“Battle’s a good man,” agreed Anthony.
|
||
|
||
“You ought to have been in diplomacy,” remarked Bundle. “You don’t part
|
||
with much information, do you?”
|
||
|
||
“I was under the impression that I babbled.”
|
||
|
||
“Oh! Boy! You’re not eloping with Mademoiselle Brun, by any chance?”
|
||
|
||
“Not guilty!” said Anthony with fervour.
|
||
|
||
There was a pause of some minutes during which Bundle caught up and
|
||
passed three other cars. Then she asked suddenly:
|
||
|
||
“How long have you known Virginia?”
|
||
|
||
“That’s a difficult question to answer,” said Anthony, with perfect
|
||
truth. “I haven’t actually met her very often, and yet I seem to have
|
||
known her a long time.”
|
||
|
||
Bundle nodded.
|
||
|
||
“Virginia’s got brains,” she remarked abruptly. “She’s always talking
|
||
nonsense, but she’s got brains all right. She was frightfully good out
|
||
in Herzoslovakia, I believe. If Tim Revel had lived he’d have had a
|
||
fine career—and mostly owing to Virginia. She worked for him tooth and
|
||
nail. She did everything in the world she could for him—and I know
|
||
why, too.”
|
||
|
||
“Because she cared for him?” Anthony sat looking very straight ahead of
|
||
him.
|
||
|
||
“No, because she didn’t. Don’t you see? She didn’t love him—she never
|
||
loved him, and so she did everything on earth she could to make up.
|
||
That’s Virginia all over. But don’t you make any mistake about it.
|
||
Virginia was never in love with Tim Revel.”
|
||
|
||
“You seem very positive,” said Anthony, turning to look at her.
|
||
|
||
Bundle’s little hands were clenched on the steering wheel, and her
|
||
chin was stuck out in a determined manner.
|
||
|
||
“I know a thing or two. I was only a kid at the time of her marriage,
|
||
but I heard one or two things, and knowing Virginia I can put them
|
||
together easily enough. Tim Revel was bowled over by Virginia—he was
|
||
Irish, you know, and most attractive, with a genius for expressing
|
||
himself well. Virginia was quite young—eighteen. She couldn’t go
|
||
anywhere without seeing Tim in a state of picturesque misery, vowing
|
||
he’d shoot himself or take to drink if she didn’t marry him. Girls
|
||
believe these things—or used to—we’ve advanced a lot in the last
|
||
eight years. Virginia was carried away by the feeling she thought she’d
|
||
inspired. She married him—and she was an angel to him always. She
|
||
wouldn’t have been half as much of an angel if she’d loved him. There’s
|
||
a lot of the devil in Virginia. But I can tell you one thing—she
|
||
enjoys her freedom. And anyone will have a hard time persuading her to
|
||
give it up.”
|
||
|
||
“I wonder why you tell me all this?” said Anthony slowly.
|
||
|
||
“It’s interesting to know about people, isn’t it? Some people, that is.”
|
||
|
||
“I’ve wanted to know,” he acknowledged.
|
||
|
||
“And you’d never have heard from Virginia. But you can trust me for an
|
||
inside tip from the stables. Virginia’s a darling. Even women like her
|
||
because she isn’t a bit of a cat. And anyway,” Bundle ended, somewhat
|
||
obscurely, “one must be a sport, mustn’t one?”
|
||
|
||
“Oh, certainly,” Anthony agreed. But he was still puzzled. He had no
|
||
idea what had prompted Bundle to give him so much information unasked.
|
||
That he was glad of it, he did not deny.
|
||
|
||
“Here are the trams,” said Bundle, with a sigh. “Now, I suppose, I
|
||
shall have to drive carefully.”
|
||
|
||
“It might be as well,” agreed Anthony.
|
||
|
||
His ideas and Bundle’s on the subject of careful driving hardly
|
||
coincided. Leaving indignant suburbs behind them, they finally emerged
|
||
into Oxford Street.
|
||
|
||
“Not bad going, eh?” said Bundle, glancing at her wrist watch.
|
||
|
||
Anthony assented fervently.
|
||
|
||
“Where do you want to be dropped?”
|
||
|
||
“Anywhere. Which way are you going?”
|
||
|
||
“Knightsbridge way.”
|
||
|
||
“All right, drop me at Hyde Park Corner.”
|
||
|
||
“Good-bye,” said Bundle, as she drew up at the place indicated. “What
|
||
about the return journey?”
|
||
|
||
“I’ll find my own way back, thanks very much.”
|
||
|
||
“I _have_ scared him,” remarked Bundle.
|
||
|
||
“I shouldn’t recommend driving with you as a tonic for nervous old
|
||
ladies, but personally I’ve enjoyed it. The last time I was in equal
|
||
danger was when I was charged by a herd of wild elephants.”
|
||
|
||
“I think you’re extremely rude,” remarked Bundle. “We’ve not even had
|
||
one bump to-day.”
|
||
|
||
“I’m sorry if you’ve been holding yourself in on my account,” retorted
|
||
Anthony.
|
||
|
||
“I don’t think men are really very brave,” said Bundle.
|
||
|
||
“That’s a nasty one,” said Anthony. “I retire, humiliated.” Bundle
|
||
nodded and drove on. Anthony hailed a passing taxi. “Victoria Station,”
|
||
he said to the driver as he got in.
|
||
|
||
When he got to Victoria he paid off the taxi and inquired for the next
|
||
train to Dover. Unfortunately he had just missed one.
|
||
|
||
Resigning himself to a wait of something over an hour, Anthony paced up
|
||
and down, his brows knit. Once or twice he shook his head impatiently.
|
||
|
||
The journey to Dover was uneventful. Arrived there, Anthony passed
|
||
quickly out of the station, and then, as though suddenly remembering,
|
||
he turned back again. There was a slight smile on his lips as he asked
|
||
to be directed to Hurstmere, Langly Road.
|
||
|
||
The road in question was a long one, leading right out of the town.
|
||
According to the porter’s instructions, Hurstmere was the last house.
|
||
Anthony trudged along steadily. The little pucker had reappeared
|
||
between his eyes. Nevertheless there was a new elation in his manner,
|
||
as always when danger was near at hand.
|
||
|
||
Hurstmere was, as the porter had said, the last house in Langly Road.
|
||
It stood well back, enclosed in its own grounds, which were ragged and
|
||
overgrown. The place, Anthony judged, must have been empty for many
|
||
years. A large iron gate swung rustily on its hinges, and the name on
|
||
the gatepost was half obliterated.
|
||
|
||
“A lonely spot,” muttered Anthony to himself, “and a good one to
|
||
choose.”
|
||
|
||
He hesitated a minute or two, glanced quickly up and down the
|
||
road—which was quite deserted—and then slipped quietly past the
|
||
creaking gate into the overgrown drive. He walked up it a little
|
||
way, and then stood listening. He was still some distance from the
|
||
house. Not a sound could be heard anywhere. Some fast yellowing leaves
|
||
detached themselves from one of the trees overhead and fell with a
|
||
soft rustling sound that was almost sinister in the stillness. Anthony
|
||
started; then smiled.
|
||
|
||
“Nerves,” he murmured to himself. “Never knew I had such things before.”
|
||
|
||
He went on up the drive. Presently, as the drive curved, he slipped
|
||
into the shrubbery and so continued his way unseen from the house.
|
||
Suddenly he stood still, peering out through the leaves. Some distance
|
||
away a dog was barking, but it was a sound nearer at hand that had
|
||
attracted Anthony’s attention.
|
||
|
||
His keen hearing had not been mistaken. A man came rapidly round
|
||
the corner of the house, a short square, thickset man, foreign in
|
||
appearance. He did not pause but walked steadily on, circling the house
|
||
and disappearing again.
|
||
|
||
Anthony nodded to himself.
|
||
|
||
“Sentry,” he murmured. “They do the thing quite well.”
|
||
|
||
As soon as he had passed, Anthony went on, diverging to the left, and
|
||
so following in the footsteps of the sentry.
|
||
|
||
His own footsteps were quite noiseless.
|
||
|
||
The wall of the house was on his right, and presently he came to where
|
||
a broad blur of light fell on the gravelled walk. The sound of several
|
||
men talking together was clearly audible.
|
||
|
||
“My God! what double-dyed idiots,” murmured Anthony to himself. “It
|
||
would serve them right to be given a fright.”
|
||
|
||
He stole up to the window, stooping a little so that he should not be
|
||
seen. Presently he lifted his head very carefully to the level of the
|
||
sill and looked in.
|
||
|
||
Half a dozen men were sprawling round a table. Four of them were big
|
||
thickset men, with high cheek-bones, and eyes set in Magyar slanting
|
||
fashion. The other two were rat-like little men with quick gestures.
|
||
The language that was being spoken was French, but the four big men
|
||
spoke it with uncertainty and a hoarse guttural intonation.
|
||
|
||
“The Boss?” growled one of these. “When will he be here?”
|
||
|
||
One of the smaller men shrugged his shoulders.
|
||
|
||
“Any time now.”
|
||
|
||
“About time, too,” growled the first man. “I have never seen him, this
|
||
Boss of yours, but, oh, what great and glorious work might we not have
|
||
accomplished in these days of idle waiting!”
|
||
|
||
“Fool,” said the other little man bitingly. “Getting nabbed by the
|
||
police is all the great and glorious work you and your precious lot
|
||
would have been likely to accomplish. A lot of blundering gorillas?”
|
||
|
||
“Aha!” roared another big thickset fellow. “You insult the Comrades? I
|
||
will soon set the sign of the Red Hand round your throat.”
|
||
|
||
He half rose, glaring ferociously at the Frenchman, but one of his
|
||
companions pulled him back again.
|
||
|
||
“No quarreling,” he grunted. “We’re to work together. From all I heard
|
||
this King Victor doesn’t stand for being disobeyed.”
|
||
|
||
In the darkness, Anthony heard the footsteps of the sentry coming his
|
||
round again, and he drew back behind a bush.
|
||
|
||
“Who’s that?” said one of the men inside.
|
||
|
||
“Carlo—going his rounds.”
|
||
|
||
“Oh! What about the prisoner?”
|
||
|
||
“He’s all right—coming round pretty fast now. He’s recovered well from
|
||
the crack on the head we gave him.”
|
||
|
||
Anthony moved gently away.
|
||
|
||
“God! what a lot,” he muttered. “They discuss their affairs with an
|
||
open window, and that fool Carlo goes his round with the tread of an
|
||
elephant, and the eyes of a bat. And to crown all, the Herzoslovakians
|
||
and the French are on the point of coming to blows. King Victor’s
|
||
headquarters seem to be in a parlous condition. It would amuse me, it
|
||
would amuse me very much, to teach them a lesson.”
|
||
|
||
He stood irresolute for a minute, smiling to himself.
|
||
|
||
From somewhere above his head came a stifled groan.
|
||
|
||
Anthony looked up. The groan came again.
|
||
|
||
Anthony glanced quickly from left to right. Carlo was not due round
|
||
again just yet. He grasped the heavy Virginia creeper and climbed
|
||
nimbly till he reached the sill of a window. The window was shut, but
|
||
with a tool from his pocket he soon succeeded in forcing up the catch.
|
||
|
||
He paused a minute to listen, then sprang lightly inside the room.
|
||
There was a bed in the far corner and on that bed a man was lying, his
|
||
figure barely discernible in the gloom.
|
||
|
||
Anthony went over to the bed, and flashed his pocket torch on the man’s
|
||
face. It was a foreign face, pale and emaciated, and the head was
|
||
swathed in heavy bandages.
|
||
|
||
The man was bound hand and foot. He stared up at Anthony like one dazed.
|
||
|
||
Anthony bent over him, and as he did so he heard a sound behind him and
|
||
swung round, his hand travelling to his coat pocket.
|
||
|
||
But a sharp command arrested him.
|
||
|
||
“Hands up, sonny. You didn’t expect to see me here, but I happened to
|
||
catch the same train as you at Victoria.”
|
||
|
||
It was Mr. Hiram Fish who was standing in the doorway. He was smiling
|
||
and in his hand was a big blue automatic.
|
||
|
||
|
||
|
||
|
||
25
|
||
|
||
Tuesday Night at Chimneys
|
||
|
||
|
||
Lord Caterham, Virginia and Bundle were sitting in the library after
|
||
dinner. It was Tuesday evening. Some thirty hours had elapsed since
|
||
Anthony’s rather dramatic departure.
|
||
|
||
For at least the seventh time Bundle repeated Anthony’s parting words,
|
||
as spoken at Hyde Park Corner.
|
||
|
||
“I’ll find my own way back,” repeated Virginia thoughtfully. “That
|
||
doesn’t look as though he expected to be away as long as this. And he’s
|
||
left all his things here.”
|
||
|
||
“He didn’t tell you where he was going?”
|
||
|
||
“No,” said Virginia, looking straight in front of her. “He told me
|
||
nothing.”
|
||
|
||
After this, there was a silence for a minute or two. Lord Caterham was
|
||
the first to break it.
|
||
|
||
“On the whole,” he said, “keeping an hotel has some advantages over
|
||
keeping a country house.”
|
||
|
||
“Meaning——?”
|
||
|
||
“That little notice they always hang up in your room. Visitors
|
||
intending departure must give notice before twelve o’clock.”
|
||
|
||
Virginia smiled.
|
||
|
||
“I dare say,” he continued, “that I am old-fashioned and unreasonable.
|
||
It’s the fashion, I know, to pop in and out of a house. Same idea as an
|
||
hotel—perfect freedom of action, and no bill at the end!”
|
||
|
||
“You are an old grouser,” said Bundle. “You’ve had Virginia and me.
|
||
What more do you want?”
|
||
|
||
“Nothing more, nothing more,” Lord Caterham assured them hastily.
|
||
“That’s not it at all. It’s the principle of the thing. It gives one
|
||
such a restless feeling. I’m quite willing to admit that it’s been an
|
||
almost ideal twenty-four hours. Peace—perfect peace. No burglaries or
|
||
other crimes of violence, no detectives, no Americans. What I complain
|
||
of is that I should have enjoyed it all so much more if I’d felt really
|
||
secure. As it is, all the time I’ve been saying to myself ‘One or other
|
||
of them is bound to turn up in a minute.’ And that spoilt the whole
|
||
thing.”
|
||
|
||
“Well, nobody has turned up,” said Bundle. “We’ve been left severely
|
||
alone—neglected, in fact. It’s odd the way Fish disappeared. Didn’t he
|
||
say anything?”
|
||
|
||
“Not a word. Last time I saw him he was pacing up and down the Rose
|
||
Garden yesterday afternoon, smoking one of those unpleasant cigars of
|
||
his. After that he seems to have just melted into the landscape.”
|
||
|
||
“Somebody must have kidnapped him,” said Bundle hopefully.
|
||
|
||
“In another day or two, I expect we shall have Scotland Yard dragging
|
||
the lake to find his dead body,” said her father gloomily. “It serves
|
||
me right. At my time of life, I ought to have gone quietly abroad and
|
||
taken care of my health, and not allowed myself to be drawn into George
|
||
Lomax’s wild-cat schemes. I——”
|
||
|
||
He was interrupted by Tredwell.
|
||
|
||
“Well,” said Lord Caterham irritably, “what is it?”
|
||
|
||
“The French detective is here, my lord, and would be glad if you could
|
||
spare him a few minutes.”
|
||
|
||
“What did I tell you?” said Lord Caterham. “I knew it was too good to
|
||
last. Depend upon it, they’ve found Fish’s dead body doubled up in the
|
||
goldfish pond.”
|
||
|
||
Tredwell, in a strictly respectful manner, steered him back to the
|
||
point of issue.
|
||
|
||
“Am I to say that you will see him, my lord?”
|
||
|
||
“Yes, yes. Bring him in here.”
|
||
|
||
Tredwell departed. He returned a minute or two later announcing in a
|
||
lugubrious voice:
|
||
|
||
“Monsieur Lemoine.”
|
||
|
||
The Frenchman came in with a quick, light step. His walk, more than his
|
||
face, betrayed the fact that he was excited about something.
|
||
|
||
“Good evening, Lemoine,” said Lord Caterham. “Have a drink, won’t you?”
|
||
|
||
“I thank you, no.” He bowed punctiliously to the ladies. “At last I
|
||
make progress. As things are, I felt that you should be acquainted with
|
||
the discoveries—the very grave discoveries that I have made in the
|
||
course of the last twenty-four hours.”
|
||
|
||
“I thought there must be something important going on somewhere,” said
|
||
Lord Caterham.
|
||
|
||
“My lord, yesterday afternoon one of your guests left this house in
|
||
a curious manner. From the beginning, I must tell you, I have had my
|
||
suspicions. Here is a man who comes from the wilds. Two months ago he
|
||
was in South Africa. Before that—where?”
|
||
|
||
Virginia drew a sharp breath. For a moment the Frenchman’s eyes rested
|
||
on her doubtfully. Then he went on:
|
||
|
||
“Before that—where? None can say. And he is just such a one as
|
||
the man I am looking for—gay, audacious, reckless, one who would
|
||
dare anything. I send cable after cable, but I can get no word as
|
||
to his past life. Ten years ago he was in Canada, yes, but since
|
||
then—silence. My suspicions grow stronger. Then I picked up one
|
||
day a scrap of paper where he has lately passed along. It bears an
|
||
address—the address of a house in Dover. Later, as though by chance,
|
||
I drop that same piece of paper. Out of the tail of my eye, I see this
|
||
Boris, this Herzoslovakian, pick it up and take it to his master.
|
||
All along I have been sure that this Boris is an emissary of the
|
||
Comrades of the Red Hand. We know that the Comrades are working in with
|
||
King Victor over this affair. If Boris recognized his Chief in Mr.
|
||
Anthony Cade, would he not do just what he has done—transferred his
|
||
allegiance? Why should he attach himself otherwise to an insignificant
|
||
stranger? It was suspicious, I tell you, very suspicious.
|
||
|
||
“But almost I am disarmed, for Anthony Cade brings this same paper to
|
||
me at once and asks me if I have dropped it. As I say, almost I am
|
||
disarmed—but not quite! For it may mean that he is innocent, or it may
|
||
mean that he is very, very clever. I deny, of course, that it is mine
|
||
or that I dropped it. But in the meantime I have set inquiries on foot.
|
||
Only to-day I have news. The house at Dover has been precipitately
|
||
abandoned, but up till yesterday afternoon it was occupied by a body
|
||
of foreigners. Not a doubt but that it was King Victor’s headquarters.
|
||
Now see the significance of these points. Yesterday afternoon, Mr. Cade
|
||
clears out from here precipitately. Ever since he dropped that paper,
|
||
he must know that the game is up. He reaches Dover and immediately the
|
||
gang is disbanded. What the next move will be, I do not know. What
|
||
is quite certain is that Mr. Anthony Cade will not return here. But
|
||
knowing King Victor, as I do, I am certain that he will not abandon
|
||
the game without having one more try for the jewel. And that is when I
|
||
shall get him!”
|
||
|
||
Virginia stood up suddenly. She walked across to the mantelpiece and
|
||
spoke in a voice that rang cold like steel.
|
||
|
||
“You are leaving one thing out of account, I think, M. Lemoine,” she
|
||
said. “Mr. Cade is not the only guest who disappeared yesterday in a
|
||
suspicious manner.”
|
||
|
||
“You mean, Madame——?”
|
||
|
||
“That all you have said applies equally well to another person. What
|
||
about Mr. Hiram Fish?”
|
||
|
||
“Oh, Mr. Fish!”
|
||
|
||
“Yes, Mr. Fish. Did you not tell us that first night that King
|
||
Victor had lately come to England from America? So has Mr. Fish come
|
||
to England from America. It is true that he brought a letter of
|
||
introduction from a very well-known man, but surely that would be a
|
||
simple thing for a man like King Victor to manage. He is certainly not
|
||
what he pretends to be. Lord Caterham has commented on the fact that
|
||
when it is a question of the first editions he is supposed to have
|
||
come here to see he is always the listener, never the talker. And there
|
||
are several suspicious facts against him. There was a light in his
|
||
window the night of the murder. Then take that evening in the Council
|
||
Chamber. When I met him on the terrace he was fully dressed. _He_ could
|
||
have dropped the paper. You didn’t actually _see_ Mr. Cade do so. Mr.
|
||
Cade may have gone to Dover. If he did it was simply to investigate. He
|
||
may have been kidnapped there. I say that there is far more suspicion
|
||
attaching to Mr. Fish’s actions than to Mr. Cade’s.”
|
||
|
||
The Frenchman’s voice rang out sharply:
|
||
|
||
“From your point of view, that well may be, Madame. I do not dispute
|
||
it. And I agree that Mr. Fish is not what he seems.”
|
||
|
||
“Well, then?”
|
||
|
||
“But that makes no difference. _You see, Madame, Mr. Fish is a
|
||
Pinkerton’s man._”
|
||
|
||
“What?” cried Lord Caterham.
|
||
|
||
“Yes, Lord Caterham. He came over here to trail King Victor.
|
||
Superintendent Battle and I have known this for some time.”
|
||
|
||
Virginia said nothing. Very slowly she sat down again. With those few
|
||
words the structure that she had built up so carefully was scattered in
|
||
ruins about her feet.
|
||
|
||
“You see,” Lemoine was continuing, “we have all known that eventually
|
||
King Victor would come to Chimneys. It was the one place we were sure
|
||
of catching him.”
|
||
|
||
Virginia looked up with an odd light in her eyes, and suddenly she
|
||
laughed.
|
||
|
||
“You’ve not caught him yet,” she said.
|
||
|
||
Lemoine looked at her curiously.
|
||
|
||
“No, Madame. But I shall.”
|
||
|
||
“He’s supposed to be rather famous for outwitting people, isn’t he?”
|
||
|
||
The Frenchman’s face darkened with anger.
|
||
|
||
“This time, it will be different,” he said between his teeth.
|
||
|
||
“He’s a very attractive fellow,” said Lord Caterham. “Very attractive.
|
||
But surely—why, you said he was an old friend of yours, Virginia?”
|
||
|
||
“That is why,” said Virginia composedly, “I think M. Lemoine must be
|
||
making a mistake.”
|
||
|
||
And her eyes met the detective’s steadily, but he appeared in no wise
|
||
discomfited.
|
||
|
||
“Time will show, Madame,” he said.
|
||
|
||
“Do you pretend that it was he who shot Prince Michael?” she asked
|
||
presently.
|
||
|
||
“Certainly.”
|
||
|
||
But Virginia shook her head.
|
||
|
||
“Oh, no!” she said. “Oh, no! That is one thing I am quite sure of.
|
||
Anthony Cade never killed Prince Michael.”
|
||
|
||
Lemoine was watching her intently.
|
||
|
||
“There is a possibility that you are right, Madame,” he said slowly. “A
|
||
possibility, that is all. It may have been the Herzoslovakian, Boris,
|
||
who exceeded his orders and fired that shot. Who knows, Prince Michael
|
||
may have done him some great wrong, and the man sought revenge.”
|
||
|
||
“He looks a murderous sort of fellow,” agreed Lord Caterham. “The
|
||
house-maids, I believe, scream when he passes them in the passages.”
|
||
|
||
“Well,” said Lemoine. “I must be going now. I felt it was due to you,
|
||
my lord, to know exactly how things stand.”
|
||
|
||
“Very kind of you, I’m sure,” said Lord Caterham. “Quite certain you
|
||
won’t have a drink? All right then. Good night.”
|
||
|
||
“I hate that man with his prim little black beard and his eyeglasses,”
|
||
said Bundle, as soon as the door had shut behind him. “I hope Anthony
|
||
_does_ snoo him. I’d love to see him dancing with rage. What do you
|
||
think about it all, Virginia?”
|
||
|
||
“I don’t know,” said Virginia. “I’m tired. I shall go up to bed.”
|
||
|
||
“Not a bad idea,” said Lord Caterham. “It’s half-past eleven.”
|
||
|
||
As Virginia was crossing the wide hall, she caught sight of a broad
|
||
back that seemed familiar to her discreetly vanishing through a side
|
||
door.
|
||
|
||
“Superintendent Battle,” she called imperiously.
|
||
|
||
The superintendent, for it was indeed he, retraced his steps with a
|
||
shade of unwillingness.
|
||
|
||
“Yes, Mrs. Revel?”
|
||
|
||
“M. Lemoine has been here. He says—— Tell me, is it true, really
|
||
true, that Mr. Fish is an American detective?”
|
||
|
||
Superintendent Battle nodded.
|
||
|
||
“That’s right.”
|
||
|
||
“You have known it all along?”
|
||
|
||
Again Superintendent Battle nodded.
|
||
|
||
Virginia turned away towards the staircase.
|
||
|
||
“I see,” she said. “Thank you.”
|
||
|
||
Until that minute she had refused to believe.
|
||
|
||
And now——?
|
||
|
||
Sitting down before her dressing-table in her own room, she faced the
|
||
question squarely. Every word that Anthony had said came back to her
|
||
fraught with a new significance.
|
||
|
||
Was this the “trade” that he had spoken of?
|
||
|
||
The trade that he had given up. But then——
|
||
|
||
An unusual sound disturbed the even tenor of her meditations. She
|
||
lifted her head with a start. Her little gold clock showed the hour to
|
||
be after one. Nearly two hours she had sat here thinking.
|
||
|
||
Again the sound was repeated. A sharp tap on the window-pane. Virginia
|
||
went to the window and opened it. Below on the pathway was a tall
|
||
figure which even as she looked stooped for another handful of gravel.
|
||
|
||
For a moment Virginia’s heart beat faster—then she recognized the
|
||
massive strength and square-cut outline of the Herzoslovakian, Boris.
|
||
|
||
“Yes,” she said in a low tone. “What is it?”
|
||
|
||
At the moment it did not strike her as strange that Boris should be
|
||
throwing gravel at her window at this hour of the night.
|
||
|
||
“What is it?” she repeated impatiently.
|
||
|
||
“I come from the Master,” said Boris in a low tone which nevertheless
|
||
carried perfectly. “He has sent for you.”
|
||
|
||
He made the statement in a perfectly matter-of-fact tone.
|
||
|
||
“Sent for me?”
|
||
|
||
“Yes, I am to bring you to him. There is a note. I will throw it up to
|
||
you.”
|
||
|
||
Virginia stood back a little, and a slip of paper, weighted with a
|
||
stone, fell accurately at her feet. She unfolded it and read:
|
||
|
||
“_My dear_ (Anthony had written),—_I’m in a tight place, but I mean to
|
||
win through. Will you trust me and come to me?_”
|
||
|
||
For quite two minutes Virginia stood there, immovable, reading those
|
||
few words over again and again.
|
||
|
||
She raised her head, looking round the well-appointed luxury of the
|
||
bedroom as though she saw it with new eyes.
|
||
|
||
Then she leaned out of the window again.
|
||
|
||
“What am I to do?” she asked.
|
||
|
||
“The detectives are the other side of the house, outside the Council
|
||
Chamber. Come down and out through this side door. I will be there. I
|
||
have a car waiting outside in the road.”
|
||
|
||
Virginia nodded. Quickly she changed her dress for one of fawn tricot,
|
||
and pulled on a little fawn leather hat.
|
||
|
||
Then, smiling a little, she wrote a short note, addressed it to Bundle
|
||
and pinned it to the pincushion.
|
||
|
||
She stole quietly downstairs and undid the bolts of the side door. Just
|
||
a moment she paused, then, with a little gallant toss of the head, the
|
||
same toss of the head which her ancestors had gone into action in the
|
||
Crusades, she passed through.
|
||
|
||
|
||
|
||
|
||
26
|
||
|
||
The 13th of October
|
||
|
||
|
||
At ten o’clock on the morning of Wednesday, the 13th of October,
|
||
Anthony Cade walked into Harridge’s Hotel and asked for Baron
|
||
Lolopretjzyl who was occupying a suite there.
|
||
|
||
After suitable and imposing delay, Anthony was taken to the suite
|
||
in question. The Baron was standing on the hearthrug in a correct
|
||
and stiff fashion. Little Captain Andrassy, equally correct as to
|
||
demeanour, but with a slightly hostile attitude, was also present.
|
||
|
||
The usual bows, clicking of heels, and other formal greetings of
|
||
etiquette took place. Anthony was, by now, thoroughly conversant with
|
||
the routine.
|
||
|
||
“You will forgive this early call I trust, Baron,” he said cheerfully,
|
||
laying down his hat and stick on the table. “As a matter of fact, I
|
||
have a little business proposition to make to you.”
|
||
|
||
“Ha! Is that so?” said the Baron.
|
||
|
||
Captain Andrassy, who had never overcome his initial distrust of
|
||
Anthony, looked suspicious.
|
||
|
||
“Business,” said Anthony, “is based on the well-known principle of
|
||
supply and demand. You want something, the other man has it. The only
|
||
thing left to settle is the price.”
|
||
|
||
The Baron looked at him attentively, but said nothing.
|
||
|
||
“Between a Herzoslovakian nobleman and an English gentleman the terms
|
||
should be easily arranged,” said Anthony rapidly.
|
||
|
||
He blushed a little as he said it. Such words do not rise easily to
|
||
an Englishman’s lips, but he had observed on previous occasions the
|
||
enormous effect of such phraseology upon the Baron’s mentality. True
|
||
enough, the charm worked.
|
||
|
||
“That is so,” said the Baron approvingly, nodding his head. “That is
|
||
entirely so.”
|
||
|
||
Even Captain Andrassy appeared to unbend a little, and nodded his head
|
||
also.
|
||
|
||
“Very good,” said Anthony. “I won’t beat about the bush any more——”
|
||
|
||
“What is that, you say?” interrupted the Baron. “To beat about the
|
||
bush? I do not comprehend?”
|
||
|
||
“A mere figure of speech, Baron. To speak in plain English, _you_ want
|
||
the goods, _we_ have them! The ship is all very well, but it lacks a
|
||
figurehead. By the ship, I mean the Loyalist party of Herzoslovakia.
|
||
At the present minute you lack the principal plank of your political
|
||
programme. You are minus a Prince! Now supposing—only supposing, that
|
||
I could supply you with a Prince?”
|
||
|
||
The Baron stared.
|
||
|
||
“I do not comprehend you in the least,” he declared.
|
||
|
||
“Sir,” said Captain Andrassy, twirling his moustache fiercely, “you are
|
||
insulting!”
|
||
|
||
“Not at all,” said Anthony. “I’m trying to be helpful. Supply and
|
||
demand, you understand. It’s all perfectly fair and square. No
|
||
Princes supplied unless genuine—see trademark. If we come to terms,
|
||
you’ll find it’s quite all right. I’m offering you the real genuine
|
||
article—out of the bottom drawer.”
|
||
|
||
“Not in the least,” the Baron declared again, “do I comprehend you.”
|
||
|
||
“It doesn’t really matter,” said Anthony kindly. “I just want you
|
||
to get used to the idea. To put it vulgarly, I’ve got something up
|
||
my sleeve. Just get hold of this. You want a Prince. Under certain
|
||
conditions, I will undertake to supply you with one.”
|
||
|
||
The Baron and Andrassy stared at him. Anthony took up his hat and stick
|
||
again and prepared to depart.
|
||
|
||
“Just think it over. Now, Baron, there is one thing further. You must
|
||
come down to Chimneys this evening—Captain Andrassy also. Several
|
||
very curious things are likely to happen there. Shall we make an
|
||
appointment? Say in the Council Chamber at nine o’clock? Thank you,
|
||
gentlemen, I may rely upon you to be there?”
|
||
|
||
The Baron took a step forward and looked searchingly in Anthony’s face.
|
||
|
||
“Mr. Cade,” he said, not without dignity, “it is not, I hope, that you
|
||
wish to make fun of me?”
|
||
|
||
Anthony returned his gaze steadily.
|
||
|
||
“Baron,” he said, and there was a curious note in his voice, “when this
|
||
evening is over, I think you will be the first to admit that there is
|
||
more earnest than jest about this business.”
|
||
|
||
Bowing to both the men, he left the room.
|
||
|
||
His next call was in the City where he sent in his card to Mr. Herman
|
||
Isaacstein.
|
||
|
||
After some delay, Anthony was received by a pale and exquisitely
|
||
dressed underling with an engaging manner, and a military title.
|
||
|
||
“You wanted to see Mr. Isaacstein, didn’t you?” said the young man.
|
||
“I’m afraid he’s most awfully busy this morning—board meetings and all
|
||
that sort of thing, you know. Is it anything that I can do?”
|
||
|
||
“I must see him personally,” said Anthony, and added carelessly. “I’ve
|
||
just come up from Chimneys.”
|
||
|
||
The young man was slightly staggered by the mention of Chimneys.
|
||
|
||
“Oh!” he said doubtfully. “Well, I’ll see.”
|
||
|
||
“Tell him it’s important,” said Anthony.
|
||
|
||
“Message from Lord Caterham?” suggested the young man.
|
||
|
||
“Something of the kind,” said Anthony, “but it’s imperative that I
|
||
should see Mr. Isaacstein at once.”
|
||
|
||
Two minutes later, Anthony was conducted into a sumptuous inner sanctum
|
||
where he was principally impressed by the immense size and roomy
|
||
depths of the leather-covered arm-chairs.
|
||
|
||
Mr. Isaacstein rose to greet him.
|
||
|
||
“You must forgive my looking you up like this,” said Anthony. “I know
|
||
that you’re a busy man, and I’m not going to waste more of your time
|
||
than I can help. It’s just a little matter of business that I want to
|
||
put before you.”
|
||
|
||
Isaacstein looked at him attentively for a minute or two out of his
|
||
beady black eyes.
|
||
|
||
“Have a cigar,” he said unexpectedly, holding out an open box.
|
||
|
||
“Thank you,” said Anthony. “I don’t mind if I do.”
|
||
|
||
He helped himself.
|
||
|
||
“It’s about this Herzoslovakian business,” continued Anthony, as he
|
||
accepted a match. He noted the momentary flickering of the other’s
|
||
steady gaze. “The murder of Prince Michael must have rather upset the
|
||
applecart.”
|
||
|
||
Mr. Isaacstein raised one eyebrow, murmured “Ah?” interrogatively and
|
||
transferred his gaze to the ceiling.
|
||
|
||
“Oil,” said Anthony, thoughtfully surveying the polished surface of the
|
||
desk. “Wonderful thing, oil.”
|
||
|
||
He felt the slight start the financier gave.
|
||
|
||
“Do you mind coming to the point, Mr. Cade?”
|
||
|
||
“Not at all. I imagine, Mr. Isaacstein, that if those Oil concessions
|
||
are granted to another company you won’t be exactly pleased about it?”
|
||
|
||
“What’s the proposition?” asked the other, looking straight at him.
|
||
|
||
“A suitable claimant to the throne, full of pro-British sympathies.”
|
||
|
||
“Where have you got him?”
|
||
|
||
“That’s my business.”
|
||
|
||
Isaacstein acknowledged the retort by a slight smile, his glance had
|
||
grown hard and keen.
|
||
|
||
“The genuine article? I can’t stand for any funny business.”
|
||
|
||
“The absolute genuine article.”
|
||
|
||
“Straight?”
|
||
|
||
“Straight.”
|
||
|
||
“I’ll take your word for it.”
|
||
|
||
“You don’t seem to take much convincing?” said Anthony, looking
|
||
curiously at him.
|
||
|
||
Herman Isaacstein smiled.
|
||
|
||
“I shouldn’t be where I am now if I hadn’t learnt to know whether a man
|
||
is speaking the truth or not,” he replied simply. “What terms do you
|
||
want?”
|
||
|
||
“The same loan, on the same conditions, that you offered to Prince
|
||
Michael?”
|
||
|
||
“What about yourself?”
|
||
|
||
“For the moment, nothing, except that I want you to come down to
|
||
Chimneys to-night.”
|
||
|
||
“No,” said Isaacstein, with some decision. “I can’t do that.”
|
||
|
||
“Why?”
|
||
|
||
“Dining out—rather an important dinner.”
|
||
|
||
“All the same, I’m afraid you’ll have to cut it out—for your own sake.”
|
||
|
||
“What do you mean?”
|
||
|
||
Anthony looked at him for a full minute before he said slowly:
|
||
|
||
“Do you know that they’ve found the revolver, the one Michael was shot
|
||
with? Do you know where they found it? In your suit-case.”
|
||
|
||
“What?”
|
||
|
||
Isaacstein almost leapt from his chair. His face was frenzied.
|
||
|
||
“What are you saying? What do you mean?”
|
||
|
||
“I’ll tell you.”
|
||
|
||
Very obligingly, Anthony narrated the occurrences in connection with
|
||
the finding of the revolver. As he spoke the other’s face assumed a
|
||
greyish tinge of absolute terror.
|
||
|
||
“But it’s false,” he screamed out, as Anthony finished. “I never put it
|
||
there. I know nothing about it. It is a plot.”
|
||
|
||
“Don’t excite yourself,” said Anthony soothingly. “If that’s the case
|
||
you’ll easily be able to prove it.”
|
||
|
||
“Prove it? How can I prove it?”
|
||
|
||
“If I were you,” said Anthony gently, “I’d come to Chimneys to-night.”
|
||
|
||
Isaacstein looked at him doubtfully.
|
||
|
||
“You advise it?”
|
||
|
||
Anthony leant forward and whispered to him. The financier fell back in
|
||
amazement, staring at him.
|
||
|
||
“You actually mean——”
|
||
|
||
“Come and see,” said Anthony.
|
||
|
||
|
||
|
||
|
||
27
|
||
|
||
The 13th of October (contd.)
|
||
|
||
|
||
The clock in the Council Chamber struck nine.
|
||
|
||
“Well,” said Lord Caterham, with a deep sigh. “Here they all are, just
|
||
like little Bo Peep’s flock, back again and wagging their tails behind
|
||
them.”
|
||
|
||
He looked sadly round the room.
|
||
|
||
“Organ grinder complete with monkey,” he murmured, fixing the Baron
|
||
with his eye. “Nosy Parker of Throgmorton Street——”
|
||
|
||
“I think you’re rather unkind to the Baron,” protested Bundle, to whom
|
||
these confidences were being poured out. “He told me that he considered
|
||
you the perfect example of English hospitality amongst the _haute
|
||
noblesse_.”
|
||
|
||
“I daresay,” said Lord Caterham. “He’s always saying things like that.
|
||
It makes him most fatiguing to talk to. But I can tell you I’m not
|
||
nearly as much of the hospitable English gentleman as I was. As soon
|
||
as I can, I shall let Chimneys to an enterprising American, and go and
|
||
live in an hotel. There, if anyone worries you, you can just ask for
|
||
your bill and go.”
|
||
|
||
“Cheer up,” said Bundle. “We seem to have lost Mr. Fish for good.”
|
||
|
||
“I always found him rather amusing,” said Lord Caterham, who was in a
|
||
contradictory temper. “It’s that precious young man of yours who has
|
||
let me in for this. Why should I have this Board meeting called in my
|
||
house? Why doesn’t he rent The Larches or Elmhurst, or some nice villa
|
||
residence like that at Streatham, and hold his company meetings there?”
|
||
|
||
“Wrong atmosphere,” said Bundle.
|
||
|
||
“No one is going to play any tricks on us, I hope?” said her father
|
||
nervously. “I don’t trust that French fellow, Lemoine. The French
|
||
police are up to all sorts of dodges. Put India-rubber bands round
|
||
your arm, and then reconstruct the crime and make you jump, and it’s
|
||
registered on a thermometer. I know that when they call out ‘Who
|
||
killed Prince Michael?’ I shall register a hundred and twenty-two, or
|
||
something perfectly frightful, and they’ll haul me off to gaol at once.”
|
||
|
||
The door opened and Tredwell announced:
|
||
|
||
“Mr. George Lomax. Mr. Eversleigh.”
|
||
|
||
“Enter Codders, followed by faithful dog,” murmured Bundle.
|
||
|
||
Bill made a bee-line for her, whilst George greeted Lord Caterham in
|
||
the genial manner he assumed for public occasions.
|
||
|
||
“My dear Caterham,” said George, shaking him by the hand, “I got your
|
||
message, and came over, of course.”
|
||
|
||
“Very good of you, my dear fellow, very good of you. Delighted to see
|
||
you.” Lord Caterham’s conscience always drove him on to an excess of
|
||
geniality when he was conscious of feeling none. “Not that it was my
|
||
message, but that doesn’t matter at all.”
|
||
|
||
In the meantime, Bill was attacking Bundle in an undertone.
|
||
|
||
“I say. What’s it all about? What’s this I hear about Virginia bolting
|
||
off in the middle of the night? She’s not been kidnapped, has she?”
|
||
|
||
“Oh, no,” said Bundle. “She left a note pinned to the pincushion in the
|
||
orthodox fashion.”
|
||
|
||
“She’s not gone off with anyone, has she? Not with that Colonial
|
||
Johnny? I never liked the fellow and, from all I hear, there seems to
|
||
be an idea floating around that he himself is the super crook. But I
|
||
don’t quite see how that can be?”
|
||
|
||
“Why not?”
|
||
|
||
“Well, this King Victor was a French fellow, and Cade’s English enough.”
|
||
|
||
“You don’t happen to have heard that King Victor was an accomplished
|
||
linguist, and, moreover, was half Irish?”
|
||
|
||
“Oh, Lord! Then that’s why he’s made himself scarce, is it?”
|
||
|
||
“I don’t know about his making himself scarce. He disappeared the day
|
||
before yesterday, as you know. But this morning we got a wire from him,
|
||
saying he would be down here at 9 P.M. to-night, and suggesting that
|
||
Codders should be asked over. All these other people have turned up as
|
||
well—asked by Mr. Cade.”
|
||
|
||
“It is a gathering,” said Bill, looking round. “One French detective
|
||
by window, one English ditto by fireplace. Strong foreign element. The
|
||
Stars and Stripes don’t seem to be represented?”
|
||
|
||
Bundle shook her head.
|
||
|
||
“Mr. Fish has disappeared into the blue. Virginia’s not here either.
|
||
But every one else is assembled, and I have a feeling in my bones,
|
||
Bill, that we are drawing very near to the moment when somebody says
|
||
‘James, the footman,’ and everything is revealed. We’re only waiting
|
||
now for Anthony Cade to arrive.”
|
||
|
||
“He’ll never show up,” said Bill.
|
||
|
||
“Then why call this company meeting, as Father calls it?”
|
||
|
||
“Ah, there’s some deep idea behind that. Depend upon it. Wants us all
|
||
here while he’s somewhere else—you know the sort of thing.”
|
||
|
||
“You don’t think he’ll come, then?”
|
||
|
||
“No fear. Run his head into the lion’s mouth? Why, the room’s bristling
|
||
with detectives and high officials.”
|
||
|
||
“You don’t know much about King Victor, if you think that would deter
|
||
him. By all accounts, it’s the kind of situation he loves above all,
|
||
and he always manages to come out on top.”
|
||
|
||
Mr. Eversleigh shook his head doubtfully.
|
||
|
||
“That would take some doing—with the dice loaded against him. He’ll
|
||
never——”
|
||
|
||
The door opened again and Tredwell announced:
|
||
|
||
“Mr. Cade.”
|
||
|
||
Anthony came straight across to his host.
|
||
|
||
“Lord Caterham,” he said, “I’m giving you a frightful lot of trouble,
|
||
and I’m awfully sorry about it. But I really do think that to-night
|
||
will see the clearing up of the mystery.”
|
||
|
||
Lord Caterham looked mollified. He had always had a secret liking for
|
||
Anthony.
|
||
|
||
“No trouble at all,” he said heartily.
|
||
|
||
“It’s very kind of you,” said Anthony. “We’re all here, I see. Then I
|
||
can get on with the good work.”
|
||
|
||
“I don’t understand,” said George Lomax weightily. “I don’t understand
|
||
in the least. This is all very irregular. Mr. Cade has no standing—no
|
||
standing whatever. The position is a very difficult and delicate one. I
|
||
am strongly of the opinion——”
|
||
|
||
George’s flood of eloquence was arrested. Moving unobtrusively to the
|
||
great man’s side, Superintendent Battle whispered a few words in his
|
||
ear. George looked perplexed and baffled.
|
||
|
||
“Very well, if you say so,” he remarked grudgingly. Then added in a
|
||
louder tone, “I’m sure we are all willing to listen to what Mr. Cade
|
||
has to say.”
|
||
|
||
Anthony ignored the palpable condescension of the other’s tone.
|
||
|
||
“It’s just a little idea of mine, that’s all,” he said cheerfully.
|
||
“Probably all of you know that we got hold of a certain message in
|
||
cipher the other day. There was a reference to Richmond, and some
|
||
numbers.” He paused. “Well, we had a shot at solving it—and we failed.
|
||
Now in the late Count Stylptitch’s Memoirs (which I happen to have
|
||
read) there is a reference to a certain dinner—a ‘Flower’ dinner
|
||
which every one attended wearing a badge representing a flower. The
|
||
Count himself wore the exact duplicate of that curious device we found
|
||
in the cavity in the secret passage. It represented a Rose. If you
|
||
remember, it was all _rows_ of things—buttons, letter E’s, and finally
|
||
rows of knitting. Now, gentlemen, what is there in this house that
|
||
is arranged in rows? Books, isn’t that so? Add to that, that in the
|
||
catalogue of Lord Caterham’s library there is a book called _The Life
|
||
of the Earl of Richmond_, and I think you will get a very fair idea
|
||
of the hiding-place. Starting at the volume in question, and using
|
||
the numbers to denote shelves and books, I think you will find that
|
||
the—er—object of our search is concealed in a dummy book, or in a
|
||
cavity behind a particular book.”
|
||
|
||
Anthony looked round modestly, obviously waiting for applause.
|
||
|
||
“Upon my word, that’s very ingenious,” said Lord Caterham.
|
||
|
||
“Quite ingenious,” admitted George condescendingly. “But it remains to
|
||
be seen——”
|
||
|
||
Anthony laughed.
|
||
|
||
“The proof of the pudding’s in the eating—eh? Well, I’ll soon settle
|
||
that for you.” He sprang to his feet. “I’ll go to the library——”
|
||
|
||
He got no further. M. Lemoine moved forward from the window.
|
||
|
||
“Just one moment, Mr. Cade. You permit, Lord Caterham?”
|
||
|
||
He went to the writing-table and hurriedly scribbled a few lines.
|
||
He sealed them up in an envelope, and then rang the bell. Tredwell
|
||
appeared in answer to it. Lemoine handed him the note.
|
||
|
||
“See that that is delivered at once, if you please.”
|
||
|
||
“Very good, sir,” said Tredwell.
|
||
|
||
With his usual dignified tread he withdrew.
|
||
|
||
Anthony, who had been standing, irresolute, sat down again.
|
||
|
||
“What’s the big idea, Lemoine?” he asked gently.
|
||
|
||
There was a sudden sense of strain in the atmosphere.
|
||
|
||
“If the jewel is where you say it is—well, it has been there for over
|
||
seven years—a quarter of an hour more does not matter.”
|
||
|
||
“Go on,” said Anthony. “That wasn’t all you wanted to say?”
|
||
|
||
“No, it was not. At this juncture, it is—unwise to permit any one
|
||
person to leave the room. Especially if that person has rather
|
||
questionable antecedents.”
|
||
|
||
Anthony raised his eyebrows, and lighted a cigarette.
|
||
|
||
“I suppose a vagabond life is not very respectable,” he mused.
|
||
|
||
“Two months ago, Mr. Cade, you were in South Africa. That is admitted.
|
||
Where were you before that?”
|
||
|
||
Anthony leaned back in his chair, idly blowing smoke rings.
|
||
|
||
“Canada. Wild North West.”
|
||
|
||
“Are you sure you were not in prison? A French prison?”
|
||
|
||
Automatically, Superintendent Battle moved a step nearer the door, as
|
||
if to cut off a retreat that way, but Anthony showed no signs of doing
|
||
anything dramatic.
|
||
|
||
Instead, he stared at the French detective, and then burst out laughing.
|
||
|
||
“My poor Lemoine. It is a monomania with you! You do indeed see King
|
||
Victor everywhere. So you fancy that I am that interesting gentleman?”
|
||
|
||
“Do you deny it?”
|
||
|
||
Anthony brushed a fleck of ash from his coat sleeve.
|
||
|
||
“I never deny anything that amuses me,” he said lightly. “But the
|
||
accusation is really too ridiculous.”
|
||
|
||
“Ah! you think so?” The Frenchman leant forward. His face was twitching
|
||
painfully, and yet he seemed perplexed and baffled—as though something
|
||
in Anthony’s manner puzzled him. “What if I tell you, Monsieur, that
|
||
this time—this time—I am out to get King Victor, and nothing shall
|
||
stop me!”
|
||
|
||
“Very laudable,” was Anthony’s comment. “You’ve been out to get him
|
||
before, though, haven’t you, Lemoine? And he’s got the better of you.
|
||
Aren’t you afraid that that may happen again? He’s a slippery fellow,
|
||
by all accounts.”
|
||
|
||
The conversation had developed into a duel between the detective and
|
||
Anthony. Every one else in the room was conscious of the tension. It
|
||
was a fight to a finish between the Frenchman, painfully in earnest,
|
||
and the man who smoked so calmly and whose words seemed to show that he
|
||
had not a care in the world.
|
||
|
||
“If I were you, Lemoine,” continued Anthony, “I should be very, very
|
||
careful. Watch your step, and all that sort of thing.”
|
||
|
||
“This time,” said Lemoine grimly, “there will be no mistake.”
|
||
|
||
“You seem very sure about it all,” said Anthony. “But there’s such a
|
||
thing as evidence, you know.”
|
||
|
||
Lemoine smiled, and something in his smile seemed to attract Anthony’s
|
||
attention. He sat up and stubbed out his cigarette.
|
||
|
||
“You saw that note I wrote just now?” said the French detective. “It
|
||
was to my people at the inn. Yesterday I received from France the
|
||
fingerprints and the Bertillon measurements of King Victor—the
|
||
so-called Captain O’Neill. I have asked for them to be sent up to me
|
||
here. In a few minutes we shall _know_ whether you are the man!”
|
||
|
||
Anthony stared steadily at him. Then a little smile crept over his face.
|
||
|
||
“You’re really rather clever, Lemoine. I never thought of that. The
|
||
documents will arrive, you will induce me to dip my fingers in the ink,
|
||
or something equally unpleasant, you will measure my ears and look for
|
||
my distinguishing marks. And if they agree——”
|
||
|
||
“Well,” said Lemoine, “if they agree—eh?”
|
||
|
||
Anthony leaned forward in his chair.
|
||
|
||
“Well, if they do agree,” he said very gently, “what then?”
|
||
|
||
“What then?” The detective seemed taken aback. “But—I shall have
|
||
proved then that you are King Victor!”
|
||
|
||
But for the first time, a shade of uncertainty crept into his manner.
|
||
|
||
“That will doubtless be a great satisfaction to you,” said Anthony.
|
||
“But I don’t quite see where it’s going to hurt me. I’m not admitting
|
||
anything, but supposing, just for the sake of argument, that I was King
|
||
Victor—I might be trying to repent, you know.”
|
||
|
||
“Repent?”
|
||
|
||
“That’s the idea. Put yourself in King Victor’s place, Lemoine. Use
|
||
your imagination. You’ve just come out of prison. You’re getting on
|
||
in life. You’ve lost the first fine rapture of the adventurous life.
|
||
Say, even, that you meet a beautiful girl. You think of marrying and
|
||
settling down somewhere in the country where you can grow vegetable
|
||
marrows. You decide from henceforth to lead a blameless life. Put
|
||
yourself in King Victor’s place. Can’t you imagine feeling like that?”
|
||
|
||
“I do not think that I should feel like that,” said Lemoine with a
|
||
sardonic smile.
|
||
|
||
“Perhaps you wouldn’t,” admitted Anthony. “But then you’re not King
|
||
Victor, are you? You can’t possibly know what he feels like.”
|
||
|
||
“But it is nonsense, what you are saying there,” spluttered the
|
||
Frenchman.
|
||
|
||
“Oh, no, it isn’t. Come now, Lemoine, if I’m King Victor, what have you
|
||
against me after all? You could never get the necessary evidence in
|
||
the old, old days, remember. I’ve served my sentence, and that’s all
|
||
there is to it. I suppose you could arrest me for the French equivalent
|
||
of ‘Loitering with intent to commit a felony,’ but that would be poor
|
||
satisfaction, wouldn’t it?”
|
||
|
||
“You forget,” said Lemoine. “America! How about this business of
|
||
obtaining money under false pretences, and passing yourself off as
|
||
Prince Nicholas Obolovitch?”
|
||
|
||
“No good, Lemoine,” said Anthony, “I was nowhere near America at the
|
||
time. And I can prove that easily enough. If King Victor impersonated
|
||
Prince Nicholas in America, then I’m not King Victor. You’re sure he
|
||
_was_ impersonated? That it wasn’t the man himself?”
|
||
|
||
Superintendent Battle suddenly interposed.
|
||
|
||
“The man was an impostor all right, Mr. Cade.”
|
||
|
||
“I wouldn’t contradict you, Battle,” said Anthony. “You have such a
|
||
habit of being always right. Are you equally sure that Prince Nicholas
|
||
died in the Congo?”
|
||
|
||
Battle looked at him curiously.
|
||
|
||
“I wouldn’t swear to that, sir. But it’s generally believed.”
|
||
|
||
“Careful man. What’s your motto? Plenty of rope, eh? I’ve taken a
|
||
leaf out of your book. I’ve given M. Lemoine plenty of rope. I’ve not
|
||
denied his accusations. But, all the same, I’m afraid he’s going to be
|
||
disappointed. You see I always believe in having something up one’s
|
||
sleeve. Anticipating that some little unpleasantness might arise here,
|
||
I took the precaution to bring a trump card along with me. It—or
|
||
rather he—is upstairs.”
|
||
|
||
“Upstairs?” said Lord Caterham, very interested.
|
||
|
||
“Yes, he’s been having rather a trying time of it lately, poor fellow.
|
||
Got a nasty bump on the head from some one. I’ve been looking after
|
||
him.”
|
||
|
||
Suddenly the deep voice of Mr. Isaacstein broke in:
|
||
|
||
“Can we guess who he is?”
|
||
|
||
“If you like,” said Anthony, “but——”
|
||
|
||
Lemoine interrupted with sudden ferocity:
|
||
|
||
“All this is foolery. You think to outwit me yet again. It may be true
|
||
what you say—that you were not in America. You are too clever to say
|
||
it if it were not true. But there is something else. Murder! Yes,
|
||
murder. The murder of Prince Michael. He interfered with you that night
|
||
as you were looking for the jewel.”
|
||
|
||
“Lemoine, have you ever known King Victor to do murder?” Anthony’s
|
||
voice rang out sharply. “You know as well—better than I do, that he
|
||
has never shed blood.”
|
||
|
||
“Who else but you could have murdered him?” cried Lemoine. “Tell me
|
||
that!”
|
||
|
||
The last word died on his lips, as a shrill whistle sounded from the
|
||
terrace outside. Anthony sprang up, all his assumed nonchalance laid
|
||
aside.
|
||
|
||
“You ask me who murdered Prince Michael?” he cried. “I won’t tell
|
||
you—I’ll _show_ you. That whistle was the signal I’ve been waiting
|
||
for. The murderer of Prince Michael is in the library now.”
|
||
|
||
He sprang out through the window, and the others followed him as he led
|
||
the way round the terrace, until they came to the library window. He
|
||
pushed the window, and it yielded to his touch.
|
||
|
||
Very softly he held aside the thick velvet curtain, so that they could
|
||
look into the room.
|
||
|
||
Standing by the bookcase was a dark figure, hurriedly pulling out and
|
||
replacing volumes, so absorbed in the task that no outside sound was
|
||
heeded.
|
||
|
||
And then, as they stood watching, trying to recognize the figure that
|
||
was vaguely silhouetted against the light of the electric torch it
|
||
carried, some one sprang past them with a sound like the roar of a wild
|
||
beast.
|
||
|
||
The torch fell to the ground, was extinguished, and the sounds of a
|
||
terrific struggle filled the room. Lord Caterham groped his way to the
|
||
lights and switched them on.
|
||
|
||
Two figures were swaying together. And as they looked the end came. The
|
||
short sharp crack of a pistol shot, and the smaller figure crumpled up
|
||
and fell. The other figure turned and faced them—it was Boris, his
|
||
eyes alight with rage.
|
||
|
||
“She killed my Master,” he growled. “Now she tries to shoot me. I would
|
||
have taken the pistol from her and shot her, but it went off in the
|
||
struggle. St. Michael directed it. The evil woman is dead.”
|
||
|
||
“A woman?” cried George Lomax.
|
||
|
||
They drew nearer. On the floor, the pistol still clasped in her hand,
|
||
and an expression of deadly malignity on her face, lay—Mademoiselle
|
||
Brun.
|
||
|
||
|
||
|
||
|
||
28
|
||
|
||
King Victor
|
||
|
||
|
||
“I suspected her from the first,” explained Anthony. “There was a
|
||
light in her room on the night of the murder. Afterwards, I wavered.
|
||
I made inquiries about her in Brittany, and came back satisfied that
|
||
she was what she represented herself to be. I was a fool. Because the
|
||
Comtesse de Breteuil had employed a Mademoiselle Brun and spoke highly
|
||
of her, it never occurred to me that the real Mademoiselle Brun might
|
||
have been kidnapped on her way to her new post, and that it might be
|
||
a substitute taking her place. Instead I shifted my suspicions to Mr.
|
||
Fish. It was not until he had followed me to Dover, and we had had a
|
||
mutual explanation that I began to see clearly. Once I knew that he was
|
||
a Pinkerton’s man, trailing King Victor, my suspicions swung back again
|
||
to their original object.
|
||
|
||
“The thing that worried me most was that Mrs. Revel had definitely
|
||
recognized the woman. Then I remembered that it was only _after_
|
||
I had mentioned her being Madame de Breteuil’s governess. And all
|
||
she had said was that that accounted for the fact that the woman’s
|
||
face was familiar to her. Superintendent Battle will tell you that a
|
||
deliberate plot was formed to keep Mrs. Revel from coming to Chimneys.
|
||
Nothing more nor less than a dead body, in fact. And though the murder
|
||
was the work of the Comrades of the Red Hand, punishing supposed
|
||
treachery on the part of the victim, the staging of it, and the absence
|
||
of the Comrades’ sign manual, pointed to some abler intelligence
|
||
directing operations. From the first, I suspected some connection
|
||
with Herzoslovakia. Mrs. Revel was the only member of the house party
|
||
who had been to the country. I suspected at first that some one was
|
||
impersonating Prince Michael, but that proved to be a totally erroneous
|
||
idea. When I realized the possibility of Mademoiselle Brun’s being an
|
||
impostor, and added to that the fact that her face was familiar to Mrs.
|
||
Revel, I began to see daylight. It was evidently very important that
|
||
she should not be recognized, and Mrs. Revel was the only person likely
|
||
to do so.”
|
||
|
||
“But who was she?” said Lord Caterham. “Some one Mrs. Revel had known
|
||
in Herzoslovakia?”
|
||
|
||
“I think the Baron might be able to tell us,” said Anthony.
|
||
|
||
“I?” The Baron stared at him, then down at the motionless figure.
|
||
|
||
“Look well,” said Anthony. “Don’t be put off by the make-up. She was an
|
||
actress once, remember.”
|
||
|
||
The Baron stared again. Suddenly he started.
|
||
|
||
“God in heaven,” he breathed, “it is not possible.”
|
||
|
||
“What is not possible?” asked George. “Who is the lady? You recognize
|
||
her, Baron?”
|
||
|
||
“No, no, it is not possible.” The Baron continued to mutter. “She was
|
||
killed. They were both killed. On the steps of the Palace. Her body was
|
||
recovered.”
|
||
|
||
“Mutilated and unrecognizable,” Anthony reminded him. “She managed to
|
||
put up a bluff. I think she escaped to America, and has spent a good
|
||
many years lying low in deadly terror of the Comrades of the Red Hand.
|
||
They promoted the Revolution, remember, and, to use an expressive
|
||
phrase, they always had it in for her. Then King Victor was released,
|
||
and they planned to recover the diamond together. She was searching
|
||
for it that night when she came suddenly upon Prince Michael, and
|
||
he recognized her. There was never much fear of her meeting him in
|
||
the ordinary way of things. Royal guests don’t come in contact with
|
||
governesses, and she could always retire with a convenient _migraine_,
|
||
as she did the day the Baron was here.
|
||
|
||
“However, she met Prince Michael face to face when she least expected
|
||
it. Exposure and disgrace stared her in the face. She shot him. It was
|
||
she who placed the revolver in Isaacstein’s suit-case, so as to confuse
|
||
the trail, and she who returned the letters.”
|
||
|
||
Lemoine moved forward.
|
||
|
||
“She was coming down to search for the jewel that night, you say,”
|
||
he said. “Might she not have been going to meet her accomplice, King
|
||
Victor, who was coming from outside? Eh? What do you say to that?”
|
||
|
||
Anthony sighed.
|
||
|
||
“Still at it, my dear Lemoine? How persistent you are! You won’t take
|
||
my hint that I’ve got a trump card up my sleeve?”
|
||
|
||
But George, whose mind worked slowly, now broke in.
|
||
|
||
“I am still completely at sea. Who was this lady, Baron? You recognize
|
||
her, it seems?”
|
||
|
||
But the Baron drew himself up and stood very straight and stiff.
|
||
|
||
“You are in error, Mr. Lomax. To my knowledge I have not this lady seen
|
||
before. A complete stranger she is to me.”
|
||
|
||
“But——”
|
||
|
||
George stared at him—bewildered.
|
||
|
||
The Baron took him into a corner of the room, and murmured something
|
||
into his ear. Anthony watched, with a good deal of enjoyment, George’s
|
||
face turning slowly purple, his eyes bulging, and all the incipient
|
||
symptoms of apoplexy. A murmur of George’s throaty voice came to him.
|
||
|
||
“Certainly ... certainly ... by all means ... no need at all ...
|
||
complicate situation ... utmost discretion.”
|
||
|
||
“Ah!” Lemoine hit the table sharply with his hand. “I do not care about
|
||
all this! The murder of Prince Michael—that was not my affair. I want
|
||
King Victor.”
|
||
|
||
Anthony shook his head gently.
|
||
|
||
“I’m sorry for you, Lemoine. You’re really a very able fellow. But, all
|
||
the same, you’re going to lose the trick. I’m about to play my trump
|
||
card.”
|
||
|
||
He stepped across the room and rang the bell. Tredwell answered it.
|
||
|
||
“A gentleman arrived with me this evening, Tredwell.”
|
||
|
||
“Yes, sir, a foreign gentleman.”
|
||
|
||
“Quite so. Will you kindly ask him to join us here as soon as possible?”
|
||
|
||
“Yes, sir.”
|
||
|
||
Tredwell withdrew.
|
||
|
||
“Entry of the trump card, the mysterious Monsieur X,” remarked Anthony.
|
||
“_Who is he?_ Can anyone guess?”
|
||
|
||
“Putting two and two together,” said Herman Isaacstein, “what with your
|
||
mysterious hints this morning, and your attitude this afternoon, I
|
||
should say there was no doubt about it. Somehow or other you’ve managed
|
||
to get hold of Prince Nicholas of Herzoslovakia.”
|
||
|
||
“You think the same, Baron?”
|
||
|
||
“I do. Unless yet another impostor you have put forward. But that I
|
||
will not believe. With me, your dealings most honourable have been.”
|
||
|
||
“Thank you, Baron. I shan’t forget those words. So you are all agreed?”
|
||
|
||
His eyes swept round the circle of waiting faces. Only Lemoine did not
|
||
respond, but kept his eyes fixed sullenly on the table.
|
||
|
||
Anthony’s quick ears had caught the sound of footsteps outside in the
|
||
hall.
|
||
|
||
“And yet, you know,” he said with a queer smile, “you’re all wrong!”
|
||
|
||
He crossed swiftly to the door and flung it open.
|
||
|
||
A man stood on the threshold—a man with a neat black beard,
|
||
eyeglasses, and a foppish appearance slightly marred by a bandage round
|
||
the head.
|
||
|
||
“_Allow me to present you to the real Monsieur Lemoine of the Sûreté._”
|
||
|
||
There was a rush and a scuffle, and then the nasal tones of Mr. Hiram
|
||
Fish rose bland and reassuring from the window.
|
||
|
||
“No, you don’t, Sonny—not this way. I have been stationed here this
|
||
whole evening for the particular purpose of preventing your escape. You
|
||
will observe that I have you covered well and good with this gun of
|
||
mine. I came over to get you, and I’ve got you—but you sure are some
|
||
lad!”
|
||
|
||
|
||
|
||
|
||
29
|
||
|
||
Further Explanations
|
||
|
||
|
||
“You owe us an explanation, I think, Mr. Cade,” said Herman Isaacstein,
|
||
somewhat later in the evening.
|
||
|
||
“There’s nothing much to explain,” said Anthony modestly. “I went to
|
||
Dover and Fish followed me under the impression that I was King Victor.
|
||
We found a mysterious stranger imprisoned there, and as soon as we
|
||
heard his story we knew where we were. The same idea again, you see.
|
||
The real man kidnapped, and the false one—in this case King Victor
|
||
himself—takes his place. But it seems that Battle here always thought
|
||
there was something fishy about his French colleague, and wired to
|
||
Paris for his fingerprints and other means of identification.”
|
||
|
||
“Ah!” cried the Baron. “The fingerprints. The Bertillon measurements
|
||
that that scoundrel talked about?”
|
||
|
||
“It was a clever idea,” said Anthony. “I admired it so much that I
|
||
felt forced to play up. Besides, my doing so puzzled the false Lemoine
|
||
enormously. You see, as soon as I had given the tip about the ‘rows’
|
||
and where the jewel really was, he was keen to pass on the news to
|
||
his accomplice, and at the same time to keep us all in that room. The
|
||
note was really to Mademoiselle Brun. He told Tredwell to deliver it
|
||
at once, and Tredwell did so by taking it upstairs to the schoolroom.
|
||
Lemoine accused me of being King Victor, by that means creating a
|
||
diversion and preventing anyone from leaving the room. By the time all
|
||
that had been cleared up and we adjourned to the library to look for
|
||
the stone, he flattered himself that the stone would be no longer
|
||
there to find!”
|
||
|
||
George cleared his throat.
|
||
|
||
“I must say, Mr. Cade,” he said pompously, “that I consider your
|
||
action in that matter highly reprehensible. If the slightest hitch had
|
||
occurred in your plans, one of our national possessions might have
|
||
disappeared beyond the hope of recovery. It was foolhardy, Mr. Cade,
|
||
reprehensibly foolhardy.”
|
||
|
||
“I guess you haven’t tumbled to the little idea, Mr. Lomax,” said the
|
||
drawling voice of Mr. Fish. “That historic diamond was never behind the
|
||
books in the library.”
|
||
|
||
“Never?”
|
||
|
||
“Not on your life.”
|
||
|
||
“You see,” explained Anthony, “that little device of Count Stylptitch’s
|
||
stood for what it had originally stood for—a Rose. When that dawned
|
||
upon me on Monday afternoon, I went straight to the Rose Garden. Mr.
|
||
Fish had already tumbled to the same idea. If, standing with your back
|
||
to the sundial, you take seven paces straight forward, then eight to
|
||
the left and three to the right, you come to some bushes of a bright
|
||
red rose called Richmond. The house has been ransacked to find the
|
||
hiding-place, but nobody has thought of digging in the garden. I
|
||
suggest a little digging party to-morrow morning.”
|
||
|
||
“Then the story about the books in the library—”
|
||
|
||
“An invention of mine to trap the lady. Mr. Fish kept watch on the
|
||
terrace, and whistled when the psychological moment had arrived. I may
|
||
say that Mr. Fish and I established martial law at the Dover house, and
|
||
prevented the Comrades from communicating with the false Lemoine. He
|
||
sent them an order to clear out, and word was conveyed to him that this
|
||
had been done. So he went happily ahead with his plans for denouncing
|
||
me.”
|
||
|
||
“Well, well,” said Lord Caterham cheerfully, “everything seems to have
|
||
been cleared up most satisfactorily.”
|
||
|
||
“Everything but one thing,” said Mr. Isaacstein.
|
||
|
||
“What is that?”
|
||
|
||
The great financier looked steadily at Anthony.
|
||
|
||
“What did you get me down here for? Just to assist at a dramatic scene
|
||
as an interested onlooker.”
|
||
|
||
Anthony shook his head.
|
||
|
||
“No, Mr. Isaacstein. You are a busy man whose time is money. Why did
|
||
you come down here originally?”
|
||
|
||
“To negotiate a loan.”
|
||
|
||
“With whom?”
|
||
|
||
“Prince Michael of Herzoslovakia.”
|
||
|
||
“Exactly. Prince Michael is dead. Are you prepared to offer the same
|
||
loan on the same terms to his cousin Nicholas?”
|
||
|
||
“Can you produce him? I thought he was killed in the Congo?”
|
||
|
||
“He was killed all right. I killed him. Oh, no, I’m not a murderer.
|
||
When I say I killed him, I mean that I spread the report of his death.
|
||
I promised you a Prince, Mr. Isaacstein. Will _I_ do?”
|
||
|
||
“You?”
|
||
|
||
“Yes, I’m the man. Nicholas Sergius Alexander Ferdinand Obolovitch.
|
||
Rather long for the kind of life I proposed to live, so I emerged from
|
||
the Congo as plain Anthony Cade.”
|
||
|
||
Little Captain Andrassy sprang up.
|
||
|
||
“But this is incredible—incredible,” he spluttered. “Have a care, sir,
|
||
what you say.”
|
||
|
||
“I can give you plenty of proofs,” said Anthony quietly. “I think I
|
||
shall be able to convince the Baron here.”
|
||
|
||
The Baron lifted his hand.
|
||
|
||
“Your proofs I will examine, yes. But of them for me there is no need.
|
||
Your word alone sufficient for me is. Besides, your English mother you
|
||
much resemble. All along have I said: ‘This young man on one side or
|
||
the other most highly born is’.”
|
||
|
||
“You have always trusted my word, Baron,” said Anthony. “I can assure
|
||
you that in the days to come I shall not forget.”
|
||
|
||
Then he looked over at Superintendent Battle whose face had remained
|
||
perfectly expressionless.
|
||
|
||
“You can understand,” said Anthony with a smile, “that my position
|
||
has been extremely precarious. Of all those in the house I might
|
||
be supposed to have the best reason for wishing Michael Obolovitch
|
||
out of the way, since I was the next heir to the Throne. I’ve been
|
||
extraordinarily afraid of Battle all along. I always felt that he
|
||
suspected me, but that he was held up by lack of motive.”
|
||
|
||
“I never believed for a minute that you’d shot him, sir,” said
|
||
Superintendent Battle. “We’ve got a feeling in such matters. But I
|
||
knew that you were afraid of something, and you puzzled me. If I’d
|
||
known sooner who you really were, I dare say I’d have yielded to the
|
||
evidence, and arrested you.”
|
||
|
||
“I’m glad I managed to keep one guilty secret from you. You wormed
|
||
everything else out of me all right. You’re a damned good man at your
|
||
job, Battle. I shall always think of Scotland Yard with respect.”
|
||
|
||
“Most amazing,” muttered George. “Most amazing story I ever heard. I—I
|
||
can really hardly believe it. You are quite sure, Baron, that——”
|
||
|
||
“My dear Mr. Lomax,” said Anthony, with a slight hardness in his tone,
|
||
“I have no intention of asking the British Foreign Office to support
|
||
my claim without bringing forward the most convincing documentary
|
||
evidence. I suggest that we adjourn now, and that you, the Baron, Mr.
|
||
Isaacstein and myself discuss the terms of the proposed loan.”
|
||
|
||
The Baron rose to his feet, and clicked his heels together.
|
||
|
||
“It will be the proudest moment of my life, sir,” he said solemnly,
|
||
“when I see you King of Herzoslovakia.”
|
||
|
||
“Oh, by the way, Baron,” said Anthony carelessly, slipping his hand
|
||
through the other’s arm, “I forgot to tell you. There’s a string tied
|
||
to this. I’m married, you know.”
|
||
|
||
The Baron retreated a step or two. Dismay overspread his countenance.
|
||
|
||
“Something wrong I knew there would be,” he boomed. “Merciful God in
|
||
Heaven! He has married a black woman in Africa!”
|
||
|
||
“Come, come, it’s not so bad as all that,” said Anthony, laughing.
|
||
“She’s white enough—white all through, bless her.”
|
||
|
||
“Good. A respectable morganatic affair it can be, then.”
|
||
|
||
“Not a bit of it. She’s to play Queen to my King. It’s no use shaking
|
||
your head. She’s fully qualified for the post. She’s the daughter of
|
||
an English peer who dates back to the time of the Conqueror. It’s very
|
||
fashionable just now for Royalties to marry into the aristocracy—and
|
||
she knows something of Herzoslovakia.”
|
||
|
||
“My God!” cried George Lomax, startled out of his usual careful speech.
|
||
“Not—not—Virginia Revel?”
|
||
|
||
“Yes,” said Anthony. “Virginia Revel.”
|
||
|
||
“My dear fellow,” cried Lord Caterham, “I mean—sir, I congratulate
|
||
you, I do indeed. A delightful creature.”
|
||
|
||
“Thank you, Lord Caterham,” said Anthony. “She’s all you say and more.”
|
||
|
||
But Mr. Isaacstein was regarding him curiously.
|
||
|
||
“You’ll excuse my asking your Highness, but when did this marriage take
|
||
place?”
|
||
|
||
Anthony smiled back at him.
|
||
|
||
“As a matter of fact,” he said, “I married her this morning.”
|
||
|
||
|
||
|
||
|
||
30
|
||
|
||
Anthony Signs on for a New Job
|
||
|
||
|
||
“If you will go on, gentlemen, I will follow you in a minute,” said
|
||
Anthony.
|
||
|
||
He waited whilst the others filed out, and then turned to where
|
||
Superintendent Battle was standing apparently absorbed in examining the
|
||
panelling.
|
||
|
||
“Well, Battle? Want to ask me something, don’t you?”
|
||
|
||
“Well, I do, sir, though I don’t know how you knew I did. But I always
|
||
marked you out as being specially quick in the uptake. I take it that
|
||
the lady who is dead was the late Queen Varaga?”
|
||
|
||
“Quite right, Battle. It’ll be hushed up, I hope. You can understand
|
||
what I feel about family skeletons.”
|
||
|
||
“Trust Mr. Lomax for that, sir. No one will ever know. That is, a lot
|
||
of people will know, but it won’t get about.”
|
||
|
||
“Was that what you wanted to ask me about?”
|
||
|
||
“No, sir—that was only in passing. I was curious to know just what
|
||
made you drop your own name—if I’m not taking too much of a liberty?”
|
||
|
||
“Not a bit. I’ll tell you. I killed myself from the purest motives,
|
||
Battle. My mother was English, I’d been educated in England, and I
|
||
was far more interested in England than in Herzoslovakia. And I felt
|
||
an absolute fool knocking about the world with a comic opera title
|
||
tacked on to me. You see, when I was very young, I had democratic
|
||
ideas. Believed in the purity of ideals, and the equality of all men. I
|
||
especially disbelieved in Kings and Princes.”
|
||
|
||
“And since then?” asked Battle shrewdly.
|
||
|
||
“Oh, since then, I’ve travelled and seen the world. There’s damned
|
||
little equality going about. Mind you, I still believe in democracy.
|
||
But you’ve got to force it on people with a strong hand—ram it down
|
||
their throats. Men don’t want to be brothers—they may some day, but
|
||
they don’t now. My final belief in the Brotherhood of Man died the day
|
||
I arrived in London last week, when I observed the people standing
|
||
in a Tube train resolutely refuse to move up and make room for those
|
||
who entered. You won’t turn people into angels by appealing to their
|
||
better natures just yet awhile—but by judicious force you can coerce
|
||
them into behaving more or less decently to one another to go on
|
||
with. I still believe in the Brotherhood of Man, but it’s not coming
|
||
yet awhile. Say another ten thousand years or so. It’s no good being
|
||
impatient. Evolution is a slow process.”
|
||
|
||
“I’m very interested in these views of yours, sir,” said Battle with a
|
||
twinkle. “And if you’ll allow me to say so, I’m sure you’ll make a very
|
||
fine King out there.”
|
||
|
||
“Thank you, Battle,” said Anthony with a sigh.
|
||
|
||
“You don’t seem very happy about it, sir?”
|
||
|
||
“Oh, I don’t know. I dare say it will be rather fun. But it’s tying
|
||
oneself down to regular work. I’ve always avoided that before.”
|
||
|
||
“But you consider it your duty, I suppose, sir?”
|
||
|
||
“Good Lord, no! What an idea. It’s a woman—it’s always a woman,
|
||
Battle. I’d do more than be a King for her sake.”
|
||
|
||
“Quite so, sir.”
|
||
|
||
“I’ve arranged it so that the Baron and Isaacstein can’t kick. The one
|
||
wants a King and the other wants oil. They’ll both get what they want,
|
||
and I’ve got—Oh, Lord, Battle, have you ever been in love?”
|
||
|
||
“I am much attached to Mrs. Battle, sir.”
|
||
|
||
“Much attached to Mrs.—Oh, you don’t know what I’m talking about! It’s
|
||
entirely different!”
|
||
|
||
“Excuse me, sir, that man of yours is waiting outside the window.”
|
||
|
||
“Boris? So he is. He’s a wonderful fellow. It’s a mercy that pistol
|
||
went off in the struggle and killed the lady. Otherwise Boris would
|
||
have wrung her neck as sure as Fate, and then you would have wanted to
|
||
hang him. His attachment to the Obolovitch dynasty is remarkable. The
|
||
queer thing was that as soon as Michael was dead he attached himself to
|
||
me—and yet he couldn’t possibly have known who I really was.”
|
||
|
||
“Instinct,” said Battle. “Like a dog.”
|
||
|
||
“Very awkward instinct I thought it at the time. I was afraid it might
|
||
give the show away to you. I suppose I’d better see what he wants.”
|
||
|
||
He went out through the window. Superintendent Battle, left alone,
|
||
looked after him for a minute, then apparently addressed the panelling.
|
||
|
||
“He’ll do,” said Superintendent Battle.
|
||
|
||
Outside, Boris explained himself.
|
||
|
||
“Master,” said he, and led the way along the terrace.
|
||
|
||
Anthony followed him, wondering what was forward.
|
||
|
||
Presently Boris stopped and pointed with his forefinger. It was
|
||
moonlight, and in front of them was a stone seat on which sat two
|
||
figures.
|
||
|
||
“He _is_ a dog,” said Anthony to himself. “And what’s more, a pointer!”
|
||
|
||
He strode forward. Boris melted into the shadows.
|
||
|
||
The two figures rose to meet him. One of them was Virginia—the
|
||
other——
|
||
|
||
“Hullo, Joe,” said a well remembered voice. “This is a great girl of
|
||
yours.”
|
||
|
||
“Jimmy McGrath, by all that’s wonderful,” cried Anthony. “How in the
|
||
name of fortune did you get here?”
|
||
|
||
“That trip of mine into the interior went phut. Then some Dagos came
|
||
monkeying round. Wanted to buy that manuscript off me. Next thing I as
|
||
near as nothing got a knife in the back one night. That made me think
|
||
that I’d handed you out a bigger job than I knew. I thought you might
|
||
need help, and I came along after you by the very next boat.”
|
||
|
||
“Wasn’t it splendid of him?” said Virginia. She squeezed Jimmy’s arm.
|
||
“Why didn’t you ever tell me how frightfully nice he was? You are,
|
||
Jimmy, you’re a perfect dear.”
|
||
|
||
“You two seem to be getting along all right,” said Anthony.
|
||
|
||
“Sure thing,” said Jimmy. “I was snooping round for news of you, when
|
||
I connected with this dame. She wasn’t at all what I thought she’d
|
||
be—some swell haughty Society lady that’d scare the life out of me.”
|
||
|
||
“He told me all about the letters,” said Virginia. “And I feel almost
|
||
ashamed not to have been in real trouble over them when he was such a
|
||
knight-errant.”
|
||
|
||
“If I’d known what you were like,” said Jimmy gallantly, “I’d not have
|
||
given him the letters. I’d have brought them to you myself. Say, young
|
||
man, is the fun really over? Is there nothing for me to do?”
|
||
|
||
“By Jove,” said Anthony, “there is! Wait a minute.”
|
||
|
||
He disappeared into the house. In a minute or two he returned with a
|
||
paper package which he cast into Jimmy’s arms.
|
||
|
||
“Go round to the garage and help yourself to a likely looking car. Beat
|
||
it to London and deliver that parcel at 17, Everdean Square. That’s
|
||
Mr. Balderson’s private address. In exchange he’ll hand you a thousand
|
||
pounds.”
|
||
|
||
“What? It’s not the Memoirs? I understood that they’d been burnt.”
|
||
|
||
“What do you take me for?” demanded Anthony. “You don’t think I’d fall
|
||
for a story like that, do you? I rang up the publishers at once, found
|
||
out that the other was a fake call, and arranged accordingly. I made up
|
||
a dummy package as I’d been directed to do. But I put the real package
|
||
in the Manager’s safe and handed over the dummy. The Memoirs have never
|
||
been out of my possession.”
|
||
|
||
“Bully for you, my son,” said Jimmy.
|
||
|
||
“Oh, Anthony,” cried Virginia. “You’re not going to let them be
|
||
published?”
|
||
|
||
“I can’t help myself. I can’t let a pal like Jimmy down. But you
|
||
needn’t worry. I’ve had time to wade through them, and I see now why
|
||
people always hint that bigwigs don’t write their own reminiscences
|
||
but hire some one to do it for them. As a writer, Stylptitch is an
|
||
insufferable bore. He proses on about statecraft, and doesn’t go in for
|
||
any racy and indiscreet anecdotes. His ruling passion of secrecy held
|
||
strong to the end. There’s not a word in the Memoirs from beginning to
|
||
end to flutter the susceptibilities of the most difficult politician.
|
||
I rang up Balderson to-day, and arranged with him that I’d deliver the
|
||
manuscript to-night before midnight. But Jimmy can do his own dirty
|
||
work now that’s he’s here.”
|
||
|
||
“I’m off,” said Jimmy. “I like the idea of that thousand
|
||
pounds—especially when I’d made up my mind I was down and out.”
|
||
|
||
“Half a second,” said Anthony. “I’ve got a confession to make to you,
|
||
Virginia. Something that every one else knows, but that I haven’t yet
|
||
told you.”
|
||
|
||
“I don’t mind how many strange women you’ve loved so long as you don’t
|
||
tell me about them.”
|
||
|
||
“Women!” said Anthony, with a virtuous air. “Women indeed? You ask
|
||
James here what kind of women I was going about with last time he saw
|
||
me.”
|
||
|
||
“Frumps,” said Jimmy solemnly. “Utter frumps. Not one a day under
|
||
forty-five.”
|
||
|
||
“Thank you, Jimmy,” said Anthony, “you’re a true friend. No, it’s much
|
||
worse than that. I’ve deceived you as to my real name.”
|
||
|
||
“Is it very dreadful?” said Virginia, with interest. “It isn’t
|
||
something silly like Pobbles, is it? Fancy being called Mrs. Pobbles.”
|
||
|
||
“You are always thinking the worst of me.”
|
||
|
||
“I admit that I did once think you were King Victor, but only for about
|
||
a minute and a half.”
|
||
|
||
“By the way, Jimmy, I’ve got a job for you—gold prospecting in the
|
||
rocky fastnesses of Herzoslovakia.”
|
||
|
||
“Is there gold there?” asked Jimmy eagerly.
|
||
|
||
“Sure to be,” said Anthony. “It’s a wonderful country.”
|
||
|
||
“So you’re taking my advice and going there?”
|
||
|
||
“Yes,” said Anthony. “Your advice was worth more than you knew. Now
|
||
for the confession. I wasn’t changed at nurse, or anything romantic
|
||
like that, but nevertheless I am really Prince Nicholas Obolovitch of
|
||
Herzoslovakia.”
|
||
|
||
“Oh, Anthony,” cried Virginia. “How perfectly screaming! And I have
|
||
married you! What are we going to do about it?”
|
||
|
||
“We’ll go to Herzoslovakia and pretend to be Kings and Queens. Jimmy
|
||
McGrath once said that the average life of a King or Queen out there is
|
||
under four years. I hope you don’t mind?”
|
||
|
||
“Mind?” cried Virginia. “I shall love it!”
|
||
|
||
“Isn’t she great?” murmured Jimmy.
|
||
|
||
Then, discreetly, he faded into the night. A few minutes later the
|
||
sound of a car was heard.
|
||
|
||
“Nothing like letting a man do his own dirty work,” said Anthony, with
|
||
satisfaction. “Besides, I didn’t know how else to get rid of him. Since
|
||
we were married I’ve not had one minute alone with you.”
|
||
|
||
“We’ll have a lot of fun,” said Virginia. “Teaching the brigands not
|
||
to be brigands, and the assassins not to assassinate, and generally
|
||
improving the moral tone of the country.”
|
||
|
||
“I like to hear these pure ideals,” said Anthony. “It makes me feel my
|
||
sacrifice has not been in vain.”
|
||
|
||
“Rot,” said Virginia calmly, “you’ll enjoy being a King. It’s in your
|
||
blood, you know. You were brought up to the trade of Royalty, and
|
||
you’ve got a natural aptitude for it, just like plumbers have a natural
|
||
bent for plumbing.”
|
||
|
||
“I never think they have,” said Anthony. “But damn it all, don’t let’s
|
||
waste time talking about plumbers. Do you know that at this very
|
||
minute I’m supposed to be deep in conference with Isaacstein and old
|
||
Lollipop? They want to talk about oil. Oil, my God! They can just
|
||
await my kingly pleasure. Virginia, do you remember my telling you once
|
||
that I’d have a damned good try to make you care for me.”
|
||
|
||
“I remember,” said Virginia softly. “But Superintendent Battle was
|
||
looking out of the window.”
|
||
|
||
“Well, he isn’t now,” said Anthony.
|
||
|
||
He caught her suddenly to him, kissing her eyelids, her lips, the green
|
||
gold of her hair....
|
||
|
||
“I do love you so, Virginia,” he whispered. “I do love you so. Do you
|
||
love me?”
|
||
|
||
He looked down at her—sure of the answer.
|
||
|
||
Her head rested against his shoulder, and very low, in a sweet shaken
|
||
voice, she answered:
|
||
|
||
“Not a bit!”
|
||
|
||
“You little devil,” cried Anthony, kissing her again. “Now I know for
|
||
certain that I shall love you until I die....”
|
||
|
||
|
||
|
||
|
||
31
|
||
|
||
Sundry Details
|
||
|
||
|
||
Scene—Chimneys, 11 A.M. Thursday morning.
|
||
|
||
Johnson, the police constable, with his coat off, digging.
|
||
|
||
Something in the nature of a funeral feeling seems to be in the air.
|
||
The friends and relations stand round the grave that Johnson is digging.
|
||
|
||
George Lomax has the air of the principal beneficiary under the will
|
||
of the deceased. Superintendent Battle, with his immovable face, seems
|
||
pleased that the funeral arrangements have gone so nicely. As the
|
||
undertaker, it reflects credit upon him. Lord Caterham has that solemn
|
||
and shocked look which Englishmen assume when a religious ceremony is
|
||
in progress.
|
||
|
||
Mr. Fish does not fit into the picture so well. He is not sufficiently
|
||
grave.
|
||
|
||
Johnson bends to his task. Suddenly he straightens up. A little stir of
|
||
excitement passes round.
|
||
|
||
“That’ll do, sonny,” says Mr. Fish. “We shall do nicely now.”
|
||
|
||
One perceives at once that he is really the family physician.
|
||
|
||
Johnson retires. Mr. Fish, with due solemnity, stoops over the
|
||
excavation. The surgeon is about to operate.
|
||
|
||
He brings out a small canvas package. With much ceremony he hands it
|
||
to Superintendent Battle. The latter, in his turn, hands it to George
|
||
Lomax. The etiquette of the situation has now been fully complied with.
|
||
|
||
George Lomax unwraps the package, slits up the oil-silk inside it,
|
||
burrows into further wrapping. For a moment he holds something on the
|
||
palm of his hand—then quickly shrouds it once more in cotton wool.
|
||
|
||
He clears his throat.
|
||
|
||
“At this auspicious minute,” he begins, with the clear delivery of the
|
||
practised speaker.
|
||
|
||
Lord Caterham beats a precipitate retreat. On the terrace he finds his
|
||
daughter.
|
||
|
||
“Bundle, is that car of yours in order?”
|
||
|
||
“Yes. Why?”
|
||
|
||
“Then take me up to town in it immediately. I’m going abroad at
|
||
once—to-day.”
|
||
|
||
“But, father——”
|
||
|
||
“Don’t argue with me, Bundle. George Lomax told me when he arrived this
|
||
morning that he was anxious to have a few words with me privately on a
|
||
matter of the utmost delicacy. He added that the King of Timbuctoo was
|
||
arriving in London shortly. I won’t go through it again, Bundle, do you
|
||
hear? Not for fifty George Lomaxes! If Chimneys is so valuable to the
|
||
nation, let the nation buy it. Otherwise I shall sell it to a syndicate
|
||
and they can turn it into an hotel.”
|
||
|
||
“Where is Codders now?”
|
||
|
||
Bundle is rising to the situation.
|
||
|
||
“At the present minute,” replied Lord Caterham, looking at his watch,
|
||
“he is good for at least fifteen minutes about the Empire.”
|
||
|
||
Another picture.
|
||
|
||
Mr. Bill Eversleigh, not invited to be present at the graveside
|
||
ceremony, at the telephone.
|
||
|
||
“No, really, I mean it.... I say, don’t be huffy.... Well, you will
|
||
have supper to-night anyway?... No, I haven’t. I’ve been kept to it
|
||
with my nose at the grindstone. You’ve no idea what Codders is like....
|
||
I say, Dolly, you know jolly well what I think about you.... You know
|
||
I’ve never cared for anyone but you.... Yes, I’ll come to the show
|
||
first. How does the old wheeze go? ‘And the little girl tries, Hooks
|
||
and Eyes’....”
|
||
|
||
Unearthly sounds. Mr. Eversleigh trying to hum the refrain in question.
|
||
|
||
And now George’s peroration draws to a close.
|
||
|
||
... “the lasting peace and prosperity of the British Empire!”
|
||
|
||
“I guess,” said Mr. Hiram Fish _sotto voce_ to himself and the world at
|
||
large, “that this has been a great little old week.”
|
||
|
||
TRANSCRIBER’S NOTES:
|
||
|
||
Italicized text is surrounded by underscores: _italics_.
|
||
|
||
Obvious typographical errors have been corrected.
|
||
|
||
|
||
|
||
*** END OF THE PROJECT GUTENBERG EBOOK THE SECRET OF CHIMNEYS ***
|
||
|
||
|
||
|
||
|
||
Updated editions will replace the previous one—the old editions will
|
||
be renamed.
|
||
|
||
Creating the works from print editions not protected by U.S. copyright
|
||
law means that no one owns a United States copyright in these works,
|
||
so the Foundation (and you!) can copy and distribute it in the United
|
||
States without permission and without paying copyright
|
||
royalties. Special rules, set forth in the General Terms of Use part
|
||
of this license, apply to copying and distributing Project
|
||
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
|
||
concept and trademark. Project Gutenberg is a registered trademark,
|
||
and may not be used if you charge for an eBook, except by following
|
||
the terms of the trademark license, including paying royalties for use
|
||
of the Project Gutenberg trademark. If you do not charge anything for
|
||
copies of this eBook, complying with the trademark license is very
|
||
easy. You may use this eBook for nearly any purpose such as creation
|
||
of derivative works, reports, performances and research. Project
|
||
Gutenberg eBooks may be modified and printed and given away—you may
|
||
do practically ANYTHING in the United States with eBooks not protected
|
||
by U.S. copyright law. Redistribution is subject to the trademark
|
||
license, especially commercial redistribution.
|
||
|
||
|
||
START: FULL LICENSE
|
||
|
||
THE FULL PROJECT GUTENBERG™ LICENSE
|
||
|
||
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
|
||
|
||
To protect the Project Gutenberg™ mission of promoting the free
|
||
distribution of electronic works, by using or distributing this work
|
||
(or any other work associated in any way with the phrase “Project
|
||
Gutenberg”), you agree to comply with all the terms of the Full
|
||
Project Gutenberg License available with this file or online at
|
||
www.gutenberg.org/license.
|
||
|
||
Section 1. General Terms of Use and Redistributing Project Gutenberg
|
||
electronic works
|
||
|
||
1.A. By reading or using any part of this Project Gutenberg
|
||
electronic work, you indicate that you have read, understand, agree to
|
||
and accept all the terms of this license and intellectual property
|
||
(trademark/copyright) agreement. If you do not agree to abide by all
|
||
the terms of this agreement, you must cease using and return or
|
||
destroy all copies of Project Gutenberg electronic works in your
|
||
possession. If you paid a fee for obtaining a copy of or access to a
|
||
Project Gutenberg electronic work and you do not agree to be bound
|
||
by the terms of this agreement, you may obtain a refund from the person
|
||
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
|
||
|
||
1.B. “Project Gutenberg” is a registered trademark. It may only be
|
||
used on or associated in any way with an electronic work by people who
|
||
agree to be bound by the terms of this agreement. There are a few
|
||
things that you can do with most Project Gutenberg electronic works
|
||
even without complying with the full terms of this agreement. See
|
||
paragraph 1.C below. There are a lot of things you can do with Project
|
||
Gutenberg electronic works if you follow the terms of this
|
||
agreement and help preserve free future access to Project Gutenberg
|
||
electronic works. See paragraph 1.E below.
|
||
|
||
1.C. The Project Gutenberg Literary Archive Foundation (“the
|
||
Foundation” or PGLAF), owns a compilation copyright in the collection
|
||
of Project Gutenberg electronic works. Nearly all the individual
|
||
works in the collection are in the public domain in the United
|
||
States. If an individual work is unprotected by copyright law in the
|
||
United States and you are located in the United States, we do not
|
||
claim a right to prevent you from copying, distributing, performing,
|
||
displaying or creating derivative works based on the work as long as
|
||
all references to Project Gutenberg are removed. Of course, we hope
|
||
that you will support the Project Gutenberg mission of promoting
|
||
free access to electronic works by freely sharing Project Gutenberg
|
||
works in compliance with the terms of this agreement for keeping the
|
||
Project Gutenberg name associated with the work. You can easily
|
||
comply with the terms of this agreement by keeping this work in the
|
||
same format with its attached full Project Gutenberg License when
|
||
you share it without charge with others.
|
||
|
||
1.D. The copyright laws of the place where you are located also govern
|
||
what you can do with this work. Copyright laws in most countries are
|
||
in a constant state of change. If you are outside the United States,
|
||
check the laws of your country in addition to the terms of this
|
||
agreement before downloading, copying, displaying, performing,
|
||
distributing or creating derivative works based on this work or any
|
||
other Project Gutenberg work. The Foundation makes no
|
||
representations concerning the copyright status of any work in any
|
||
country other than the United States.
|
||
|
||
1.E. Unless you have removed all references to Project Gutenberg:
|
||
|
||
1.E.1. The following sentence, with active links to, or other
|
||
immediate access to, the full Project Gutenberg License must appear
|
||
prominently whenever any copy of a Project Gutenberg work (any work
|
||
on which the phrase “Project Gutenberg” appears, or with which the
|
||
phrase “Project Gutenberg” is associated) is accessed, displayed,
|
||
performed, viewed, copied or distributed:
|
||
|
||
This eBook is for the use of anyone anywhere in the United States and most
|
||
other parts of the world at no cost and with almost no restrictions
|
||
whatsoever. You may copy it, give it away or re-use it under the terms
|
||
of the Project Gutenberg™ License included with this eBook or online
|
||
at www.gutenberg.org. If you
|
||
are not located in the United States, you will have to check the laws
|
||
of the country where you are located before using this eBook.
|
||
|
||
1.E.2. If an individual Project Gutenberg electronic work is
|
||
derived from texts not protected by U.S. copyright law (does not
|
||
contain a notice indicating that it is posted with permission of the
|
||
copyright holder), the work can be copied and distributed to anyone in
|
||
the United States without paying any fees or charges. If you are
|
||
redistributing or providing access to a work with the phrase “Project
|
||
Gutenberg” associated with or appearing on the work, you must comply
|
||
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
|
||
obtain permission for the use of the work and the Project Gutenberg
|
||
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
|
||
|
||
1.E.3. If an individual Project Gutenberg electronic work is posted
|
||
with the permission of the copyright holder, your use and distribution
|
||
must comply with both paragraphs 1.E.1 through 1.E.7 and any
|
||
additional terms imposed by the copyright holder. Additional terms
|
||
will be linked to the Project Gutenberg License for all works
|
||
posted with the permission of the copyright holder found at the
|
||
beginning of this work.
|
||
|
||
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
|
||
License terms from this work, or any files containing a part of this
|
||
work or any other work associated with Project Gutenberg.
|
||
|
||
1.E.5. Do not copy, display, perform, distribute or redistribute this
|
||
electronic work, or any part of this electronic work, without
|
||
prominently displaying the sentence set forth in paragraph 1.E.1 with
|
||
active links or immediate access to the full terms of the Project
|
||
Gutenberg License.
|
||
|
||
1.E.6. You may convert to and distribute this work in any binary,
|
||
compressed, marked up, nonproprietary or proprietary form, including
|
||
any word processing or hypertext form. However, if you provide access
|
||
to or distribute copies of a Project Gutenberg work in a format
|
||
other than “Plain Vanilla ASCII” or other format used in the official
|
||
version posted on the official Project Gutenberg website
|
||
(www.gutenberg.org), you must, at no additional cost, fee or expense
|
||
to the user, provide a copy, a means of exporting a copy, or a means
|
||
of obtaining a copy upon request, of the work in its original “Plain
|
||
Vanilla ASCII” or other form. Any alternate format must include the
|
||
full Project Gutenberg License as specified in paragraph 1.E.1.
|
||
|
||
1.E.7. Do not charge a fee for access to, viewing, displaying,
|
||
performing, copying or distributing any Project Gutenberg works
|
||
unless you comply with paragraph 1.E.8 or 1.E.9.
|
||
|
||
1.E.8. You may charge a reasonable fee for copies of or providing
|
||
access to or distributing Project Gutenberg electronic works
|
||
provided that:
|
||
|
||
• You pay a royalty fee of 20% of the gross profits you derive from
|
||
the use of Project Gutenberg works calculated using the method
|
||
you already use to calculate your applicable taxes. The fee is owed
|
||
to the owner of the Project Gutenberg trademark, but he has
|
||
agreed to donate royalties under this paragraph to the Project
|
||
Gutenberg Literary Archive Foundation. Royalty payments must be paid
|
||
within 60 days following each date on which you prepare (or are
|
||
legally required to prepare) your periodic tax returns. Royalty
|
||
payments should be clearly marked as such and sent to the Project
|
||
Gutenberg Literary Archive Foundation at the address specified in
|
||
Section 4, “Information about donations to the Project Gutenberg
|
||
Literary Archive Foundation.”
|
||
|
||
• You provide a full refund of any money paid by a user who notifies
|
||
you in writing (or by e-mail) within 30 days of receipt that s/he
|
||
does not agree to the terms of the full Project Gutenberg™
|
||
License. You must require such a user to return or destroy all
|
||
copies of the works possessed in a physical medium and discontinue
|
||
all use of and all access to other copies of Project Gutenberg™
|
||
works.
|
||
|
||
• You provide, in accordance with paragraph 1.F.3, a full refund of
|
||
any money paid for a work or a replacement copy, if a defect in the
|
||
electronic work is discovered and reported to you within 90 days of
|
||
receipt of the work.
|
||
|
||
• You comply with all other terms of this agreement for free
|
||
distribution of Project Gutenberg™ works.
|
||
|
||
|
||
1.E.9. If you wish to charge a fee or distribute a Project
|
||
Gutenberg™ electronic work or group of works on different terms than
|
||
are set forth in this agreement, you must obtain permission in writing
|
||
from the Project Gutenberg Literary Archive Foundation, the manager of
|
||
the Project Gutenberg™ trademark. Contact the Foundation as set
|
||
forth in Section 3 below.
|
||
|
||
1.F.
|
||
|
||
1.F.1. Project Gutenberg volunteers and employees expend considerable
|
||
effort to identify, do copyright research on, transcribe and proofread
|
||
works not protected by U.S. copyright law in creating the Project
|
||
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
|
||
electronic works, and the medium on which they may be stored, may
|
||
contain “Defects,” such as, but not limited to, incomplete, inaccurate
|
||
or corrupt data, transcription errors, a copyright or other
|
||
intellectual property infringement, a defective or damaged disk or
|
||
other medium, a computer virus, or computer codes that damage or
|
||
cannot be read by your equipment.
|
||
|
||
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
|
||
of Replacement or Refund” described in paragraph 1.F.3, the Project
|
||
Gutenberg Literary Archive Foundation, the owner of the Project
|
||
Gutenberg™ trademark, and any other party distributing a Project
|
||
Gutenberg™ electronic work under this agreement, disclaim all
|
||
liability to you for damages, costs and expenses, including legal
|
||
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
|
||
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
|
||
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
|
||
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
|
||
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
|
||
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
|
||
DAMAGE.
|
||
|
||
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
|
||
defect in this electronic work within 90 days of receiving it, you can
|
||
receive a refund of the money (if any) you paid for it by sending a
|
||
written explanation to the person you received the work from. If you
|
||
received the work on a physical medium, you must return the medium
|
||
with your written explanation. The person or entity that provided you
|
||
with the defective work may elect to provide a replacement copy in
|
||
lieu of a refund. If you received the work electronically, the person
|
||
or entity providing it to you may choose to give you a second
|
||
opportunity to receive the work electronically in lieu of a refund. If
|
||
the second copy is also defective, you may demand a refund in writing
|
||
without further opportunities to fix the problem.
|
||
|
||
1.F.4. Except for the limited right of replacement or refund set forth
|
||
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
|
||
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
|
||
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
|
||
|
||
1.F.5. Some states do not allow disclaimers of certain implied
|
||
warranties or the exclusion or limitation of certain types of
|
||
damages. If any disclaimer or limitation set forth in this agreement
|
||
violates the law of the state applicable to this agreement, the
|
||
agreement shall be interpreted to make the maximum disclaimer or
|
||
limitation permitted by the applicable state law. The invalidity or
|
||
unenforceability of any provision of this agreement shall not void the
|
||
remaining provisions.
|
||
|
||
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
|
||
trademark owner, any agent or employee of the Foundation, anyone
|
||
providing copies of Project Gutenberg™ electronic works in
|
||
accordance with this agreement, and any volunteers associated with the
|
||
production, promotion and distribution of Project Gutenberg™
|
||
electronic works, harmless from all liability, costs and expenses,
|
||
including legal fees, that arise directly or indirectly from any of
|
||
the following which you do or cause to occur: (a) distribution of this
|
||
or any Project Gutenberg work, (b) alteration, modification, or
|
||
additions or deletions to any Project Gutenberg work, and (c) any
|
||
Defect you cause.
|
||
|
||
Section 2. Information about the Mission of Project Gutenberg
|
||
|
||
Project Gutenberg is synonymous with the free distribution of
|
||
electronic works in formats readable by the widest variety of
|
||
computers including obsolete, old, middle-aged and new computers. It
|
||
exists because of the efforts of hundreds of volunteers and donations
|
||
from people in all walks of life.
|
||
|
||
Volunteers and financial support to provide volunteers with the
|
||
assistance they need are critical to reaching Project Gutenberg’s
|
||
goals and ensuring that the Project Gutenberg collection will
|
||
remain freely available for generations to come. In 2001, the Project
|
||
Gutenberg Literary Archive Foundation was created to provide a secure
|
||
and permanent future for Project Gutenberg and future
|
||
generations. To learn more about the Project Gutenberg Literary
|
||
Archive Foundation and how your efforts and donations can help, see
|
||
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
|
||
|
||
Section 3. Information about the Project Gutenberg Literary Archive Foundation
|
||
|
||
The Project Gutenberg Literary Archive Foundation is a non-profit
|
||
501(c)(3) educational corporation organized under the laws of the
|
||
state of Mississippi and granted tax exempt status by the Internal
|
||
Revenue Service. The Foundation’s EIN or federal tax identification
|
||
number is 64-6221541. Contributions to the Project Gutenberg Literary
|
||
Archive Foundation are tax deductible to the full extent permitted by
|
||
U.S. federal laws and your state’s laws.
|
||
|
||
The Foundation’s business office is located at 41 Watchung Plaza #516,
|
||
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
|
||
to date contact information can be found at the Foundation’s website
|
||
and official page at www.gutenberg.org/contact
|
||
|
||
Section 4. Information about Donations to the Project Gutenberg
|
||
Literary Archive Foundation
|
||
|
||
Project Gutenberg™ depends upon and cannot survive without widespread
|
||
public support and donations to carry out its mission of
|
||
increasing the number of public domain and licensed works that can be
|
||
freely distributed in machine-readable form accessible by the widest
|
||
array of equipment including outdated equipment. Many small donations
|
||
($1 to $5,000) are particularly important to maintaining tax exempt
|
||
status with the IRS.
|
||
|
||
The Foundation is committed to complying with the laws regulating
|
||
charities and charitable donations in all 50 states of the United
|
||
States. Compliance requirements are not uniform and it takes a
|
||
considerable effort, much paperwork and many fees to meet and keep up
|
||
with these requirements. We do not solicit donations in locations
|
||
where we have not received written confirmation of compliance. To SEND
|
||
DONATIONS or determine the status of compliance for any particular state
|
||
visit www.gutenberg.org/donate.
|
||
|
||
While we cannot and do not solicit contributions from states where we
|
||
have not met the solicitation requirements, we know of no prohibition
|
||
against accepting unsolicited donations from donors in such states who
|
||
approach us with offers to donate.
|
||
|
||
International donations are gratefully accepted, but we cannot make
|
||
any statements concerning tax treatment of donations received from
|
||
outside the United States. U.S. laws alone swamp our small staff.
|
||
|
||
Please check the Project Gutenberg web pages for current donation
|
||
methods and addresses. Donations are accepted in a number of other
|
||
ways including checks, online payments and credit card donations. To
|
||
donate, please visit: www.gutenberg.org/donate.
|
||
|
||
Section 5. General Information About Project Gutenberg electronic works
|
||
|
||
Professor Michael S. Hart was the originator of the Project
|
||
Gutenberg concept of a library of electronic works that could be
|
||
freely shared with anyone. For forty years, he produced and
|
||
distributed Project Gutenberg eBooks with only a loose network of
|
||
volunteer support.
|
||
|
||
Project Gutenberg eBooks are often created from several printed
|
||
editions, all of which are confirmed as not protected by copyright in
|
||
the U.S. unless a copyright notice is included. Thus, we do not
|
||
necessarily keep eBooks in compliance with any particular paper
|
||
edition.
|
||
|
||
Most people start at our website which has the main PG search
|
||
facility: www.gutenberg.org.
|
||
|
||
This website includes information about Project Gutenberg,
|
||
including how to make donations to the Project Gutenberg Literary
|
||
Archive Foundation, how to help produce our new eBooks, and how to
|
||
subscribe to our email newsletter to hear about new eBooks.
|
||
|
||
|